ประภาส ชลศรานนท์ ที่ผมแอบมอง
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จำไม่ได้ว่าผมหยิบหนังสือ "เพลงเขียนคน ดนตรีเขียนโลก" มาจากหิ้งหนังสือของห้องสมุดแห่งไหนในจุฬาฯ แต่จำได้แม่นว่า นี่คือหนังสือเล่มหนึ่งที่เติมสารประกอบสำคัญเข้ามาในสมอง และหล่อหลอมให้เกิดความคิดแบบหนึ่งขึ้นในหัว กระทั่งวันนี้ความคิดนั้นยังคงอวลอยู่ไม่ไปไหน
...Continue ReadingPrapha sachon saranon that I sneak peek at
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I don't remember which library I picked up "music writing" from which library in chula, but I remember this is a book that added an important compound into my brain and forged. One thought in my head until today, that thought is still going anywhere.
The idea that is " many more
Along with the feeling that our little hands can write the world.
I have been listening to "Chaliang" since elementary school. Milk hasn't set (now). I still). I understand. When I was in University, the band disband disband has left just a story on the wood sheet for me. A lot of music never old. Those are written from the end of brother chik's pen - prapha chon Sara non
Reading this book makes you see the idea behind each song, and even more you see the author.
For me, whether brother chik wrote a song, wrote a book or made a movie, all he tried to do is ask people to try to look at the corner with more than just the corner.
See the world and your heart will be expansive.
Many more (many more that we don't know. We see it. Just in case we haven't seen it yet), Hibiscus Tree and blind (blind, but the mind is still bonded beauty), if there are only two of us in this world (time I'm hungry. Two of us will eat sticky rice with chicken noodles. Who to buy), it's up to who (it's up to who sees it, who can hear it, who decides), calm down bro (where are you going to fight with? I don't have time. Search for mind) etc.
Many songs of the lyrics are annoying. Such as when a lot of love songs say, " there are only us in this world brother chik asked me. Who will you want to eat noodles, who do you buy from? During a loud song If you don't love me, tell me. Tell me a word. " brother chik also wrote a song. Calm down. Where are you going? Let's see.
Khun Prapha Somchai cuddle will see the world in the drone corner. It's flying up to see the wide picture and spread out that there may be a corner that we forget to look at. The world could be something else.
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"many more" in the meaning of brother chik doesn't eat just one thing. There are hundreds of thousands of possible sources, but it also means looking at everyone. Everything is equally important. Equally beautiful. Not comparing to take it to take the beams, but look beautiful. Of that person then pull out that potential to create value
" Classic, don't insult jazz
Jazz don't watch clan pop
Pop, don't mind the country.
Don't be sulking with doctor lam.
Doctor Lam, don't think more than classic. It's high "
This is a message on the screen in the concert. The song makes me think of what brother chik told me in this book. "people are like fingers. It's not equal but fingers too and have different duties" is a teacher's speech. Teaching kids in the young movie of piak posters.
To this day, the " finger is not equal " has been interpreted and wittalion. But in the meaning that I understand that brother chik wants to press, the " difference " rather than " inequality " is thumb is different from Index Finger and pinky and brother chik says " you could be a pinky finger which is more important than the index finger in some things read and think that our round fingers are valuable in our way.
"Tao" which sees the value of the nature of things like this. Often seen in the work of brother chik.
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Mr. Prapha is not a big person. If there are two sides, brother chik will not stand on one side. Maybe because of the eyes that sees the beauty of each thing, each mind and an open view. I don't believe that anyone is all right. Or all wrong. Everything is good or bad.
Most importantly, this kind of thought resilience is believed that the people or the extreme thoughts we see are not eternal, but it can always change. The Extreme can also be adjusted, divided, exchange. New ingredients in themselves.
Once I had an opportunity to sit and talk with brother chik. Then we went to consult about making tv show. Our team is interested in a program that focuses on content. Easy, I want to pass knowledge to the audience. When I tell you the pattern and content to you. Listen to the brother ask, " is knowledge necessary that it must not be fun stop thinking and continue asking " is entertainment necessary to be ridiculous "
Just these two questions expand our view. We can see a new area that there is still space in the middle that combines what we thought were irrelevant. Different Worlds. and if we could, we could, we wouldn't cut off any kind of value.
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That's another feature of brother chik that I secretly look at. This guy doesn't teach straight away, doesn't comment, but he likes to ask questions. Let the partner to consider it himself. This technique is used in writing as well.
The question that brother chik throws at can make us think " can it be something else " or " can it really see one way
This kind of conversation is like a kind adult who doesn't block. It doesn't draw the line what it should be. But let us choose by ourselves. This is how to tease you think with the question that khun prapha can use this kind of weapon. Praew praew praw praw praw praw The more and more.
If anyone has worked with brother chik, maybe it feels why I came up with this idea! I'm really good! But in fact, we can think because we are triggered by his brother's questions, but we will feel good because no one has ordered us to do that. We make our own decisions.
So it's not just creative work, but the way of working is also creative.
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The Picture of brother chik that I remember when I was looking at the idol in the conference room is a picture of a playful executive like a little boy who had the big one who had the power to make any decision.
I saw his brother spinning pen, drawing a picture, and poke him out while everyone was meeting seriously thinking about it.
Good ideas often come up during our relaxing time -- I've heard many good thinking people say that. Many people say that if we don't lose our children, we will always keep the potential to imagine and creative.
Photo of Mr. Prapha in the conference room for me like a playful kid.
Another picture that I remember is in the conference room and dining table of the group who often meet each other. Brother Chik will tease the scared by putting a glass of water. The Edge of the table. It seems to fall to test if that person can endure enough. That person keeps moving deep. Mr. Prapha will laugh and says, " can't you stand it? Can't you stand this kind of thing
A Writer, a creative thinker that we have been following for a long time. Admired and thought that he would be quiet. But when he met the real one, he became a playful little boy, fast talking, Pear, praw and questioning. A very fun conversation.
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If I would write about "the" from the eyes that I would have written many pages of paper because I have been looking at brother chik since the work behind my thoughts to read every interview that I saw until I had a chance to meet on the occasion. I'm always looking at verbs, symptoms and thoughts of brother chik. Teacher's Melody.
Finally, brother chik is not crazy. People may see the work, but they don't have to see his own. We know the song. Scream and laugh with brothers and musicians. We love the program of work. Point or many other creative works caused by this brother's mind, but often we don't even know or don't even think there is him behind it.
This is another thing that brother chik taught me. We can make a change or create something without letting people see us. in some cases, it's more powerful than having better cuddle results.
We have seen Mr. Prapha through some work, but I believe there are many pieces of this sharp and round anchor that we didn't know was his work.
The fit of being seen is something that brother chik manages to learn and nan cuddle baht.
Prapha Chon Saranon is a teacher with many lessons to sneak peek and learn.
Thank you brother chik for being an inspiration, an open thought perspective. He ignites the dream of writing books and giving "many more" tips in my heart since I was in teenagers through your work.
Congratulations to brother chik for the National Artist Award in performing arts as the creator of International Thai entertainment and music event this year.
I really want to tell brother chik that "music writing music"
At least one of me is the productivity from your song.
With love and thanks
Ehhh (round finger)Translated
同時也有1部Youtube影片,追蹤數超過15萬的網紅pennyccw,也在其Youtube影片中提到,For one game, fellow guards Larry Hughes and Eric Snow stole the spotlight from Allen Iverson. Hughes hit a tying 3-pointer with seven-tenths of a se...
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drawing for 7 year old kid 在 pennyccw Youtube 的精選貼文
For one game, fellow guards Larry Hughes and Eric Snow stole the spotlight from Allen Iverson.
Hughes hit a tying 3-pointer with seven-tenths of a second left in regulation and Snow sank a 16-footer at the overtime buzzer, giving the Philadelphia 76ers a 122-121 victory over the Detroit Pistons.
In the final two minutes of the fourth quarter, the Pistons did an effective job of cutting off the high-scoring Iverson and appeared to have closed the game with a 7-0 burst until Hughes forced overtime with just his sixth 3-pointer of the season.
Detroit scored the first five points of overtime and still held a 119-114 lead with 1:42 left after consecutive baskets by Jerome Williams. Iverson and Snow made jumpers and the 76ers converted a turnover by Grant Hill into a breakaway layup by Iverson for a 120-119 lead with 16 seconds to go.
Hill atoned for his giveaway by drawing a foul on a drive and making both free throws for a one-point lead with 8.4 seconds left. The Sixers elected not to call timeout and inbounded to the speedy Iverson, who dribbled up the right side of the court and passed to Aaron McKie. McKie swung a pass to the left side to Snow, who faked a defender and buried the open shot as the buzzer sounded.
"It was a great decision because they didn't get to set up and we didn't have to worry about setting up in the half-court," Iverson said. "It was get it and go and it worked for us."
"It was all about taking advantage of the opportunity," Snow said. "I knew they were gonna double-team Allen; I told him so. So I just got the ball, took a good shot and fortunately it went in."
Philadelphia coach Larry Brown did not think Snow would end up with the game in his hands.
"I didn't know he would be the guy but the kid made three jumpers in overtime and played defense like crazy with five fouls on him.," Brown said. "If you ask me if I thought it was going to end like this, I would have said, `No way.' It's a great end to a long day."
Iverson and the rest of the Sixers threw a hug around Snow, a stark contrast to Saturday's 104-91 loss in Detroit. In that game, Brown benched his starters with 8:15 left in the third quarter and Iverson reacted by asking for a trade.
With 76ers president Pat Croce mediating, Brown and Iverson met today and ironed out their differences.
"I felt like I was a 10-year-old kid being punished on Christmas morning with no toys," Iverson said before the game, backing off his trade talk. "I know I reacted badly. If it happens again I won't run my mouth."
"He felt by not playing him I was disrespecting him," Brown said after today's practice. "I felt bad about it because that was not my intention."
After the game, Brown and Iverson appeared to be on the same page.
"There are gonna be days with him that are gonna be rough and some that are gonna be easy. It's like dealing with family," Brown said. "There are things that were said that needed to be said and probably need to be said again."
"After I left the room this morning, I had a good feeling about me, coach and the team," Brown said. "It was the realest conversation I had with coach. I know he's not gonna do anything to hurt this team. Coach and me are gonna do this together. We're all soldiers. It's as simple as that."
Iverson scored 32 points on 12-of-29 shooting. Hughes scored 20 points off the bench. Snow scored six of his 10 points in the extra session and added a season-high 12 assists. Iverson had seven assists and Snow and Hughes made three steals apiece.
"We've got a good group of guys here," Snow said. "Nothing bothers this team much."
Hill scored 32 points on 13-of-22 shooting for the Pistons, who had seven players in double figures.
"We had it covered. We had all the people we wanted to cover and got the ball out of Iverson's hands," Pistons coach Alvin Gentry said. "(Snow) was the guy we wanted to make the shot and to his credit, he did."
With Hill taking control, the Pistons led throughout most of the first three quarters and took an 86-82 advantage into the fourth period. The Sixers opened the quarter with an 11-4 run to take the lead and the Pistons tied it at 101-101 with 3:16 remaining on a 3-pointer by Lindsey Hunter, who scored 10 points.
Iverson answered with a pair of 3-pointers around a basket by Christian Laettner to give Philadelphia a 107-103 lead with 2:19 to go. But Hunter blanketed Iverson down the stretch and his two free throws gave Detroit a 110-107 lead with 5.1 seconds to play, setting up Hughes' heroics.
"They hit two buzzer-beaters, at regulation and at overtime," Hill said. "We're up by three with five seconds to play and we didn't close it out. We have to go back and regroup."