二十一年前,也就是 2000 年,我發表了一篇關於“西歐的道德恐慌和反邪教恐怖主義”的文章。標題是挑釁,我知道會有反應,更是如此,因為這篇文章發表在最權威的恐怖主義學術期刊上,叫做恐怖主義和政治暴力. 我們正處於所謂的“邪教戰爭”之中,一方面,一些政府,特別是法國,正在打擊被貼上“邪教”標籤的團體,與支持這些措施的人之間發生了一場非常激烈的爭論,另一方面,新宗教運動的學者批評他們,聲稱好的“宗教”和壞的“邪教”之間的區別沒有意義。反對者只是將他們不喜歡的任何團體稱為“邪教”。
Twenty-one years ago, in the year 2000, I published an article on “Moral Panics and Anti-Cult Terrorism in Western Europe.” The title was a provocation, and I knew there would be reactions, the more so because the article was published in the most authoritative scholarly journal on terrorism, called Terrorism and Political Violence. We were in the middle of the so-called “cult wars,” a very strong controversy between, on one side, some governments, particularly France, that were cracking down on groups labeled as “cults,” and those who supported these measures, and on the other side scholars of new religious movements who criticized them, and claimed that the distinction between good “religions” and bad “cults” did not make sense. Opponents were simply calling a “cult” any group they did not like.
Targeting Tai Ji Men: Why It Is “Violence Based on Belief”
針對太極門:為什麼是“基於信仰的暴力”
https://bitterwinter.org/targeting-tai-ji-men-why-it-is-violence-based-on-belief/
同時也有2部Youtube影片,追蹤數超過84萬的網紅BLV Anh Quân,也在其Youtube影片中提到,LINK SUBSCRIBE : http://bit.ly/anhquanblv ------------------------------ Đừng quên theo dõi BLV Anh Quân trên: Youtube: https://www.youtube.com/c/blv...
france2000 在 Facebook 的最讚貼文
100 PHIM CHÂU Á XUẤT SẮC
1. Tokyo Story (Ozu Yasujiro, 1953) – Japan
2. Rashomon (Kurosawa Akira, 1950) – Japan
3. In the Mood for Love (Wong Kar Wai, 2000) – Hong Kong
4. The Apu Trilogy (Satyajit Ray) – India
5. A City of Sadness (Hou Hsiao-hsien, 1989) – Taiwan
6. Seven Samurai (Kurosawa Akira, 1954) – Japan
7. A Brighter Summer Day (Edward Yang, 1991) – Taiwan
8. Spring in a Small Town (Fei Mu, 1948) – China
9. Still Life (Jia Zhang Ke, 2006) – China
10. The Housemaid (Kim Ki-young, 1960) – Korea
11. Close Up (Abbas Kiarostami, 1990) – Iran
12. A One and a Two (Edward Yang, 2000) – China
13. Spring, Summer, Fall, Winter… and Spring (Kim Ki-duk, 2003) – Korea
14. Oldboy (Park Chan-Wook, 2003) – Korea
15. Late Spring (Ozu Yasujiro, 1949) – Japan
16. A Taste of Cherry (Abbas Kiarostami, 1998) – Iran
17. Uncle Boonmee Who Can Recall His Past Lives (Apichatpng Weerasethakul, 2010) – Thailand
18. Ugetsu Monogatari (Mizoguchi Kenji, 1953) – Japan
19. The Music Room (Satyajit Ray, 1958) – India
20. The Cloud-capped Star (Ritwik Ghatak, 1960) – India
21.Where is the Friend’s Home (Abbas Kiarostami, 1987) – Iran
22. Raise the Red Lantern (Zhang Yimou, 1991) – China
23. Sopyonje (Im Kwon Taek, 1993) – Korea
24. Crouching Tiger Hidden Dragon (Ang Lee, 2000) – Taiwan
25. Spirited Away (Miyazaki Hayao, 2001) – Japan
26. Tropical Malady (Apichatpong Weerasethakul, 2004) – Thailand
27. Mother (Bong Joon-ho, 2008) – Korea
28. Poetry (Lee Chang-dong, 2010) – Korea
29. A Separation (Asghar Farhadi, 2011) – Iran
30. A Touch of Zen (King Hu, 1969) – Taiwan
31. Manila in the Claws of Light (Lino Brocka, 1975) – Philippines
32. Mandala (In Kwon Taek, 1981) – Korea
33. A Moment of Innocence (Mohsen Makhmalbaf, 1981) – Iran
34. Happy Together (Wong Kar Wai, 1997) – Hong Kong
35. The River (Tsai Ming-Liang, 1997) – Taiwan
36. Blissfully Yours (Apichatong Weerasethakul, 2002) – Thailand
37. Awaara (Raj Kapoor, 1951) – India
38. Floating Clouds (Naruse Mikio, 1955) – Japan
39. Pyaasa (Guru Dutt, 1957) – India
40. The Lonely Wife (Satyajit Ray, 1964) – India
41. The Cow (Dariush Mehrjui, 1969) – Iran
42. Red Sorghum (Zhang Yimou, 1987) – China
43. Days of Being Wild (Wong Kar Wai, 1990) – Hong Kong
44. Farewell My Concubine (Chen Kaige, 1993) – China
45. Vive l’amour (Tsai Ming Liang, 1994) – Taiwan
46. The Adopted Son (Aktan Abdykalykov, 1998) – Kyrgyzstan
47. Peppermint Candy (Lee Chang-dong, 1999) – Korea
48. I Was Born, But… (Ozu Yasujiro, 1932) – Japan
49. The Story of the last Chrysanthemums (Mizoguchi Kenji, 1939) – Japan
50. Living [Ikiru] (Kurosawa Akira, 1952) – Japan
51. Sansho The Bailiff (Mizoguchi Kenji, 1954) – Japan
52. The House is Black (Forough Farrokhzad, 1963) – Iran
53. Woman in the Dunes (Teshigahara Hiroshi, 1964) – Japan
54. Scattered Clouds (Naruse Mikio, 1967) – Japan
55. Daughter in Law (Khodzhakuli Narliyev, 1972) – Turkmenistan
56. Dersu Uzala (Kurosawa Akira, 1975) – Japan
57. In the Realm of the Senses (Oshima Nagisa, 1976) – Japan
58. A time to live and a time to die (Hou Hsiao-hsien, 1985) – Taiwan
59. Through the Olive Trees (Abbas Kiarostami, 1994) – Iran
60. Children of Heaven (Majid Majidi, 1997) – Iran
61. Osama (Siddiq Barmak, 2003) – Afghanistan
62. West of Tracks (Wang Bing, 2003) – China
63. Paradise Now (Hany Abu Assad, 2005) – Palestine
64. Mukhsin (Yasmin Ahmad, 2006) – Malaysia
65. Secret Sunshine (Lee Chang-dong, 2007) – Korea
66. The Goddess (Wu Yonggang, 1934) – China
67. Humanity and Paper Balloons (Yamanaka Sadao, 1937) – Japan
68. Street Angels (Yuan Mizhi, 1937) – China
69. The Life of Oharu (Mizoguchi Kenji, 1952) – Japan
70. Mother India (Mehboob Khan, 1957) – India
71. Floating Weeds (Ozu Yasujiro, 1958) – Japan
72. Good Morning (Ozu Yasujiro, 1959) – Japan
73. Paper Flowers (Guru Dutt, 1959) – India
74. The Naked Island (Shindo Kaneto, 1960) – Japan
75. Intentions of Murder (Imamura Shohei, 1964) – Japan
76. A Man Vanishes (Imamura Shohei, 1967) – Japan
77. Holiday (Lee Man-hee, 1968) – Korea
78. The Cruel Sea (Khaled Al Siddiq, 1972) – Kuwait
79. Insiang (Lino Brocka, 1976) – Philippines
80. Vengeance Is Mine (Imamura Shohei, 1979) – Japan
81. Batch ’81 (Mike de Leon, 1982) – Philipines
82. Taipei Story (Edward Yang, 1984) – Taiwan
83. The Runner (Amir Naderi, 1985) – Iran
84. My Neighbor Totoro (Miyazaki Hayao, 1988) – Japan
85. Ju Dou (Zhang Yimou, 1990) – China
86. Life, and Nothing More (and Life Goes on…) (Abbas Kiarostami, 1992) – Iran
87. The Puppetmaster (Hou Hsiao-hsien, 1993) – Taiwan
88. Chungking express (Wong Kar Wai, 1994) – Hong Kong
89. The Scent Of Green Papaya (Tran Anh Hung, 1994) – Vietnam, France
90. Gabbeh (Mohsen Makhmalbaf, 1995) – Iran
91. The White Balloon (Jafar Panahi, 1995) – Iran
92. The Day a Pig Fell into The Well ( Hong Sangsoo, 1996) – Korea
93. Hana-bi (Kitaro Takeshi, 1997) – Japan
94. Flowers of Shanghai (Hou Hsiao-hsien, 1998) – Taiwan
95. Chunhyang (Im Kwon Taek, 1999) – Korea
96. The Color of Paradise (Majid Majidi, 1999) – Iran
97. The Poet (Garin Nugroho, 1999) – Iran
98. Blackboards (Samira Makhmalbaf, 2000) – Iran
99. The Circle (Jafar Panahi, 2000) – Iran
100. The Day I became a Woman (Marzieh Meshkini, 2000) – Iran
#whatever
france2000 在 法國生活日記 Facebook 的精選貼文
羅浮宮 feat. 口罩Made in France 🇫🇷
剛出門忘了換新口罩😷,臨時在附近小超市買一個,正在結帳的年輕法國女店員好難得有效率,看我在店裡櫃台附近面有難色(因為都是打折的布口罩,沒有醫療用的),就眼帶微笑看我這邊...。
「Bonjour 您好,請問您有沒有醫用口罩?!」
「有的,您要一盒?還是只要一個?一個的話60生丁(約20台幣)。」
原來巴黎現在買口罩這樣方便了,還學我們印有「Made In France」的鋼印lol😅,( 借了剪刀剪掉口罩兩邊耳帶,因為我用夾層式布口罩,裡頭再裝醫用口罩雙層保護。)
今天大熱天,南法各地多熱超過35度C,巴黎還好但也近30度C,看新聞說今天光首都就有三條反「健康衛生法」的群眾遊行抗議隊伍,三個訴求不甚相同,但多是認為法國政府日前立法變相強迫人民打疫苗違反人權。
在意見多的法國,政府政策想要來個大改革很不簡單,前兩天法國西南大城土魯斯市政府就收回了該市部份地區進入坐定消費要檢查有無注射疫苗的「健康通行證」時,必須嚴格同時檢查身份證ID的作法,原因說是因為中央政府的立場反覆「Flou 模糊」,六、七月時中央說ㄧ定要檢查,八月五日又說不必要...,想必是法令規範通過後,為了減低擾民抵抗的懷柔策略。
有時想想,人人都愛自由,但目前自由卻被病毒把持控制住,政府法令的設立無非是想推一把,施加壓力給不想打疫苗的人以達至月底八成人口皆接種群體免疫的境界,想不到卻如此惩罰了無法施打疫苗、體質有憂慮的人。
聽一位電視台來賓說:「生為法國人生性總是有些反骨(Rebelle)、有些立場總想要人注意他的存在(Imposant)。」心底頻頻點頭,這形容真是Made in France 的本日最佳每日一句😂。
巴黎第一區。
france2000 在 BLV Anh Quân Youtube 的精選貼文
LINK SUBSCRIBE : http://bit.ly/anhquanblv
------------------------------
Đừng quên theo dõi BLV Anh Quân trên:
Youtube: https://www.youtube.com/c/blvanhquan
Facebook: https://www.facebook.com/blvanhquan/
Anchor: https://anchor.fm/blvanhquan
Soundcloud: https://soundcloud.com/blvanhquan
Spotify: https://open.spotify.com/show/0fAT5KU1drY0KAWP1PV6vb
Gmail : blvanhquan@gmail.com
----------------------------------------------------------------
© Bản quyền thuộc về BLV Anh Quân
© Do not Reup.
#BLVAnhQuan #TheLockerRoom #ZinedineZidane #tongthong #ZidaneWc98 #ZidaneEuro2000 #ZidanevsPortugal #ZidanevsFigo #ZidanePen #zidanegoals #zidaneasissted #Zidanegoldengoal #banthangvang #france2000 #doituyenphap2000 #euro2000 #binhluanbongda #tintucbongda
![post-title](https://i.ytimg.com/vi/86vEvqpwPGc/hqdefault.jpg)
france2000 在 BLV Anh Quân Youtube 的最佳解答
THE LOCKER ROOM No.21 | NHỮNG KHOẢNH KHẮC ẤN TƯỢNG NHẤT TẠI EURO 2000
Euro 2000 là một vòng chung kết Euro cảm xúc bậc nhất với sự hồi tụ ngôi sao và những bất ngờ xảy ra, ở đó cũng có những cảm xúc thật sự khó quên.
LINK SUBSCRIBE : http://bit.ly/anhquanblv
------------------------------
Đừng quên theo dõi BLV Anh Quân trên:
• Youtube: www.youtube.com/c/BLVAnhQuan
• Instagram: www.instagram.com/BLVAnhQuan
----------------------------------------------------------------
© Bản quyền thuộc về BLV Anh Quân
© Do not Reup.
#BLVAnhQuan #Euro2000 #FrancevsItalia2000 #Euro2000final #Italia2000 #France2000 #ItaliavsHollande2000 #NetherlandsvsItalia2000 #NetherlandsvsFrance2000 #ItaliavsRomania2000 #Trezegueteuro2000 #Trezeguetgoldengoal #Zidaneeuro2000 #Henry2000 #Tottieuro2000 #Delpiero2000 #Toldoeuro2000 #Barthezeuro2000 #FrancevsPortugal2000 #Zidanepenalty2000 #Zidanegoldengoal #Nunogomes2000 #Luisfigo2000 #Vieira #Petiteuro2000 #Anelkaeuro2000 #WildtordvsItalia #NestavsCanavaro #binhluanbongda #tintucbongda
![post-title](https://i.ytimg.com/vi/VvuMX4oKeOI/hqdefault.jpg)
france2000 在 France win EURO 2000 | By UEFA EURO 2024 | Facebook 的推薦與評價
... <看更多>