2019年6月12日,一個妹妹在我前方嚎哭跟家人在話筒裡對話:「媽,我會平安返屋企,你放心,我會睇住啲年紀細嘅學生⋯(擦擦眼淚)」突然,一顆催淚炸彈在我們頭上幾米距離爆炸,接二連三金鐘不斷有香港警察投擲炸彈、開槍,馬路遍地鮮血,繁華城市頓時變成戰地廢墟,高濃度灰濛濛的催淚毒霧彷如要屠殺香港市民。作為一位藝術創作人,將來或許不能再講、再唱、再寫,但我們會用盡最後一口氣以自己的身體和靈魂去實踐我們想要的目標!
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June 12th, 2019. Meters away from the frontline facing off the police, I overhear the phone conversation of a nearby teenage girl. “Don’t worry Mum, I’ll be home safe. I have to make sure these kids around me are safe.” I see her wipe away something in her eye.
Suddenly, a shot of teargas is fired and exploded with a loud bang meters above my head. The tear gas grenades volley one after another, mixed with police gunfire. The sidewalks pooled with the blood of the injured, and an international city quickly turned into a foggy warzone, their citizens gassed and beaten.
As an artist staring at a limited future, I might not be able to speak up or sing out anymore. But I will use my last breath, fight body and soul, to build a Hong Kong I would be proud of.
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(Photography on BodyPainting).
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👩🏻🎨Body painting Artist: Hailey Ng from OO Arts 圈圈藝術
📸Photographer: Knives M.
Model: Rono Fok
同時也有1部Youtube影片,追蹤數超過28萬的網紅BEAUTYQQ,也在其Youtube影片中提到,Firstly, I would like to thank Dave Liang for granting me rights to use their lovely tunes in my future videos. His music has touched my ear drum...
「future city painting」的推薦目錄:
- 關於future city painting 在 霍朗齊 Facebook 的最佳貼文
- 關於future city painting 在 Sonic Deadhorse Facebook 的精選貼文
- 關於future city painting 在 曾德平 Tsang Tak Ping Facebook 的最讚貼文
- 關於future city painting 在 BEAUTYQQ Youtube 的最佳貼文
- 關於future city painting 在 900+ Sci-Fi City Concept Art ideas in 2022 - Pinterest 的評價
- 關於future city painting 在 Painting A Future City With Acrylics. ( 25 minutes + Ambient ... 的評價
- 關於future city painting 在 Future City - Home | Facebook 的評價
future city painting 在 Sonic Deadhorse Facebook 的精選貼文
【Non-Confined Space 非/密閉空間】首張專輯《Flow, Gesture, and Spaces》Bandcamp已經上架,附上英文版的介紹。
Between the spheres of free improvisation, jazz, trap, and musique concrète, lies Non-Confined Space. The name of this Taipei-based duo – saxophone polyglot Minyen Hsieh and audiovisual electronica experimentalist Ge-Chun Cheng (aka Sonic Deadhorse) – aptly describes their approach to exploring the fertile space they find themselves in. Drawing inspiration from their differing musical approaches and worlds, plus energy from the lively Taiwanese music scene, Non-Confined Space is a bold and future-facing hybrid. Cheng deploys piles of samples alongside Hsieh’s versatile saxophone, resculpting the results into a sublime and boldly experimental debut album of beats and processed improvisations unlike anything you’ve heard before.
Taking its title from a philosophical textbook about free-jazz, Flow, Gesture, and Spaces is a revelatory introduction to the duo, mixing the utterly free improvisations of their live shows (exemplified with spontaneous straight-to-tape takes on two of the album’s ten tracks) with an approach to studio composition inspired by the philosophy of improvisation. Basic outlines – often borrowing chord movements from the likes of Coltrane and Wayne Shorter, or pulling beats from Cheng’s huge library – would be cut loose in studio sessions, later augmented by psychedelic post-production. Utilizing methodology from the eponymous book, Flow, Gesture, and Spaces is nonetheless based on “simple elements” as the duo put it, “rhythm, intervals, timbre, and energy.
As a pairing, Non-Confined Space seem to come from polar opposite ends of the spectrum, musically. Performing professionally since the age of 19, Minyen Hsieh first picked up the saxophone back in high school, going on to study with local jazz musicians, and eventually studying the instrument at Koninklijk Conservatorium in Brussels. He’s since made a vast array of music, from traditional swing to the loosened bop of his debut solo album Firry Path, and collaborations with pianist Shih-Yang Lee and legendary Japanese free-drummer Sabu Toyozumi. Non-Confined Space is Hsieh’s first deep foray into the art of electronic processing.
Ge-Chun Cheng’s primary solo project since 2007 has been Sonic Deadhorse. A sample-hungry outfit blending the “indulgence of the 70s, melancholy of the 80s, nihilism of the 90s, and isolation of the new century”, the project has produced a wide-range of sounds from post-Flying Lotus fusion beats to wild live performances of a club-influenced mix of post-rock, dubstep, and chiptune (documented on a 2016 live set for Boiler Room). Working as something of a one-man band has left autodidact Cheng well prepared to not only match the classically trained Hsieh, but to push his partner into wild new directions. “I can always get organic feedback and responses from Minyen,” explains Cheng. “It makes me want to put more elements and processing into the music, and to change style more often.”
Since first meeting at a jam session in Taipei City, Non-Confined Spaces have evolved into an improv outfit for the 21st century, as indebted to Aphex Twin and Squarepusher as they are to Archie Shepp and Sun Ra. The road to Flow, Gesture, and Spaces has seen the duo play for dance performances, visual exhibitions, and even live-painting. Their own live shows also include various interactive and audiovisual elements, consistently focusing in on those three core elements checked in the album’s title. Non-Confined Spaces is a project far from tied down, flirting with bass-heavy tropicalia on ‘Serotonin Cell’, psychedelic post-Madlib hip-hop on ‘Melodic Gesture’, and noisy electrified free jazz on ‘Entropy’. The latter is one of two live takes featuring drummer Weichung Lin and keyboardist YuYing Hsu – allies from the Taiwan scene – capturing the explosive spontaneity and uncannily wonky sounds of this unique duo reconstructing samples live on the spot. Flow, Gesture, and Spaces is a true journey into the heart of the unknown.
Tristan Bath
future city painting 在 曾德平 Tsang Tak Ping Facebook 的最讚貼文
歡迎有興趣和有毅力的佛教朋友和我做同學呢🙏🙏🙏
Basic Thangka Class Admissions:
Finally our school is open for admission again. To be honest, I became a little bit shrink back for new classes, which kept me delaying this post day after day until my captain repeatedly urging me to do so. The reason of my flinch is the hugh disappointment letting down by previous students that make me feel possibly thangka painting was a bit hard for city people, exspecially Hong Kong- a place mixtures of internation influrence, a place with not much tradtional or root passion, a place filled with working stress. Hong Kong people have no experience or habbits like tibetans, they do not born to have strong faith and patience. (nobody does) But I still believe Hong Kong people are itelligence, pure, and flexible of so much potentials, which I am hoping to see this time. (show me what you got, HK) I need to appologise to everybody who is interest, our school tradtionally required a interview, due to our inadequate space and time limit. Most importantly, I want to make sure who come to learn not coming for hobby classes. I am aiming “ONLY” to train future thangka artists that could pass the lineage or buddhists that are ready to benefit others.
Students requirements:
1) Buddhist/future Buddhist. (interested/ faith/right idea on dharma) A lot of people came and declare they are not buddhists, why leaning buddhism art? What is that suppose to mean?
2) Age 27-45 (for best concentration, patience, stability)
3) Humble to learn, open-minded; obedience.
4) Decent looking with sense of modern anc chic. (in order to nurture the new generation of Buddhists, to have outstanding qualities are benefits for good impression).
5) Good motivations.
6) Kind heart, open-minded, lovely personality, humor and willing to help others, gentles.
7) Have faith, willing to believe and love your teacher. (me). This is a very important point, in Tibetan Buddhism, we believe the trust on teacher can always bring success in studies. (you might search more information by my Chinese name or read all the previous posts in timeline to understand more about me)
I do not like students who are superstitious, super natural imagination, narrow minded, judgmental, proud, princess sickness, sarcastic, love gossips, and talks in big voices. (I think everybody don’t like too). If you think you fits all the qualities or few qualities in the above lists; or feeling positive to become like that; or simply love to visit our school and ask questions, don’t hesitate or shy to send me a private message inbox to make an appointment.
P.S: please don’t just visit without appointment due to our school unpredictable opening time, we are very happy to fullfil your curiosity on thangka painting cultures
Due to my health problems this time I authorizated Captain Mr Tim Tim to do all the main interviews, I will only meet the potential students in the second interview or people with special requirement)
基本唐卡班招生:
終於我們學校又再次開放新班招生.老實說對招生感到有點退縮,一日推一日地延遲刊登這篇文章,直到班長一再敦促。我退縮的原因是以往一些學生們讓我感到太失望,令我覺得唐卡對於城市人來說可能有點困難,特別是香港- 一個國際化混合的城市; 一個沒有太多傳統或熱情根本的地方; 一個充滿工作壓力的地方。香港人沒有像藏人那樣的生活經歷,天生沒有堅強的信心和耐性的習慣。(相信也沒有人天生有的)但我仍然相信香港人是非常聰明敏感,純真,和充滿多樣的可塑性,希望這次能看到. (show me what you got, Hong Kong) .我需要向所有感興趣的人說聲抱歉,歷年來學校需要面試原因是,我們不足的空間和時間, 最重要是,想確保來學習的人不是學興趣班心態。我的目標是培育能承接傳承的未來唐卡畫師或者準備好利益眾生的佛教徒。
1)必須是佛教徒/想成為佛教徒.(有興趣學習佛法, 對佛法有信心有正確思維等) 很多人來到這宣稱不是佛教徒,但想好玩地學學佛教藝術, 什麼意思呀?
2)年齡寧可27-45(比較集中,耐心,穩定)
3)謙卑好學, 虛心; 思想開明, 願意聽從。
4)相貌莊嚴, 帶有時代感和氣質. (為了培育新一代的佛教徒, 希望優秀的素質給佛教帶來新鮮正面的好印象.
5)良好動機。
6)慈悲, 可愛, 善良, 幽默和樂於助人。
7)願意相信, 生起信心, 愛你的老師 (我). 這是一個非常重要的一點, 在藏傳佛教中認為'如果對老師信任是可以帶來學習上成就. (可通過我的中文名字-張櫻琴搜索多一點資料您可以通過我的中文名稱搜索更多信息或閱讀過往我寫過的帖子了解我多一點)
我不喜歡學生迷信,疑神疑鬼, 狹隘,武斷,驕傲,挖苦批評,愛八卦, 和粗聲粗氣(我想大家亦不可能喜歡)如果你認為你符合所有以上要求;或符合某些要求;或者乾脆喜歡到我們學校參觀參觀, 解答一些唐卡疑問, 不要猶豫害羞,給我發私信收件箱進行預約.
注: (請不要在沒有預約下突然拜訪因為學校開放的時間每天不定,我們很高興能夠滿足您對唐卡繪畫文化的好奇心. 由於我的健康問題,這次全權交給班長甜甜先生作主要面試,我只會在第二次面試接見有潛質的學生或特殊要求的人)
future city painting 在 BEAUTYQQ Youtube 的最佳貼文
Firstly, I would like to thank Dave Liang for granting me rights to use their lovely tunes in my future videos.
His music has touched my ear drums and made my brain dance like summer rain.
[Miss Shanghai ] is my all time favourite :)
In this video , I would like to present you --
The Wandering Songstress (天涯歌女)
&
Can't Get Your Love (得不到的愛情) feat. Zhang Le (張樂)
both by ---Shanghai Restoration Project
Hope you enjoy ^^
► Please Check out The Shanghai Restoration Project:Music: http://shanghairestorationproject.com/Youtube: http://youtube.com/undercovercultureFacebook: https://www.facebook.com/shanghairest...iTunes: https://itunes.apple.com/us/artist/sh...
They will be doing a 9 city tour of China in May .
►Check out the the links for each city : http://site.douban.com/DaveLiang/room/3166711/
♥Shot and Edited by Queenie Chan
(演出/拍攝/剪接:陳莉敏)
►Find Me @
http://www.whereisqq.com/
►Blog:
http://www.tumblr.com/blog/beautyqqhk
►MORE Blog:
http://vipblog.sundaymore.com/queeniechan/
►Queenie's微博:
http://weibo.com/tvb8queenie
►Queenie's Facebook:
http://www.facebook.com/BEAUTYQQ
►Queenie's Instagram:
iloveqq
►YouTube :
BeautyQQ:(美麗頻道)
http://www.youtube.com/user/BEAUTYQQ
►YouTube MsQueenieChan Channel(生活頻道)
http://www.youtube.com/user/MsQueenie...
►YouTube MyDearQQ Channel (國語頻道)
http://www.youtube.com/user/MyDearQQ
►Queenie's 土豆:
http://www.tudou.com/home/BEAUTYQQ
►Queenie's YouKu :
http://i.youku.com/u/UMzg5MDc5OTIw
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