【After Winning Majority in LegCo: Beijing's Crackdown May Trigger International Intervention】
***感謝Hong Kong Columns - Translated,將我早前撰寫『議會過半想像:以「#國際攬炒」反制「臨立會2.0」』長文(https://www.facebook.com/joshuawongchifung/photos/a.313299448762570/2887650867994069/)翻譯成英文,鼓勵國際社會關注立會選舉一旦過半的沙盤推演,在最惡劣形勢下的制衡策略。***
中文精簡版本:https://www.facebook.com/joshuawongchifung/photos/a.564294826996363/2888641404561682/
Hongkongers have experienced our revolution for over half a year. They no longer take a consequentialist view to the effectiveness of their movement as they did years ago, or waste time second-guessing the intentions and background of fellow activists. Following the defensive battles at CUHK and PolyU, November’s District Council election saw a great victory of unity. More marvellous is the union between peaceful and “valiant” protesters.
In the process of resisting tyranny, the people have realised that one cannot prioritize one strategy over another. This is also how the common goal of “35+” came into being—the hope that we will win over half of the seats in the Legislative Council (LegCo) this September, such that the political spectrum that represents the majority of Hongkongers is able to gain control of legislative decisions. The political clout of Hongkongers will increase if 35 or more seats are successfully secured on our side. It is certainly one vital step to achieve the five demands within the system.
The possibility of realizing legislative majority
Technically it is not unrealistic to win a majority even under the current undemocratic system. Back in the 2016 LegCo election, we already won 30 seats. In addition to the District Council (First) functional constituency seat that is already in the pocket of the pan-democrats, as long as the candidates in Kowloon East and New Territories West do not start infighting again, we could safely secure 33 seats based on the number of pan-dem votes in 2016.
The other 3 seats required to achieve a majority depend on democrats’ breakthrough among the functional constituencies by dispersing the resources of the Liaison Office. They also count on whether the turnout this September could exceed 71.2% — that of last year’s District Council elections. Some of the factors that could affect the turnout include: will the epidemic persist into the summer? Will there be potential violent repression of protests in the 2 weeks preceding the election? Will Hong Kong-US relations be affected by the downturn of the global economy?
Therefore, the ambition of “35+” is to be prioritised by the resistance as both a means and an end. I have already expressed my support for an intra-party primary at the coordination meeting. In the meantime, it is pleasing to see the ongoing debates reaching a consensus of maximising the seats among geographical constituencies in the upcoming election.
Whilst enthusiastic coordination, we should also assess the post-election landscape and gauge Beijing’s reactions: if we do not reach 35 seats, Hong Kong will be subject to tighter control and more severe repression by China; but if the democratic parties successfully form a majority in LegCo, CCP’s fears of a “constitutional crisis” would become imminent. Hence, the key questions are how the Pan-Democrats should deal with the volatile political situation in Hong Kong and how they are going to meet Beijing’s charge head-on.
Watching out for Beijing’s dismissal of LegCo after reaching majority
To take back control of LegCo such that it faithfully reflects the majority’s principles and needs is the definition of a healthy democracy. Recently, however, DAB’s Tam Yiu-chung has warned that the plan of the Pan-Dems to “usurp power” in the LegCo would only lead to Beijing’s forceful disqualification of certain members or the interpretation of the Basic Law. This proves that winning a majority in LegCo is not only a popular conception but also a realistic challenge that would get on the nerves of Beijing. Could Beijing accept a President James To in LegCo? These unknown variables must be addressed upon achieving a majority.
While there is no telltale sign as to Beijing’s exact strategy, we are already familiar with the way CCP manipulated the Basic Law in the past 4 years. Having experienced three waves of disqualifications in LegCo, twice kicked out of LegCo with my team, and thrice locked up in jail, I have no false hopes of an easy compromise from Beijing: they would not let Pan-Dems control LegCo for half a year and wait (as is the proper procedure) until after having negatived the Budget to dissolve the legislature, and thereby giving them an easy victory in the re-elections. The greater the Pan-Dems threaten Beijing’s rule in Hong Kong, the more likely that it will trigger Beijing’s repression.
Since the disqualification and arrest of lawmakers have already become “normalised”, one can even imagine the police stepping into the LegCo building to force Pan-Dems into voting. Neither is it beyond our imagination to expect the CCP to kick out all 70 lawmakers in a fit of rage and replace them with a provisional LegCo “2.0” [HKCT note: The first was from 25 Jan 1997 to 30 Jun 1998]. To depend on a majority that could lead to a chapter of a “new testament” for One Country, Two Systems is perhaps what many elites long for, but they are overly optimistic:for a ticket to the promised land will not be available at the Chief Executive election campaign a year and a half later.
Admittedly, the Pan-Dems cannot unilaterally initiate “Laam-chaau” [HKCT note: mostly translated into “scorched-earth” mentality or “mutual destruction”; some even translated into “If I burn, you burn with us”]. The most they can do is to force a standstill of the government, and not for long the LegCo will have been eliminated from the equation to make the wheels turn again. It all leaves the plan of “Negativing the motion → Dissolving LegCo → Re-election after re-election → the stepping down of Carrie Lam” merely as overly positive speculation, probably resulting from their overestimate of CCP's capacity for rational calculation. The Pan-Dems must guard their frontlines and recognise what the biggest threat from Hong Kong to China could be. In this case, should LegCo sessions be disrupted or suspended, the Pan-Dems would have to be well prepared to surmount the expected obstacles and prevent the disqualification crisis 4 years ago—a Catch-22 indeed.
Productive tension from global intervention: Using Laam-chaau against the CCP
What aggravates the CCP the most is the potential threat to Hong Kong’s unique status as the one and only “separate customs territory”. Any miscalculation will compromise its role as the Chinese economy’s “white gloves”. Imagine if CCP were to disqualify all 70 elected lawmakers and convene a meeting north of the Shenzhen River to pass a resolution to Hong Kong’s affairs (much like the Provisional Legislative Council “1.0" in 1997), how great will the shock be in a world with an effective Hong Kong Human Rights and Democracy Act? However hard it is to predict the future one thing is certain: With the US presidential election just around the corner, blows to the separation of powers would not be tolerated, and the West would necessarily effect countermeasures against the Hong Kong government.
Beijing has been relying upon Hong Kong to navigate the international community for decades. While clamping down on the political freedom of the cosmopolitan city, Beijing desires to maintain the financial centre’s economic freedom. Hence, we started lobbying for the Hong Kong Human Rights and Democracy Act four years ago, and today we are determined to promote “Laam-chaau” on an international scale.
The will of the voters must be reflected in an election. If a “35+” legislature were to be dismissed and replaced, such flagrant violation of democracy would assuredly cause a greater backlash than the infamous extradition bill. Knowing what the reality ahead of us could be, we have to combine our election and international strategies to oppose the placement of a 35+ LegCo with an “Emergency Legislative Council 2.0”, to advance an international “Laam-chaau” to Hong Kong’s status as “separate customs territory”. Only then will we stand a chance to resist the regime and to realise the five demands.
Adjusting our mindset: Overcoming the “constitutional crisis” to reach a resolution
Upon the realization of the “35+” LegCo, it is expected that the CCP will launch a devastating counterattack. The Pan-Dems should not expect LegCo to run normally; neither can the lawmakers realise their governing blueprints they have for Hong Kong. Rather, candidates will be able to compete against one another with visions of a liberated Hong Kong through popular vote. Bringing this point up has nothing to do with undermining the common goal of reaching a majority in LegCo, but rather channels the battle of LegCo to positive use upon the rule of law’s death and a “constitutional crisis” ahead. Knowing that Hongkongers have nothing to fall back on, all Pan-Dems should not miss the only way to the realization of “35+”.
Thus, be they partisans, nonpartisans, incumbent politicians, amateur politicians, or the civil society as a whole – if we stay in the political discourse of 2016 and continue to perpetuate old stereotypes, that is to deal with the divisions on the pan-democratic camp by favouring the most “local” faction; to consider only resource allocation and self-aggrandizement as the purpose of a LegCo campaign; to ignore how potential lawmakers are fitted to what specific roles; to turn a blind eye to the journey of resistance since last summer (extending indefinitely into the future)—They would lead as astray and cost us lose a precious opportunity for change by winning a 35+ majority.
The extent to which the pan-democrats can stay united in light of the political atmosphere since last summer is another problem that our side must to address. Before the watershed moment of 12th June 2019, many democratic delegates were trapped in the mentality of needing to “preserve people’s livelihood”, “be content of what we have accomplished”, and other strategies that favours stability. As the government refuses to heed to the five demands, whether the democrats, especially those in the functional constituencies, have the political will to go all-in is the real difficult question that confronts us in the upcoming LegCo election.
All in all, if “35+” cannot be realised, it is unsurprising to see LegCo being more heavily suppressed in the next 4 years; even if "35+" is achieved, it is questionable whether the pan-democrats are able to weather multiple attacks, verbal or physical, from the regime (judging from its power in the last four years) and utilise the international Laam-chaau strategy against the displacement of LegCo. Adhering to the motto of “we fight on, each in his own way”, I can only hope that Hongkongers in elections, street confrontations and international front can reconcile with each other, so that we may collectively compel the government to yield to our demands in the next six months. It is only by reaching a resolution before a real constitutional crisis that we can combat the institutional violence of the regime and not be devoured by it.
https://hkcolumn.blogspot.com/2020/04/joshua-wong-after-winning-majority-in.html?fbclid=IwAR216gf53pG_j9JOpDfr2GItvjLfrFSekKTPzoEs3-s9KBqvPEwz865P8vw
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我哥之前因為陪朋友去考街頭藝人證照看到一些評審對街頭藝人的態度發聲 而上了新聞。我覺得他很勇敢的去做了一件對的事。
希望政府不會時間過了就不關心這些事情。希望我們都可以更客觀的去看藝術,尊重不一樣藝術和藝術家。我覺得以下我哥說的非常好,想跟大家分享。
想知道之前的事可看新聞連結:
http://www.storm.mg/article/270611
親愛的大家:
我想感謝所有支持我、以及給予我鼓勵意見的每個人;同時也要感謝熱情關注此事、協助揭露街頭表演者們應試處境問題的許多媒體與記者們。我很抱歉這些日子我保持著沉默—僅有一個原因:我並不希望這件事情,在台北市文化局正式給予溝通管道之前就發展到無法控制的程度;我很抱歉遲至今日我才發表這篇文章,但我確實需要一些時間來沉澱彙整我心中的感受和想法,而我也需要時間及一些協助使這篇文章能夠以中文來呈現。
在我採取更進一步的行動之前,我其實未曾預料到這件事情在媒體與社交媒體上的感染力如此龐大;我受寵若驚的感動能夠聽見發自你們每個人內心的聲音,而我也著實感到抱歉,面對著如潮水般湧來的各種訊息,似乎超過我所能負荷。請原諒我未能夠逐ㄧ去回應每個人的訊息,但我真的想讓你們知道,你們每ㄧ個人都讓我感到不可思議、帶給我深深的感動及感謝。
我不認為自己是一個勇敢的人,我也自知自己並非街頭藝人的代表或者發言人。但我是一個藝術創作者,一個表演藝術家,一個教育者,而最重要的,我身為一個 "人"。我的家人、朋友及師長們,總是教導我應該為正確的事情挺身而出。
我明白事情有時候總是不像我們所期待的永遠是非分明。但發生在5月21日星期天的街頭藝人評審事件,是對藝術群體的一種「極不尊重」。不論反面評論者所提出的藉口、理由或是文化差異等緣由,這些應試的表演者們,很顯然是被視為次等公民,或者(經驗與技能不夠成熟?)的學生等級。而與此同時,同樣非常清晰的是,街頭藝人評審制度或許是立意良善,但其審查過程的執行層面,卻是嚴重缺失連連。
藝術並非一種特權的這件事情如今已完全被遺忘。台北市文化局本應提倡所有具有文化及藝術可能性的事情,但它並未做到這ㄧ點。很顯然的,一個「對表演者的基本尊重」並不存在 — 許多表演者都如此感覺,有些人則深感受傷。
就算是得到全世界所有理應被如此對待的原因及理由,他們仍然感受到自己的不被尊重;因為這就是事實。
再一次的我想強調我並不是認定台北市文化局與該評審是一個「壞人」,我想強調的只是這個評審街頭藝人表演的執行環節,究竟有多麼的不妥當與糟糕。
我試著回應一個反面評論者所提到的觀點:若街頭藝人證照是ㄧ場「考試」、考試就會有考試的規則。評審無需與應試者惺惺相惜,掉頭就走是因為模擬街頭現場環境以及時間到了。再一次的,在我描述現場狀況的前ㄧ篇文章中,大家或許還記憶猶新:許多表演者根本沒有完整的短至一分半鐘的時間可以好好表演,遑論是超過2-5分鐘的時間限制了。
而這樣的回應是否也指出了另一個值得我們去思考的問題: 為什麼我們會將它視為一種「考試」,而不是ㄧ個表演者的「試鏡」呢?
首先,這些表演者們並不是學生。事實上,許多人更可能是一個專業的音樂家、舞者、或者正從事著表演藝術的人。當然,我不否認也可能會有些正在學習中的族群。但,最重要的是,當他們「在屬於他們應得的演出時間與機會裡 (而且還是付費才有的),他們就是ㄧ個真正的表演者。」
他們不應該被看待成一個不成熟的學生或者次等的公民。而就算一個人擁有著學生的身分,這個身分也不應該影響或侷限他或她,作為一個藝術創作者的身分及所有可能性。「藝術家」並非是透過一個人的職業身分或者社會地位來定義的。
所謂「考試」的這個字眼指涉著ㄧ個學術教育機構,而我們都知道台北市文化局所應該扮演的角色與作用,並非一個學術性的教育機構,也並非是用來教育藝術創作者們該知道些什麼?該怎麼表現?藝術教育及審美的養成也從來不是在追求填鴨式教育裡的ㄧ個標準答案。將街頭藝人的徵選視為「考試」的視角,或許本身就有待商榷。
評審的場所是在一個公共場合,許多居民與遊客都會圍觀欣賞著表演,其中有些人或許不了解藝術;因而這些人也許會將在場的評審們,視做為某種藝術的衡量標準;試問,當這些人看到評審對待表演藝術家的行為與態度,當他們看到評審總是任意打斷演出,並且掉頭就走不帶ㄧ句回應時,人們日後還能懂得尊重街頭表演藝術家嗎?
沒錯,我們都知道這是一場「考試」,我們也很清楚這些手上拿著計分表的人們就是評審;因此,事實上評審們根本無需「模擬」街頭現場那些會隨時走掉的陌生人們。
這些評審以及相關單位的人員,理應提倡藝術,並且作為ㄧ種示範與典範,讓普羅大眾都能夠看到該如何去欣賞ㄧ場演出。一個表演者並不會因為他選擇在街頭表演,就因此比不上一個在大舞台演出的藝術家。我自己就曾在世界各地超過百個不同的絢麗舞台演出過,但我仍然汗顏自己可能也不比這些街頭藝術家們來的優秀。
我曾擔任過ㄧ些國際比賽的評審,我也曾舉辦過專業的試鏡;我從來沒有聽過關於尊敬一個人的這件簡單事情,會需要在時間充裕的前提下才能夠發生。
如果一點表情會洩漏出評審成績的好惡,其實也真的可以不用笑或是無需在表演結束時說一聲謝謝。而評審也真的「不需要」與考證照的街頭藝人感覺惺惺相惜,因為這些都不是我想討論的重點。
我在意的是,表演者所需要的,只不過就是一個對人與對一個演出者的「基本尊重」而已。這樣的尊重存在與否,如人飲水冷暖自知,在人與人的接觸中就能直接感受的到,著實無需仰賴規則或語言的贅述。
我作為一個藝術創作者和教育者,穿梭各地工作超過15年的職業生涯經驗,或許會因此被視為一個外國人,但我的身分就是一個台灣公民。身為一個39歲的成年人,我可以分辨何謂尊重,而表達尊重甚至不需要浪費到任何一秒鐘。如果一個人會需要至少五分鐘以上的充足時間才有可能表達出對另外一個個體的尊重的話,那他可能需要重新再思考一下,尊重對他而言意謂著什麼?
再度回應一位也曾擔任過街頭藝人評審的老師所提出來「中途要求更換曲目或要求表演者改唱另ㄧ種語言的歌」的理由,是因為評審們不會希望一個街頭藝人一整年下來只會唱同一種語言、甚至是只唱同ㄧ首歌。
我所思考的是當一個街頭藝人遵守規定,付費且努力準備去應試時,他ㄧ定會準備了符合完整時間長度的、同時也是自己最擅長、最喜歡或者是最期待能被看見的那些內容;表演一首歌曲或者ㄧ種風格並不代表他就只會唱那ㄧ首歌;而且就算是當做他只會唱ㄧ種語言、ㄧ首歌,如果他能把這首歌反覆演繹的淋漓盡致時, 又有什麼不好呢?
難道我們不曾注意到百老匯的音樂劇就是同樣的那幾部,而獅子王也已經在舞台上展演了20年了嗎?許多同樣內容重複的音樂劇票房始終歷久不衰,持續帶給觀眾們心靈的滿足。而人氣歌手愛黛兒從頭到尾也只會用英文唱歌,而且幾乎都是類似的曲風,我們可曾在乎過她有沒有能力去唱中文歌呢?
ㄧ部舞蹈作品光在荷蘭本土就能有至少五十場大大小小的演出機會。但在台灣,ㄧ部作品如果能有五個場次的演出,可能已經算是很長壽了。這樣的環境迫使藝術創作者們必須不斷快速的「生產新作」,而將舊有積累的作品與經驗拋在腦後。就所有對於藝術的挹注與投資(不僅僅是金錢)來說,這樣的情況對藝術的生產是ㄧ種過度消耗與浪費,也並未真正教育到民眾如何去看待藝術的價值。
而最終,這樣的評審過程與態度並不僅僅是對街頭表演藝術者的不尊重,同時也是對於藝術的不尊重。
台北市文化局星期ㄧ曾經聯絡過我,親切向我表示將與我進一步聯絡並討論這件事情;他們要求我先將評審的照片拿掉—我答應取下照片,但前提是他們必須確實誠意的允諾一個面對面的溝通。這幾天我也暫時迴避了一些報導媒體的詢問(還請大家見諒)只因我衷心希望能先與台北市文化局及該評審當面談一談。我ㄧ直等待,但我也持續的看到了相關機構或人員回應給媒體的諸多理由與藉口; 自從將照片從網路上取下之後,直到今日都沒有人再跟我連繫過。慢慢的我突然明白星期一的那通電話,或許純粹只是ㄧ個希望我能將照片取下的操作手法,而並非真的試圖去了解整個經過以及解決問題。我對這個本應提倡藝術與文化的機構感到無比失望。
我知道我並非一個公眾人物,而我也不能代表所有想要考取街頭藝人執照的表演者們;自從我的臉書網頁訊息爆炸之後,我就不斷的在思考這件事情,我反覆思考自己是否該繼續爭執此事,這似乎並非與我切身相關的事情,然而,身為一個藝術教育者,我卻又感受到深切的責任。
經過反覆的思考以及與朋友們的討論,我意識到不論我們的展演形式如何不同,我們同樣都是表演藝術群體中的一分子。台北市文化局最後很可能將持續充耳不聞,而這位被我所抱怨的評審也可能繼續做他這些年來ㄧ直在做的事—用他ㄧ貫的態度。除非他們願意傾聽與改變,否則我無法改變任何人。
我真心相信有些事情值得改善,也可以改善。我必須強調我並不是想要攻擊或羞辱任何人。我只希望能有機會去討論如何讓審查的過程變的更適當。我看到台灣有許多優秀的藝術家,但環境對藝術和藝術家的不尊重不但打擊同時也限制了他們的發展;更遺憾的是,這一切可能是在許多疏忽之中造就出來的環境。
許多評審過程如果能夠在尊重藝術的前提之下思考和進行,事情或許會截然不同。
只要有一點點可能去拋開面子的問題,或許也就有機會明嘹我們所期待的結果其實是一樣的。
事實上我之所以說了這麼冗長的話語,並非是要不尊敬所謂的評審或師長,而正是因為我對藝術的尊敬,使我更深切的關注身為一個教育者所代表的意義。今天我看到了街頭表演藝術家是如何被不當的對待,而很顯然的我也不會是唯一的目擊者。某個程度上我的聲音似乎被放大了,但我也知道我的聲音並不是唯一的一個,我是許許多多的聲音中的ㄧ份子。
William
---------
Dear All,
I would like to thank you for all the encouraging messages and supportive comments. I would also like to thank all the journalists and reporters who are passionate about this issue and are so willing to expose the problem that was faced by these street performers. I am sorry that I have been quiet but with a reason: I don’t want it to get much bigger than it already was until I talked to the Taipei Cultural Affair. I apologize that it took me a while, but I needed some time to gather my thoughts and help to translate my writing into Chinese.
Before I go on any further, I never expected my story would go viral on the media and the social media. I am humbled and touched to hear from many of you. All the messages I’ve received have been overwhelming. I am not able to reply to all of them, but I’d like you to know that I am honored, thankful, and touched by every single one of them.
I do not consider myself as a brave person, nor do I consider myself a representative for the street performers. BUT I am an artist, a performer, educator, and most of all I am a human being.I have always been taught to stand for what’s right by my family, friends and mentors.
I understand things are not as black and white as we all wish sometimes. However, what happened on Sunday 21st of May was a disgrace to the art community. Regardless of all the excuses that were given or cultural differences, it was very obvious these performers were treated like lower-class citizens; if not, students. It was also very clear that the intention might be well, but the execution of the busker’s exam was done horribly.
Somehow the idea that ART is NOT a privilege had been forgotten. Taipei Cultural Affair is supposed to be advocating for all things cultural and artistic but it was not conveyed that day. It was very clear the respect was not there. Many felt it and some got their feelings hurt. Even with all the excuses there are in the world, many experienced the disrespect. That was the truth. Again I have to emphasize that I believe Taipei Department of Cultural Affair and its adjudicators are good people, but the execution of the exam was poor.
It brings to the question…. why is it called an exam? Shouldn’t it be an audition?
These performers were not students when they took the exam. Some of them were actually professional musicians, dancers, or performers. Just because one is a student, it doesn’t make him or her less of an artist. Artists are not defined by their social status or occupation.
The term exam suggests an educational institution, but we know Taipei Department of Cultural Affair is not an educational institution. They do not decide what these artists need to know. These performers were not given any materials to study, thus the term exam is very misleading.
The exam took place in a public space. Many tourists and residents were there to enjoy the event. Many do not understand arts. So they may look up to these adjudicators as role models who are experienced in the arts. When they saw how this exam was being done, do you think they would have any respect for these performers afterwards? They saw these adjudicators interrupting the performers and left without saying a “thank you.” We all knew it was an exam, we all knew these people were adjudicators. They did not need to pretend to be street spectators who just walk away. They all carried their score boards in their hands.
Just because a performer performs on the street, it doesn’t make that performer any less of a performer than someone who is performing on big stages. I myself have performed over hundreds of stages around the world and I do not dare to think myself better than these performers.
I have judged a handful of international competitions. I have also held professional auditions. I have never heard an excuse that respect can’t be shown when time is limited. You do not need to smile to simply say “thank you.” Since when, a smile means “I favor you.” What a performer need is respect. Over the 15 year span of my professional career as an educator and artist, and 39 years of being a human being, I know what respect looks like. It doesn’t take more than a second to show it. If it takes longer than 5 minutes to show what respect is, I think you may need to rethink what respect means to you.
Another excuse that was presented was that they don’t want a street artist performs only one kind of songs or genre throughout the year. Don’t they know broadway musicals? Lion King has been performed over 20 years. They’ve been doing the same musical numbers for years to sold out audiences. Adele has been singing the same genre of music and always in English. Does it matter that she doesn’t sing in other genre or sing in Chinese?
One dance production in the Netherlands can be performed up to 50 performances within the Netherlands itself. In Taiwan, a dance work only performed 5 times the most. They are forced to constantly create new works and leave the old works behind. That is a waste of arts funding and it doesn’t educate the public on the value of the arts. These performers is old enough to decide what they want to show these judges with their limited time.
In the end it wasn’t just disrespectful to the performers, but also to the arts.
I was contacted by the Taipei Cultural Affair on Monday, the representative spoke nicely promising that they would discuss further with me. He asked me to take the adjudicator’s picture down, I agreed with the condition of meeting in person to further discuss what could be done better. I have refused to talk to reporters for the last few days. I have been waiting but I then heard the excuses given to the media. Since I’ve taken down the picture of the head adjudicator, they haven’t made any attempt to contact me. I came into a realization that when they made the call, it wasn’t to address the problem but simply to manipulate me to take down his picture. I’m disappointed at this institution that was supposed to promote the arts and culture.
I realized I am not a public figure, nor am I responsible for the well being of all artists who want to get a busker license. After my Facebook post went viral, I’ve been thinking so much about this issue. I kept going back and forth questioning whether I should keep fighting for this. It doesn’t feel like my fight, but at the same time I feel responsible as an art educator.
I truly believe this can be fixed. I need to emphasize, I am not attacking anyone. And I don’t want to shame anyone. I want to start a discussion how to make it better. Taipei has some of the best performers I’ve seen, yet the lack of respect for the arts and artists has suppressed their ability to excel. And ironically, it’s often done unintentionally.
If the exam is done based on respect for the arts itself, things might have come out differently. And just maybe if we all let go the “face” culture, we could possibly see further to realize that we are all wanting the same thing.
I saw mistreatments towards performers that day. It was very obvious I wasn’t the only one witnessing it. It was not that I don’t respect these adjudicators/teachers, but because I respect the arts and the meaning of a teacher that is why I had to speak up. Somehow my voice had been amplified this week. But my voice wasn’t and isn’t singular. I am simply a voice amongst many.
Sincerely,
William Lü
Taipei National University of the Arts 國立台北藝術大學
寶藏巖國際藝術村 Treasure Hill Artist Village
Taipei National University of the Arts
臺北表演藝術中心 Taipei Performing Arts Center
National Theater and Concert Hall, Taipei
中正紀念堂 Chiang Kai-shek Memorial Hall
National Taiwan University of Arts
Department of Cultural Affairs, Taipei City Government
go up the street中文 在 羅溫特 Winter L. Facebook 的最佳解答
最近這件事鬧的沸沸揚揚 也上了新聞 在留言上發現自己考試的影片有被po上去 增加一些曝光率這樣 哈XD
但對於此事件 我就不公開多表態什麼了 只希望一切能以理性與和平的方式去解決 我們大家都是文明人 都要努力讓這個世界變得更美好
謝謝大家關注這個議題,我剛剛把評審的照片拿掉了,原因是我希望大家不要將這位評審當成壞人,而也我們把焦點專注在這個事件上,而不是人身上,我們才能真正長期的改善這個問題.因為我不會中文,所以我會和我的夥伴們一起再產出一篇更詳盡完整的中文文章,屆時也煩請大家一同關注,讓台灣的藝術環境更好,最好也謝謝幫我翻譯以下文章的朋友,我非常訝異這篇造成的影響力,感謝你們!
I CAUSED A SCENE TODAY IN THE PUBLIC
Today I got very angry and upset for the first time in public in front of a crowd.
What started out as a nice day, I thought it would only get better by attending the street performance artist's exam in Taipei. Everything seemed nice when I saw the performers were all prepared in their provided locations around the Sun Yat Sen Memorial Hall. But after I saw the head of the judge panel treated the street performers while performing, I couldn't keep my mouth shut.
Let me explained: each performer had to pay to register for the license exam. They were given 3 minutes to present their work(s) hoping they'd get a lisence so they can earn some sort of living from their passion. This one particular judge (pictured) leading the group seems impatiently listen and watch the street performers. It barely hit the one minute mark, he aggressively cut into the song of a singer and told the performer "many singers sing in different languages like English etc, sing in another language!"(I paraphrased with my bad Chinese translation). Then the singer started singing in Taiwanese language. But barely two sentences, he talked to another judge barely paying attention to the performer this head judge basically just left and gestured to the rest of the group to follow him.
The singer sang barely a minute and a half (they were promised 3 mins and they kept being interrupted by this judge). Bare in mind, this judge is earning a wage while these hopeful performers were paying him to be there. He basically did the same thing over and over again disregarding the artist's intent and hard work. Not a single word of appreciation. He just acted as he was a big boss looking down on these petty performers. He chatted as he wished and walked away without saying a "thank you" or a gesture of acknowledgement. A percussionist kept being interrupted asking him to do something different. Then he just left after the third time. The rest of the judges just followed.
So, i approached him politely asking for his name and his business card. I told him I wanted to talk to him one on one in the future. Degradingly he asked me who I was. I could see in his eyes that he saw a young man who looked like a student to him. But I was not and am not. I am a 40 year old dance artist, filmmaker and educator that have taught around the globe and in many prestigious colleges and festivals.
He didn't want to give me his business card. He seemed annoyed and surprised that someone spoke up. So I said I can give him my contact info but we needed to talk on how the exam went.
The way Taipei city exams the performers today was both disrespectful and insulting to the arts community in general. I didn't want to say this all out. But he left me with no choice.
I told him, for one, the way he treated the performers was disrespectful. As an educator I could not be quiet when I see something like that. Second, the process of the exam is not doing the art community any justice. If he cannot see the artists as a human being first, then what does it say about his view on the Arts. I could see him pissed off. But again he left me with no choice. He was very degrading towards these performers. As an artist myself and an art advocate I had to do something.
The organizer apologized to me said the process needed to go on. I told him I wasn't trying to stop them. I merely want to know how I could get in touch with them to discuss this. If you know me well enough, you should know my temperament. I am a happy go lucky person. I almost never get angry in the public. But it was genuinely insulting and degrading to every artists based on what I saw today.
This arrogant judge didn't care of my opinion. I could see it in his eyes. He was basically the superior in his world and his way was the right way. That's how he had always done it. All the young staffers there were afraid of him. Today he was disrespectful, rude, and arrogant. I really want to know why he does what he does.
After the incident, a few people came up and thanked me for speaking up. They felt the same way but they didn't have the courage to say it to this judge or the organization that issues these licenses. One organizer from the New Taipei City said even she felt bad seeing how the performers being treated.
I don't understand why people don't stand up for each other. The Taipei City has failed their community and even more so to their arts community.
For an organization that is supposed to advocate for the arts, culture and authenticity, they did miserably today. It is like giving an exam to a dog, a cat, a bird and a monkey then telling them that their exam is climbing a tree. It's absolutely ridiculous.
I left them my contact information. They said they will contact me. If they don't, this could be an interesting subject for my next film project. A documentary on how these hopeful, aspiring performers being treated.
I am mad and I am angry. I really hope they will change their shallow way of seeing Arts.
P.S. Share or repost in Chinese. They need to change. Thanks.
台北國際藝術村-寶藏巖 Taipei Artist Village-Treasure Hill
Taipei National University of the Arts
臺北表演藝術中心 Taipei Performing Arts Center
National Theater and Concert Hall, Taipei
中正紀念堂 Chiang Kai-shek Memorial Hall
National Taiwan University of Arts
go up the street中文 在 CH Music Channel Youtube 的精選貼文
《Midnight Sun》
7月の翼 / Shichigatsu no Tsubasa / 七月的羽翼 / Wings in July
作詞 / Lyricist:aimerrhythm
作曲 / Composer:百田留衣
編曲 / Arranger:玉井健二、釣俊輔
歌 / Singer:Aimer
翻譯:夏德爾
English Translation: Thaerin
背景 / Background - Reflection - とちちま:
https://www.pixiv.net/artworks/80661378
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Copyright Info:
Be aware this channel is for promotion purpose only without any illegal profit. All music's ownership belongs to the original creators.
Please support the original creator.
すべての権利は正当な所有者/作成者に帰属します。あなたがこの音楽(または画像)の作成者で、この動画に使用されたくない場合はメッセージまたはこのYoutubeチャンネルの概要のメールアドレスにご連絡ください。私はすぐに削除します。
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If you like my videos, please click like and subscribe! Thx :)
粉絲團隨時獲得最新訊息!
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Check my Facebook page for more information!
https://www.facebook.com/chschannel/
中文翻譯 / Chinese Translation :
https://home.gamer.com.tw/creationDetail.php?sn=2500695
英文翻譯 / English Translation :
https://www.lyrical-nonsense.com/lyrics/aimer/shichigatsu-no-tsubasa/
日文歌詞 / Japanese Lyrics :
星屑の中 羽ばたいた あの白い鳥の様に
何もかもを投げ出して 飛べたなら 変わるのかな?
どこにも行けずに まだここにいる
ただ 会いたい
浮かぶ言葉はいつも弱くて 変わらず胸を焦がすよ
ねえ もし願いが叶うなら
夜空も越えて会いに行くよ
暗闇の中 輝いて 咲き誇る花の様に
何もかもが愛しくて いつまでも探している
どこかで会えたら また微笑んで
ただ 会いたい
君の笑顔は今も 遠くで変わらず夜を照らすよ
ねえ もし願いが叶うなら
迷わず君に会いに行くよ
思い出の公園や 懐かしい教室も
今でもあの日と同じままかな?
寂しげな街灯と 最後に見た駅のホーム
溢れ出す景色に手を伸ばす
会いたい…
浮かぶ言葉はいつも弱くて 変わらず胸を焦がすよ
会いたい…
君の笑顔は今も 遠くで変わらず夜を照らすよ
ねえ もし翼があるのなら
迷わず君に会いに
夜空も越えて会いに行くよ
中文歌詞 / Chinese Lyrics :
若是,能夠如同在群星裡振翅而飛的那隻白鳥一樣
將一切都拋在身後僅是展翅高飛的話,是否能夠有所改變呢?
然而,我卻仍然無處可去,仍然,停留在這裡
僅是想要見到你
欲言又止的話語總是懦弱而無從改變,一如往常的翻攪著自己的胸口
如果說、如果說這樣的願望也能夠被實現的話
那麼我將穿越這片夜空,前去見你
像是於黑暗中閃耀光芒、綻放著自我的花朵一樣
一切都看起來如此愛戀,而我仍然在不斷的尋找
若是相遇在某個天涯海角的話,請一定要再次展露你的笑容給我
僅是,想要見到你
你的笑容至今,都在遙遠的天空裡照耀著夜晚
如果說、如果說這樣的願望也能夠被實現的話
我將會毫不猶豫的,前去見你
回憶裡的公園或是懷念的教室
現在是否也維持著和那天相同的景色?
有些孤單的路燈與最後映入眼簾的車站大廳
我忍不住將手伸往那不斷閃爍的回憶
好想見你……
然而脫口的話語卻總是懦弱而無能為力,總是攪亂著自己的心
好想見你……
如今你的笑容仍在遙遠的天邊照耀著我身處的夜晚
如果說、如果說我能夠擁有翅膀的話
我就會毫不猶豫的張開羽翼——
穿越這片夜空,前去見你
英文歌詞 / English Lyrics :
If, like that white bird, flapping its wings amid the stardust,
I could throw everything away and just fly… would something change for me?
Unable to go anywhere, I’m still here…
I just want to see you;
The words that float up are always weak, never ceasing to pain my heart…
But you know, if my wish were to be granted, I’d go beyond even the night sky to see you!
Like a flower in full bloom, shining amid the darkness,
Everything about you is so precious to me – I’m constantly searching.
So if we meet somewhere along the way, please smile for me again…
I just want to see you;
Your smile, even now, still illuminates the darkness from far away…
But you know, if my wish were to be granted, I would go to see you, never losing my way!
That park from our memories… Our familiar old classroom…
I wonder if they’re still the same as they were that day.
A lonely little street light… The home platform where I saw you last –
I stretch my hand out to the overflowing scenery!
I want to see you…
The words that float up are always weak, never ceasing to pain my heart…
I want to see you…
Your smile, even now, still illuminates the darkness from far away…
But you know, if I had wings, I would go to see you, never losing my way…
… I’d go beyond even the night sky!
go up the street中文 在 Smart Travel Youtube 的精選貼文
#bangkoklockdowns #thailandlockdowns #曼谷通關 #泰國通關 #曼谷自由行 #最新曼谷交通攻略
#bangkoktransportation #bangkokairportsuvarnabhumi #motorbikebangkok #SaphanTaksin #中文字幕 #CC #englishsubtitles
Hello大家好, 我叫阿Tsar,
相信亞洲最快解封的就是泰國
因為公司已經委派任務給我, 六月尾我會去泰國
除非到時有突發事件發生, 要取消航班
所以今日同大家分享是去曼谷機場出市區
除了搭的士, 就有更多便宜的選擇, 就是機場快線
繼而可以轉乘空鐵BTS, 或是地鐵MRT
除了講曼谷機場交通之外
亦都會講旅遊時候在市內的交通, 最常見幾種交通工具
例如有取代了 Uber的grab、 Tuktuk、電單車等等
曼谷的士最多可以載五個人, 有些會較大型, 但較少量
泰國的士顏色代表不同車行公司管理,
沒什麼特別意義,不需特別拘泥於顏色選擇。
但車頂上面的英文「Meter」招牌, 就一定要認住
因為是用咪錶正路的的士, 有些不正路的司機, 會開天殺價
那麼你就不應該上車, 例如如果曼谷新機場Suvarnabhumi Airport,
搭的士出市區, 大約400THB 大概是100hkd,
如果他們不跟咪錶, 價錢可以任由他說, 分分鐘要double
如果你是三個人或以上一起搭的話, 我當然會建議你搭的士吧
假使你一兩個人, 我建議你搭機場快線ARL出市區
但如果你是搭廉航的話, 請你睇清楚自己是否在新機場到境
因為好多廉航著陸在舊機場, 是沒有機場快線,這個是溫馨提示
溫馨提示還有兩件事, 第一就是每個入境泰國的人
需要攜帶 2 萬泰銖、家庭則需要 4 萬泰銖。
或可用其他國家等值貨幣代替
假設香港人, 每個人是要帶接近5000hkd, 或家庭的10000hkd
所以如果你帶不夠錢, 實在有機會被人懷疑你是黑工
分分鐘拒絕你入境,
海關雖然不是每個人都查, 但是都會抽查
如遇上抽查又沒有足夠現金,可試向入境人員解釋會在當地提款機付款,
再提供酒店住宿、回程機票等資料,也有望獲通融。
另一個溫馨提示就是, 任何人士在境內購買、使用吸食、進出口電子煙皆一律違法。
最高可判5年監禁或不超過50萬泰銖(約12萬港元)罰款,或兩者並罰。
當你拿回行李, 出到到境大堂, 就見指示牌去BF
ARL機場快線買車票的時候, 你首先要決定,
之後你想轉乘BTS 抑或 MRT 去你的酒店
因為ARL 落車的站 BTS 和 MRT是有所不同的
如果你住的酒店是 BTS站 附近,就搭到 Phaya Thai站轉 BTS 空鐵去到你酒店,
如果你住的酒店是 MRT站 附近,就搭到 Makkasan站轉 MRT 地鐵去到你酒店,
曼谷機場快線的站是A1,
如果要轉MRT, 就搭到去 A6站, 35THB=9hkd, 22分鐘
機場快綫A6 Makkasan站落車,再轉地鐵MRT
如果要轉BTS, 就搭到去 A8站, 45THB=11hkd, 26分鐘
我記得由機場快線落車去Phaya Thai站,
再轉搭BTS, 都叫做Phraya Thai站
但我記得在Praya Thai站有好多樓梯要行的
如果你去的時候已經有好多手提行李, 那麼你自己想想是否太麻煩
所以大家在香港book酒店的時候要清楚這一點
究竟你的酒店近BTS或MRT,
如果你在離境當日, 已經買了很多東西,
我建議你由酒店一程車去機場, 這些錢就不好慳啦
當你在機場快線ARL售票機的時候, 首先選擇語言
第二步你要選擇落車地點, 就好似是Phaya Thai站抑或Makkasan站
然後再選買幾多張飛, 一個人一張,如此類推
售票機的右手面即時顯示, 你要落車的地方和價錢
售賣機是接受硬幣和紙幣, 那麼你就可以入錢
然後售賣機就會吐出一個token塑膠幣, 就是你一程的車票
然後就可以入閘, 你不需要看我在哪裏上車
因為當天上車, 我是在 Hua Mak A4上車的,
Hua Mak 即相等於香港的東涌或青衣啦,
我在那裏上車匙因為公司book的酒店是在這裏附近
如果你們在曼谷機場是要從A1上車的,ok!
機場快線車廂裏面都好乾淨, 望落跟香港的地鐵差不多
所以大家如果是精明消費的朋友, 機場快線除了的士之外的另類選擇
由於當日我要搭地鐵MRT, 這裏路牌指示都非常清楚
一落車如果覺得口渴, 周圍都有大家好掛住的泰式奶茶
如果你轉乘MRT, 這個地鐵站名叫做 Phetchaburi站
下一個站就是Sukhumvit地鐵站, 即是Terminal.21附近
在BTS叫Asok站, 大家相連的
我意思是說如果你住在Terminal 21附近的酒店
你出街要搭BTS的時候, 都可以在這裏搭車去其他地方
非常之方便, 落到去MRT買票, 都好像香港搭地鐵一樣啦
如果你就要去翟道翟, 搭MRT,
翟道翟地鐵站名叫kamphaeng phet
好車站裏面都有Super rich換錢
千萬不要在機場換super rich, 會貴很多
當然你在香港出門之前會有兌換少少泰幣啦
到步當晚, 可能你在酒店附近逛街shopping或按摩啦
第二日的交通費, 我這裏有些少貼士同大家分享
Rabbit Card兔子卡, 相等於我們香港的八達通
兔子卡(Rabbit Card)只能用在曼谷BTS搭乘,
並不能使用在曼谷地鐵(MRT)系統,
Rabbit Card初次買卡費用為200THB,
含有100泰銖搭乘車資儲值,使用期限是5年,
增值金額最少為100泰銖,最多4千泰銖,
除了泰國BTS外,也能在部分快餐店或者連鎖超市付款,非常方便!
此外,兔子卡(Rabbit Card)也有分為大人卡、小童、老年人、學生卡
外一種就是BTS的一日券, 必須要在售票處購買,
價錢是140THB, 某些公司都有代購
當日任何時間用直至當晚凌晨12點為止,
如果你一日之內會用到三四次已經回本
除了因為可以節省搭車費之外, 另外最重要解決的問題
就在繁忙時間不需要排隊買票,
所以大家可以考慮下,
如果你買單程車票,買的步驟好簡單啦
首先看看地圖你要去的地方收費
然後在買票機按你個銀碼,
再投入硬幣或紙幣,然後攞飛, 就可以搭車啦
BTS 有兩條主要路線,分別是深綠色的Silom Line和淺綠色的Sukhumvit Line。
2020曼谷空鐵 BTS 沿線熱門景點, BTS Sukhumvit 蘇坤蔚線
有以下站名, Siam、Chit Lom、Mo Chit、Asok站
Siam(暹羅站)為曼谷百貨公司聚集地,
聚集了非常多美食、精品、咖啡廳、流行服飾、運動用品店
高檔的有Siam Paragon、中價的Siam Square
和Siam Center、Discovery Center等購物商場,
而且這個站有bts可連結Chit Lom站,可通往Central World、四面佛等。
霓虹夜市Talad Neon Night Market、Big C Supercenter、曼谷水門市場等等
BTS 深綠色的Silom缐, 主要站有 National Stadium、Sala Daeng、Saphan Taksin站
National Stadium站可通往BACC曼谷藝術及文化中心、
也可以從這裡通往TOKYU東急百貨、MBK Center、Siam Square。
Sala Daeng站最知名的景點莫過於Patpong Night Market了!
是曼谷夜生活的景點
Saphan Taksin站附近有石龍軍路食街, 我曾經介紹過
亦都有曼谷中央碼頭,可以在此搭船
玩曼谷前往大皇宮、鄭王廟、臥佛寺、Asiatique碼頭夜市等,
好多泰國曼谷知名景點都要從這邊轉搭船前往!
至於交通圖的深藍色線就是MRT地鐵
看完我影片之後, 你們就不用每次搭的士
除了空鐵和地鐵都會比搭的士便宜之外
曼谷搭的士有兩個問題, 第一可能的士司機會兜路
第二曼谷的士非常塞車嘅
除了的士、BTS、MRT以外, 曼谷市內亦都可以搭Grab
即是之前的Uber, 下載跟用的介面都差不多
電單車每2公里40Bath, 這個方法香港人好少用
適合短程, 我自己就搭過兩次, 其實都安全的
而且泰國政府指定穿著橙色背心的電單車司機要經過考核
但是講到底, 香港人條命都是矜貴些, 所以輕輕介紹一下
另外一種交通工具是Tuktuk, 相信好多人都搭過
Tuktuk和電單車一樣, 都只適合短程, 所以發應該多過50bath
如果貴過50bath, 我建議你寧願搭回的士或地鐵較好
如果想知曼谷有什麼值得平價吃、買、玩
那麼你就要看我的曼谷播放清單,
這些影片的留言在置頂, 會有一條link,
就會有我的曼谷播放清單, 超過50條影片, 陸續更新
希望大家多多支持啦, 今次講住咁多先,
星期六會直播,我最近看過的書籍,跟大家分享
暫時不會再講鬼故啦, 盡可能做到知識共享
如果你們對某些話題有興趣, 可以隨時留言給我
我會找相關的書籍跟大家分享, 今次講住咁多先啦,88
I believe Thailand is the earliest to set for the lift of all business and activity lockdowns .
Because my company has delegated tasks to me, I will go to Thailand at the end of June.
Unless there is an emergency at that time, the flight will be cancelled.So today I’m going to share with you that cheapest way to get to city from Bangkok Airport .Other than taxi, there are chaer options, Airport Rail Link ARL.Then you can transfer to the skytrain BTS or subway MRT .
Besides Bangkok airport traffic, I also talk about the most common types of transportation in the city.For example, there are Grab, Tuktuk n motorcycles.Bangkok taxis can carry up to five people, some will be larger, but not many.Thai taxi colors represent management of different car companies,
, .................
成為這個頻道的會員並獲得獎勵:
https://www.youtube.com/channel/UCIuNPxqDGG08p3EqCwY0XIg/join
請用片右下角調4K睇片。
go up the street中文 在 Lukas Engström Youtube 的最佳貼文
In this video we're in for a surprise as we take the cable cars from Wulai up to Yun Hsien Resort.
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go up the street中文 在 美、中、俄北極角力升溫,誰將占據上風? | Facebook 的推薦與評價
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