請傳給你認識的外國朋友
(繼續發酵!英文翻譯上線!幫手推!)🔥 有外媒相繼報道了關於袁國勇、龍振邦兩位教授疑似因壓力而撤回《明報》專欄文章一事,有手足更花了時間,把文章譯作英文。西方社會是需要知道真相的,請廣傳給在外國的朋友:
[On Mar 18 2020, Professor David Lung at the University of Hong Kong and his colleague Professor Yuen Kwok-yung, a world-renowned expert in microbiology and infectious diseases, withdrew their op-ed in the Chinese-language newspaper Ming Pao, in which they elucidated the origin and naming of the Wuhan Coronavirus, and criticized "inferior Chinese culture" for being the origin of the present pandemic. This led to allegations that the Chinese and Hong Kong governments are covering up the truth and suppressing academic freedom. Below is an English translation of this op-ed. Please spread the word and expose the truth!]
Outbreak in Wuhan shows that lessons from seventeen years ago are forgotten - David Lung and Yuen Kwok-yung, University of Hong Kong [translated from Chinese]
The novel coronavirus outbreak began in Wuhan in Winter 2019, and engulfed the entire province of Hubei by Spring 2020; the number of cases in China grew to over 80,000, with at least 3,000 deaths. The outbreak in China slowed down only after a month-long lockdown, which has failed to curtail the spread of the disease overseas by March 2020. The World Health Organization (WHO) was sluggish in response and failed to declare this a pandemic in a timely fashion. Shortage of relevant measures and protective gear around the world contributed to the global outbreak. Singapore, Hong Kong, Macau, and the Republic of China have so far been spared of the pandemic, though cases linked to overseas travel have yet to cease.
This pandemic is caused by a coronavirus, thus named because of its shape. From 2015 onwards, the WHO has ceased to name diseases using monikers for people, places, animals, food, culture, or occupations. As such, they labeled the disease using the year of the outbreak; thus the designation COVID-19. The International Committee on Taxonomy of Viruses (ICTV) used viral genome sequencing as the sole criterion for the naming of viruses; because the similarity between the genetic sequences of the SARS coronavirus and the present novel coronavirus, which therefore is not truly "novel", the ICTV designated the novel coronavirus as "SARS-CoV-2.0". Media organizations and the public call this the Wuhan Coronavirus or the Wuhan Pneumonia; this is perfectly fine because of its simplicity.
There has been heated debate over the naming of the pandemic. As a matter of fact, the disease is named by the WHO and the virus is named by the ICTV; the common name is purely a customary matter and suffices to serves it purpose as long as it is simple and clear. The official names of COVID-19 for the disease, or SARS-CoV-2 for the virus, must be used in scientific and academic discourse. However, the simplicity of the popular designations "Wuhan Coronavirus" and "Wuhan Pneumonia" are far more conducive to daily communication and conversations in the media.
The 2020 pandemic originated in Wuhan
Roughly 75% of novel diseases can be traced to wild animals; the ancestral virus from which several mammalian coronaviruses descend can be traced to bats or birds, both of which can fly over a distance of several thousands of kilometers to the location of first discovery of the virus. As such, the nomenclature of viruses may utilize the name of the location of discovery. The most accurate and objective means to identify the origin of the virus is to isolate the virus from the animal host. However, the Huanan Seafood Market had been cleared, and live wild animals vacated, by the time researchers had arrived for live samples. Consequently, the identity of the natural and intermediate hosts of the coronavirus is unclear. According to local personnel, the wild games in the Huanan Seafood Market are shipped and smuggled from various locations in China, Southeast Asia, and Africa; it remains impossible to identify the ancestry of the Wuhan Coronavirus.
Viral genome sequencing shows a 96% similarity between the Wuhan Coronavirus and the viral strain RaTG13 found in bats, lending credence to the belief that the RaTG13 strain is the ancestral virus for the Wuhan Coronavirus. This viral strain can be isolated from the bat species Rhinolophus sinicus found in Yunnan, China; thus bats are believed to be the natural host to the Wuhan Coronavirus. Epidemiological studies show definitively that the Huanan Seafood Market was the amplification epicenter, where the transmission of the virus from the natural host to the intermediate host likely occurred, before a mutation to a form that can adapt to the human body, followed by human-to-human transmission.
The identity of the intermediate host remains unclear; viral genome sequencing, however, reveals a 90% similarity between the spike receptor-binding domain of the Wuhan Coronavirus and of the coronavirus strain found in pangolins. While uncertainties remain for us to unambiguously identify the pangolin as the intermediate host, it is extremely likely that the pangolin coronavirus strain donated the spike receptor-binding domain genetic sequence, or even the entire gene section, to the bat coronavirus strain, culminating in the novel coronavirus upon DNA shuffling.
Wild animal market: the origin of numerous viruses
The SARS outbreak in 2003 can be traced to Heyuan prior to engulfing Guangdong and ravaging Hong Kong. The SARS Coronavirus was found in the masked palm civet; China has subsequently outlawed the sales of live wild animals. Seventeen years later, wild animal markets have instead grown unabashed, in flagrant violation of the law. The Chinese people have forgotten the lessons of SARS in their entirety. The glaring appearance of live wild animal markets in city centers, and the egregious acts of selling, cooking, and eating these wild animals, constitute a stunning and blatant disregard for the laws. The feces of these wild animals carry large concentrations of bacteria and viruses; the crowded set-up, the poor hygiene, and the proximity of different animal species are extremely conducive to DNA shuffling and genetic mutations. As such, these markets need to be banned outright.
Remodeling of markets is key to the prevention of epidemics. The Chinese and Hong Kong governments must promptly improve the set-up of markets by enhancing ventilation and getting rid of rats and pests. Before the elimination of all live poultry markets becomes a reality, animal feces found in these markets must be handled properly to lower the chances of genetic shuffling between viruses.
Internet conspiracies of an U.S. origin of the virus is not supported by facts, and only serves to mislead the public. The dissemination of conspiracy theories needs to stop. Transparency is first and foremost in the fight against an epidemic; we need cool heads and rational analysis in place of hearsay and falsehood. The failure to close all live wild animal markets post-SARS was a colossal mistake; to win the battle over the pandemic, we must face reality, and not repeat the same mistakes while leaving the blame upon others. The Wuhan Coronavirus is a product of inferior Chinese culture -\-\ the culture of recklessly catching and eating wild animals, and treating animals inhumanely, with an utter disrespect and disregard of lives. This inferior culture of the Chinese people -\-\ specifically the consumption of wild animals to satiate themselves -\-\ is the true origin of the Wuhan Coronavirus. If these habits and attitudes remain in place, SARS 3.0 will certainly happen in a matter of a decade or so.
以上翻譯來自:
一個窮科學家移民美國的夢幻故事
外媒報道:
https://www.nytimes.com/…/19reuters-health-coronavirus-hong…
https://www.nasdaq.com/…/adviser-to-hong-kong-on-coronaviru…
同時也有2部Youtube影片,追蹤數超過18萬的網紅Cyber Editing,也在其Youtube影片中提到,YouTube monetization reviewers DO NOT WATCH the videos. YouTube is going to collapse because of them. They said my video had: "Shocking content, l...
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human acts analysis 在 謙預 Qianyu.sg Facebook 的精選貼文
【生生世世眼光明】BRIGHT EYES EVERY LIFETIME (English writing below)
男客人因找不到工作,想請我為他批八字和看風水。
那時我便在想,客人的眼睛/眼神一定有問題。6月26日那晚,我做了一場直播:三大條件 - 男人怎樣才能事業旺?直播裡,我解釋了男人的眼睛/眼神與個人事業的關聯。
初次見面時,男客人的眼神,如我在八字中看到的一樣,可是他的眼睛健康比我想像中的更嚴重。
他告訴我,某次在超市時,忽然看到很多白光,去看醫生後,才知道眼睛健康亮起了紅燈,某部位有鬆脫的危險。當時,我還和他開玩笑,是否確定看到的是白光,而不是般若光?
批八字時,我教導他如何依據他的八字所需,正確地採取自己的用神,換眼鏡、通過飲食補運補健康等等,並介紹他一位中醫。有的八字適合看西醫,有的適合看中醫。但就算適合看中醫,也得考慮到那位中醫的五行和實力。這位中醫,我的家人和我都看過,所以我才會推薦。
我之後也為這位男客人看居家風水。
男客人說他這輩子沒批過八字,讀到我文章後,才想要了解自己的命運。這幾年,他家的風水曾看過幾次,但有些關鍵問題仍沒解決。
有時,不是之前的師父不准,而是客人本身的所知障重。
看完風水的三個星期後,男客人發私訊,當中有報喜。我真心為他高興,也希望他會把該做的都做足,來改善自己的運。我曾在6月8日的直播中,揚言只要100%照著我的話去做,你肯定會賺回你所付的諮詢費用。不是我口氣大,而是我很清楚我的能力到哪裡,又何必假裝給不了客人希望呢?
.
我們今生能貴為真佛弟子,是有著無比的福份,也是我這輩子最大的殊榮。但我們要小心,獅子能跳過的地方兔子不能跳。 師尊所說過的話,含著很深很深的般若智慧,我們要深入地參,而不要依樣畫葫蘆地亂蓋在自己身上。
師尊有一名言:「一切都是最美好的安排。」
有的同門人生不順時,會以此話來安慰自己。這樣做也沒錯,可是如果你修法很多年,受過師尊無數的灌頂,卻依然沒看到更大的進步,那你是否誤解了師尊的佛慧,而藉此話來逃避自己一直都在做錯的事,毫無一日三省之心?
皈依的佛弟子比一般人,多了更多改命修福的機緣。在這裡,整理出我看過一些案例,提醒大家:
1. 千萬不要在臥房內,擺放佛像、神像或法相卡。
一般臥房乃不淨之地,尤其有夫妻行房、手淫、自慰或意淫等行為,因此「堂堂正正」讓清淨的佛菩薩、神明或金剛護法,看到齷齪行為時,實屬犯不敬之戒,會讓自身的命運出現諸多障礙。
2. 佛像、神像等不是擺設品,不應拿來美化居家,而應當如法供奉。
一個家,必須看住多少男女、家的大小,並適當地供奉幾尊佛像或神像。不要以為越多金身,就是更多保佑。相反的,陰陽離子數不協調時,問題就大了。
3. 壇城的蓮花燈,要24/7亮著。
一對蓮花燈,小小的燈泡,用不了多少電費,但還是有人,為了省錢,只有初一十五,或白天才開燈。其實那很傻,因為供燈給佛菩薩,無論出世或入世都有不可思議的功德。
我個人的密室,十多年來,除非換燈泡或清洗蓮花燈花瓣,就算我出國,一對蓮花燈也從來沒有關過。壇城上,我也有供油燈。我特別喜歡供燈,平時修法供酥油燈,特別日子時,會供上七盞酥油燈。
出世方面,《佛為首迦長者說業報差別經》說:「若有眾生奉施燈明,得十種功德:(網路資料)
一、宛如明灯一般地照亮世间;
二、眼睛没有疾病 ;
三、容易证得天眼通;
四、分辨善恶的智能;
五、不会发生胡涂昏暗的事情;
六、不易受到外在事物所迷惑 ;
七、不会出生在幽暗昏庸的地方;
八、有大福报;
九、命终生天尤其是往生忉利天;
十、速证涅槃。
入世方面,供燈能讓今生和來世的運途光明、貴人顯著,命運不會落入昏暗無助。供燈能得眼光明,光明的眼睛也正是事業旺的一個吉祥象徵。
........................
A male client sought my consultation services for Bazi and Feng Shui, because he had problems looking for a job.
At that time, I was thinking there was bound to be some problem in his eyes and/or eye expression. On the night of 26 June, I did a FB Live on this: The 3 Conditions for A Man To Have A Successful Career. In that Live, I explained the correlation between a man's eyes and his career.
In our first meeting, the male client's eye expression was as what I deduced from his Bazi. However, the health of his eyes had more serious problems than I expected.
He told me, once in a supermarket, he suddenly saw many white light spots. After visiting the doctor, he then realised his eyes have serious problems and a certain part of his eyes were at risk of loosening.
During the Bazi analysis, I taught him how to use his favourable elements correctly and make up for his Bazi inadequacies through changing his spectacles and his diet, which will greatly boost his health. I also recommended a TCM practitioner to him. Some Bazi are suitable to seek Western doctors, while others are more suitable to seek TCM. However, even if the client is more fitted for TCM, I still have to consider the TCM practitioner's element and capability. My family and I have consulted this TCM practitioner before, hence my recommendation.
I later did a Feng Shui audit for the client.
While the client had never got his Bazi read till he read my articles, his home had been audited by other Masters before, but there were some key problems that had yet to be resolved.
Sometimes, it's not that the previous Masters were inaccurate, but the obstruction of the knowable in the clients can be too heavy.
About 3 weeks after the audit, the male client sent a PM, containing some good news for me. I am truly happy for him, and also hope that he do what is needed to transform his own destiny. In my Live on 8 June, I proclaimed that if a client adheres to 100% of my advice, he/she will definitely earn back the consultation fees paid to me. This is not me being haughty, but because I am very clear of my abilities, so why should I pretend that I am unable to give hope to clients?
.
It is our great fortune that we can be True Buddha disciples. It is also my greatest honour in this lifetime. But we must be careful, the place that the lion can jump over is not what a rabbit can hop over. The words of our Grandmaster, Living Buddha Lian-Sheng, contain very deep prajna-wisdom. We must contemplate on His words and not act after the same fashion, blindly using it on ourselves.
Grandmaster has a famous adage, "Everything is of the best arrangement."
Some fellow Dharma brothers and sisters will console themselves with this adage, when their lives turn rough. It's not wrong to think that way, but if you have been spiritually cultivating for many years, received numerous empowerments from Grandmaster, and yet have not seen any visible improvement, then have you misunderstood the Buddha wisdom of Grandmaster and used this adage to escape what you have been always doing wrong, without the heart to examine yourself thrice a day?
Buddhists who have taken refuge are more fortunate than most people, for they have more opportune affinities to transform their Destiny and cultivate good fortune.
Here are some of my recommendations, based on my past Feng Shui audit experience:
1. NEVER display holy religious statues or pictorial cards in the bedroom.
Most bedrooms are impure places, especially where there are sexual activity between a married couple, masturbation or sexual thoughts. Hence to be "openly" doing acts of filth in front of holy figures, is committing the sin of disrespect. This will create many obstacles in your Destiny.
2. Religious statues are not display artefacts. They should be worshipped accordingly and not used for home decor.
The number of religious statues worshipped has to be based on the number of home occupants, and the size of the house. Do not mistake that the more statues enshrined mean more blessings. On the contrary, when the Yin and Yang elements are out of balance, big problems will arise.
3. The pair of lotus lamps on your altar should be switched on 24/7
The little bulbs in the lotus lamps do not consume much electricity, but there are still people who wish to save money and only switch on the lamps on the 1st and 15th Lunar day, or in the daytime. That is unwise, because offering light to Buddhas & Bodhisattvas has inconceivable merits in both the secular and transmundane worlds.
In my personal altar room, for 10 over years, my lotus lamps are always switched on even when I go overseas. The only exception is when I change the bulbs or clean the petals. On my altar, I also offer oil lamp. Light offering is one of my favourite offerings. Before cultivation practice, I would offer a butter lamp. On special days, I would offer up to 7 butter lamps.
For transmundane merits, in the The Buddha Speaks of the Differences in Karmic Retribution for Elder Suka Sutra Catalogue, He expounded the Ten Benefits of Offering Lights: (extracted from internet)
1. One becomes like the light of the world.
2. One achieves clairvoyance of the pure eye as a human.
3. One achieves the deva's eye.
4. One receives the wisdom to discriminate virtue from non-virtue.
5. One is able to eliminate the concept of inherent existence.
6. One receives the illumination of wisdom.
7. One is reborn as a human or deva.
8. One receives great enjoyment wealth.
9. One quickly becomes liberated.
10. One quickly attains enlightenment.
For secular benefits, light offering can illuminate your path of luck in this life and future lifetimes, ensuring you a bright future. Your benefactors will be abundant and prominent. Your Destiny will not fall into darkness and helplessness. Offering lights will reap the benefit of bright healthy eyes. And bright healthy eyes are an auspicious sign of a flourishing career.
human acts analysis 在 余佩真JenJen Facebook 的最佳解答
《 免費觀賞 》
這是一個身入其中我自己非常喜歡的作品,
看似辦公室日常瑣碎生活行為,
演出當下卻讓我常常有超現實的感受,非常享受當一個嚴肅煞有其事的茶水小妹。
采柔和思農創作發想由金融海嘯出發,這個作品在北美館和橫濱藝術節展演空間演出,但這次是第一次這麼貼近創作主題的在台新銀行營業部總行,哇!我自己是覺得光想像就有趣!非常期待這個超現實的作品與現實空間兩個時空交疊所呈現出的火花,歡迎你妳隨喜自在參加!
【年度考核協奏——2018白晝之夜回歸重現】
《年度考核協奏》是融合聲響、劇場與其記寫的「聲音劇場」,表演環繞著同時是樂器與圖像記譜裝置的長桌,企業圖表轉化的樂譜則刻劃於其上,由八位身兼樂手與演員的表演者,將辦公室的身體轉譯為各種聲音事件及動作符碼。
作品首演於2017年北美館展覽「社交場」開幕,後受邀至橫濱藝術集會(TPAM)。桌上不斷迴繞的火車是演奏記認的拍點,軌道刻度以2007年8月9日金融海嘯作為原點,以十年為單位重複「永劫回歸」式的時間循環。
“Concert of Performance Review” has the double meaning of an employee assessment and also performance examination. Concert of Performance Review is a large-scale graphical notation installation and also a musical instrument. On a long table is a music score/dance score integrating a business organization chart and statistical analysis. Human bodies in an office are transcribed as sound events and motion symbols. By following the directions in the dance and music scores on the table, the performers present an improvisational form of New Music Theater. Through musical composition, different notation methods, it expresses the distancing (verfremdung) of daily life from labor and create a transforming experience for the audience. The train constantly circling on the table acts out a rhythm of memories. The gradation of the track takes the financial crash of August 9, 2007 as its starting point, engaging in a time cycle of “eternal recurrence” with decades as its units.
演出時間|2018.10.6 20:30 21:30 22:30
演出地點|台新銀行營業部總行(台北市中山區中山北路二段44號)
贊助單位|台新銀行
相關白晝之夜官方資訊:
http://nuitblanchetaipei.info/about#partner
首演製作團隊名單 Premiere:
台北市立當代美術館「社交場」 策展人:蕭淑文 Jo Hsaio
作曲Music Composition/編導Scriptwriting & Directing/聲響設計Sound Design:黃思農Snow HUANG
空間Space Design/燈光設計Lighting Design:何采柔 Joyce Ho
舞台技術 Stage Technician:黃昶智Chang-Chih Huang
圖像譜Graphical Notation:黃思農Snow HUANG、何采柔Joyce Ho
錄像設計Video Design:唐健哲Chien-Che Tang、黃昶智Chang-Chih Huang、何采柔Joyce Ho、黃思農Snow HUANG
書法Chinese Calligraphy:涂又仁
樂手表演者Musicians/Performers:余佩真Pei-Chen Yu、趙欣怡Hsin-Yi Chao、潘韋勳Wei-Hsun Pan、黃鏡丞Ching-Cheng Huang、曾伯豪Po-Hao Tseng、張吉米Chi-Mi Chang、鮑奕安Yi-An Pao、曾韻方Yun-Fang Tseng、黃思農Snow HUANG
2018「白晝之夜」表演者:余佩真、趙欣怡、黃煒翔、曾伯豪、張吉米、鮑奕安、曾韻方、黃思農
#年度考核協奏從北美館到橫濱之後強勢回歸
#白晝之夜一夜三場
#再拒劇團首次在銀行大廳演出
#這次導演親自下馬還有新演員加入
#夜晚的銀行肅殺的表演
#余佩真只是倒個咖啡還是很有氣魄
human acts analysis 在 Cyber Editing Youtube 的最佳貼文
YouTube monetization reviewers DO NOT WATCH the videos.
YouTube is going to collapse because of them.
They said my video had:
"Shocking content, like graphic images of human or animal body parts, that's uncensored or intended to shock viewers." They clearly did not watch the video.
There were NO INJURIES.
No shocking content or body parts.
I provided a detailed analysis to educate other riders.
He was able to ride away minutes later.
BGM: https://soundcloud.com/cyberediting/2020-08-14-questor
How to ride safely? (Don't make these mistakes.)
This video is designed to inform and educate about safe vs. unsafe riding techniques & practices.
It does not promote dangerous or violent acts.
It educates other riders to avoid similar mistakes.
I will reply to comments in your own language.
我會用你自己的語言回複評論。
Saya akan membalas komentar dalam bahasa Anda sendiri.
FOLLOW ME:
Instagram: https://www.instagram.com/cyberediting/
Facebook: https://www.facebook.com/CyberEditing
email: cyberediting@yahoo.com
human acts analysis 在 Cyber Editing Youtube 的最讚貼文
#how do I #cyberediting #crash
A rider is helped by comrades.
同志們幫助了一個騎士。
The human reviewer who demonetized this viewer obviously did not watch the video. This is their report:" Shocking content, like graphic images of human or animal body parts, that's uncensored or intended to shock viewers"
There are no body parts or shocking content. YouTube wake up!
There is a lot of analysis information in this video, both in English and in Chinese, to help people ride safely.
Chapter time codes:
00:45 Onboard
01:30 On-board crash sequence
01:52 Multi-Cam crash sequence
02:46 Help arrives
04:30 Rider freed
05:10 Analysis (Text & Speech)
05:50 Line Analysis (Photos)
07:00 Close up
07:30 Worn Rear Tire
07:51 Satellite Location
There is NO shocking content or injury in this video.
It does not promote dangerous or violent acts.
It educates other riders to avoid similar mistakes.
BGM: https://soundcloud.com/cyberediting/dark-days
I will reply to comments in your own language.
我會用你自己的語言回複評論。
Saya akan membalas komentar dalam bahasa Anda sendiri.
FOLLOW ME:
Instagram: https://www.instagram.com/cyberediting/
Facebook: https://www.facebook.com/CyberEditing
email: cyberediting@yahoo.com
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