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The picture-perfect hilltop village of Fornalutx, Mallorca, gets much of its character from its stone houses and red-tiled roofs appearing to cascade down the mountain. With its narrow, cobbled streets and well-preserved architecture, it's a must-visit on your next trip to Mallorca.
📍 Fornalutx, Mallorca
📸 mauritius images GmbH, Alamy
- Luyện đọc đầu ngày: ALEXANDER HENDERSON (1831-1913)
Born in Scotland, Henderson emigrated to Canada in 1855 and became a well-known landscape photographer.
Alexander Henderson was born in Scotland in 1831 and was the son of a successful merchant. His grandfather, also called Alexander, had founded the family business, and later became the first chairman of the National Bank of Scotland. The family had extensive landholdings in Scotland. Besides its residence in Edinburgh, it owned Press Estate, 650 acres of farmland about 35 miles southeast of the city. The family often stayed at Press Castle, the large mansion on the northern edge of the property, and Alexander spent much of his childhood in the area, playing on the beach near Eyemouth or fishing in the streams nearby.
Even after he went to school at Murcheston Academy on the outskirts of Edinburgh, Henderson returned to Press at weekends. In 1849 he began a three-year apprenticeship to become an accountant. Although he never liked the prospect of a business career, he stayed with it to please his family. In October 1855, however, he emigrated to Canada with his wife Agnes Elder Robertson and they settled in Montreal.
Henderson learned photography in Montreal around the year 1857 and quickly took it up as a serious amateur. He became a personal friend and colleague of the Scottish-Canadian photographer William Notman. The two men made a photographic excursion to Niagara Falls in 1860 and they cooperated on experiments with magnesium flares as a source of artificial light in 1865. They belonged to the same societies and were among the founding members of the Art Association of Montreal. Henderson acted as chairman of the association's first meeting, which was held in Notman's studio on 11 January 1860.
In spite of their friendship, their styles of photography were quite different. While Notman's landscapes were noted for their bold realism, Henderson for the first 20 years of his career produced romantic images, showing the strong influence of the British landscape tradition. His artistic and technical progress was rapid and in 1865 he published his first major collection of landscape photographs. The publication had limited circulation (only seven copies have ever been found), and was called Canadian Views and Studies. The contents of each copy vary significantly and have proved a useful source for evaluating Henderson's early work.
In 1866, he gave up his business to open a photographic studio, advertising himself as a portrait and landscape photographer. From about 1870 he dropped portraiture to specialize in landscape photography and other views. His numerous photographs of city life revealed in street scenes, houses, and markets are alive with human activity, and although his favourite subject was landscape he usually composed his scenes around such human pursuits as farming the land, cutting ice on a river, or sailing down a woodland stream. There was sufficient demand for these types of scenes and others he took depicting the lumber trade, steamboats and waterfalls to enable him to make a living. There was little competing hobby or amateur photography before the late 1880s because of the time-consuming techniques involved and the weight of the equipment. People wanted to buy photographs as souvenirs of a trip or as gifts, and catering to this market, Henderson had stock photographs on display at his studio for mounting, framing, or inclusion in albums.
Henderson frequently exhibited his photographs in Montreal and abroad, in London, Edinburgh, Dublin, Paris, New York, and Philadelphia. He met with greater success in 1877 and 1878 in New York when he won first prizes in the exhibition held by E and HT Anthony and Company for landscapes using the Lambertype process. In 1878 his work won second prize at the world exhibition in Paris.
In the 1870s and 1880s Henderson travelled widely throughout Quebec and Ontario, in Canada, documenting the major cities of the two provinces and many of the villages in Quebec. He was especially fond of the wilderness and often travelled by canoe on the Blanche, du Lievre, and other noted eastern rivers. He went on several occasions to the Maritimes and in 1872 he sailed by yacht along the lower north shore of the St Lawrence River. That same year, while in the lower St Lawrence River region, he took some photographs of the construction of the Intercolonial Railway. This undertaking led in 1875 to a commission from the railway to record the principal structures along the almost-completed line connecting Montreal to Halifax. Commissions from other railways followed. In 1876 he photographed bridges on the Quebec, Montreal, Ottawa and Occidental Railway between Montreal and Ottawa. In 1885 he went west along the Canadian Pacific Railway (CPR) as far as Rogers Pass in British Columbia, where he took photographs of the mountains and the progress of construction.
In 1892 Henderson accepted a full-time position with the CPR as manager of a photographic department which he was to set up and administer. His duties included spending four months in the field each year. That summer he made his second trip west, photographing extensively along the railway line as far as Victoria. He continued in this post until 1897, when he retired completely from photography.
When Henderson died in 1913, his huge collection of glass negatives was stored in the basement of his house. Today collections of his work are held at the National Archives of Canada, Ottawa, and the McCord Museum of Canadian History, Montreal.
Extensive (adj): rộng
Outskirts (n): ngoại ô
Apprenticeship (n): thời gian học nghề
Excursion (n): chuyến du ngoạn
Artificial (adj): nhân tạo
Influence (n) /ˈɪnfluəns/ : sự ảnh hưởng
Artistic (adj) /ɑːˈtɪstɪk/ : đẹp
Rapid (adj) /ˈræpɪd/ : nhanh chóng
Significantly (adv) /sɪɡˈnɪfɪkəntli/ : đáng kể
Specialize in (v) /ˈspeʃəlaɪz//ɪn/ : chuyên
Numerous (adj)/ˈnjuːmərəs/ : nhiều
Sufficient (adj) /səˈfɪʃnt/ : đủ
Demand (n)/dɪˈmɑːnd/ : nhu cầu
Exhibition (n) /ˌeksɪˈbɪʃn/: triển lãm
Wilderness (n) /ˈwɪldənəs/ : vùng hoang vu
Commission (n) /kəˈmɪʃn/ : nhiệm vụ
Administer (v) /ədˈmɪnɪstə(r)/: điều hành
Huge (adj) /hjuːdʒ/ : to lớn
Các bạn cùng tham khảo bài đọc này nhé! Trích từ Cambridge IELTS14 - giải chi tiết, có ai chưa có bản này không?
Forging a campaign from a different point of view, where the clothes travel to the houses of the cast, Gucci TheRitual is a lineup of images shot by models. Captured here by Jana Jonckheere is the Gucci Jackie 1961 handbag and leather loafers with the House Web stripe. Discover more on.gucci.com/2020_.
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2020/03/28
Let's write a letter to God, [創世紀1-6]
If there is a will, there is a way. Because he always listen, and he promises he heals these who Love.
天總是聽得到我們的聲音。並承諾將療癒跟隨愛的人。
1 When Israel was a child, then I loved him, and called my son out of Egypt.
2 As they called them, so they went from them: they sacrificed unto Baalim, and burned incense to graven images.
3 I taught Ephraim also to go, taking them by their arms; but they knew not that I healed them.
4 I drew them with cords of a man, with bands of love: and I was to them as they that take off the yoke on their jaws, and I laid meat unto them.
5 He shall not return into the land of Egypt, but the Assyrian shall be his king, because they refused to return.
6 And the sword shall abide on his cities, and shall consume his branches, and devour them, because of their own counsels.
7 And my people are bent to backsliding from me: though they called them to the most High, none at all would exalt him.
8 How shall I give thee up, Ephraim? how shall I deliver thee, Israel? how shall I make thee as Admah? how shall I set thee as Zeboim? mine heart is turned within me, my repentings are kindled together.
9 I will not execute the fierceness of mine anger, I will not return to destroy Ephraim: for I am God, and not man; the Holy One in the midst of thee: and I will not enter into the city.
10 They shall walk after the LORD: he shall roar like a lion: when he shall roar, then the children shall tremble from the west.
11 They shall tremble as a bird out of Egypt, and as a dove out of the land of Assyria: and I will place them in their houses, saith the LORD.
12 Ephraim compasseth me about with lies, and the house of Israel with deceit: but Judah yet ruleth with God, and is faithful with the saints.
［Hosea 11］
「以色列 年幼的時候，我愛他， 就從 埃及 召出我的兒子來。
先知越發招呼他們， 他們越發走開，
向諸 巴力 獻祭， 給雕刻的偶像燒香。
我原教導 以法蓮 行走， 用膀臂抱着他們， 他們卻不知道是我醫治他們。
我用慈繩 愛索牽引他們； 我待他們如人放鬆 牛的 兩腮夾板， 把糧食放在他們面前。
他們必不歸回 埃及 地， 亞述 人卻要作他們的王， 因他們不肯歸向 我 。
刀劍必臨到他們的城邑， 毀壞門閂，把人吞滅， 都因他們 隨從 自己的計謀。
我的民偏要背道離開我； 眾先知雖然招呼他們歸向至上的 主 ， 卻無人尊崇 主 。」
何西阿書 11:1-7
相關深入議題參考
2020/04/02生命紀錄
「安住的力量」(路徑出現，獻給20USD up/month的記名會員）
https://www.podbean.com/ew/pb-k3adi-d80f37
[內容. Jonathan x 王大喜]
“不依循任何集體的意識及系統，譜出的路徑便是光譜。”
心，若能安歇，
靈便安定，
身處何處，皆如同旅行。
每分每刻，皆在發現路徑。
我們已進入能量共享世代。
（你我的關注能量接鏈，皆有一定的光譜範圍）
-王大喜
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Lists of facts about Japan are almost always half misleading or straight up inaccurate, and half basic facts that everyone already knows. (Did you know JAPANESE VENDING MACHINES?!) So we've been trying to collect interesting facts about Japan that are actually true for years, and we finally reached 50!
This video took the most time to make out of all our videos so far--more than 250 hours!! We put weeks into researching facts, tossing ones that either weren't true or as interesting as we first thought, and verifying the necessary ones with statistics from official sources (do you know the pain… of trying to translate 100+ page government reports…). Those sources are in the description box. We called agencies to ask them questions directly. We visited museums. We drove all over the place and filmed a lot of B roll (oh so much B roll). So here it is, basically everything we know about Japan (well, maybe not everything). Some of you may recognize a couple facts in here that we've talked about in past videos! I really hope you guys enjoy this video!!
Thank you so much to all the people who upload images, sounds and EVEN VIDEO OF A RARE CAT HOLY CRAP to Wikipedia!! You’re the real MVP. There were a lot of things there was little possibility of us ever being able to capture on film ourselves. Thank you to you guys for being patient with us as we take our sweet time making these videos. And thank you to Skillshare for sponsoring this and helping us pay for groceries while we spent an entire month working on a single video. orz
SOURCES
4. https://www.jda.or.jp/en/introduction.html
https://todo-ran.com/t/kiji/10327
https://ja.wikipedia.org/wiki/歯科医師過剰問題
12. http://www.nri.com/global/opinion/papers/2008/pdf/np2008137.pdf
https://www.sumai1.com/sellers/market/age/
15. www.mlit.go.jp/common/001145930.pdf
http://www.tochikatsuyou.net/column/genkai-syuraku/
23. https://en.wikipedia.org/wiki/List_of_countries_by_rail_usage
28. https://en.wikipedia.org/wiki/Global_music_industry_market_share_data
39. http://www.maff.go.jp/aqs/english/animal/dog/import-other.html
41. https://www.nature.com/articles/jhg200962
43. https://www.ncbi.nlm.nih.gov/pubmed/26872717
http://www.un.org/en/development/desa/population/publications/pdf/family/trendsContraceptiveUse2015Report.pdf
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