書畫例行展〔筆墨見真章〕2020年第4季全新展件和大家見面!
Revelatory Brushwork: A Guided Journey Through the NPM's Collection of Chinese Calligraphy
【明 文徵明 書蘭亭敘(卷)】Preface to the Orchid Pavilion, Wen Zhengming (1470-1559), Ming dynasty
🔽關於文徵明
文徵明(1470-1559),江蘇長洲人。本名壁,字徵明,以字行,別號停雲生、衡山居士。詩文書畫俱工,亦精鑑藏。
Wen Zhengming (1470-1559) was a native of Changzhou in Jiangsu province. His given name was Bi, and he had the sobriquets He Who Stops the Clouds (Tingyunsheng) and the Recluse of Mount Heng (Hengshan Jushi), but he typically went by his style name, Zhengming. In addition to being an accomplished poet, prosaist, calligrapher, and painter, Wen was also an erudite connoisseur of the arts.
🔽書法賞析:
文氏好寫〈蘭亭敘〉,本卷末自題書於八十九歲。用筆、結字和章法與傳世王羲之(303-361)書〈蘭亭敘〉多不相同,應是意臨之作。筆法內斂含蓄,間架縝密,筆意連綿貫串處,極為自然生動。
Wen Zhengming was fond of making copies of the "Preface to the Orchid Pavilion." In his inscription on the tail end of this scroll, he noted that he was eighty-nine years of age at the time of writing. Wen's brushwork, the structures of the characters, and the overall composition markedly differ from the received version of the "Preface to the Orchard Pavilion" in Wang Xizhi's (303-361) hand, indicating that Wen was making a study of the spirit of Wang's writing, rather than its technical particulars. Here the brushwork is understated and reserved, allowing for finely-structured characters. The many places where brush strokes flow one into the other give the scroll an outstanding sense of natural movement.
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🌐中文:https://theme.npm.edu.tw/exh109/calligraphy10909/index.html
🌐English: https://theme.npm.edu.tw/exh109/calligraphy10909/en/page-1.html
🌐日本語:https://theme.npm.edu.tw/exh109/calligraphy10909/jp/page-1.html
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「inscription中文」的推薦目錄:
- 關於inscription中文 在 國立故宮博物院 National Palace Museum Facebook 的最佳貼文
- 關於inscription中文 在 政變後的寧靜夏午 Facebook 的最佳貼文
- 關於inscription中文 在 國立故宮博物院 National Palace Museum Facebook 的最讚貼文
- 關於inscription中文 在 能能糯米 RunRunRomeo Youtube 的最佳解答
- 關於inscription中文 在 École Des Petits Pandas - Facebook 的評價
- 關於inscription中文 在 Volvo V60 T6 Inscription 海外試駕(麥克風沒接好...請開中文 ... 的評價
inscription中文 在 政變後的寧靜夏午 Facebook 的最佳貼文
本季的筆墨見真章,照例地,策展人依書法從古到今發展的歷程,為觀眾挑選了多件不同時代的名家精品(展件清單請看這 👉https://theme.npm.edu.tw/exh…/calligraphy10907/…/page-3.html),期待您蒞臨欣賞。
今天和大家一同來看一件可能是米芾(1052-1108) 臨仿之作的【傳晉 王羲之 大道帖】
【The Great Dao Inscription】Attributed to Wang Xizhi (303-361), Jin dynasty
🔽書法析賞:
此帖行草書兩行:「大道久不下,豈先未然耶。」拖尾有趙孟頫(1254-1322)至元丁亥年(1287)跋:「龍跳天門,虎臥鳳閣。」此帖筆畫腴潤圓柔,第一行「大」字到「下」字,連筆而書,最後一字「耶」的末筆拉長,收筆加粗,成彎弧狀。由於王羲之(303-361)沒有這類書法風格的作品 傳世,故多數論者認為可能是米芾(1052-1108)的臨仿之作。
🔽 This inscription comprises two lines written in cursive script (also called "grass script," from caoshu). The first reads, "The Great Way has not descended for some time, how were things not this way before?" Additional paper later attached to the scroll contains a calligraphic colophon written by Zhao Mengfu (1254-1322) in the Dinghai year of the Yuan dynasty (1287), which compares Wang's brushwork to a "dragon leaping through Heavens' Gate or a tiger lying at Phoenix Pavilion."
The brushstrokes in Wang's inscription are ample and rounded. In the first line, all of the characters—from the first one, "great," to the last one, "descended"—were written in a single flourish. The final brushstroke in the ultimate character, an exclamation pronounced " ye," was incredibly drawn-out, and then thickened at its tail end before turning in an arc. Because there are no other extant works by Wang Xizhi in this style, most theorists posit that it is likely a study of Wang's work by Mi Fei (1052-1108).
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🌐中文:https://theme.npm.edu.tw/exh109/calligraphy10907/index.html
🌐English: https://theme.npm.edu.tw/exh…/calligraphy10907/…/page-1.html
🌐日本語:https://theme.npm.edu.tw/exh…/calligraphy10907/…/page-1.html
inscription中文 在 國立故宮博物院 National Palace Museum Facebook 的最讚貼文
本季的筆墨見真章,照例地,策展人依書法從古到今發展的歷程,為觀眾挑選了多件不同時代的名家精品(展件清單請看這 👉https://theme.npm.edu.tw/exh109/calligraphy10907/ch/page-3.html),期待您蒞臨欣賞。
今天和大家一同來看一件可能是米芾(1052-1108) 臨仿之作的【傳晉 王羲之 大道帖】
【The Great Dao Inscription】Attributed to Wang Xizhi (303-361), Jin dynasty
🔽書法析賞:
此帖行草書兩行:「大道久不下,豈先未然耶。」拖尾有趙孟頫(1254-1322)至元丁亥年(1287)跋:「龍跳天門,虎臥鳳閣。」此帖筆畫腴潤圓柔,第一行「大」字到「下」字,連筆而書,最後一字「耶」的末筆拉長,收筆加粗,成彎弧狀。由於王羲之(303-361)沒有這類書法風格的作品 傳世,故多數論者認為可能是米芾(1052-1108)的臨仿之作。
🔽 This inscription comprises two lines written in cursive script (also called "grass script," from caoshu). The first reads, "The Great Way has not descended for some time, how were things not this way before?" Additional paper later attached to the scroll contains a calligraphic colophon written by Zhao Mengfu (1254-1322) in the Dinghai year of the Yuan dynasty (1287), which compares Wang's brushwork to a "dragon leaping through Heavens' Gate or a tiger lying at Phoenix Pavilion."
The brushstrokes in Wang's inscription are ample and rounded. In the first line, all of the characters—from the first one, "great," to the last one, "descended"—were written in a single flourish. The final brushstroke in the ultimate character, an exclamation pronounced " ye," was incredibly drawn-out, and then thickened at its tail end before turning in an arc. Because there are no other extant works by Wang Xizhi in this style, most theorists posit that it is likely a study of Wang's work by Mi Fei (1052-1108).
*************************
🌐中文:https://theme.npm.edu.tw/exh109/calligraphy10907/index.html
🌐English: https://theme.npm.edu.tw/exh109/calligraphy10907/en/page-1.html
🌐日本語:https://theme.npm.edu.tw/exh109/calligraphy10907/jp/page-1.html
inscription中文 在 能能糯米 RunRunRomeo Youtube 的最佳解答
【Anthem】1.04 更新、傳說契約、 屬性詞綴解說 !!|冒險聖歌|PS4|XBOX | PC
►►《冒險聖歌》正式上市後,第一個攻略 !!
能能糯米 Facebook 專頁 : https://www.facebook.com/runrunromeo.hk/
能能糯米 Instagram : https://www.instagram.com/run_run_romeo/
Discord 群 : https://discord.gg/Yc2KVGJ
屬性詞綴表 : https://www.facebook.com/runrunromeo.hk/photos/a.2122851271339266/2140198959604497/?type=3&theater
1.0 版 技能表 中文繙譯 : https://www.facebook.com/runrunromeo.hk/photos/a.2122851271339266/2139209396370120/?type=3&theater
#ChineseAnthemHK #冒險聖歌 #Anthem
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