It’s Already Inside You
“Being asked by the Pharisees when God’s Kingdom would come, he answered them, “God’s Kingdom doesn’t come with observation; neither will they say, ‘Look, here!’ or, ‘Look, there!’ for behold, God’s Kingdom is within you.” He said to the disciples, “The days will come, when you will desire to see one of the days of the Son of Man, and you will not see it. They will tell you, ‘Look, here!’ or ‘Look, there!’ Don’t go away, nor follow after them,” (Luke 17:20-23 WEB)
The Pharisees and the people of Israel were expecting a conquering Messiah King immediately, but they didn’t understanding that He had to be a suffering Servant first.
Before the Lion could appear in majesty, He had to lay down His life as the Lamb.
The Old Testament does promise that the Messiah will usher in a period of world peace and that He will rule as King from Jerusalem.
However that Millennial Reign of Christ will only happen after His Second Coming.
Just by reading the Old Testament, you can’t tell that God’s plan was to build His kingdom within man.
The Holy Spirit indwelling us makes us God’s kingdom—we are mobile temples of the Living God.
The world is all about the “Look here” and “Look there”.
They want something physical. Statues made of gold and white robes to represent religion.
On top of that, they are always comparing with each other, leading to a never-ending cycle of jealousy, a judgmental attitude and insecurity.
The flesh is all about living by sight.
Satan wants us to have this “Look here, look there” attitude, where we’re always searching on the outside for something physical to try and solve a spiritual issue.
He’s okay with us looking everywhere on the outside, as long as we don’t look in our spirit and realize that we have been made complete in Christ.
We all want to see Jesus face to face. But we don’t have to wait until that happens before we know He’s real, and that He’s already living inside us through His Spirit.
You can already have a conversation with Jesus inside you. He speaks to you in many ways through your spirit.
We are connected to God. His Spirit inside us means that we have access to His wisdom, His power and His grace for every need.
Yes, one day the Kingdom of God will be physically established on earth, and we’ll be able to see it with our eyes.
However, until then, the Kingdom of God is only inside you and in every born-again believer.
If you want to be introspective, behold how righteous and holy you have become in Christ, such that you can have God’s kingdom permanently within you.
This way, you won’t be discouraged from inspecting yourself for sin, but you’ll be strengthened in faith by seeing that you’re perfectly righteous and forgiven in Christ.
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同時也有2部Youtube影片,追蹤數超過40萬的網紅SLSMusic,也在其Youtube影片中提到,🎼Sheet Music ➡️ https://gum.co/OVbBG 📖 SLSMusic MyMusicSheet ▶︎ https://www.mymusicsheet.com/slsmusic/23683 Demon slayer, it’s definitely one of the ...
「it could happen to you ending」的推薦目錄:
- 關於it could happen to you ending 在 Milton Goh Blog and Sermon Notes Facebook 的最佳貼文
- 關於it could happen to you ending 在 Charis Ow Facebook 的最佳貼文
- 關於it could happen to you ending 在 KIVΛ Facebook 的最讚貼文
- 關於it could happen to you ending 在 SLSMusic Youtube 的最佳貼文
- 關於it could happen to you ending 在 pennyccw Youtube 的精選貼文
it could happen to you ending 在 Charis Ow Facebook 的最佳貼文
18 APRIL 2020 • On this day, we planned to go ahead with the marriage registration with ONLY our parents, officiating pastors and a photographer as mass gatherings & weddings are no longer allowed. However, after the MCO extension announcement, that plan COMPLETELY went out of the window too! So, to those who congratulated us, thank you very much but.. we still ain’t married yet 😂
After 15 months of planning, it is pretty devastating that we could not move forward with our initial plans but this pandemic is far more devastating and we must take a step back to gain the right perspective of the bigger picture ♥️
We want to thank the frontliners —doctors, nurses, pharmacists, military, police force, grocery store workers, food delivery personnels, cleaners, security guards and other individuals who are still putting themselves out there to keep us safe & also provide our essential needs! YOU ARE OUR HEROES! 🙌🏼
Our hearts go out to everyone who are affected by this pandemic. As an entrepreneur and a small business owner, @darylltan and I are also anxious about what will happen in the future – just like you. It is no doubt a scary time for everyone financially but, at the same time, it is somewhat comforting to also know that we are ALL in this together 🥰 At the end of the day, there is still so much to be grateful for and when this is over, I know we will have deeper appreciation for life and what God has blessed us with 🙏🏼
Last but not least, cheers to all of the brides and grooms who had to postpone their weddings, like us! You are rockstars! 🤘🏼 And hey, we all get to spend a lifetime with our partners ANYWAY and that’s the happy ending that truly matters! Remember – LOVE IS NOT CANCELLED! ♥️
Taken 6 ft away by @leanmeanteachingmachine 📸
it could happen to you ending 在 KIVΛ Facebook 的最讚貼文
Hello. I am KIVΛ.
Over the past 3 years, I have been working under Rayark Inc. on the rhythm game title 《Cytus II》 as Sound Director, as well as music and sound effects production, together with story design and a portion of motion design. In June last year, I found myself going into different paths with the company, so I left the position as regular staff member, but continued to work with the remainder of the project until version 3.0, where the story finally reaches the finale, so did my journey and objectives for this game development journey. Having this opportunity, I would like to share some of my thoughts regarding this epilogue.
Since I joined this project, the focus of design has always been the joint experience of story and music. With the story reaching the end, I would like to potrait the overall ambient to be more film-like, which players might experience the tension of the climax through music. Having such thoughts, I was determined to unify the music genre in 3.0 as film-score like, blending in motifs from song lineup of each and every game character. I am totally aware that level design for symphonic music is difficult, especially in emphasizing the groove like how it was usually done in electronic music. I want to thank all level designers for their hard work in overcoming such challenges.
The epic vibe from combining contemporary electronic and symphonic music is something that I always wanted to attempt for, and in my previous works there has been appearance of such sound elements, but by using only virtual instruments it might just not reaching my expected result. I want to thank Rayark for being so generous to provide all the support, making the symphonic recording come true.
Having such opportunity, I went for two of my friends who I have never work together with: Shao-ting Sun, a recording engineer in Carnegie NYC; Chamber Chu, a symphonic music producer. They have been my game peers for quite a while, but I have always been admiring their aesthetics and abilities in sound design, and these two grandmasters have definitely outperformed themselves. I spent a whole week staying with Chamber for the arrangement of symphonic parts, which was a very precious experience in music creation. The recording team that Sun brought together, as well as the professional performers that participated in the recording session, is by no doubt astonishing. Recalling that we rushed for the full score of all the pieces until the very morning of the recording session (our sincere apologies), but it took no more than 5 takes for all sections to get the desired outcome. Absolutely fascinataing.
It is also worth mentioning that the entire team of roughly 60 were all Taiwanese. I guess we might have made another achievement in the history of Taiwanese game music production. I am so honoured to have the opportunity in leading such a groundbreaking project, together with all the grandmasters.
3 years isn't that long, but it is more than one out of ten for my life. There were other creation experience that were fun but painful, and many achievements were unlocked when I worked in this company. Standing on the stage in front of the screaming crowd, working with Japanese voice actors that I admired for so long, having so many supporters of my work, all these could never be possible without Rayark. Even I left the company going for different paths, I still wish for the very best of this company to become a even better one.
It is a pity that I can no longer work together with the fantastic members of Team Cytus. Perhaps they are fed up with my twisted personality and being stubborn for what I wanted to create. I would like to thank you all for your understanding and forgiveness. Each of you have the profession and passion, and I found myself so tiny and unintellegent working with all of you, and I have learned a lot over the years. I wish all of you could push the creative industry in Taiwan even further forward. I am returning as a mere artist, working hard on what I could. No matter how harsh life is, I am still working on it, as this is the only thing I am capable to do.
Last but not least, I would like to thank all of you players that have supported this game. Without you, this could never happen. No matter to me, to the Team and to the players, 《Cytus II》 might not be the perfect piece of game, we might have different imaginations on the enormous world settings, characters or even the game design itself. What in common was we spent 3 years to experience the creation and playing process. It is the story and music that linked us together. I believe this is the charisma of the game. I wish you are all loving this game, loving the characters, and loving the time that we created together.
There are so many more to thank, to apologize, the satisfaction and sorrows, and they are all included in this ending music. It is time for me to step down.
Thank you, and goodbye.
it could happen to you ending 在 SLSMusic Youtube 的最佳貼文
🎼Sheet Music ➡️ https://gum.co/OVbBG
📖 SLSMusic MyMusicSheet ▶︎ https://www.mymusicsheet.com/slsmusic/23683
Demon slayer,
it’s definitely one of the best ANIME in 2019. Not only because of this Episode 19, The whole character and story design, the music and the graphic, every aspect of this ANIME all presents perfectly.
I’ve seen many piano channel has already post their cover of this beautiful song right after this episode came out, but unfortunately those couple days I was dealing with other things and unable to watch it.
So I finally watched it yesterday, and it was, yeah, really crazy. I practiced for about one hour and recorded it for another one hour, edited the video for about 3-4 hour and this is it.
Sometimes we’ll think that, if the algorithm keep ignoring you,
then there’s no necessary to follow the new ANIME music and try to make new video as soon as possible, 'cuz no matter how hard you try, there’s always someone one step of you, there always will be. And even though some of those are low-quality videos, you can’t even sure that audience could tell it. The VIEWS is everything.
Some of you followers may found that recently we’re in the dumps about the situations of our channel.
Although we keep telling ourselves that everyone will be facing this moment eventually, but not like this.
We've seen some of our creator friends on YouTube or some of million-subs channel also facing serious algorithm problem, then we realized that this probably isn’t personal. but it’s still can’t stop us from being upset.
Really, it’s not about the money, it’s that, you make something good, something worth a look, but there’s no chance for it to shine. And the reasons are completely not related to MUSIC itself.
These kind of problems always exist, but YouTube “was” a place that could let creators no need to worried about it, and it’s also the reason that Musicians on YouTube grew crazily past couple years. I really miss the old days.
Anyway, we’ll just keep fighting, and maybe, find another way out. Recently we’re working on planning the future of our channel,
including “how do we survive when I finish studying in Japan and back to Taiwan to the army” and “new ideas, new series for the channel”. It seems all pretty hard in the future, let’s see what would happen LOL.
No matter what, our intention of making music video never change, which is sharing.
2019.08.16 SLS
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Song Title: 竈門炭治郎のうた / Kamado Tanjiro No Uta
From: 鬼滅の刃 / Demon Slayer
Original Artist: Go Shiina feat. Nami Nakagawa
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it could happen to you ending 在 pennyccw Youtube 的精選貼文
A stunning fourth-quarter comeback led by Allen Iverson. A thrilling final-minute shootout between Stephon Marbury and Kobe Bryant.
The ball in Bryant's hands for the last shot. A pass that no one expected. A last-second miss. A postgame celebration worthy of June.
Yes, it was quite an All-Star Game.
Iverson, Marbury and his Eastern Conference teammates transformed what looked like a blowout loss into an improbable 111-110 victory Sunday in a performance fitting of the 50th anniversary of the game.
"It was like a championship game out there," Dikembe Mutombo said. "I've been in the All-Star Game the last seven years, and I've never seen anything like this."
It was the kind of game that might stop people dismissing the East as far weaker than the West, the kind of game that might make the casual fan appreciate the heart and determination of some of the younger stars trying to seize the spotlight in the post-Jordan era.
Mostly, it was kind of game that any fan of any sport would prefer to see — a riveting one.
Iverson scored 15 of his 25 points in the final nine minutes, and Marbury hit two three-pointers in the final 53 seconds as the East came back from a 21-point deficit.
Bryant, the NBA's leading scorer, could have taken the last shot. Instead, in a shock to everyone sitting in the building and watching on television, he threw a pass that resulted in a last-second miss by Tim Duncan.
"Everybody was saying we couldn't win because of our size. It's not about size. It's about the size of your heart," Iverson said. "Coming into the fourth quarter, we were all sitting on the sidelines saying 'Why not us? Why can't we be the ones to come back from a 19-point deficit (after three quarters) in an All-Star Game?"
Turns out they could.
While presenting the MVP award to Iverson, NBA Commissioner David Stern, with a sly grin on his face, told Iverson that great basketball "can be wrapped — if you pardon the expression — in very small packages."
The comment was a clever reference to Iverson's height -- he is an inch or two shy of 6 feet -- and Iverson's rap album, which was criticized for its lyrics and led to a meeting with the commissioner.
Iverson, who starred collegiately in this city at Georgetown and had a large contingent of family and friends in the arena, presented his MVP trophy to his mother.
"My family, my friends, everybody that's been with me through my struggles and pain knows it's a tribute," Iverson said. "I think it's going to be beautiful for years to come because every year it seems like we get somebody else with a different kind of God-given ability to add to this league."
The East trailed 95-74 with nine minutes left after the West dominated the first 39 minutes behind its superior size. It appeared the game would come out looking like a mismatch that would back up all the Western Conference superiority theories that have been thrown around so frequently this season.
But the East started pecking away, and Iverson walked over to the scorer's table during a timeout and asked if anyone wanted to wager whether the East would make a comeback.
That's exactly what the East proceeded to do, with Jerry Stackhouse and Vince Carter making three-point shots that were followed by a three-point play by Iverson to cut the West's lead to 100-96.
Iverson scored the East's next two points from the line, and Tracy McGrady tied it on a putback with 3:10 left.
"We had every reason to make this like a regular All-Star Game and lay down and stop playing, and it didn't happen," East coach Larry Brown said. "I had no idea we could come from behind. It was a wonderful ending for us."
Iverson scored the East's next five points, and a chant of "M-V-P! M-V-P!" was heard after his two foul shots gave the East a 105-104 lead.
But that chant might have revved up someone else, instead.
Someone named Bryant.
In a down-the-stretch performance reminiscent of his play in the Lakers' Game 4 overtime victory over Indiana in last year's NBA Finals, Bryant kept getting the ball and putting it in the basket.