關於 keep contact中文 ，我們在網路上蒐集到這些相關的討論、資訊與評價

【企業工作坊x題目介紹｜台灣美光】
大家期待已久的賽前工作坊，這次輪到誰了呢？
答案就是—台灣美光 🎉 🎉
有興趣的同學和梅竹黑客松的參賽者
可不能錯過這個了解企業與學習技術的機會喔！

美光科技(Micron Technology, Inc.)是全球前三大記憶體製造商
總部設立於美國，並於台灣、日本、歐洲等地設有研發設計或製造據點
主要產品包括DRAM、NAND快閃記憶體、CMOS影像感測器與其它半導體元件和記憶體模組

📍本次台灣美光黑客松的題目如下：
❝
The covid-19 pandemic changes how we work today in the factory. For mitigating the pandemic, many companies are forced to let employees work from home(WFH). The WFH may become a normal working model in the factory.
Please provide "a minimum viable product" to support WFH in order to keep
⚫ Productivity
⚫ Efficiency
⚫ Collaboration
⚫ Team work
⚫ And the security as well
What functions we need for WFH?
⚫ Video conference
⚫ Instance Message (Communication tool)
⚫ Tasks tracking/meeting minutes
⚫ White board
⚫ Other creative functions will be plus
Do not need to cover all functions, just cover as possible as you can.
You can use any existing open source resources.
Micron WFH experience during the pandemic
⚫ Micron employees: > 7000
⚫ WFH maximum employees: > 2000
⚫ Work hours: 8:00-17:00
⚫ Meeting
• Count: 2~4/day
• Period: 1~2 hours/meeting
• Attendee: 2~hundreds. Global meeting: even thousands
• Time zone: Taiwan, USA(Boise), Japan, India, Singapore...
• Language: English, Chinese
In Micron, we use VPN/Remote Desktop/Online meeting to support team members WFH. But team member may feel isolation and separation because lack of face to face contact. Therefore, we need creative ways to let team members have the same feeling even better when WFH comparing work on site.
We are looking forward you can provide such kind of creative ways to Micron.
The feedback for WFH:
⚫ How to resolve system issues quickly when WFH?
⚫ Working hour is longer due to not easy to distinguish between office and home
⚫ How does team member know colleague is working or not?
⚫ How to improve the isolation and separation feeling?
❞

📍台灣美光賽前工作坊流程：
第一節 (50mins)
工作坊會帶您了解美光公司內部，在輔助員工每日工作時所需使用到的工具。
例如：在家如何遠端進入公司網域辦公、如何開線上會議、保留會議記錄、代辦事項的追蹤、同仁之間溝通方式等。

第二節(50mins)
關於資安：
a.在家辦公時，如何透過驗證方式進入公司網域辦公
b.員工郵件、網頁瀏覽等須注意事項
c.廠區內對資安保護的規範。

美光人事物：
a.我們的員工來自世界各地，除了中文，也得同時考慮英文介面的設計
b.認識IT部門的一天工作流程
c.跨部門的合作。

真實案例分享:
a.遠距辦公遇到系統問題時的解決辦法
b.收到員工對於遠距辦公的抱怨內容
c.美光已實行過”讓員工有更棒的WFH體驗”作法大公開。

第三節 (20mins)
Q&A

🔽現在就來報名梅竹黑客松和賽前工作坊吧🔽
https://signup.meichuhackathon.org/
（建議使用電腦瀏覽網站）
---------------------------------
〔合作企業〕 LINE、羅技電子、台灣美光、意法半導體、Girls in Tech
〔贊助企業〕 AWS、曉數碼、國泰金控、Google、中華電信、原相科技、PChome、104資訊科技、Nokia

#deminegara #pleastayhome #lockdown #covid_19 ＃请呆在家
#spreadkindness

（中文翻译如下）

[ Will you please stay at home? ]

16/3
10pm Superior: we need an extra MO to Permai Hospital urgently.
17/3
7am Received call from superior
7.30am Packing luggage
8.30am Leave to Permai
10.30am Report at Permai

It's my first day reporting myself to Permai Hospital, hospital for Covid patient. And guess what, I was welcomed with the news of first death in Johor literally 5 mins after I was briefed by my team. Yes, if anyone of you are curious about the situation now. It's havoc, it's bad, it's real now.

People are being upset the lockdown of Malaysia. I know you're healthy and think is unnecessary. But on the other side of world that you don't see, we're screening hundreds of people everyday now and having hundreds of confirmed cases daily. And there's people dying, not just the old one, but the young one, leaving young children behind. As young and fit like us.
And one of the most difficult part is to do contact tracing because of the mobility of people. And right now I'm sure there's many infected people who's not diagnosed yet and keep spreading the virus to people surrounding them. Please Malaysian, we need a favour from you. The current lockdown is only 2 weeks, which is the incubation period of the virus and enough for us to identified those who's infected previously if they stop contacting other people from now. And the contact tracing (which is just the family members) will be a lot easier. Please just stay at home, yumcha at home, no more outdoor jogging, opening your shop unnecessary or religious praying together-gether. Can we just please do this for 14 days? If we can adhere to this and identified and isolate all the cases, then the chances of un-lockdown will be higher and sooner.

People have been complaining why are we not screening them when they've symptoms. If we could, we will want to screen everyone. But our manpower and resources are getting limited now that's why there's only people who fulfil the criteria will get screened (but you can always pay to screen at private). So please stay home, will you? I know you're not scare of dying, so do I. That's why here am I working as a frontliner. But my sister cried when she knew I'm going. I was shocked and I told her I'll keep myself safe. Is your love one ready for you to die as well? If not, stay home while you can. (because I can't)

I've received lots of blessings and wishes from friends who know I'm called to be a frontliner. And know what, the biggest blessings to us is to stay healthy, stay safe and stay home. We're not blaming anyone so please let's not blame anyone but be a part of this. I can't save the world, but I am doing my little part to help the situation , and if you're with me, please do your part too and show the Malaysian spirit.

It's a difficult situation, that's why we need more gratitude than grumbles.

Be grateful if you've saved enough to go through this tough time, some people don't and perhaps you can lend a hand
Be grateful if you need to rest from work, some people don't even have job
Be grateful if you're asked to self quarantine, some people are quarantine in the hospital with no one
Be grateful if you're quarantined but still fit, someone just didn't make it today
Be grateful if your family is far but still healthy and fit, some people lost their father today
Be grateful you can stay home with family and have family bonding, some people, us are out there working day in day out in the hospital.

And we're grateful Malaysian can play a part as Malaysian now.
Malaysia need you.
We need you.

16/3 10pm 上司：我们紧急需要一名医生去Permai医院。
17/3 7am 接到上司的电话
7. 30am 收拾行李
8.30am 前往permai
10. 30am 报到

今天第一天去了新冠肺炎的医院值班。迎接我的是柔佛第一宗死亡病例。如果你们好奇现在的状态，很糟糕，很混乱。

很多人对于封国很多意见，因为会影响日常生活，尤其是对于健康的人们，根本没有必要。可是在另一个世界的我们，每天抽取上百个样本，每天上百个肯定病例，攀升速度快得吓人。而且最糟糕的是，有病人离逝了，留下年幼的孩子们。不是老年人，是和你我一样年轻力壮的青年。
而因为人民自由的活动，让我们追踪肯定病例接触过的人 (contact tracing) 遇到了很大的阻力。而照着现在的状态，很有可能很多被感染的人还未被检验。真的，我们医护人员需要你们，请呆在家好吗？在家yumcha，不要出外运动，不要开店不需要离开家祈祷。只是两个星期，让我们能在这两星期把所有感染的病患医治，避免继续互相传染，那么封国就会尽早被取消。

有人不满我们不为所有伤风咳嗽的人抽取样本。如果可以，我们也希望可以为全部人检验，但人力与资源已经逐渐消耗了，我们真的只能为那些高风险的人抽取样本。（真的担心私人诊疗所也有抽样本服务）所以，可以呆在家两个星期吗？
真的不怕死吗？我也不怕死，所以我站在了前线。可是姐姐知道我去了就担心得哭了。真的，家人朋友们也能承受你死吗？不然，请呆在家（因为我不能）。

大家知道我去了前线，给了我很多祝福。真的很感恩很被爱。但是若每一个人都能照顾自己的健康，呆在家，对我们就是最大的祝福。我不能拯救世界，但只是履行我的责任，所以若可以，也希望每个人可以履行人民的责任，我依然相信Malaysia Boleh因为人民的力量。
这个艰难时刻让我们不要再互相责怪了。

若能够有足够的储蓄度过难关，请感恩；有些人再挣扎，或许我们还可以伸出援手
若需要暂停工作，请感恩；有些人连工作都没有
若需要自行隔离，请感恩；有些人在冷冰冰的医院隔离
若隔离的你依然健康，请感恩；有人挨不过今天离逝了
若家人虽然遥远依然健康，请感恩；有人失去了爸爸
若需要呆在家，请感恩；有人，我们，在外连日连夜的再奋斗着

马来西亚需要你们。
我们需要你们。

我哥之前因為陪朋友去考街頭藝人證照看到一些評審對街頭藝人的態度發聲 而上了新聞。我覺得他很勇敢的去做了一件對的事。

希望政府不會時間過了就不關心這些事情。希望我們都可以更客觀的去看藝術，尊重不一樣藝術和藝術家。我覺得以下我哥說的非常好，想跟大家分享。

想知道之前的事可看新聞連結：
http://www.storm.mg/article/270611

親愛的大家：


我想感謝所有支持我、以及給予我鼓勵意見的每個人；同時也要感謝熱情關注此事、協助揭露街頭表演者們應試處境問題的許多媒體與記者們。我很抱歉這些日子我保持著沉默—僅有一個原因：我並不希望這件事情，在台北市文化局正式給予溝通管道之前就發展到無法控制的程度；我很抱歉遲至今日我才發表這篇文章，但我確實需要一些時間來沉澱彙整我心中的感受和想法，而我也需要時間及一些協助使這篇文章能夠以中文來呈現。

在我採取更進一步的行動之前，我其實未曾預料到這件事情在媒體與社交媒體上的感染力如此龐大；我受寵若驚的感動能夠聽見發自你們每個人內心的聲音，而我也著實感到抱歉，面對著如潮水般湧來的各種訊息，似乎超過我所能負荷。請原諒我未能夠逐ㄧ去回應每個人的訊息，但我真的想讓你們知道，你們每ㄧ個人都讓我感到不可思議、帶給我深深的感動及感謝。

我不認為自己是一個勇敢的人，我也自知自己並非街頭藝人的代表或者發言人。但我是一個藝術創作者，一個表演藝術家，一個教育者，而最重要的，我身為一個 "人"。我的家人、朋友及師長們，總是教導我應該為正確的事情挺身而出。

我明白事情有時候總是不像我們所期待的永遠是非分明。但發生在5月21日星期天的街頭藝人評審事件，是對藝術群體的一種「極不尊重」。不論反面評論者所提出的藉口、理由或是文化差異等緣由，這些應試的表演者們，很顯然是被視為次等公民，或者（經驗與技能不夠成熟？）的學生等級。而與此同時，同樣非常清晰的是，街頭藝人評審制度或許是立意良善，但其審查過程的執行層面，卻是嚴重缺失連連。

藝術並非一種特權的這件事情如今已完全被遺忘。台北市文化局本應提倡所有具有文化及藝術可能性的事情，但它並未做到這ㄧ點。很顯然的，一個「對表演者的基本尊重」並不存在 — 許多表演者都如此感覺，有些人則深感受傷。

就算是得到全世界所有理應被如此對待的原因及理由，他們仍然感受到自己的不被尊重；因為這就是事實。

再一次的我想強調我並不是認定台北市文化局與該評審是一個「壞人」，我想強調的只是這個評審街頭藝人表演的執行環節，究竟有多麼的不妥當與糟糕。

我試著回應一個反面評論者所提到的觀點：若街頭藝人證照是ㄧ場「考試」、考試就會有考試的規則。評審無需與應試者惺惺相惜，掉頭就走是因為模擬街頭現場環境以及時間到了。再一次的，在我描述現場狀況的前ㄧ篇文章中，大家或許還記憶猶新：許多表演者根本沒有完整的短至一分半鐘的時間可以好好表演，遑論是超過2-5分鐘的時間限制了。

而這樣的回應是否也指出了另一個值得我們去思考的問題： 為什麼我們會將它視為一種「考試」，而不是ㄧ個表演者的「試鏡」呢？

首先，這些表演者們並不是學生。事實上，許多人更可能是一個專業的音樂家、舞者、或者正從事著表演藝術的人。當然，我不否認也可能會有些正在學習中的族群。但，最重要的是，當他們「在屬於他們應得的演出時間與機會裡 (而且還是付費才有的），他們就是ㄧ個真正的表演者。」

他們不應該被看待成一個不成熟的學生或者次等的公民。而就算一個人擁有著學生的身分，這個身分也不應該影響或侷限他或她，作為一個藝術創作者的身分及所有可能性。「藝術家」並非是透過一個人的職業身分或者社會地位來定義的。

所謂「考試」的這個字眼指涉著ㄧ個學術教育機構，而我們都知道台北市文化局所應該扮演的角色與作用，並非一個學術性的教育機構，也並非是用來教育藝術創作者們該知道些什麼？該怎麼表現？藝術教育及審美的養成也從來不是在追求填鴨式教育裡的ㄧ個標準答案。將街頭藝人的徵選視為「考試」的視角，或許本身就有待商榷。

評審的場所是在一個公共場合，許多居民與遊客都會圍觀欣賞著表演，其中有些人或許不了解藝術；因而這些人也許會將在場的評審們，視做為某種藝術的衡量標準；試問，當這些人看到評審對待表演藝術家的行為與態度，當他們看到評審總是任意打斷演出，並且掉頭就走不帶ㄧ句回應時，人們日後還能懂得尊重街頭表演藝術家嗎？

沒錯，我們都知道這是一場「考試」，我們也很清楚這些手上拿著計分表的人們就是評審；因此，事實上評審們根本無需「模擬」街頭現場那些會隨時走掉的陌生人們。

這些評審以及相關單位的人員，理應提倡藝術，並且作為ㄧ種示範與典範，讓普羅大眾都能夠看到該如何去欣賞ㄧ場演出。一個表演者並不會因為他選擇在街頭表演，就因此比不上一個在大舞台演出的藝術家。我自己就曾在世界各地超過百個不同的絢麗舞台演出過，但我仍然汗顏自己可能也不比這些街頭藝術家們來的優秀。

我曾擔任過ㄧ些國際比賽的評審，我也曾舉辦過專業的試鏡；我從來沒有聽過關於尊敬一個人的這件簡單事情，會需要在時間充裕的前提下才能夠發生。

如果一點表情會洩漏出評審成績的好惡，其實也真的可以不用笑或是無需在表演結束時說一聲謝謝。而評審也真的「不需要」與考證照的街頭藝人感覺惺惺相惜，因為這些都不是我想討論的重點。

我在意的是，表演者所需要的，只不過就是一個對人與對一個演出者的「基本尊重」而已。這樣的尊重存在與否，如人飲水冷暖自知，在人與人的接觸中就能直接感受的到，著實無需仰賴規則或語言的贅述。

我作為一個藝術創作者和教育者，穿梭各地工作超過15年的職業生涯經驗，或許會因此被視為一個外國人，但我的身分就是一個台灣公民。身為一個39歲的成年人，我可以分辨何謂尊重，而表達尊重甚至不需要浪費到任何一秒鐘。如果一個人會需要至少五分鐘以上的充足時間才有可能表達出對另外一個個體的尊重的話，那他可能需要重新再思考一下，尊重對他而言意謂著什麼？


再度回應一位也曾擔任過街頭藝人評審的老師所提出來「中途要求更換曲目或要求表演者改唱另ㄧ種語言的歌」的理由，是因為評審們不會希望一個街頭藝人一整年下來只會唱同一種語言、甚至是只唱同ㄧ首歌。

我所思考的是當一個街頭藝人遵守規定，付費且努力準備去應試時，他ㄧ定會準備了符合完整時間長度的、同時也是自己最擅長、最喜歡或者是最期待能被看見的那些內容；表演一首歌曲或者ㄧ種風格並不代表他就只會唱那ㄧ首歌；而且就算是當做他只會唱ㄧ種語言、ㄧ首歌，如果他能把這首歌反覆演繹的淋漓盡致時, 又有什麼不好呢？

難道我們不曾注意到百老匯的音樂劇就是同樣的那幾部，而獅子王也已經在舞台上展演了20年了嗎？許多同樣內容重複的音樂劇票房始終歷久不衰，持續帶給觀眾們心靈的滿足。而人氣歌手愛黛兒從頭到尾也只會用英文唱歌，而且幾乎都是類似的曲風，我們可曾在乎過她有沒有能力去唱中文歌呢？

ㄧ部舞蹈作品光在荷蘭本土就能有至少五十場大大小小的演出機會。但在台灣，ㄧ部作品如果能有五個場次的演出，可能已經算是很長壽了。這樣的環境迫使藝術創作者們必須不斷快速的「生產新作」，而將舊有積累的作品與經驗拋在腦後。就所有對於藝術的挹注與投資（不僅僅是金錢）來說，這樣的情況對藝術的生產是ㄧ種過度消耗與浪費，也並未真正教育到民眾如何去看待藝術的價值。

而最終，這樣的評審過程與態度並不僅僅是對街頭表演藝術者的不尊重，同時也是對於藝術的不尊重。

台北市文化局星期ㄧ曾經聯絡過我，親切向我表示將與我進一步聯絡並討論這件事情；他們要求我先將評審的照片拿掉—我答應取下照片，但前提是他們必須確實誠意的允諾一個面對面的溝通。這幾天我也暫時迴避了一些報導媒體的詢問（還請大家見諒）只因我衷心希望能先與台北市文化局及該評審當面談一談。我ㄧ直等待，但我也持續的看到了相關機構或人員回應給媒體的諸多理由與藉口； 自從將照片從網路上取下之後，直到今日都沒有人再跟我連繫過。慢慢的我突然明白星期一的那通電話，或許純粹只是ㄧ個希望我能將照片取下的操作手法，而並非真的試圖去了解整個經過以及解決問題。我對這個本應提倡藝術與文化的機構感到無比失望。

我知道我並非一個公眾人物，而我也不能代表所有想要考取街頭藝人執照的表演者們；自從我的臉書網頁訊息爆炸之後，我就不斷的在思考這件事情，我反覆思考自己是否該繼續爭執此事，這似乎並非與我切身相關的事情，然而，身為一個藝術教育者，我卻又感受到深切的責任。

經過反覆的思考以及與朋友們的討論，我意識到不論我們的展演形式如何不同，我們同樣都是表演藝術群體中的一分子。台北市文化局最後很可能將持續充耳不聞，而這位被我所抱怨的評審也可能繼續做他這些年來ㄧ直在做的事—用他ㄧ貫的態度。除非他們願意傾聽與改變，否則我無法改變任何人。

我真心相信有些事情值得改善，也可以改善。我必須強調我並不是想要攻擊或羞辱任何人。我只希望能有機會去討論如何讓審查的過程變的更適當。我看到台灣有許多優秀的藝術家，但環境對藝術和藝術家的不尊重不但打擊同時也限制了他們的發展；更遺憾的是，這一切可能是在許多疏忽之中造就出來的環境。

許多評審過程如果能夠在尊重藝術的前提之下思考和進行，事情或許會截然不同。
只要有一點點可能去拋開面子的問題，或許也就有機會明嘹我們所期待的結果其實是一樣的。

事實上我之所以說了這麼冗長的話語，並非是要不尊敬所謂的評審或師長，而正是因為我對藝術的尊敬，使我更深切的關注身為一個教育者所代表的意義。今天我看到了街頭表演藝術家是如何被不當的對待，而很顯然的我也不會是唯一的目擊者。某個程度上我的聲音似乎被放大了，但我也知道我的聲音並不是唯一的一個，我是許許多多的聲音中的ㄧ份子。

William

---------

Dear All,

I would like to thank you for all the encouraging messages and supportive comments. I would also like to thank all the journalists and reporters who are passionate about this issue and are so willing to expose the problem that was faced by these street performers. I am sorry that I have been quiet but with a reason: I don’t want it to get much bigger than it already was until I talked to the Taipei Cultural Affair. I apologize that it took me a while, but I needed some time to gather my thoughts and help to translate my writing into Chinese.

Before I go on any further, I never expected my story would go viral on the media and the social media. I am humbled and touched to hear from many of you. All the messages I’ve received have been overwhelming. I am not able to reply to all of them, but I’d like you to know that I am honored, thankful, and touched by every single one of them.

I do not consider myself as a brave person, nor do I consider myself a representative for the street performers. BUT I am an artist, a performer, educator, and most of all I am a human being.I have always been taught to stand for what’s right by my family, friends and mentors.

I understand things are not as black and white as we all wish sometimes. However, what happened on Sunday 21st of May was a disgrace to the art community. Regardless of all the excuses that were given or cultural differences, it was very obvious these performers were treated like lower-class citizens; if not, students. It was also very clear that the intention might be well, but the execution of the busker’s exam was done horribly.

Somehow the idea that ART is NOT a privilege had been forgotten. Taipei Cultural Affair is supposed to be advocating for all things cultural and artistic but it was not conveyed that day. It was very clear the respect was not there. Many felt it and some got their feelings hurt. Even with all the excuses there are in the world, many experienced the disrespect. That was the truth. Again I have to emphasize that I believe Taipei Department of Cultural Affair and its adjudicators are good people, but the execution of the exam was poor.

It brings to the question…. why is it called an exam? Shouldn’t it be an audition?

These performers were not students when they took the exam. Some of them were actually professional musicians, dancers, or performers. Just because one is a student, it doesn’t make him or her less of an artist. Artists are not defined by their social status or occupation.

The term exam suggests an educational institution, but we know Taipei Department of Cultural Affair is not an educational institution. They do not decide what these artists need to know. These performers were not given any materials to study, thus the term exam is very misleading.

The exam took place in a public space. Many tourists and residents were there to enjoy the event. Many do not understand arts. So they may look up to these adjudicators as role models who are experienced in the arts. When they saw how this exam was being done, do you think they would have any respect for these performers afterwards? They saw these adjudicators interrupting the performers and left without saying a “thank you.” We all knew it was an exam, we all knew these people were adjudicators. They did not need to pretend to be street spectators who just walk away. They all carried their score boards in their hands.

Just because a performer performs on the street, it doesn’t make that performer any less of a performer than someone who is performing on big stages. I myself have performed over hundreds of stages around the world and I do not dare to think myself better than these performers.

I have judged a handful of international competitions. I have also held professional auditions. I have never heard an excuse that respect can’t be shown when time is limited. You do not need to smile to simply say “thank you.” Since when, a smile means “I favor you.” What a performer need is respect. Over the 15 year span of my professional career as an educator and artist, and 39 years of being a human being, I know what respect looks like. It doesn’t take more than a second to show it. If it takes longer than 5 minutes to show what respect is, I think you may need to rethink what respect means to you.

Another excuse that was presented was that they don’t want a street artist performs only one kind of songs or genre throughout the year. Don’t they know broadway musicals? Lion King has been performed over 20 years. They’ve been doing the same musical numbers for years to sold out audiences. Adele has been singing the same genre of music and always in English. Does it matter that she doesn’t sing in other genre or sing in Chinese?

One dance production in the Netherlands can be performed up to 50 performances within the Netherlands itself. In Taiwan, a dance work only performed 5 times the most. They are forced to constantly create new works and leave the old works behind. That is a waste of arts funding and it doesn’t educate the public on the value of the arts. These performers is old enough to decide what they want to show these judges with their limited time.

In the end it wasn’t just disrespectful to the performers, but also to the arts.

I was contacted by the Taipei Cultural Affair on Monday, the representative spoke nicely promising that they would discuss further with me. He asked me to take the adjudicator’s picture down, I agreed with the condition of meeting in person to further discuss what could be done better. I have refused to talk to reporters for the last few days. I have been waiting but I then heard the excuses given to the media. Since I’ve taken down the picture of the head adjudicator, they haven’t made any attempt to contact me. I came into a realization that when they made the call, it wasn’t to address the problem but simply to manipulate me to take down his picture. I’m disappointed at this institution that was supposed to promote the arts and culture.

I realized I am not a public figure, nor am I responsible for the well being of all artists who want to get a busker license. After my Facebook post went viral, I’ve been thinking so much about this issue. I kept going back and forth questioning whether I should keep fighting for this. It doesn’t feel like my fight, but at the same time I feel responsible as an art educator.

I truly believe this can be fixed. I need to emphasize, I am not attacking anyone. And I don’t want to shame anyone. I want to start a discussion how to make it better. Taipei has some of the best performers I’ve seen, yet the lack of respect for the arts and artists has suppressed their ability to excel. And ironically, it’s often done unintentionally.

If the exam is done based on respect for the arts itself, things might have come out differently. And just maybe if we all let go the “face” culture, we could possibly see further to realize that we are all wanting the same thing.

I saw mistreatments towards performers that day. It was very obvious I wasn’t the only one witnessing it. It was not that I don’t respect these adjudicators/teachers, but because I respect the arts and the meaning of a teacher that is why I had to speak up. Somehow my voice had been amplified this week. But my voice wasn’t and isn’t singular. I am simply a voice amongst many.

Sincerely,
William Lü

Taipei National University of the Arts 國立台北藝術大學
寶藏巖國際藝術村 Treasure Hill Artist Village
Taipei National University of the Arts
臺北表演藝術中心 Taipei Performing Arts Center
National Theater and Concert Hall, Taipei
中正紀念堂 Chiang Kai-shek Memorial Hall
National Taiwan University of Arts
Department of Cultural Affairs, Taipei City Government

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Lyrics:

[Intro]
Don't let go
Don't let go
Don't let go

[Verse 1]
Hanging by a thread
All these regrets, I made my bed
And all my life, I cried my way
Till I found myself with you
I gotta keep a hold
Because if I don't, I'll lose my hope
And I can't stay if you're gone
Because I got no one else

[Chorus]
But you
Don't you let go, you're the only thing I can't lose
Look in my eyes
Because I'ma be there for you, whether you want me or not
Just don't let go
Don't let go, don't let go
Don't let go
Don't let go, don't let

[Drop]
Don't let go
Don't let go


[Verse 2]
I'd run across the ocean just to give my hand to you
Whether you think I would or not, I would
Used to watch the stars together
Talking about what we gonna be, don't you remember?
I got no one

[Chorus]
But you
Don't you let go, you're the only thing I can't lose
Look in my eyes
Because I'ma be there for you, whether you want me or not
Just don't let go
Don't let go, don't let go
Don't let go
Don't let go, don't let

[Drop]
Don't let go
Don't let go, don't let

[中文字幕]
原來今天是七夕情人節
我猜男朋友到現在都不知道
那唯有對自己好一點
頭髮臉部身體肚子護理做齊了～
又VLOG一下我的無聊日常！

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Lyrics:

In and out
人流穿梭 時聚時散
We go in and out
我們不斷來來回回
Keep turning the dial
始終轉動著羅盤
Till you find the right frequency
直到找到了正確的方向

Call me out
快聯繫我吧
Yeah, So call me out
快約我出來吧
And maybe a light will click
說不定 會有一盞燈
On in the vacancy
在空虛中被瞬間點亮

Funny how it all changes with one motion
有意思的是 一個細微的動作足以改變一切
Like a subtle roll in the waves causing erosion
就如同一個微浪的翻滾 亦有侵蝕的力量
And the pieces I hold onto are sliding out of reach
零星碎片從我手心溜走 滑到了遙不可及的地方

Keep running my way
繼續走我的路吧
Yeah, keep fighting for me
是阿 繼續為我奮鬥吧
I'm nothing without you, nothing without you
失去你我將一無所有 一無所有

You're my hideaway
當世界變得混亂不堪
When it's all diasrray
你就是我的避風港
I'm nothing without you, nothing without you
失去你我將一無所有 一無所有

If dynamite took hold of love
如果愛被易燃的炸藥所掌控
The only flames to light it up
那麼唯一能繼續點燃它的火焰
Surround you (surround you)
就圍繞著你（圍繞著你）


Keep running my way
繼續走我的路吧
Yeah, keep fighting for me
對 繼續為我奮鬥吧
I'm nothing without you, nothing without you
失去你我將一無所有 一無所有

Play it out
預演
Yeah, I play it out
是阿 我在預演
A thousand more times in my mind just to guarantee
我在腦海中無數次預演 只為確保
I could not do better
我已無法做到更好了
This life will mess my head up
這種生活終將會把我自己搞得一團糟
And you're the only one who keeps me sane
而你是唯一能讓我保持理智的人

Keep running my way
繼續走我的路吧
Yeah, Keep fighting for me
是阿 繼續為我奮鬥吧
I'm nothing without you, nothing without you
失去你我將一無所有 一無所有

You're my hideaway
當世界只剩下狼藉
When it's all diasrray
你就是我的港灣
I'm nothing without you, nothing without you
失去你我將一無所有 一無所有

If dynamite took hold of love
如果愛被易燃的炸藥所掌控
The only flames to light it up
那麼唯一能繼續點燃它的火焰
Surround you (surround you)
就圍繞著你（圍繞著你）

Keep running my way
繼續走我的路吧
Yeah, Keep fighting for me
是阿 繼續為我奮鬥吧
I'm nothing without you, nothing without you
失去你我將一無所有 一無所有

Nights just get colder
當我身邊沒有你擁抱時
When you're not here holding me
夜晚變得越來越冷
Will you promise to stay when it feels easier to leave?
當離別變得加容易了 你還會保證留下來嗎？

Keep running my way
繼續走我的路吧
Yeah, Keep fighting for me
是阿 繼續為我奮鬥吧
I'm nothing without you, nothing without you
失去你我將一無所有 一無所有

You're my hideaway
當世界變得混亂不堪
When it's all diasrray
你就是我的避風港
I'm nothing without you, nothing without you
失去你我將一無所有 一無所有

If dynamite took hold of love
如果愛被易燃的炸藥所掌控
The only flames to light it up
那麼唯一能繼續點燃它的火焰
Surround you (surround you)
就圍繞著你（圍繞著你）

Keep running my way
繼續走我的路吧
Yeah, Keep fighting for me
是阿 繼續為我奮鬥吧
I'm nothing without you, nothing without you
失去你我將一無所有 一無所有
Nothing without you...
一無所有