關於 lady with a red hat ，我們在網路上蒐集到這些相關的討論、資訊與評價

藝展報報~
【維梅爾大展：Making the Difference : Vermeer and Dutch Art】

與林布蘭（Rembrandt van Rijn，1606-1669）齊名，被譽為是荷蘭黃金時期最偉大的畫家之一維梅爾（Johannes Vermeer，1632-1675）在世僅43年，因為作畫非常嚴謹緩慢，傳世作品經過考證目前僅有35幅。

本次東京大展便可見到9幅，但有一幅早期作品《老鴇》（The Procuress，1656）要等到2019年1月9日才會開始展出。這般規模應該可以算得上是亞洲地區有史以來最盛大的維梅爾展覽。維梅爾慣用薄透顏料層層堆砌出物體的真實感和光影作用，這些叫人入迷的技法呈現，還真是得看到畫作本人更能深切感受其效果。

雖說個人還是覺得現場刻意調暗光線，再以投射燈打亮畫作的配置及禁制線距離較大的布展方式對於觀者不是那麼友善。

畢竟在阿姆斯特丹國家博物館看《倒牛奶的女僕》（The Milkmaid，1658-1660）、紐約大都會藝術博物館看《彈魯特琴的少女》（Woman with a Lute，1662-1663）、華盛頓特區國家藝廊看《寫字的女子》（A Lady Writing，1665）和《紅帽少女》（Girl with the Red Hat，1665-1666）時，都可在舒適光線下細細欣賞。

但因為維梅爾，我甘願被淹沒於人龍裡綿長等待，就為了那些300多年前以細膩筆觸、輕盈光線與清透色彩暈疊成的動人身影，還有那十七世紀荷蘭黃金時期最日常溫暖而璀璨的風貌。

＃預售票購票方式也不怎麼友善與國際化
＃建議咱們觀光客可現場買傍晚場次人少品質較好
＃英日文語音導覽費用已含在門票裡

圖片來源 : Junie Wang & 網路
《Copyright © 2018東西縱橫記藝JunieWang. 版權所有，禁止擅自節錄轉貼》

展覽資訊 : 2018.10.05 ~2019.02.03
展覽地點 : 上野之森美術館''

Neil Patrick Harris, Anna Kendrick and Jack Black perform the opening number "Moving Pictures" at the 2015 #Oscars!

How do you make a great opening number for the Oscars? Get a bunch of Broadway talent to do it.

The production number, "Moving Pictures," sung by Tony-winning Academy Awards host Neil Patrick Harris and "Into the Woods" star Anna Kendrick, was written by Academy Award-winning "Frozen" songwriters Robert Lopez and Kristen Anderson-Lopez.

The visuals edited Harris into classic films from "The Wizard of Oz" to "Star Wars" to "Into the Woods."

The middle section of the song, as sung by Jack Black, aped Stephen Sondheim's "Witch's Rap" from Into the Woods, and he warned Harris that he would be “better off polishing your Tony." Kendrick drove him off by yelling “Beat it” and flinging her Cinderella shoe at him.

Lyrics:

[Neil Patrick Harris]
Wow, check out this place. Check out everything.
Check out the glamour, the glitter, people Tweeting on the Twitter
and no one's drunk and bitter yet 'cause no one has lost.
Look at the diamonds, the dresses, people going to excesses,
the stress is on and everybody's fingers are crossed.
I know the camera's on and we're behaving our best.
Yet, I secretly hope someone pulls a Kanye West.
But we are here tonight, with our Xanax and Dior,
thank you lists and publicists who fought the Oscar war.
Tonight we toast what we love most
and I am thrilled to be your host.
'Cause all of it is for moving pictures, shadows and light,
like a magic trick done in plain sight.
Why do we love them? Why do we care?
When they're just moving pictures that aren't really there
But then I think of Chaplin and Monroe
and Argo and Fargo or when Marty made his car go
back in time at the mall
And then there's Bardot and Brando and Billy Dee as Lando
or when Sharon went commando and unsettled us all.
I gasped when Indy goes back for his hat
or when I think of all the tension between Ben and Matt.
[pause] Oh, my stars
I love transformers that transform and perfect storms that storm.
small town girls who change the world by challenging the norm
Godfather 2, the movie Clue
all these films that inspired you to stand up and perform.
Moving pictures, take us over the rainbow
across the fields of our dreams.
In the heat of the night to defeat and to fight evil schemes.
To swim or to swing, to dance or to sing,
to flee down a flight in fright,
yes, moving pictures are coming to life tonight.

[Anna Kendrick joins]

Moving pictures.
[Kendrick]
Where is my shoe?
[Harris]
Is this your Jimmy Choo?
[Kendrick]
Why yes.
[Both]
Moving pictures
[Harris]
and how they can move you.
[Kendrick]
And also improve you.
[Harris]
The joy of pretending,
[Kendrick]
With such happy endings except for in Gone Girl when that lady slit your throat.
[Harris]
Spoiler alert.
[Both]
Moving pictures...

[Jack Black]
Stop!
This is what you sound like:
'Movies, movies wow they rock'
Listen kid, it's all a big crock.
Now it's market trends
and fickle friends
and Hollywood baloney.
Believe me Neil,
you're better off just polishing your Tony
This industry's in flux,
it's run by mucky-mucks,
pitching tents for tentpoles and chasing Chinese bucks.
Opening with lots of zeroes,
all we get is superheroes.
Superman, Spider Man, Batman,
Jedi man, sequel man, prequel man.
Formulaic scripts!
And after 50 Shade of Grey, they'll all have leather whips.
In a world where our breeds are becoming machines,
the only screens we're watching are the screens in our jeans
Screens in our jeans Screens in our jeans
The only screens we're watching...

[Harris]
JACK! I'm trying to...I'm kinda in the...Would you mind?
[Black]
But you know?
[Kendrick]
BEAT IT.
[Black]
Fine.

[Harris]
Yes, green-lit films can stall
[Kendrick]
Scripts can hit a wall
[Harris]
Stars may pass
[Kendrick]
Or fire your ass
[Harris]
And weekly grosses fall.
But when they hit, you must admit,
they sometimes change your view of it
in ways both big and small
[Kendrick]
Have a ball

Moving pictures, millions of pixels on screens.
They may not be real life,
but they'll show you what life really means.
More than any one image.
More than any one star.
Truly, moving pictures shape who we are
whether we're big brained and British
Or hiking and skittish
a legendary leader
a Birdman in a theater
a boy we watch until he's grown
a sniper in a combat zone
a wealthy philanthropic creep
Magic Meryl Effin' Streep
Lobby boys and bleeding drummers
All these awesome up and comers
Who will get a statue? Results are coming at you!
At the 87th Oscars moving picture show!

Acknowledgement:
http://mashable.com/2015/02/22/neil-patrick-harris-oscar-opening-lyrics/
http://playbill.com/news/article/read-the-lyrics-to-neil-patrick-harris-tongue-twisting-oscars-opening-number-by-frozen-songwriters-342356

Clip Courtesy A.M.P.A.S.© 2015
No Copyright Infringement Intended.
All rights belong to the Academy of Motion Picture Arts and Sciences (AMPAS).