- #文末抽獎
Brows for today!
@1028_taiwan ultra stay brow palette
01 blonde & 02 soft brown & 03 brown gray
Me with black hair really needs grayish products for brows! 03 is just the right shade for me, and I’m happy to see more and more drugstore brands coming out with black-hair friendly products!😍(There were only brown shades in the old days.🤣) The packaging is nice which has a disposable plastic sheet sticks on the powder side.
For me, powders can create more of a soft look than brow pencil. A no makeup makeup day will suit well! By using a fluffy brush will turned out super natural; if you want more dimension, an angled brush will do well! Powders suit people that already have brows, if you lack of brows, pencils might be a better choice 😳
The shades aren’t too light or too dark, is just fine! The brush inside isn’t that handy tho🤣 If I use the lightest shade for shading my nose would be too warm/red for me ~
What eyebrow products do you use for your brows?
Let me know in the comments down below:)
Use on brows & swatches 👉👉👉
Wish you all a lovely day 💗
-
今天來介紹 #1028 新出的眉毛產品!
塑描大師立體眉彩盤
01柔棕色
02暖棕色
03棕灰色
真的很喜歡現在越來越多品牌會出給黑髮的色號(就是我本人!😎)遙想當年都只有深咖啡色啊~(拭淚)打開包裝上很貼心的地方是在眉粉上方有用一層塑膠片黏著!應該可以讓全新眉粉更有保護力(?)撕掉就可以開始使用啦~有一種開箱的愉悅感😳!超喜歡這種小地方💗
眉粉比之於眉筆更能創造出自然而不生硬的眉毛!可以製造出化了好像沒化的那種日系感覺~用鬆刷會超級自然,如果還是想要有更明確的形狀可以用斜角刷再勾勒一下!比較適合本身是有眉毛的人~無毛道人可能還是需要眉筆化出毛流感😳
顏色上我覺得深淺度剛剛好,不會太深以至於容易失手,是新手老手都有好的顯色力!內附刷具沾眉粉會比較容易有多餘的粉飄出來~我覺得如果有自己的刷具使用上會更順手!不過圖片裡面的眉毛是使用內附刷具化的沒錯!不過整體來說粉壓的不會太鬆!用最淺色畫鼻影的話還是要控制一下用量噢~
大家都用什麼眉毛產品畫眉毛呢?(眉筆/眉粉/眉膠)
歡迎留言跟我說~~
示範照片&手部刷色👉👉👉
祝你們有愉快的一天🌸
謝謝 1028 提供產品!
這裡抽只有刷色過的眉彩01&02,適合咖啡色頭髮和淺色頭髮的朋友!(共兩名得獎人)(黑色我要自己留著用😆)
抽獎方法:
追蹤我
按讚&收藏這篇貼文
Tag一位朋友並留言為什麼想試這個產品~
分享任一篇我的貼文到限時動態並且標註我(不公開帳戶分享後要主動截圖私訊我喔~)
可以重複留言,要標記不同朋友
🈲️ 抽獎帳、 50人以下小帳
期限到9/14截止!(限台灣)
蝦皮1元下單,運費自付
#抽獎 #抽獎中 #美妝抽獎 #抽獎活動 #抽獎文 #抽獎進行中 #抽獎禮物 #化妝教學 #化粧 #アイメイク #motd💋 #dailymakeup #아이메이크업 #메이크업아티스트 #오늘의화장 #눈화장 #makeupkontent #makeupidea #makeuptoday #100daysofmakeupchallenge #wakeupandmakeupsweeps #眼妝 #美妝 #眉毛 #眉粉 #browproducts #popdaily波波黛莉的異想世界
同時也有113部Youtube影片,追蹤數超過71萬的網紅VOGUE Taiwan,也在其Youtube影片中提到,拉娜康多金燦華麗的大膽紅唇妝容 ► https://smarturl.it/fs2agm 德國模特兒托妮加恩 Toni Garrn 在 Vogue Taiwan 的〈大明星化妝間〉中一步步教你如何完成優雅紅毯妝容。在 2021 年坎城影展到來前,加恩 Garrn 分享了她最愛的華麗妝容(通常是由信賴...
「light brown hair natural」的推薦目錄:
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- 關於light brown hair natural 在 Sherry Ibrahim Facebook 的最佳貼文
- 關於light brown hair natural 在 VOGUE Taiwan Youtube 的最佳解答
- 關於light brown hair natural 在 西川 瑞希 Youtube 的最佳解答
- 關於light brown hair natural 在 Dottie Hidee Youtube 的最讚貼文
light brown hair natural 在 喜劇演員 Facebook 的最佳貼文
Join the crew https://www.facebook.com/groups/2366734596727746/?ref=share
The Fifth Element(1997)
Director:Luc Besson
Cinematographer:Thierry Arbogast
2nd unit DOP:Nick Tebbet
Production Designer:Dan Weil
Key grip:Joe Celeste
Camera grip:Jean Pierre Mas
Stunt coordinator:Marc Boyle
Costume Designer:Jean-Paul Gaultier
Visual Effects supervisor:Mark Stetson
Creature Effects supervisor:Nick Dudman
Miniature Effects supervisor:Niels Nielsen
Visual Effects DOP:Bill Neil
Special Effects supervisor:Neil Corbould
Pyrotechnics supervisor:Thaine Morris
Luc Besson said he started writing the screenplay when he was 16, creating the vivid fantasy universes to combat the boredom he experienced living in rural France. But it didn't reach the screen until he was 38 years old; by that time, he felt he was old enough to actually have something to say about life.
According to costume designer Jean Paul Gaultier, the enfant terrible of the fashion world who once gave Madonna conical breasts, designed the futuristic costumes for The Fifth Element—more than 1000 of them. He didn't just design them, either For crowd scenes, where there might be hundreds of extras wearing his costume designs, he'd go around making adjustments to ensure everyone looked right before the cameras rolled.
According to Gaultier, Besson had lined up Mel Gibson, Julia Roberts, and Prince to play the leads in 1992, before financial problems delayed the project. (It's not clear whether any of them had officially signed on or were merely considering it.) Besson arranged for Gaultier to meet with Prince when the singer was in Paris so he could show him sketches of his designs. The meeting proved awkward (as one assumes many meetings with Prince are), and The Purple One later told Besson that he found the costumes "a bit too effeminate." It's entirely possible that the production delays would have prevented Prince from committing anyway, but it's fun to think about what Ruby Rhod would have been like in different hands. Gaultier had also unwittingly offended Prince with his description of one proposed outfit, a mesh suit with a padded, fringe-bedecked rear. Gaultier kept referring to this part of the suit as a "faux cul" ("fake ass"), but because of his thick accent, he said Prince misheard him as saying, "F-\-\- you!" Tucker has said he took inspiration from both Prince and Michael Jackson in crafting his performance as Ruby Rhod.
When filming began, the production decided to dye Milla Jovovich's hair from its natural brown color to her character's signature orange color. However, due to the fact that her hair had to be re-dyed regularly to maintain the bright color, Milla's hair quickly became too damaged and broken to withstand the dye. Eventually a wig was created to match the color and style of Leeloo's hair, and was used for the remainder of the production.
Luc Besson, an admitted comic book fan, had two famous French comic book artists in mind for this movie's visual style when he started writing the movie in high school, Jean Giraud (Moebius) and Jean-Claude Mézières. Both artists have long-standing comic book series in France. Moebius is best known for "Blueberry" and the (French) Magazine and (U.S.) movie Heavy Metal (1981). Mézières is best known for the "Valerian" series. Both series are still in production today. Moebius and Mezieres, who attended art school together but had never collaborated on a project until this movie, started renderings for this movie in the early 1990s and are responsible for the majority of the overall look of the movie, including the vehicles, spacecrafts, buildings, human characters, and aliens. However, only Giraud is credited, and even then, he wasn't even granted a premium when the movie was eventually produced.
Some of the most memorable moments from the film are views of a future New York, complete with flying cars and a mass of new and old skyscrapers. The film was one of Digital Domain’s huge miniature shows released that year – the others being Dante’s Peak and Titanic – while also heralding the fast-moving world of CGI in the movies. The New York scenes were created using a combination of CGI (for the flying cars), live action (the people), and scale models (the buildings). A crew of 80 on the production design team spent five months building dozens of city blocks at 1/24th scale.The visual effects for The Fifth Element were realized with a masterful combination of motion control miniatures, CG, digital compositing and effects simulations by Digital Domain. The flying traffic created by the visual Effects team allowed artists to create personalized license plates. Though never visible in the movie, the state slogan printed on all license plates reads "New York, The F***-You State."The people populating the roofs, decks, and windows during the visual effects sequences in New York City are the artists and employees at Digital Domain.
The text scrolling across a Times Square theater marquee as Korben dives down through traffic is actually an excerpt from an e-mail dispute between several artists at Digital Domain. Other signs on digital and practical, miniature buildings contain similar in-jokes and references and the large cylindrical tanker truck that Korben's cab almost hits at the end of his descent is decorated with the logo of a Venice, California, pizza parlor that was a favorite of Digital Domain artists.
‘You know, Mark, I don’t want to do these ‘fancy panning around and seeing the whole world shots’. I’d much rather set a camera looking down a street, having a cab rush towards me, and cut as it passes by, and then cut to a reverse of it passing by, and construct my film that way.’ – The Fifth Element visual effects supervisor Mark Stetson relates what director Luc Besson said to him about staging the film’s New York City shots.
This was Mark Stetson’s first visual effects supervisor role, this is what he had to say about it in a VFX blog article
Mark Stetson: I wasn’t afraid of the size of it. I didn’t think it was huge at the time. I mean, it was sort of standard tent pole-ish at the time and I was confident that I could do that, but it was my first one and there was a ton I had to learn, especially about digital visual effects. And I was very supported by Digital Domain. It was Digital Domain 1.0 back then, and they really gave me a great team. It was a great experience all around.
During the prep period, cinematographer Thierry Arbogast worked extensively with production designer Dan Weil to integrate various lighting units — primarily fluorescent and occasionally ultraviolet fixtures — within the sets themselves. More often than not, the futuristic spaces dictated the types of fixtures that could be used.
Arbogast had some challenges on the film he said this about the opera scene.
“Most of the lights you see in the opera house were already there. The difficulty was in lighting the people in the audience without illuminating the white facades of the balcony. Therefore, we used a lot of flags to focus our lighting precisely on the people.”
Gary Oldman played Zorg as a cross between then-Presidential candidate Ross Perot and Bugs Bunny.
In most shots of Gary Oldman, there is a circle around his head. In fact, a circle in the middle of the frame is a nearly constant motif in this movie. Bruce Willis, on the other hand, is more often framed by a rectangle or doorway behind him.
In keeping with the hands-on approach Besson established on Le Dernier Combat and has practiced on all of his successive films — Subway (1985), The Big Blue (1988), Atlantis (1990), La Femme Nikita (1991) and The Professional (1994) — the filmmaker operated the camera himself throughout the entire shoot. While such a working situation is rare for directors working within the Hollywood system, Besson prefers it because he can maintain better control of the onscreen action. "I create the frame and the movement within it," he explains. "Why lose time explaining everything to someone else? He's going to be slightly off, and then I'm going to freak out and say, 'No, this is not what we discussed. I want the camera here!' So it's better for everyone involved if I just do it myself.
"I write each action scene as if it is a ballet; the movements fit with the music. Generally, I'll shoot a fight sequence for 10 days using just one or two cameras and a very small crew. I've already written out the fight scene in my head, shot by shot. I do this for each and every sequence so that we can just shoot it, and then put the scene together in the editing room. At the same time, when you're on the set, you can have an idea at the last moment; you realize that from a different angle the light might be better, so you change the perspective [of the shot]. But I'll always write down and block out this [new] progression."
The explosion in the Fhloston main hall was the largest indoor explosion ever filmed. The resulting fire almost went beyond control. It took twenty-five minutes to put out.
At the time, it was the most expensive movie ever produced outside of Hollywood, most expensive French production history, and at $80 million USD, the visual effects budget of the movie was the highest of its time.
The wonder on Bruce Willis' face when the Diva sings is real. That was the first time he'd heard it and seen the actress in full make-up.
Bruce Willis, Milla Jovovich, Chris Tucker and Gary Oldman are all left-handed.
The director had been married to Maïwenn Le Besco, who plays the Diva Plavalaguna, since 1992 (when she was 16 and he was 33, but that's another story). She didn't want to be in the film, adhering to the old adage that married people shouldn't work together and co-workers shouldn't marry each other. But when the actress Besson had cast as the Diva dropped out, Le Besco took the part got painted blue and gave a memorable performance. Alas, Besson didn't share his wife's policy of not mixing work with relationships. He left her during the production for Milla Jovovich, whom he married at the end of 1997 and divorced two years later... then that happened
From Mental floss,vfx blog,ASCmag article,IMDb,YouTube visual element doc.
light brown hair natural 在 Sherry Ibrahim Facebook 的最佳貼文
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light brown hair natural 在 VOGUE Taiwan Youtube 的最佳解答
拉娜康多金燦華麗的大膽紅唇妝容 ► https://smarturl.it/fs2agm
德國模特兒托妮加恩 Toni Garrn 在 Vogue Taiwan 的〈大明星化妝間〉中一步步教你如何完成優雅紅毯妝容。在 2021 年坎城影展到來前,加恩 Garrn 分享了她最愛的華麗妝容(通常是由信賴的美妝團隊創造)。捨棄了招牌的自然清新光澤感,加恩 Garrn 精湛示範高調搶眼的華麗妝容,包含戲劇化的眼妝與大膽唇彩,保證吸引目光。從充分保濕的肌膚開始,Garrn 先仔細畫上眼線,接著是濃密睫毛膏與搭配酒紅色唇彩的深色系眼影,最後以防範紅毯油光的定妝粉完妝。現在她只差一件高貴黑色洋裝了。
#大明星化妝間 #ToniGarrn #華麗妝容
Credits:
DIRECTOR: Julia Mücke
DIRECTOR OF PHOTOGRAPHY: Julia Mücke and Konrad Weinz
BERLIN PRODUCTION: Jana Reinermann
CASTING: Nurrrr
HAIR STYLIST & MAKEUP ARTIST CONSULTANT: Nina Park at BALLSAAL Artist Management
Beauty Credits:
Glow Drop, by Dr. Barbara Sturm
Radiant Creamy Concealer, Vanilla Light 2, by NARS Cosmetics
Eye Color Quad, Honeymoon, by Tom Ford
Sensibio Milk, by Bioderma
Smooth Silk Eye Pencil, by Armani Beauty
Eyelash Curler, by Shu Uemura
Mascara Diorshow Black Out, 099 Noir Khôl, by Dior
Mascara, Space Black, by Byredo
Touche Éclat Le Teint Foundation, B20, YSL Beauty
Éponge Blender Teint Perfection, Sephora Collection, by Sephora
Stylo Lumière, N°1 Pearly Rose, by Sisley
Eyebrow Styler, No 25 Wolf Claudia Schiffer, by ARTDECO
Face Contour Quad Cream Palette, by & Other Stories
Lip Pencil, Currant, by M.A.C
Lipstick, Lascaux, by Byredo
Shimmer Brick Compact, Rose, by Bobbi Brown
Natural Finish Loose Powder, 10, by Chanel
【 其他熱門主題】
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唐綺陽12星座深入剖析 ► http://smarturl.it/in8eqp
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▷ Make sure you subscribe to my channel and hit the notification bell, so you don’t miss any of my new videos → http://smarturl.it/xbtuuy
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※關於時尚,VOGUE說了算!自從1892年第一本VOGUE在美國出版以來,至今已有122年的歷史,始終被時尚專業人士所推崇,因此榮譽為Fashion Bible時尚聖經。
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※台灣VOGUE隸屬Condé Nast Interculture Group,相關國外影片皆由國外授權提供給台灣使用,台灣VOGUE秉持服務網友,讓更多中文語系觀眾可以看到國際影片跟中文字幕,所以在此頻道分享給大家,如果喜歡我們的頻道,請訂閱我們,我們將會持續努力帶來更多優質內容。
![post-title](https://i.ytimg.com/vi/tfZoS0-lbYQ/hqdefault.jpg)
light brown hair natural 在 西川 瑞希 Youtube 的最佳解答
この日は最近気に入っている韓国コスメ、ヒンスのアイテムを使ってメイクしてみました💄
アイシャドウも捨て色なし!全色かわいくて最近色んな組み合わせをして使ってます!
リップは発色もよくてプルプルだからやっぱりだいすき!
準備時間はいつもこんな感じでゆる〜いですが、またお気に入りコスメを使ったメイクいろいろアップしますね✨
みんないつも見てくれてありがとう//
TOPS...
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【DIRECTOR/PRODUCER】
▪︎Cherie Mona
https://www.cheriemona.jp/ec/sp/
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【Today's cosmetics】
▷BASE
[POLA]B.A Light Selector SPF50+ PA++++ / ¥12,100
[ANPLEUR]VC SUN PROTECT BODY GEL SPF50+ PA++++ / 販売終了品
[LAURA MERCIER]PURE CANVAS POWER PRIMER / ¥6,600
[NARS]PURE RADIANT PROTECTION AQUATIC GLOW CUSHION FOUNDATION #00508 SPF50+ PA+++ / ¥5,170
[MAKE UP FOR EVER]REBOOT LUMINIZER #02 / ¥4,400
[CLINIQUE]even better Brightening Loose Powder C / ¥6,930
▷EYE
[Celvoke]eIndicate Eyebrow Pencil #02 / ¥2,200
[Celvoke]eIndicate Eyebrow powder #02 Pink Brown / ¥3,850
[WHOMEE]Eyebrow brush 扇型 熊野筆 / ¥1,980
[hince]NEW DEPTH EYESHADOW PALETTE #2 OFF BALANCE / ¥4,290
[KATE]Super Sharp Liner Pencil #BR-1 / ¥1,100
[SCALP D]Pure free mascara #black / ¥1,976
▷CHEEK & HIGHLIGHT
[A’pleu]Juicy Pang Jelly Blusher #PK01 / ¥1,210
[hince]TRUE DIMENSION RADIANCE BALM #LIGHT / ¥3,300
▷LIP
[hince]MOOD ENHANCERLIQUID GLOW #01 PRIME / ¥2,350
▷ HAIR
[IT ALL NATURAL]Lively Oil / ¥3,520
#GRWM
#韓国コスメ
#西川瑞希
00:00 オープニング
01:15 ベースメイク
04:57 アイメイク
10:18 チーク
12:22 リップ
13:00 ハイライト
13:44 ヘアセット
14:38 エンディング
![post-title](https://i.ytimg.com/vi/igJnqjM6NUY/hqdefault.jpg)
light brown hair natural 在 Dottie Hidee Youtube 的最讚貼文
❋♥ 聊天時間 ♥
這次終於學懂長話短說?
每次都好開心拍完就清走一堆空瓶
然後每次剪片都好崩潰 一定勁長篇
再然後打infobox打到懷疑人生?
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♥ 今集內容提及:
❋ Olens - Spanish Circle (Grey/Brown)
❋ Olens - Secriss (Natural Green)
❋ Olens - Vivi Ring (Brown)
❋❋ Olens - Scandi (Olive)
❋❋ 帝康MUSE 隱形眼鏡 #維也納棕 #特洛依灰 from IGshop - con_gointoureyes
❋❋ Karacon - CHIC!CHIC!UV.MOISTURE日拋彩色隱形眼鏡 #寧靜灰 from IGshop - con_gointoureyes
❋❋ 1-Day ACUVUE® DEFINE® FRESH #FRESHGRAYZEL from IGshop - con_gointoureyes
❋ Silcot 化妝棉 (絲花)
❋ Muji - Peelable Cotton
❋ 小久保洗臉巾
❋❋ 醫之方 C+彈潤膠原蛋白胜肽複方粉末
❋ Attenir Skin Clear Cleanse Oil
❋ Etude House - Lip & Eye remover (Sample)
❋ Fresh Soy Face Cleanser
❋ Nature Conc - 去角質化妝水
❋ Muji - Light Toning Water (Moisture)
❋ Trilogy Hydrating Mist Toner
❋ Littlestardust STARRYTALE | N.1 Pure Plump
❋ Eaoron Hyaluronic Acid Collagen Essence
❋ La Mer The Revitalizing Hydrating Serum
❋ Missha Vitamin B12 Double Hydrop Ampouler
❋ Kiehl's Vital Skin-Strengthening Super Serum
❋ Factiv EAA20
❋❋ Jo March Ultra Lifting Cream
❋ La Mer Moisturizing Cream
❋ Kiehl's Ultra Facial Cream (Sample)
❋ Nivea Soft Handcream
❋❋ Diskiiy Eyelash Serum
❋ Lush Cup O' Coffee
❋❋ Lush Beauty Sleep
❋ Excel Skin Tint Serum #ST04
❋ Espoir Be Silk Foundation #Dark 1
❋ Toofaced Born This Way Concealer
❋ Nars RADIANT CREAMY CONCEALER #Custard
❋ Romand Better than Shape #02Walnut
❋ Love Liner #Black
❋ Moteliner #Brown Black
❋ Dollywink My Best Liner #Densebrown
❋ KAIBEAUTY LIMITLESS UPWARD MASCARA
❋ Opera Mylash Mascara
❋ DUP Volume Extension Mascara
❋ Benefit Dandelion Twinkle Powder Highlighter
❋ 曼秀雷敦 moiscube潤唇膏
❋ CARMEX Classic Lip Balm
❋❋ LUSH 摩洛哥堅果洗髮皂
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❋ GOOD Avocado Creambath Emulsion
❋ Ellips Vitamin Hair Mask
❋ 髮型師果支我搵唔到咩名 (笑)
❋❋ Yves Rocher 木莓亮澤髮醋
❋ Ellips Hair Vitamin Capsules
❋ Biore Z Foot Cream
❋ LUSH 污垢拜拜香氛皂
❋❋ LUSH 我愛蜜糖兒香氛皂
❋❋ LUSH 玫瑰果醬沐浴露
❋ Goat Range Goat Soap Manuka Honey 100g
❋ SABON Body Scrub Green Rose
❋ SABON Body Scrub Jasmine
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而合作條件必須包括我可以分享真實用後感,不能只跟稿講。
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