關於 long shot meaning ，我們在網路上蒐集到這些相關的討論、資訊與評價

#Congratulations! Director Hsin-Chien Huang's latest VR works, Samsara and The Starry Sand Beach, were nominated for the 78th Venice International Film Festival!

The 78th Venice International Film Festival (VIFF) announced the shortlisted nominees for the category of VR Film. Taiwanese new media artist, Distinguished Professor of NTNU, Hsin-Chien Huang, winner of the BEST VR Experience in 2017 with his work La Camera Insabbiata, will again contest for the Leone d’oro this year with two of his latest, sci-fi inspired works, Samsara and The Starry Sand Beach. While the Taiwanese athletes are striving for the Gold Medals at the Tokyo Olympics as we speak, director Hsin-Chien Huang dazzles the jury of VIFF with his visually-stunning and thought-provoking works — bringing cutting-edge Taiwanese VR films onto the international stage and letting world-wide audience sees Taiwan!

Before being selected for the 78th Venice International Film Festival, Samsara episode 1. has already grabbed the Jury Award at SXSW and Best VR Story at the Cannes XR Competition. This futuristic VR experience teleports the audience onto a journey that spans millions of years. Samsara is a Sanskrit word meaning “ the world ”. In Buddhism, it means what we perceive as the world is actually an endless cycle of karma (cause and effect), a cycle of life, death and rebirth in the six realms of existence. In this fascinating VR work, the audience is reincarnated into the bodies of different persons and creatures, experiencing the universe in their new bodies and in search for the ultimate spiritual transcendence.

Samsara depicts an apocalyptical story in the near future where human greed has depleted the earth’s resource. Catastrophic wars to fight for resource resulted in global destruction. Finally, the remaining humans had to leave the Earth and go on a search in space for a new place to live.

Nevertheless, their desperate, long quest for a new homeland… could it be just a loop in space and time? The cycle of greedy domination and total destruction that then necessitates the search for a new home…. may have hopelessly repeated itself over and over again? The constant evolutionary process and so-called progress, without transformation in consciousness and spiritual advancement, is nothing more than a Möbius strip that leads nowhere, perhaps…?

Samsara is an experiment based on the theory of Embodied Cognition. Through interactivity and VR, the audience gets to live inside the bodies of different persons and creatures, experiencing their feelings from within. Perhaps It is when we can perceive the world in different bodies that we may truly appreciate the thoughts of others and empathize with them. An experience that will also help us better comprehend our own existence and learn to live in harmony with all.

Samsara explores a complex of deeply interconnected issues of ecology, technology, natural resource and war, etc. It's a story about a journey humans are forced to take on, after having destroyed the earth with nuclear disasters. The survivors seek a new planet, in the boundless, interstellar space, to carry on their lives. Gradually they evolve into a new life form artificially. Yet, many years passed and they’ve come to realize that they would never make it to the new planet they’ve been dreaming of. In fact, they have simply been returning to the Earth, in different life forms, time after time.

Director Huang applies the concepts of embodied cognition, offering a unique way to contemplate about the nature of life. As the audience are transported into different bodies each time, they gain a brand new perspective to experience the world views presented in Samsara.

Samsara was produced under the guidance of Taiwan Creative Content Agency (TAICCA) and Kaohsiung Film Archive VR(VR FILM LAB), it’s a sate-of-the-art VR production made 100% in Taiwan. In the VR experience, viewers are transformed into various kinds of animals to interact with the scenes, including species unique and indigenous to Taiwan, such as Taiwan Blue Magpie and Formosan Black Bear.

Samsara Ep.1 features the latest somatosensory technology, including 4D views shooting techniques by the Industrial Technology Research Institute and TAICCA. A digital shooting system comprised of a high-sensitivity 4 million-pixel, full-color CCD sensor and 48 4DV-EX-Z cameras made it possible for Samsara Ep.1 to be taken from an omnidirectional view and shot without any blind spots, creating the ultimate immersive experience.

THE STARRY SAND BEACH, directed by Hsin-Chien Huang and produced in cooperation with Lucid Reality (France) and Oready 瑞意創科 Oready Innovation Lab (Taiwan), is a scientific fairy tale about a unique ecological wonder in Taiwan and Japan, the shiny starry sand beaches. Foraminifera, from the Latin word “foramen” meaning hole, is a single-celled organism that builds a shell with multiple chambers which intercommunicate with one another through holes. On the Qimei Island, Taiwan and the Yaeyama Islands, Japan, beaches have been formed by a specific species of foraminifera with star-shaped shells made of calcium carbonate. Like the real stars in the legends, grains of the starry sand have also been preserving the earth’s memories for millions of years.

THE STARRY SAND BEACH is a real-time 3D interactive VR adventure into the natural and mythological landscape of the starry sand beaches on Qimei Island in Penghu Archipelago, Xing Sha Wan in Kenting National Park and Taketomi Island in the far south of Japan. The experience is full of aesthetically-amazing elements and enriched with cultural and religious significance like Shintoism in Japan. A beautiful, haunting legend tells the story of the starry sand…

The final winners will be presented at the award ceremony held on Sep11. With great anticipation and hopes, Hsin-Chien Huang is expected to bring home again the grand prize for Taiwan!

https://www.labiennale.org/en/news/selection-complete-works-venice-vr-expanded-0

#黃心健 #HsinChienHuang
#samsara #chalkroom
#LaCameraInsabbiata
#VeniceInternationalFilmFestival #VIFF
#Thestarrysandbeach
#LucidReality
#OreadyInnovationLab

欲網購黃明志最新實體專輯《亞洲通才》及歷年專輯和周邊商品請到。Purchase Namewee Latest 《Asian Polymath》 , Others Music Albums & Merchandises Please log in to https://namewee4896.com/

《亞洲通才》專輯介紹
常常有人問我們：「黃明志到底還要發多少張“亞洲通”系列專輯啦？」
我們早練下一秒就立刻尷尬而不失禮貌地微笑說：「我們也不知道耶～」
但，人生的改變，總是突如其來。

每次被詢問總是超困擾的唱片行店員、戰戰兢兢怕搞錯上架資訊的音樂串流平台夥伴、訪問還要寫小抄怕口誤講錯的記者、DJ或樂評大大、每年都覺得「怎麼又來了」的金曲獎偉大評審、很喜歡黃明志但永遠搞不清楚要買哪張專輯的聽眾們！

你們的困擾，我們都知道！
而這一次！我們終於有答案了！

繼2013《亞洲通緝》、2015《亞洲通殺》、2016《亞洲通車》、2017《亞洲通吃》、2018《亞洲通牒》到2019《亞洲通話》！（其中還努力入圍了金曲獎三次最佳國語男歌手獎、三次最佳音樂錄影帶獎、一次年度最佳歌曲獎！）

「亞洲通」系列最終章！！！！！！
「亞洲通」系列最終章！！！！！！
「亞洲通」系列最終章！！！！！！

叛逆實力派創作歌手黃明志
勇敢集八年累積的超強音樂成就！
再給你集八點也換不到的超棒感動！

黃明志“亞洲通”系列最終大魔王專輯《亞洲通才》
轟動全球系列專輯最長紀錄，憾動無數聽膩亞洲通三字的音樂愛好者
象徵著一個音樂時代的結束，留給亞洲通音樂無限的惆悵與未來可能性
終於即將問世啦！！！

《亞洲通才》是黃明志有史以來規模最大的一張全創作專輯
從專輯概念開始，黃明志就打破所有時間、空間與人物生死的想像
集結七張亞洲通專輯一路走來的意念與傳承。

要向宇宙許下一個最強大的音樂願望：完成一張「致敬」專輯
從《一萬個開心的理由》、《對你愛完了》、《五百》、《我們的海闊天空》、《不要去Club》這些充滿黃明志風格的曲名，就足夠讓人充滿好奇又忍不住噴笑出聲。但黃明志對「致敬」二字的敬意，絕非玩笑。為了完成這一張他夢想中的「致敬」專輯，黃明志幾乎跑遍亞洲的所有國家和地區，從日本、台灣、香港、馬來西亞、中國到印度寶萊塢，思考調查找出了足以影響一個世代、國家或文化發展與傳承的重要音樂元素，用接近史料考證與科學研究的方式，日以繼夜焚膏繼晷地完成了這張，在現今音樂產業中可說是前無古人、後無來者的「致敬」專輯：《亞洲通才》。

在這張不簡單的「致敬」專輯中，充滿來自亞洲各國家地區、不可思議的厲害人物，共同對某個時代致意的驚人能量！從第一首《中國痛China Reggaeton》以雷鬼搭配中國傳統樂器，找來香港影帝黃秋生合唱合演就讓許多聽眾嚇到下巴脫臼！《我們的海闊天空》用激情搖滾加上饒舌，找來中國歌手富九毫無違和感致敬香港傳奇樂隊Beyond，更是讓許多香港聽眾熱淚盈眶連聽三百次！《你是我的青春》鄭重邀請到當年憑藉彈奏一首《Canon Rock》爆紅國際的音樂家JerryC 跨刀合作並合演音樂錄影帶，致敬黃明志與他共同經歷的Youtube 草創那自由的時代；最驚人的創意是：黃明志連對成人色情片都可以致敬！《不小心》這首遊走在愛情與色情邊緣的歌曲，竟然邀請到無人不知無人不曉的日本當紅女優三上悠亞攜手出演，讓許多宅男在電腦前（因為痛哭）而消耗掉好幾噸的衛生紙；而90 年代的復古電音一直是許多聽眾念念不忘的音樂情懷，黃明志大膽攜手台灣電音教父DJ Jerry 羅百吉，兩人合作新曲《不要去Club》，反諷幽默又好笑，瞬間帶領聽眾回到90 年代的夜店七彩旋轉球下！

光專輯合作陣容一字排開就夠讓人嚇人了，為了完成亞洲通系列最終章《亞洲通才》的致敬概念！搖滾、雷鬼、中國風、寶萊塢、饒舌、流行、抒情、電音、廣high等無數的音樂曲風；取樣、吉他、古樂器、甚至熱巴那手大鼓、沙貝琴、西塔琴等無數的樂器元素，黃明志將上述的音樂風格和音色大膽玩弄掌間、互相揉合，每首歌在詞曲、編曲、製作到音樂錄影帶拍攝，他都有著無限的靈感與點子！黃明志說：「這是我花最長時間、最投入、最激發創意的一張音樂作品了！」

以講求完美個性著稱的黃明志，在製作《亞洲通才》這張「致敬」專輯的過程中，常為了一個當時很經典的音色，花好幾個星期、聽好幾千個不同的音色庫、不斷想辦法詢問當年的音樂製作人或編曲師，才終於完成「致敬」的第一步：找到音色。接著又開始與編曲一同興奮討論，要怎麼將這個音色與其他現代音樂元素和音樂曲式互相結合，保留該時代的感動，同時締造新時代的意義。每一首音樂作品都花了難以想像的心血與時間，才終於創作出這張令人讚嘆不已、既復古又前衛的嶄新「致敬」概念專輯《亞洲通才》！

要「致敬」不難，要「模仿」也很簡單，但如何把對音樂最大的愛，展現在對無數也曾這樣愛著音樂的經典音樂人、他們所創造的音樂時代上，這絕不是件容易的事。從學生時代黃明志帶著一個背包窮遊亞洲各國，在不知多少個窮困潦倒的夜晚，聽著這一首首經典歌曲，想著這些充滿才華的音樂人，拿起吉他彈到破皮，一首一首地寫下去，只希望有一天能成為他們的一份子。而在經過金曲獎多次的肯定後，黃明志終於在音樂上找回熱情、感動與敬意。

2020 是全球因疫情而陷入絕望的一年，但黃明志回到自己對音樂最「粗」的熱情，最「深」的感動，和最「大」的敬意，邀請了無數亞洲重要的音樂人與各領域工作者，挑戰種種極端而不可能的工作模式，耗費幾萬小時的努力，終於完成了“亞洲通”系列的最終也是最重要的一張專輯《亞洲通才》。

「通才」二字，泛指什麼都會的人才，黃明志一直相信每一個人都有獨特的才華跟天份，不論是很會演戲的影帝、讓人們開心的AV 女優、努力練習的辣妹舞者，只要願意努力，都能在各自的領域中發揮驚人的才華！以「想要跟亞洲各個有才華的人們一起合作」為出發，不論國家、地區、思想、語言、政治、種族和文化，只用初衷、熱情、執著、努力、合作和感動去完成，這就是《亞洲通才》這張專輯。

聽完這張專輯，如果你也有那麼一點被觸動，如果你也開始想努力些什麼。那麼，這張集結亞洲各國許多人們的才華而完成的《亞洲通才》專輯，僅獻給你那份也許還不為人所知的---才華。

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《Asian Polymath》 Music Album Introduction
Asian Polymath is the biggest project Namewee has ever put on, the wholly self-written album transcends the concepts of time and dimensions, it reimagines the afterlife and bestows a whole new meaning for life and death. Asian Polymath is a cognition collectives of all the previous albums, it congregates the essence from the last generation’s works. Asian Polymath is a wish from the author to honor the greats.

From 10,000 Reasons To Make Me Happy, Stop Clubbing, Our Love Is Over, Beyond The Edge and Five Hundred. These very Namewee-ish song titles have definitely got people to burst into laughters and their interest piqued. However when it comes to ‘Honoring’, the word has put Namewee into serious thoughts. To hammer the album into perfection, Namewee has had a few excursions to countries and places such as Japan, Taiwan, Hong Kong, China, Malaysia and India’s Bollywood. Through his research and mid-night grinding, he discovered the musical element which could have an ever-lasting impact on a culture’s growth. By utilizing the historical sampling and referencing techniques, Namewee inducted the element into his most recent works to woo the industry once again.

As the opening title, China Reggaeton fuses the Chinese sound with Reggae to create a unique blend of flavours yet what attracts most is the fact that Anthony Perry, the HKFA laureate being invited to feature in the song. Beyond The Edge is a song which the Hong Kong people love the most, Fu Jiu from China has a voice that strongly resembles the legendary rock band main vocals from Hong Kong – Beyond, hats off to the legends! Canon Rock 2020 is blessed to feature the song’s original creator – JerryC, the song commemorates the first wave YouTube content creators and a backstory of how Namewee rose to prominence. I Shot You shows that Namewee has limitless creativity, he wants to honour the Adult Video actresses and particularly JAV for accompanying him during his loneliest hours. Besides that, the appearance of Yua Mikami has garnered the music video a lot of unwanted attention. Do you still remember the 90s retro disco music? Stop Clubbing is a song that discourages young adults to go to such places. Head figure of Taiwan’s EDM, DJ Jerry collaborates with Namewee to rewind time back to the 90s happiest hours.

To complete the Asian Polymath formula, the finale of the ‘Asia’ albums. Unprecedented guest invitations and collaborations in the album far exceeds the industry’s common standard, in addition to the vast music genres such as Rock,R&B, Rap, Reggae, Ancient Chinese, Hindustani, Modern Pop, EDM and Disco. Nonetheless, sampling techniques, piano, guitars and strings, ancient instruments, Kompang, Sitar, Sape and countless instruments were used. Namewee greatly expanded the instrument capabilities and infused them with his creativity. During each stage of the process, the artiste was always brimming with ideas, the artist even exclaimed: ‘This project has my brain wrenched! My most time-consuming project ever!’

As a perfectionist, Namewee would always need to delve into his massive sound libraries to rummage a voicing that could match the corresponding time period, sometimes it could take weeks to filter a suitable candidate. Namewee would even go to the extreme by attempting to contact the original song producer to locate the most accurate sound but that’s just the first baby footsteps. Then, he would discuss with his arranger for ways to make the sound more modern, to fit the old blood in a new body. Asian Polymath is amazing for its preservation of the retro elements but still modern sounding aspect.

To differ ‘Honouring’ and ‘Imitating’ has its difficulties, the fine line between the 2 is ambivalent and blurry. Hence, Namewee has his own answer to such a question, he believes that by paying homage to the classics, their people and legacies would be the huge difference maker. Long story short, Namewee was already a backpacker in his college years, while he was travelling with a very tight budget in Asia, it was the classics that kept reminding him to be diligent and stoic.

The Corona-pandemic has ravaged 2020 into pieces, many were despair and despondent but Namewee persevered, thus giving birth to Asian Polymath. The word ‘Polymath’ means a person who possesses wide knowledge and talent, Namewee believes that everyone is born with talent yet true success is only granted to the most hardworking genius. Asian Polymath is Namewee’s desire for working with every talented person he came across in Asia, with burning passion comes unparalleled talent, that’s the last calling of Asian Polymath.

#黃明志 #Namewee #亞洲通才 #AsianPolymath

Our collective emotional memory (Lee Yee)

I was most humbly quoting British writer Rushdie’s words yesterday “Don’t be dominated by fear, even if you are afraid”, and was asked by someone: how to be afraid but not be dominated by fear?

When I came across this phrase 19 years ago, I vaguely felt that it could be a wake-up call. It was my experience in Hong Kong since June last year that taught me what it truly means by to be afraid yet not be dominated by fear. Most young people at the frontline admitted that they were “very afraid”, but were reluctant to leave their brothers and sisters behind in order to save themselves. As such, the persistence to pursue freedom freed them from being dominated by fear.

Some pro-Beijing media accused me of inciting young people to go to the frontlines, while I am hiding at the back. As more accusations are being thrown around, more fellow comrades also started to believe it, and said on certain media that some “not so young persons” are making these attempts. I never cared how people view me, because how I view myself has always been more important. In a recent interview, I said that when I watched those young people in the frontlines, I was very worried. In my heart I was telling them not to do it, it is too dangerous. Yet I do not say it out loud. I understand that young people can only achieve the feeling of freedom through fighting, to realize that freedom, and only those in the frontlines would truly grasp the meaning of fellow comrades and the special relationships among brothers and sisters. I never wrote any essay giving young people instructions. I’ve only expressed understand and respect afterwards. It is from them that I learned the courage of freedom that is “to be afraid yet not to be dominated by fear”.

A friend, who was taking pictures on the streets, was intercepted by a dirty cop who threatened to arrest her. She yelled at the dirty cop, and left. In private, she told me she was “really afraid”, yet could not help but yell back. This is exactly “don’t be dominated by fear, even if you are afraid”.

This is the emotional experience shared by many Hongkongers since last year. This is a collective emotional memory.

Another memory is “pain”. Raymond Yeung, the teacher who was shot in the right eye by the police’s tear gas last year on June 12, said in a recent interview that he is actually very afraid of pain. “If on that June 12 morning you had told me I would lose an eye if I were to go out…even if you had told me I would be hit by tear gas, I might not have gone out, let alone losing a whole eye.” The endurance of pain is not an innate ability, but something acquired, something that the Hong Kong community has acquired altogether. He said that when people watch clips of police brutality, their hearts ache, but they also know that this is a rite of passage to go through together. As he considered that, he felt like his pain was being shared and distributed. To quote Brian Leung Kai-ping, “what truly connects Hongkongers is pain.”

Those who did not experience physical pain were perhaps all experience emotional pain through the screen. This pain, is our collective memory. To feel pain, one is a true Hongkonger, or else…

In addition, two other strong emotions felt by Hongkongers were anger and disgust. After witnessing fear and pain on media images, the Scared Liar Conference in the following day would bring anger and disgust, not to mention the faces of those Hong Kong Communists and pro-Beijing politicians. Every time I see them on screen, I think of Lu Xun’s words, “If the mask is worn for too long, it grows on the face, to take it off would be digging into the skin, the bones, and the muscles.”

No, they won’t take these masks off themselves. Yet having witnessed the history of the CCP, there are bound to be a chance to prove them wrong and to dig into the skin, the bones, and the muscles. Hongkongers probably wish to witness this moment.

A friend said that he wished to leave Hong Kong not because of the fear and the pain, but the anger and the disgust. I totally get him. Unless one makes it a habit to live under this blanket of lies, otherwise no normal people would find this easy to swallow.

It is logically to leave due to fear of the threats on security, but anger and disgust are not threats. To live, one must slowly let go of these emotions, but definitely not to forget the events that brought such fear and disgust.

Article 29 (5) of the National Security Law: “provoking by unlawful means hatred among Hong Kong residents towards the Central People’s Government or the Government of the Region, which is likely to cause serious consequences.” Hatred, as an emotion, had nothing to do with the crime; yet we know and will remember who and what were “provoking by unlawful means hatred among Hong Kong residents”, which was indeed a behavior of a criminal organization.

Fear, pain, anger, and disgust – Hongkongers’ collective emotional memory since last year.

A Korean Warm Smokey Eye makeup lewk that’s low-key fierce glam and totally wearable during the day. Starring the new Etude House Play Color Eye Palette in Leopard Runway.

Disclaimer! I’m not a professional makeup artist or skin specialist! Just doing this for the love of beauty (◡‿◡✿)

✼ Follow me on Instagram! → @jiayinteo

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hello youtube world!!

how is my first ever makeup tutorial video?? it was definitely nerve-wrecking (๑•﹏•)⋆* shooting, editing and posting this up, there are already some things i know i need improving on but lemme know in the comment section if you have any tips~ I wanted to start off my channel with a bang (＾０＾)ノ so here u go!!

i love the warm tones in this palette and it is so versatile! this look makes me feel like a bad ass, "not bad meaning bad but bad meaning good you know” - CL unnie. ? I hope you would try it and feel the same! (˵◕ ɛ ◕˵✿)

♡ xo jia °。°。°

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✧ P R O D U C T S ✧

Face
Etude House Soon Jung 10 Free Moist Emulsion http://invol.co/clajpu
Etude House Beauty Shot Face Blur http://invol.co/clajpw
Etude House Double Lasting Foundation # Neutral Beige http://invol.co/clajpx
Etude House Play 101 Stick Contour Duo # 1 http://invol.co/clajpz

Eyes
Etude House Play Color Eye Palette # Leopard Runway https://goo.gl/nCCvEm
Etude House Color My Brows # 4 https://goo.gl/GC4zRf
Etude House Lash Perm Curl Fix Mascara Long Lash http://invol.co/clajpy

Lips
Etude House Play Color Lip & Cheek # Tea Time http://invol.co/clajq0

Contact Lenses
i-DOL Queen Europe Emerald from Dazzlelogy https://goo.gl/CctWS7
(Enter code JIAYIN10 for 10% off any products at Dazzlelogy)

Tools
Zoeva Bamboo Makeup Brush Set
Muji Eyelash Curler


♬ M U S I C ♬
BiNTAGE - 집어치워 (Feat. SABO, RIPELY)
Licence: Creative Commons Attribution (https://creativecommons.org/licenses/…)
Source: https://soundcloud.com/hyunbintage

And here goes my first video collaboration with Jojobean, @jyjosephine! We've been meaning to work on a lookbook together and I am so glad we finally did when she came by Singapore last month! :D We also filmed a Back-To-School Lookbook over on her channel so hop on over and watch it!

BACK-TO-SCHOOL LOOKBOOK ON JO'S CHANNEL –
https://www.youtube.com/watch?v=4BxyqO5ljNc&feature=youtu.be

DETAILS —

D A Y O N E
Long Sleeved Crop Top: MDS Collections
Denim Shorts: Pull&Bear
The Luna Bag: Moonchild by Becca
http://www.beccabeczten.com/moonchild/
Suede Satin Platform Trainers: PUMA


D A Y T W O
Off-shoulder Top: The Editors Market
Button-up Denim Skirt: Topshop
The Juniper Bag: Moonchild by Becca
Strap Sandals: Zara


D A Y T H R E E
Tularosa Sid Wrap Dress: Revolve (http://bit.ly/2w6IjaH)
PUMA x CAREAUX Sneakers: PUMA
The Spencer Boater: Lack of Color


D A Y F O U R
Off-shoulder Dress: The Editors Market
The Luna Bag: Moonchild by Becca
Strap Sandals: Zara

D A Y F I V E
For Love & Lemons Cherry Tank Dress: Eclecticism
The Juniper Bag: Moonchild by Becca
Lace-up Espadrilles: Forever 21

PS/ This lookbook was shot in Nordic Studios ✨
https://www.instagram.com/nordicstudios/


H M U ?
Instagram: https://www.instagram.com/beccabeczten/
Blog: http://www.beccabeczten.com/blog


C R E D I T S
Directed and Edited by Becca

Featuring Josephine
https://www.instagram.com/jyjosephine/

Filmed by baes, Jerald & Xin Yi
https://www.instagram.com/jeraldsaw/
https://www.instagram.com/intoxincant/



S O U N D T R A C K
Kempeh — Too Deep


FTC: This video is not sponsored!!

KAWAII♥PATEEN Report
"Shiro-Nuri" (painted in white) artist MINORI interview & June 2014 exhibition

Minori is a Shiro-Nuri (painted in white) makeup artist who uses Japanese traditional Shiro-Nuri techniques to express nature-centered themes since 2009.
Her art is not limited to photos, she is herself a living work of art, exhibiting her Shiro-Nuri makeup as a fashion style in everyday life. She calls this style "Monshiro-Joh", which would mean "Miss Small-White" (a play of words with "Monshiro-Choh" which means Small Cabbage White butterfly).

Shiro-Nuri is a Japanese traditional makeup style, and is used by Geisha and actors of Kabuki for a very long time.

Since the Meiji era (1868-1912) the Japanese arts have been greatly influenced by the Fine Arts from the occident,
and started moving from simple handicrafts to fine arts, and lately with the new technologies Japanese arts start another transformation.
This exhibition called HYOH-BYOH is centered around the artists whose art is based on traditional Japanese detailed crafts and workmanship, and still not influenced by new technologies.

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Tokyo Street Fashion KAWAII♥PATEEN
--- Have fun with Fashion! ---
Also on Facebook with tons of photos :
https://www.facebook.com/Tokyo.Street.Fashion.KAWAII.PATEEN
Official site : http://waoryu.jp
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creating decorations as I desire, like a canvas.
People do get scary
I do not care about the criticism
There are clothes I want wear, and I do my make-up accordingly, so with the white painting I also wear it as a fashion.
I truly like the Gothic and the Lolita, and since those types of clothes are decorated, or should I say, the decorations are very detailed, there was a part of me which said it does not match very well with my looks.
During that time, I was not creating, but the desire to express my originality grew more and more. Thus, I started creating on my own or re-make, and I had continued to change my make-up accordingly.
When my face is white, I am able to change the decoration or create a new face like a canvas.
I brought in my favorite "nature" aspect, and gave it more originality.

During that time, I was not creating, but the desire to express my originality grew more and more. Thus, I started creating on my own or re-make, and I had continued to change my make-up accordingly.
When my face is white, I am able to change the decoration or create a new face like a canvas.
I brought in my favorite "nature" aspect, and gave it more originality.

I have different mindsets on fashion photos and art photos. The fashion is based on purely for my enjoyment, but the art photos is an experiment on how much I can express on one theme of nature. And, based on that nature theme, I make my own costume or tell the photographer on how I want to shoot the photos and create something together.
It does make people scary.
The white painting. Yes, when the face is white, people tell me I look dead or it looks creepy, but other than that I do not have any problems.
I have this pure feeling of loving it, and I have a strong feeling of expressing through this white painting style, and it is the strongest thing I want to do in my life. Although others may call it creepy, I do not care much. Seeking what I want to do and finding the meaning of my life is what keeps me going despite the criticism.
This exhibition is called "HYOH-BYOH" (vast and indistinct). It is an exhibition of masterly art of selected artists who create by hand, which is analog but very detailed work.
I was invited by Ikeuchi-san, the curator who thought my make-up to be great and eye catching. Based on the theme of nature becoming visible from the inner face is the main theme. The title is "metabolism". The image I have is absorbing and releasing new things in and out of your self.
It seems there is a body mechanism of blinking without consciousness. I believe in that short moment appears the true nature within me. So, I shot with the theme of nature coming out and disappearing every time I blink my eyes.
The art works have been taken in 4 patterns.
From the top, "sun" "plants" "water" and "earth"
From the left is shown the "sleep" "awakening" "enlightenment" "death".
I am not only changing my make-up, but also my hair as well.
One of the themes is the "sun" from its "awakening" until its death.
This took us a whole day to photo shoot. Starting from the very first status of sleep, I added more make-up and finalized it. It goes same with the hair where I arrange using one whole thing on the same day and at the end, accordingly with "death", I either burn it or spray paint it.