關於 looking sharp meaning ，我們在網路上蒐集到這些相關的討論、資訊與評價

This video got us all speechless. But we will sum it up with one word. PARADISE. 😍

#Repost IG: @the.ark.team
📍 Layang Layang Island

𝗗𝗜𝗩𝗘 𝗦𝗜𝗧𝗘 𝗛𝗜𝗚𝗛𝗟𝗜𝗚𝗛𝗧:
𝗧𝗛𝗘 𝗣𝗢𝗜𝗡𝗧, 𝗟𝗔𝗬𝗔𝗡𝗚 𝗟𝗔𝗬𝗔𝗡𝗚 𝗜𝗦𝗟𝗔𝗡𝗗

The convergence of two dive sites, Gorgonian Forest and Dogtooth Lair, forms a sharp corner that we call The Point. It is a gradual slope from 5m to 18m, then a steep slope down into the abyss. The currents here can be tricky at times, but this is where we usually hunt for hammerheads. Sometimes, we would leave early (6 or 7am) to increase our chances of hammerhead sightings. Depending on the current, we would drop in at the top of the reef at 5m, then slowly descend to 20m as we head out into the blue (meaning away from the reef) in search of the sharks. We would spend about 10-15mins out there, and if we find what we're looking for, we'd stay there as long as our no decompression limit allows. After that, we then find our way back to the reef and end the dive with a school of jackfish or barracudas accompanying our safety stop! Sometimes, divers might even see manta rays, eagle rays, and devil rays here. Other marine animals commonly seen here are dogtooth tunas, white tip sharks, and grey reef sharks.

The hammerhead sharks are usually seen out in the blue, but sometimes after coming back to the reef without a single sighting, we'd bump right into a school at the shallow reef! Layang Layang is truly full of surprises.

In the video, you can hear a loud beeping sound: an alarm from our camerawoman's dive computer set to beep at 27m. Being out in the blue with no reference point, it is important to be aware of our depth, especially if we see a school of hammerheads! In our excitement, the last thing we want is accidentally going deeper than our limit.

Video by @krys.uwfilms for The Ark Team
@layanglayangislandresort

Alumine Five of Stenheim

Stenheim is a relatively late entrant to the high-end speaker field. It was founded in 2010 by a collective of mainly ex-Goldmund engineers, and its products have inherited an unmistakable aesthetic and, to a lesser extent, sonic DNA, although it was a significantly evolved character that was to emerge in the shape of the debut model, the compact, two-way Alumine Two. It’s a developmental divergence that has continued and, if anything, accelerated with the emergence of each subsequent product. The latest Stenheim speakers, developed under the auspices of new owner Jean-Pascal Panchard, definitely have their own, unambiguous identity, both visually and musically.

I’ve been seriously looking forward to the arrival of the Alumine Five. Previous experience with the brand has included impressive exposure to the various versions of the enormous and enormously impressive Ultime Reference models, as well as a brief but highly rewarding flirtation with the stand-mounted Alumine Two in my own system. The possibility of combining the sense of musical articulation, enthusiasm and communication I experienced from the Alumine Two, with more than a hint of the clarity, scale and authority so effortlessly delivered by the Reference models, all in a package that, if not exactly affordable, at least isn’t completely out of the question, makes the Alumine Five a distinctly interesting proposition.

Yet, confronted with the Alumine Five in the flesh, there’s little to hint at the extraordinary promise lurking within. Resolutely rectangular in true Stenheim style, the Five’s aluminum cabinet, with its plate-to-plate construction, stands just 48" tall, 15" deep and presents a broad 11" face to the world, dimensions based on golden-ratio numbers. The front baffle is split by a physical break between the upper midrange-treble enclosure and the lower bass cabinet, independently ported by the laminated full-width slots above and below, a physical separation that is mirrored by the contrasting inlaid strips that help visually break up the one-piece side panels. The regular lines, smooth surfaces, flawless matte finish and lack of visible fixings could easily result in a bland, almost featureless appearance. But those trim strips and the offset midrange and treble drivers do just enough to give the Five a subtle hint of individual style without resorting to the sort of gauche and ostentatious flourishes that so often pass as design.

The result is a refreshingly clean, classical appearance that will blend seamlessly with a range of different decors. Despite the lack of grilles (although they are available as an option, does anybody really spend this kind of money on a speaker and then compromise the performance by fitting covers?), the beautifully profiled baffle and absence of visible fixings makes for a genuinely neat, finished appearance that matches the superb surface finish on the cabinet. The end result just looks right, in a way that makes you wonder why you’d want grilles anyway.

The first hint of its potent sonic capabilities comes when you try to pick it up. Each comparatively compact cabinet tips the scales at 220 pounds. That’s a grunt-inducing, two-man lift. Now, take a look at the figures for bandwidth and sensitivity, and an in-room response that digs down as far as 28Hz combined with 94dB efficiency should raise your eyebrows, especially given the compact cabinet dimensions. Which brings us to the first experiential disconnect: boxes this size shouldn’t produce this much bass or do it so easily. Nor should they weigh so much -- although therein lies the clue to this particular conundrum. When it comes to bass extension, it’s not the external dimensions of the box that matter, but its internal volume. Just like the Crystal Cable Minissimo, a thin-wall cabinet makes for a much larger internal volume than the external dimensions might suggest -- especially if we apply the expectations of more conventional wood-based construction. Throw in the sheer weight of the aluminum panels and the combination of mass and physical dimensions would subconsciously suggest massively thick walls -- and a correspondingly limited internal volume. Instead, what we have here is a deceptively large volume, which, combined with the inertia of the heavy cabinet and the mechanical stability provided by the material, makes for an effective mechanical reference for driver movement, meaning that more of the energy your amplifier sticks into the speaker comes out as sound and (at least in theory) it will be more precisely rendered.

So far, not very much that’s new. It’s not like Stenheim (or Magico, or YG Acoustics) has exclusivity when it comes to aluminum cabinets. But what does make Stenheim different is the unique material they use in damping their cabinet panels. Of course, the separate enclosures and the internal baffles they demand make for an inherently heavily braced structure, but look inside a dismantled Alumine Five and you’ll find strategically placed pads stuck to the cabinet walls. These three-layer, self-adhesive pads combine a heavy damping layer (adjacent to the cabinet wall itself) with added foam and impervious layers, allowing the low-volume pads to influence both the mechanical behavior of the cabinet itself and the enclosed volume. It’s an interesting solution because it manages to overcome the weakness so often audible in simple, braced aluminum cabinets (the all-too-recognizable resonant signature of the material itself) while maximizing the benefits (large volume and rigidity) by obviating the need to stuff the internal space full of wadding or long-haired wool. In fact, if the Stenheims were stood behind a sonically transparent curtain, you’d be hard-pressed to recognize the music as emanating from an aluminum cabinet at all. The absence of the bleached, grainy or lean colorations, the lack of sterile, mechanistic reproduction, is one big half of the Stenheim story, living, breathing proof that it’s not what you use but how you use it that counts.

The other half is down to the drive units, and after the cabinets, those come as quite a surprise, both the lineup and the chosen materials. In stark contrast to the use of the latest, precision CNC techniques, complex damping pads and finishing options, the Alumine Five's drivers are as traditional as they come, with a coated silk-dome tweeter and pulp or laminated paper midrange and bass drivers. The cone drivers use textile double-roll surrounds and massive magnets more normally found in pro-audio applications, and while Stenheim doesn’t build its own drivers, the company works closely with its chosen supplier (PHL, definitely not one of the usual suspects) to specify the electrical parameters, mechanical characteristics and precise details of the surface coating.

The use of such lightweight cone materials and large motors aids the system efficiency, while a hybrid second-order/Linkwitz-Riley crossover, the result of extended listening and evolution, ensures phase coherence and excellent out-of-band attenuation and makes for easy non-reactive load characteristics, despite the three-way topology. The other aspect of the driver lineup that might be considered slightly unusual is the use of a large-diameter (6 1/2") midrange unit -- although less so since Vandersteen’s patent on the approach lapsed some years ago, resulting in a rash of companies suddenly exploring the possibilities of the topology.

Perhaps more important, in the case of the Alumine Five, it means that you are getting the tweeter and midrange drivers from the Ultime Reference series speakers, teamed here with a pair of 10" woofers but without the benefit of a super tweeter. Even so, Stenheim quotes bandwidth out to 35kHz, which should suffice for most purposes. The review speakers arrived with the optional second set of terminals installed, allowing for biwiring or, more significantly, biamping, an upgrade opportunity that makes this an option you should take. If, in the meantime, you are single-wiring the speakers, make sure you factor in a set of jumpers that match your speaker cables: the Alumine Five's overall sense of musical coherence makes the benefits especially obvious. Likewise, good wiring practice is essential, both in terms of cable dressing and diagonal connection (red to midrange/treble, black to bass, with jumpers arranged accordingly).

Aside from the speaker's substantial weight, the parallel sides and flat surfaces of the four-square cabinet make setting up the Fives an absolute joy. Precise, repeatable, angular adjustments are easily achieved, while changes in attitude are just as straightforward, helped by the beautifully profiled stainless-steel spiked feet and deeply cupped footers. Both the cones and their locking rings have nice, large ports to take the supplied pry bars, but it’s worth greasing the threads before installation. One other thing to watch out for: the spikes are seriously (refreshingly) sharp -- sharp enough to penetrate a thick rug and score the floor below, so be careful where you stand the speakers once the feet are installed. Final positioning disposed the speakers on a broad front with minimal toe-in. When it came to dialing in their considerable musical energy, the most critical factor proved to be height off the ground, with tiny adjustments of the spikes making profound differences to the weight and pace of the presentation. Likewise, equal weighting of the four spikes was crucial to a proper sense of grounded weight and dynamic authority.
........................................................

Price: $60,000 per pair.
Warranty: Five years parts and labor.

(Source: The Audio Beat)

ประภาส ชลศรานนท์ ที่ผมแอบมอง
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1
จำไม่ได้ว่าผมหยิบหนังสือ "เพลงเขียนคน ดนตรีเขียนโลก" มาจากหิ้งหนังสือของห้องสมุดแห่งไหนในจุฬาฯ แต่จำได้แม่นว่า นี่คือหนังสือเล่มหนึ่งที่เติมสารประกอบสำคัญเข้ามาในสมอง และหล่อหลอมให้เกิดความคิดแบบหนึ่งขึ้นในหัว กระทั่งวันนี้ความคิดนั้นยังคงอวลอยู่ไม่ไปไหน
...Continue ReadingPrapha sachon saranon that I sneak peek at
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1
I don't remember which library I picked up "music writing" from which library in chula, but I remember this is a book that added an important compound into my brain and forged. One thought in my head until today, that thought is still going anywhere.

The idea that is " many more

Along with the feeling that our little hands can write the world.

I have been listening to "Chaliang" since elementary school. Milk hasn't set (now). I still). I understand. When I was in University, the band disband disband has left just a story on the wood sheet for me. A lot of music never old. Those are written from the end of brother chik's pen - prapha chon Sara non

Reading this book makes you see the idea behind each song, and even more you see the author.

For me, whether brother chik wrote a song, wrote a book or made a movie, all he tried to do is ask people to try to look at the corner with more than just the corner.

See the world and your heart will be expansive.

Many more (many more that we don't know. We see it. Just in case we haven't seen it yet), Hibiscus Tree and blind (blind, but the mind is still bonded beauty), if there are only two of us in this world (time I'm hungry. Two of us will eat sticky rice with chicken noodles. Who to buy), it's up to who (it's up to who sees it, who can hear it, who decides), calm down bro (where are you going to fight with? I don't have time. Search for mind) etc.

Many songs of the lyrics are annoying. Such as when a lot of love songs say, " there are only us in this world brother chik asked me. Who will you want to eat noodles, who do you buy from? During a loud song If you don't love me, tell me. Tell me a word. " brother chik also wrote a song. Calm down. Where are you going? Let's see.

Khun Prapha Somchai cuddle will see the world in the drone corner. It's flying up to see the wide picture and spread out that there may be a corner that we forget to look at. The world could be something else.

...

2
"many more" in the meaning of brother chik doesn't eat just one thing. There are hundreds of thousands of possible sources, but it also means looking at everyone. Everything is equally important. Equally beautiful. Not comparing to take it to take the beams, but look beautiful. Of that person then pull out that potential to create value

" Classic, don't insult jazz
Jazz don't watch clan pop
Pop, don't mind the country.
Don't be sulking with doctor lam.
Doctor Lam, don't think more than classic. It's high "

This is a message on the screen in the concert. The song makes me think of what brother chik told me in this book. "people are like fingers. It's not equal but fingers too and have different duties" is a teacher's speech. Teaching kids in the young movie of piak posters.

To this day, the " finger is not equal " has been interpreted and wittalion. But in the meaning that I understand that brother chik wants to press, the " difference " rather than " inequality " is thumb is different from Index Finger and pinky and brother chik says " you could be a pinky finger which is more important than the index finger in some things read and think that our round fingers are valuable in our way.

"Tao" which sees the value of the nature of things like this. Often seen in the work of brother chik.

...

3
Mr. Prapha is not a big person. If there are two sides, brother chik will not stand on one side. Maybe because of the eyes that sees the beauty of each thing, each mind and an open view. I don't believe that anyone is all right. Or all wrong. Everything is good or bad.

Most importantly, this kind of thought resilience is believed that the people or the extreme thoughts we see are not eternal, but it can always change. The Extreme can also be adjusted, divided, exchange. New ingredients in themselves.

Once I had an opportunity to sit and talk with brother chik. Then we went to consult about making tv show. Our team is interested in a program that focuses on content. Easy, I want to pass knowledge to the audience. When I tell you the pattern and content to you. Listen to the brother ask, " is knowledge necessary that it must not be fun stop thinking and continue asking " is entertainment necessary to be ridiculous "

Just these two questions expand our view. We can see a new area that there is still space in the middle that combines what we thought were irrelevant. Different Worlds. and if we could, we could, we wouldn't cut off any kind of value.

...

4
That's another feature of brother chik that I secretly look at. This guy doesn't teach straight away, doesn't comment, but he likes to ask questions. Let the partner to consider it himself. This technique is used in writing as well.

The question that brother chik throws at can make us think " can it be something else " or " can it really see one way

This kind of conversation is like a kind adult who doesn't block. It doesn't draw the line what it should be. But let us choose by ourselves. This is how to tease you think with the question that khun prapha can use this kind of weapon. Praew praew praw praw praw praw The more and more.

If anyone has worked with brother chik, maybe it feels why I came up with this idea! I'm really good! But in fact, we can think because we are triggered by his brother's questions, but we will feel good because no one has ordered us to do that. We make our own decisions.

So it's not just creative work, but the way of working is also creative.

...

5
The Picture of brother chik that I remember when I was looking at the idol in the conference room is a picture of a playful executive like a little boy who had the big one who had the power to make any decision.

I saw his brother spinning pen, drawing a picture, and poke him out while everyone was meeting seriously thinking about it.

Good ideas often come up during our relaxing time -- I've heard many good thinking people say that. Many people say that if we don't lose our children, we will always keep the potential to imagine and creative.

Photo of Mr. Prapha in the conference room for me like a playful kid.

Another picture that I remember is in the conference room and dining table of the group who often meet each other. Brother Chik will tease the scared by putting a glass of water. The Edge of the table. It seems to fall to test if that person can endure enough. That person keeps moving deep. Mr. Prapha will laugh and says, " can't you stand it? Can't you stand this kind of thing

A Writer, a creative thinker that we have been following for a long time. Admired and thought that he would be quiet. But when he met the real one, he became a playful little boy, fast talking, Pear, praw and questioning. A very fun conversation.

...

6
If I would write about "the" from the eyes that I would have written many pages of paper because I have been looking at brother chik since the work behind my thoughts to read every interview that I saw until I had a chance to meet on the occasion. I'm always looking at verbs, symptoms and thoughts of brother chik. Teacher's Melody.

Finally, brother chik is not crazy. People may see the work, but they don't have to see his own. We know the song. Scream and laugh with brothers and musicians. We love the program of work. Point or many other creative works caused by this brother's mind, but often we don't even know or don't even think there is him behind it.

This is another thing that brother chik taught me. We can make a change or create something without letting people see us. in some cases, it's more powerful than having better cuddle results.

We have seen Mr. Prapha through some work, but I believe there are many pieces of this sharp and round anchor that we didn't know was his work.

The fit of being seen is something that brother chik manages to learn and nan cuddle baht.

Prapha Chon Saranon is a teacher with many lessons to sneak peek and learn.

Thank you brother chik for being an inspiration, an open thought perspective. He ignites the dream of writing books and giving "many more" tips in my heart since I was in teenagers through your work.

Congratulations to brother chik for the National Artist Award in performing arts as the creator of International Thai entertainment and music event this year.

I really want to tell brother chik that "music writing music"

At least one of me is the productivity from your song.

With love and thanks

Ehhh (round finger)Translated

TOP 10 WINTER FRAGRANCES 2016 – 2017 (Best Fragrances for Men / Most Complimented Fragrances)
Hey guys welcome to my Top 10 winter fragrances list for the year 2016 and 2017. These fragrances are all in my opinion the best winter fragrances for men ever made and some of these are also my most complimented fragrances as well. So definitely stay tune until the end the video for the best winter fragrances for men you’ll ever discover.

-----BEST WINTER FRARANCES FOR MEN-----
(Best Fragrances for Men / Most Complimented Fragrances)

Coco Blanc- Best gourmand fragrance I’ve ever smelled and easily one of the best winter fragrances for men but sadly the performance for me is not the best but anywhere else it would be perfect. One of my most complimented fragrances when getting close to people. Highly deserve to be in this Top 10 winter fragrances list.

L’Air Du Desert Marocain- One of the most artistic and hall of fame worthy fragrance on this Top 10 winter fragrances list. Might not be the most complimented fragrances but definitely one of the best fragrances for men if you’re looking for something artsy and different.

Beaver- Super creative, super amazing fragrance. Smells like a clean beaver you can say. But definitely one of the best fragrances for men, and especially good for the winter time because it’s so strong. Again not the most complimented fragrances from this list, but definitely a nice crowd pleaser as well. But warning, never smell this thing too close.

Mandrake- One of the best winter fragrances for men ever in the fruity scene. Incredibly juicy, highly addicting sharp fragrance that is one of the most complimented fragrances for sure when wore in the right situation. Another highly deserve Top 10 winter fragrances.

Sacred Wood- The best sandalwood fragrance ever made and one of the best fragrances for men when we’re talking about wearing a suit, also one of the best winter fragrances because of its strength. Most complimented in a suit as well.

Feve Delicieuse- Delectable, delicious, mouth-watering gourmand fragrance. One of the most complimented fragrances when I go on a date. Girls just love this one, I was actually very surprise of how much they love it. Best fragrances for men in the dating scene. And definitely worthy of this Top 10 winter fragrances list.

Turkish Leather- Very unique gourmand fragrance. This is a leather gourmand. Perfect for the winter time and one of the best fragrances for men when you want something unique yet still has a delicious and edible edge that girls really love. Not the most complimented fragrances in comparison to the other ones, but you would definitely not smell like any girl’s ex-boyfriend. Which is always always a huge plus.

Pardon- Dark, mysterious, and sexy. This is the true meaning behind the term “Alpha Male”. One of the most complimented fragrances I’ve ever own. Best fragrances for men is an understatement with this guy. Truly power as well so also amazing as a winter fragrance. Super deserve to be in this Top 10 winter fragrances list.

Oud Satin Mood- The strongest fragrance on this list and the most complimented fragrances that I own. The one spray to rule them all. 10/ 10 when talking about best winter fragrances for men. And also on that same note, one of the best fragrances for men when you want compliments in the cold.

Absolute Aphrodisiac- Dark, dirty, sexual vanilla fragrance. This is the forbidden fruit that the girls were told not to eat, but you know what happens in the end, they eat it anyway. Crazy crazy sexual fragrance. One of the most complimented fragrances as well as one of the best men fragrances ever made for the winter fragrances category. Highly inviting, highly addicting, and highly highly seducing.

BACKGROUND MUSIC
Chill Noons by Kronicle- https://soundcloud.com/the-chemist-10
Big Smile by Kronicle- https://soundcloud.com/the-chemist-10
Puppet by Jordyn Edmonds- https://soundcloud.com/jordynedmonds/...
Honey by Maxzwell- https://soundcloud.com/maxzwell/honey

WHERE I GET MOST OF MY SAMPLES
http://www.luckyscent.com/
https://www.scentsplit.com/

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Stay tune each week for more fragrance reviews, house reviews, first impressions, top 10's, and other awesome fragrance related content. Feel free to contact me anytime with any questions, suggestions, or feedback. I have try my best to get back to you in a timely manner. Thanks for watching!