Back to One album track 7 - One
Wordplay in Chinese: one and two. I laid out the sequence of the ride of romance with fragments of stories, moment after moment, but I think u can shuffle them and tell your own version if you wish. String quartet, piano, heartache, inspiration from the love poems of Dalai Lama II, here’s the ash of my love stories.
One
(Chet Lam)
Love at first sight
One heart skips a beat
One casual encounter
One night talking heart to heart
One moment of connection
One new episode
One is tired, looking to rejuvenate
One is curious, looking for excitement
Two bodies
One shadow
One way street
One naked heart
One cannot stop searching
One beloved face
One full moon
A lifetime of longing
One is counting on the strength of love
One is afraid of the power of distance
One happiness concerns two
One keeps going
Feeling time
One keeps thinking
Love deepened
I will remember how your tears nourished my eyes
One falls asleep
Two meet in dreams
One promise held by only one
What’s the point
One decision
One plane ticket
One moment of heartache
One calls it quit
One doesn’t want to let go
One love cannot survive two worlds
One keeps going
Doing time
One keeps thinking
Feelings fade away
You will remember how my tears nourished your eyes
Two fall asleep
One leaves
One keeps going
Feeling time
One keeps thinking
Love deepened
I will remember how your years nourished my eyes
One falls sleep
Two meet in dreams
Love at first sight
Two become strangers
One lifetime flashed away
———————————
《思源》專輯第七首:一
多年前唯一一次跟謝安琪錄音室的合作,她的聰明與感性永遠恰到好處,她的版本是心痛的證據,多年之後我自己重新演繹,在曲詞裡發現了不同的層次。這首創作的誕生,是因為我讀到了達賴喇嘛二世的詩:一見如故,再見陌路。弦樂、鋼琴、一和二的文字遊戲,給我四分鐘,不枉過去的每一次心動。
一
(曲詞:林一峰)
一見如故 一個心跳 偶然的相遇
一夜傾訴 一陣悸動 一段新插曲
誰人累了停歇一陣子
誰人好奇一直在尋覓
兩個身體映成一個影子
一路走來 一顆真心 追求沒停止
一張臉孔 一輪明月 一輩子心事
誰人憧憬感情的毅力
誰人害怕距離的威力
一種幸福卻是兩個人的事
走着走着走着走着感受着時間
想着想着想着想着思念深一點
我會記得你的淚
曾經濕了我的眼
一個人入睡 兩人夢裏見
一個承諾 一人堅守 有什麼意思
一個決心 一張機票 心痛一陣子
誰人狠下心到此為止
誰人不甘心只能到此
一段感情經不起兩種相思
走着走着走着走着承受着時間
想着想着想着想着感受少一點
你還記得我的淚
曾經濕了你的眼
兩個人入睡 一個人走遠
走着走着走着走着感受着時間
想着想着想着想着體會深一點
我會記得你的淚
曾經濕了我的眼
一個人入睡 兩人夢裏見
一見如故 再見陌路
一生一瞬間
#思源 #一 #達賴喇嘛 #謝安琪
link here: https://instabio.cc/BackToOne
同時也有8部Youtube影片,追蹤數超過1,900的網紅Daddy Frank,也在其Youtube影片中提到,2020 台南市 學生音樂比賽 弦樂四重奏 第一名 自選曲 Mendelssohn: Quartet No. 2 in A minor for Strings, Op. 13 自選曲 Mendelssohn: Quartet No. 2 in A minor for Strings, Op. ...
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love string quartet 在 文茜的世界周報 Sisy's World News Facebook 的精選貼文
《我的幸福5/2 週末》
*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會,我下午二時開始演講,離上次在台灣大學公開演説。快半年了!分享會報名一小時預告已額滿,但TVBS電視台慷慨的支持。派出SNG車,屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。
*新書分享會後我將直奔高雄衛武營,參加劉孟捷(李斯特巡禮之年)鋼琴獨奏會。這是劉孟捷回台,最重要的一場音樂會,我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會,劉孟捷都未曾如此緊張。他此次回台,手術前為了沒有遺憾,共舉行三場音樂會:其中4/17與5/30皆是與國家交響樂團NSO合作:530那一場指揮是呂紹嘉。但他告訴我,某些曲目對他而言,是Piece of Cake :惟獨衞武營這一場,曲目由他自己決定,現場錄影,並且找了金曲獎錄音師同步錄音。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
劉夢捷明白他即將面對一個大手術,手術風險之外,他的免疫系統疾病,將使他的康復之路更長。
沒有人可以預知未來,為了圓他的夢,醫院每天都要求他早上、晚上量血壓,報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師,但也不敢大意。
畢竟這個人的生命那麼脆弱,他的心臟主動脈剝離,那是實質的「心碎」了:但他仍有詩,仍有音樂夢。在生命的交接處,在白日與黑夜的交义口,劉孟捷想為他的音樂生涯,留下最美好的紀錄。
他選擇了李斯特。
在這場音樂會前,他甚至以英文寫下了自己與音樂、疾病的半生回顧:如李斯特的巡禮,有仰望,有沉思,有失落,有幽微的疼痛。他以詩篇般的演奏模式,傾訴,詠嘆。他曾得到天賦,也走過死蔭的幽谷。命運是一層又一層的黑影逼近,老天爺隨時想帶走他。
而他已不再流淚,不再沉浸於悲愴告別:因為對他而言活著並不容易,他要讓自己更深刻的抓住每一分時光之美。
如果時間和空間,正如哲人們所形容的
都是不實際存在的東西:那從不感到衰敗的太陽,也不會比我們了不起多少!
他如艾略特的詩句中所形容的:我們為什麼要如此貪心總在祈禱,想活上整整一個世紀?
蝴蝶雖僅活了一天,已經歷了永恆。
當他的身軀如露水還在藤蔓顫抖時,他送給我們一場「完全浪漫又超技的李斯特」。
等音樂會結束了,至少有一張CD,一段YouTube 影像:不論孟捷代表生命的那朵鮮花是否枯萎,他彈奏如天使的音聲不會飛離,它會停留在那夜,繼續釋放芬芳。
這是盡生命之力、之情獨奏的音樂會。劉孟捷説:這樣當他走進手術室時,會少一點悲傷。
或許快樂的日子本來就不多,但讓這場「完全李斯特.完全劉孟捷」的獨奏會放出神聖的光彩吧!
我必將赴會,不會錯過!我知道此刻的獨奏會,很難複製,因為它綜合了太多的情感、愛念,釋放與生命的抒情。
*劉孟捷為此次獨奏會寫下的文字:This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.
For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.
And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.
I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.
I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.
However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.
Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.
In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.
Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.
In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)
For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.
In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…
On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.
The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.
It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.
Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.
Meng-Chieh Liu
April, 2021
*劉孟捷衛武營《李斯特巡禮之年》演奏會中,包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩:這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的,詩本身就很優美,依此激發李斯特的浪漫主義創作靈感,成為琴藝上最困難演奏,但也特別細膩溫柔的琴詩。
這三首分別是:
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt(1811-1886): Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie
李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》(Tre sonetti del Petrarca),再改成鋼琴獨奏版。
三首佩脫拉克十四行詩
中譯:焦元溥(元溥也是友情贊助,特別準備音樂資料,周日南下,聆賞劉孟捷的樂曲,並且陪同他盯著錄音共三天)
〈第47〉
祝福每天、每月、每年,
所有片刻與鐘點、時間與季節,
在那美麗的原野,
我為一雙眼眸魂縈夢牽。
祝福初遇時的甜,
與愛同在、受苦不停歇,
如弓箭刺穿令我淌血,
傷口永留感動在我心間。
祝福一切我發出的聲音,
當呼喚著我深愛的女郎,
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚,
歌頌她的芳名,萬古長新。
我心永屬於她,無人能闖。
〈第104〉
我找不到和平,也無意打仗,
我恐懼、我期望,燃燒又冰透。
我向天飛升,卻躺在地上,
我一無所有,卻又擁抱整個宇宙。
我身陷囹圄,監牢又開敞;
我不受囚禁,卻銬著鎖頭。
愛情不讓我死,也不讓我飛翔;
不要我活,也不准我逃離悲愁。
欲看卻無眼,啞口還在發言,
我甘心殞滅,卻仍高聲呼救,
我痛恨自己,但仍愛著他人。
憂傷滋潤我,淚水伴隨笑臉,
生命不足惜,死亡也不煩憂;
我淪落至此,都是妳啊,我的愛人!
〈第123〉
我在塵世見到仙子的美,
她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜,
所見如幻夢迷霧與幽黑。
妳的可愛眼睛使我落淚,
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息,
移動了山嶽停止了河水。
愛情智慧憐憫憂傷財富,
在淚水中形成甜美聲響,
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌,
雖然枝上樹葉並未飛舞,
空氣與風息卻充滿芬芳。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
love string quartet 在 小提琴家林子安 Facebook 的最佳解答
【耶誕送禮人是我|New Video Out】
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今天晚上就是耶誕夜了~~🤶🏽🧑🏻🎄🎅🏼
去年耶誕夜的時候,大家時不時就在呼喚的弦樂四重奏終於一起在街頭合體演出,今年耶誕夜按照往例(?)一樣是弦樂四重奏夥伴們一起來玩cover!
今年因為疫情大家都悶悶不樂,台北這個月也是雨不停讓大家鬱悶程度加倍,在聖誕氣氛最棒的12月,特別製作這個cover,希望大家都可以開開心心迎接2021年!
去年在發耶誕cover的時候完全沒有想到即將到來的2020是現在這種模樣。
但是今年經歷了疫情,最大的體悟是:即使沒有過節的習慣,即使深知這些節日已經過度商業化,也還是希望保有生活儀式感,記得自己是有愛人的能力也值得被愛,健康真好🥰
有弦樂四重奏cover,祝福大家今年聖誕節有4倍快樂!
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如果喜歡我的cover,喜歡我們弦四,請分享訂閱我的Youtube頻道。記得在那邊按讚留言分享給家人朋友,也可以留言跟我說想要聽我cover什麼作品。
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歡迎大家在沒有下雨的週末到信義區香堤大道,聽cover歌曲的live版!詳細演出相關資訊,都會更新在我的限時動態!⠀
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Its Christmas Eve tonight🤶🏽🧑🏻🎄🎅🏼On Christmas Eve last year, my lovely string quartet partners finally busked together, and this year we come here together at my channel to cover the Christmas carol.
We are all a bit down because of the pandemic this year, and what makes me sad is the endless rain in Taipei. But hey this is the month of Christmas. So I made this cover, trying to cheer up those who feel the same.
When making the cover for Christmas last year, I think we all had no idea of how miserable our 2020 would be. However, after experiencing all these shitty things this year, I kind of realize that even you don’t feel like celebrating holidays at all, or even you know clearly that these are all commercial and have been overly commercialized, it's still quite meaningful to have the celebrating rituals somehow, so as to appreciate tiny little things in life, to appreciate our abilities to love others and to be loved🥰
Have wonderful holidays everyone 🎄🎁
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Feel free to come to Taipei Shin Kong Mitsukoshi Xinyi Plaza to enjoy more my live cover songs. Check it out on my Instagram stories! ⠀ ⠀⠀ ⠀⠀
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小提琴 Violin: 林子安 Lin Tzu An
小提琴 Violin : Boy @boy_violin
中提琴 Viola : 潘自琦 Pan Tzu Chi @pantzuchi
大提琴 Cello : 吳登凱 Yoyo Wu @yoyo_cello
攝影師剪接師 Photographer & Film editor:@santon.w
文字編輯 Social media editor/manager:Lily Wu
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#子安在哪裡
#子安在Youtube頻道cover_JingleBellRock
#麻瓜慶祝耶誕節
#乾真的2020慢走不送
#弦四夥伴祝大家耶誕快樂
#JingleBellRock
#ChristmasCarol
#JingleBellRockViolin
#ChristmasCarolViolin
#ChristmasMusic
#ChristmasSong
#AnViolin
#林子安
#instaAnViolin
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#instacover
love string quartet 在 Daddy Frank Youtube 的最讚貼文
2020 台南市 學生音樂比賽 弦樂四重奏 第一名 自選曲 Mendelssohn: Quartet No. 2 in A minor for Strings, Op. 13
自選曲
Mendelssohn: Quartet No. 2 in A minor for Strings, Op. 13, I. Adagio - Allegro vivace
指導老師 林芝連老師
小提琴 沈力寶
小提琴 楊琇筑
大提琴 吳幸芳
中提琴 蔡宗佑
#四重奏 #自選曲 #比賽 #民德國中 #弦樂四重奏 參加 109年度 臺南市 #學生音樂比賽 #音楽コンクール #String #Quartet #優等 #室內樂 #國中組
love string quartet 在 Daddy Frank Youtube 的最佳解答
2020 台南市 學生音樂比賽 弦樂四重奏 第一名 指定曲 Franz Joseph Haydn: String Quartet in F minor, Op. 20, No. 5 (1772) - IV. Finale.
指定曲
Franz Joseph Haydn: String Quartet in F minor, Op. 20, No. 5 (1772) - IV. Finale.
指導老師 林芝連老師
小提琴 楊琇筑
小提琴 沈力寶
大提琴 吳幸芳
中提琴 蔡宗佑
#四重奏 #指定曲 #比賽 #民德國中 #弦樂四重奏 參加 109年度 臺南市 #學生音樂比賽 #音楽コンクール #String #Quartet #優等 #室內樂 #國中組
love string quartet 在 林子安 AnViolin Youtube 的最佳解答
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聖誕歌Jingle Bell Rock 聖誕歌弦樂四重奏 | String Quartet Medley by Violins by Alphonse Chen and Lin Tzu An, Viola by Pan Tzu Chi and Cello by Wu Yo Yo of Jingle Bell Rock
今天晚上就是耶誕夜了~~
去年耶誕夜的時候,大家時不時就在呼喚的弦樂四重奏終於一起在街頭合體演出
,
今年耶誕夜按照往例(?)一樣是弦樂四重奏夥伴們一起來玩cover!
今年因為疫情大家都悶悶不樂,台北這個月也是雨不停讓大家鬱悶程度更加倍,
在12月聖誕氣氛最棒的月份,特別製作這個cover,希望大家都可以開開心心迎接2021年!
去年在發耶誕cover的時候完全沒有想到即將到來的2020是現在這種模樣。
但是今年經歷了疫情,最大的體悟是:即使沒有過節的習慣,即使深知這些節日已經過度商業化,也還是希望保有生活儀式感,記得自己是有愛人的能力也值得被愛,健康真好🥰
(最後一定要說一句:可以生活在維持253天沒有本土確診案例的台灣,前幾天出現一個破壞完美紀錄的確診案例於是大家開始上緊發條的台灣、彷彿有平行時空的台灣,我們很幸福~)
有弦樂四重奏的cover,祝福大家今年的聖誕節有4倍快樂!
歡迎大家在沒有下雨的週末到信義區香堤大道,聽cover歌曲的live版!詳細演出相關資訊,我都會更新在我的Instagram 限時動態!
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Its Christmas Eve tonight🎅🏼
On Christmas Eve last year, my lovely string quartet partners finally busked together, and this year we come here together at my channel to cover the Christmas carol.
We are all a bit down because of the pandemic this year, and what makes me sad is the seemingly endless rain in Taipei. But hey this is the month of Christmas. So I made this cover, trying to cheer up those who feel the same.
When making the cover for Christmas last year, I think we all had no idea of how miserable our 2020 would be. However, after experiencing all these shitty things this year, I kind of realize that even you don’t feel like celebrating holidays at all, or even you know clearly that these are all commercial and have been overly commercialized, it's still quite meaningful to have the celebrating rituals somehow, so as to appreciate tiny things in life, to appreciate our abilities to love others and to be loved🥰
(Last but not least, I must shout out that its soooooooo good living in Taiwan where we struck a nerve for reported the first domestic case in 253 days (from April 12). Though the awesome record was broken few days ago, it does not change the fact that Taiwan is incredibly great.)
Have wonderful holidays everyone 🎄🎁
Should you have any request regarding cover songs, just comment below and let me know.
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Visit me at Taipei Shin Kong Mitsukoshi Xinyi Plaza to enjoy more my live cover songs. Check it out details on my Instagram stories!
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小提琴 Violin: 林子安 Lin Tzu An
小提琴 Violin : SLSMusic Boy
中提琴 Viola : 潘自琦 Pan Tzu Chi
大提琴 Cello : 吳登凱 Yoyo Wu
編曲Arrange:林子安 Lin Tzu An
混音mix:林子安 Lin Tzu An
攝影師剪接師 Photographer & Film editor: Santon.W
文字編輯 Social media editor/manager: Lily Wu
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