電影「天外奇蹟」有一句話是這麼說的:
幸福,不是長生不老,不是大魚大肉,不是掌控大權。而是達成生活中每一個微小的願望!
-----
上一篇有提到
我讓兒子用他自己的獎學金
買了一個1800的音樂盒
我想,一般人不會讓孩子花這錢
買回一個不怎麼實用的東西
所以想寫寫我家兒子的情有獨鍾😆
.
事情是這樣子的...
兩年前
我們帶孩子去北海道旅遊的時候
當時在小樽音樂博物館
恩恩看中影片裡的這個音樂盒
老白二話不說就要買給他
當下被我阻止
一來這東西不便宜
而且買回家還會積灰塵
再來我發現這東西竟然是Made in Taiwan
我馬上拿出手機查了查
才知道這是台灣品牌
誠品書局有設櫃
然後還發現小樽音樂博物館賣得比台灣貴
於是我就用"放行李箱會摔壞"的理由
說服孩子回國再買
其實我內心覺得很不實用
也不想讓孩子買了會積灰塵的東西回家
希望回國後,恩恩就此忘了這件事
.
好死不死
他就是忘不了這個音樂盒
我們回國後,孩子提了好幾次
我們也帶他去誠品書局看了好幾次
老白偷偷跟我說就買給他又沒關係
我跟他說輕而易舉得到的東西
孩子都不怎麼珍惜
再來從小就讓他們的心趨向金錢物質
接下來他的人生道路上
很多美好的東西都會被金錢給蒙蔽
而且這個家都我在整理的
我真的不想買這種東西回家生灰塵🤣
.
按照以往老白亂買玩具的經驗
肯定買回家玩沒幾次就失寵了
於是我跟孩子商量
讓音樂盒留在店裡給大家欣賞
我願意時常帶他來書店聽
他勉為其難的答應了
我也真的做到常常帶他去誠品書局走走
.
就這樣,直到今年防疫假
我陪兒子在整理書桌抽屜的時候
發現他之前參加畫畫比賽拿到的誠品禮券
還有幾包獎學金一毛都沒花
我問他有沒有想要買什麼
他毫不猶豫的告訴我"101大樓的音樂盒"
(噢~這人會不會太專情)
既然這個願望在他心中擺了這麼久
而且是花他自己的獎學金
不是因為老白平白無故寵孩子
我終究還是帶他去買了🤦♀️
----
買下音樂盒的那個夜晚
我帶兩個孩子靜心完
恩恩突然有感而發的說「我覺得好幸福喲」
(我對他突如其來冒出的這句話感到好奇)
於是問他「為什麼突然這麼說?」
他竟然回我「因為終於買到好想要的音樂盒」(暈倒)
我再問「你覺得幸福是什麼感覺?」
「就是想起來嘴巴會笑笑的」
(他臉上露出彎如微笑般的上弦月)
.
我跟他說
往後人生中的每件事
你都可以靠自己的努力來達成
憑自己本事得到想要的東西
這就是一種幸福的體驗
一個人真正富有的
不是存摺上的數字
而是你臉上幸福的微笑
(結果兒子聽不懂)
(大概也沒人認同我XD)
其實,我只是希望孩子學會珍惜這兩個字。
------
幸福,是靠自己達成生活中每一個微小的願望
因為得來不易,才會更懂得珍惜
#小男孩竟然會喜歡音樂盒
#他很保護他的音樂盒
#因為他怕粗魯的小羽摔壞它
#我兩個孩子生錯性別XD
#看看有沒有機會保存到可以送給未來的媳婦(哩嘛咖拜託咧,20年後誰想要這個啊😂)
同時也有27部Youtube影片,追蹤數超過5萬的網紅半瓶醋,也在其Youtube影片中提到,#尚氣與十環傳奇 其他出沒地區 ►【半瓶醋】LBRY頻道 https://odysee.com/$/invite/@bpf1980:5 ►Twitch【半瓶醋】 https://www.twitch.tv/bpf1980 每週五晚上九點半的【半瓶醋夜未眠】 ►【半瓶醋】臉書粉專 https://v...
「made in taiwan電影」的推薦目錄:
- 關於made in taiwan電影 在 Ant Family Facebook 的精選貼文
- 關於made in taiwan電影 在 VOP Facebook 的精選貼文
- 關於made in taiwan電影 在 國立臺灣大學 National Taiwan University Facebook 的最佳解答
- 關於made in taiwan電影 在 半瓶醋 Youtube 的最佳貼文
- 關於made in taiwan電影 在 半瓶醋 Youtube 的最讚貼文
- 關於made in taiwan電影 在 alex lam Youtube 的精選貼文
- 關於made in taiwan電影 在 [問片] 一部說破雨傘是Made in taiwan的電影- 看板movie 的評價
- 關於made in taiwan電影 在 (電影) 你知道哪些電影中的產品提到Made in Taiwan - Mobile01 的評價
- 關於made in taiwan電影 在 新銳.非台灣製造影展MADE in taiwan: Strangers on the Island 的評價
- 關於made in taiwan電影 在 [問卦] 好萊塢電影辱台大家都不生氣? - 熱門PTT 的評價
made in taiwan電影 在 VOP Facebook 的精選貼文
#新刊出版 New release!!!
Voices of Photography 攝影之聲
Issue 30:美援視覺性──農復會影像專題
U.S. Aid Visuality: The JCRR Issue
本期我們重返影響台灣戰後發展至關重要的美援年代,尋索過往在台灣影像歷史視野中遺落、但卻十分關鍵的美援時期台灣視覺歷程──「農復會」的影像檔案。
成立於1948年、以推行「三七五減租」和「耕者有其田」等土地改革與農業政策聞名的農復會(中國農村復興聯合委員會,JCRR),被認為是奠定二十世紀「台灣經驗」基礎的重要推手。然而很少人留意,這一農經專業的美援機構,在1950至60年代拍攝了大量的照片、幻燈、電影,並生產各種圖像、圖表、圖冊與海報,在冷戰年代與美援宣傳機制緊密連結,深深參與了戰後「台灣(視覺)經驗」的構成,影響著我們的視覺文化發展。
冷戰與美援如何形塑台灣的影像與視覺感知?本期專題透過採集考察眾多第一手的農復會早期攝影檔案、底片、圖像、影片與文獻資料,揭載鮮為人知的美援年代視覺工作,追尋這一段逐漸隱沒的戰後台灣攝影與美援視覺性的重要經歷。
其中,李威儀考掘農復會的歷史線索與視覺文本,探查美援的攝影檔案製程、「農復會攝影組」的成員蹤跡,以及文化冷戰期間從圖像、攝影到電影中的美援視覺路徑;蔡明諺分析1951年由農復會、美國經合分署與美國新聞處共同創辦的《豐年》半月刊,從語言、歌謠與漫畫等多元的視覺表現中,重新閱讀這份戰後最具代表性的台灣農村刊物潛在的意識形態構成與政治角力;楊子樵回看多部早期農教與政策宣傳影片,析論農復會在戰後台灣發展中的言說機制與感官部署,並從陳耀圻參與農復會出資拍攝的紀錄片計畫所採取的影音策略,一探冷戰時期「前衛」紀錄影像的可能形式;黃同弘訪查農復會在1950年代為進行土地與森林調查所展開的航空攝影,解析早期台灣航攝史的源起與美援關聯,揭開多張難得一見的戰後台灣地景航照檔案。
此外,我們也尋訪生於日治時期、曾任農復會與《豐年》攝影師的楊基炘(1923-2005)的攝影檔案,首度開啟他封存逾半世紀、收藏農復會攝影底片與文件的軍用彈藥箱和相紙盒,呈現楊基炘於農復會工作期間的重要文獻,並收錄他拍攝於美援年代、從未公開的攝影遺作與文字,重新探看他稱為「時代膠囊」的視覺檔案,展現楊基炘攝影生涯更為多樣的面向,同時反思「美援攝影」複雜的歷史情愁。
本期專欄中,李立鈞延續科學攝影的探討,從十九世紀末天文攝影的觀測技術,思考可見與不可見在認識論上的交互辨證;謝佩君關注影像的遠端傳輸技術史,檢視當代數位視覺政權中的權力、知識與美學機制。「攝影書製作現場」系列則由以珂羅版印刷著稱的日本「便利堂」印刷職人帶領,分享古典印刷傳承的工藝秘技。
在本期呈現的大量影像檔案中,讀者將會發現關於美援攝影的經歷與台灣歷史中的各種視覺經驗,還有許多故事值得我們深入訪查。感謝讀者這十年來與《攝影之聲》同行,希望下個十年裡,我們繼續一起探索影像的世界。
_____________
● 本期揭載未曾曝光的美援攝影工作底片、檔案與文件!
購書 Order | https://vopbookshop.cashier.ecpay.com.tw/
_____________
In this issue of VOP, we revisit the era of U.S. aid, a period that was of utmost importance to Taiwan’s post-war social and economic development, and explore Taiwan’s much forgotten but crucial visual journey during this era ── the visual archives of the JCRR.
Established in 1948, the Chinese-American Joint Commission on Rural Reconstruction, or the JCRR, is widely known for the implementation of various land reform and agricultural policies, such as the “375 rent reduction” and “Land-to-the-tiller” programs. Hence, the Commission is considered an important cornerstone to laying the foundations of the “Taiwan Experience” in the 20th century. That said, very few are aware that this U.S. aid organization specializing in agricultural economics was also closely associated with the American propaganda mechanism during the Cold War, and had in its possession countless photos, slides and movies, and produced various images, charts, pamphlets and posters. All these contributed to the formation of the post-war “Taiwan (Visual) Experience”, deeply influencing the development of our visual culture.
How exactly did the Cold War and U.S. aid shape Taiwan’s image and visual perception? This issue’s special feature uncovers the little-known visual activities from the U.S. aid era by investigating the collection of JCRR’s first-hand photo files, negatives, images, films and documents, and traces this important journey of post-war Taiwan photography and U.S. aid visuality that has gradually faded from people’s minds.
Among them, Lee Wei-I examines the historical clues and visual texts of the JCRR, and explores the production of the U.S. aid photographic archives, following the traces of the members of the “JCRR Photography Unit” and the trails of U.S. aid visuals during the Cold War from images and photography to films. Tsai Ming-Yen analyzes the diverse visual manifestations, such as languages, ballads and comics, contained in the semimonthly publication Harvest, which was co-founded by the JCRR, the U.S. Economic Cooperation Administration, and the U.S. Information Service in 1951, presenting a new take on the ideological and political struggles that were hidden beneath the pages of this agricultural publication that could also be said to be the most representative publication of the post-war era. Yang Zi-Qiao looks back at the early agricultural education and propaganda films, and analyzes the discourse and sensory deployment utilized by the JCRR in the development of a post-war Taiwan and the possibilities of the “avant garde” documentary films from the Cold War period through the audio-visual strategies gleaned from director Chen Yao-Chi’s documentary project that was funded by the JCRR. At the same time, Houng Tung-Hung checks out the aerial photography taken by the JCRR in the 1950s for land and forest surveys, and uncovers the origins of Taiwan’s aerial photography with U.S. aid, giving readers a rare glimpse at post-War Taiwan’s aerial landscape photographic archives.
In addition, we will explore the photographic archives of Yang Chih-Hsin (1923-2005), a former photographer who was born during the Japanese colonial period and worked for the JCRR and Harvest, unearthing negatives and documents kept away in the ammunition and photo-paper box that had stayed sealed for more than half a century. This feature presents important files of Yang during his time with JCRR, and photographs taken and written texts produced during the U.S. aid era but were never made public. We go through the visual archives enclosed in what he called a “time capsule”, shedding light on the diversity of his photography career, while reflecting on the complex historial sentiments towards “U.S. aid photography” at the same time.
Lee Li-Chun continues the discussion on scientific photography in his column, exploring the interactive dialectics between the seen and the unseen through the observation technology of astrophotography in the late nineteenth century. Hsieh Pei-Chun focuses on the history of the technology behind remote transmission of visuals and examines the power, knowledge and aesthetics that underlies contemporary digital visual regime. Finally, this issue’s “Photobook Making Case Study” is led by the printing experts at Japan’s Benrido, a workshop that is renowned for its mastery of the collotype printing technique.
Through the large collection of photographic archives presented in this issue, readers will see that there remain many stories on the photography process in the U.S. aid era and various types of visual experiences in Taiwan’s history that are waiting to be unearthed. We thank our readers for staying with VOP for the past decade and we look forward to another ten years of exploring the world of images with you.
_____________
Voices of Photography 攝影之聲
vopmagazine.com
_____________
#美援 #農復會 #冷戰 #台灣 #攝影
#USAID #JCRR #ColdWar
#Taiwan #photography
#攝影之聲 #影言社
made in taiwan電影 在 國立臺灣大學 National Taiwan University Facebook 的最佳解答
【國立臺灣大學109學年度畢業典禮 致詞代表 資訊工程學系韓哈斯】
Student Address, National Taiwan University Commencement 2021
International student Seth Austin Harding from Department of Computer Science and Information Engineering
.
校長、教授、以及在螢幕前的各位同學,大家好。非常感謝臺大給我這個機會。我是韓哈斯,來自美國華盛頓特區。我會以自身的真實經驗出發,來跟大家分享臺大帶給我的收穫。
我當初為什麼選擇來台灣求學呢?我小時候非常喜歡看武打片,然後我十歲的時候去看了一部電影叫做「功夫熊貓」。這部電影成為了我最喜歡的電影,主角「阿波」的故事跟我的故事很像。我看完了之後就決定要開始學功夫,所以去了「美國武術學院」。那個時候我每天都聽旁邊的人講中文,到了高中我就決定開始學中文。當時我遇到了一位貴人,她是從台北到美國來教書的中文老師,她教的課是我當時最喜歡的課,我每天去她的教室跟好朋友練習。到了高中畢業時,我是全高中中文最好的非母語人士。同時,我第二喜歡的課程是電腦科學,那時候我是程式能力數一數二的學生。後來在成功錄取夢寐以求的學校:臺灣大學之後,我感到雀躍不已,因為我既可以繼續學習中文,也可以持續在世界頂尖的學府中,往電腦科學的方向精進自我。
不過老實說,當我回顧大一的時期,我也曾迷失自我。雖然我修了很多很多的中文課,但是我那時只聽得懂大概一半的課程內容。跟大家對美國人的印象不同,我其實很害羞,也很害怕舉手提問,我甚至不太敢參與社交,所以當時朋友也很少。我開始想家,也變得有一點憂鬱。那時籃球是我唯一的紓壓方式。
但更不幸的是,我在打籃球時弄傷了我的前十字韌帶,做了兩次手術,需要一年半才能恢復。許多的負面情緒壓得我喘不過氣。我被困在人生的低谷,不知如何是好。我覺得我的中文不夠好,我也被診斷出失眠跟ADHD,另外,美國高中的數學太簡單了,來這邊不夠用。種種壓力讓我足不出戶,找不到自己的人生方向。後來,我向臺大心輔中心以及我的心理醫師尋求協助,然後我也開始跟系上有更多互動。有一位教授叫徐宏民跟我說,"Never give up",雖然那時候我覺得這句話太過於簡化了我的問題,不過,在我仔細思考了一個禮拜之後,我下定決心,發誓不讓自己被這些事擊敗。我決定要克盡全力,認真做好每件事。這是我人生的轉捩點,我開始變得異常自律。當時廖世偉教授和洪士灝系主任帶我進入它們的研究室鑽研學術。這重燃了我對資訊工程的熱忱,提醒了我當初會愛上這個領域的原因。我開始研究人工智慧以及區塊鏈,也開始跟其他系上同學交朋友,一起成立臺大人工智慧應用社NTUAI。NTUAI現在是校內頗具規模的技術研究社團,致力於推廣人工智慧給任何對該領域有熱忱的學生。歡迎加入NTUAI,可以掃描我們的QR CODE。
最近,由於疫情的緣故,我已經一年半沒回美國了。但是沒關係,因為我已經找到了我第二個家。我很愛臺大,以及台灣的人事物。雖然我經歷了人生的低潮,但這裡的一切總是給我滿滿的祝福與協助。最後,我想送給大家「功夫熊貓」裡的一句台詞: "You just need to believe"。只要用樂觀的態度去面對困難,就有能力改變自己,甚至改變身旁所愛的人。就像阿波的父親說的,"心誠則靈,只要你相信,點石就能成金。根本沒有什麼秘笈。只有你。"謝謝大家。
.
==============================
.
President, professors, and classmates, I'm very honored to be here. Thank you to NTU for giving me this opportunity. My name's Seth Austin Harding, and I'm from the D.C. metropolitan area. I'm going to tell a real story that's personal but that's relatable and what I see as the real me.
What motivated and guided me to take my undergraduate studies in Taiwan? When I was very young, I really loved watching kung fu movies, and when I was 10 years old, I went to the theater to watch "Kung Fu Panda". This became my favorite movie as I felt like the story of the main character Po was one to which I could very much relate. After watching this movie, I decided that I wanted to start learning kung fu, so I went to the United States Wushu Academy. At the time, I began hearing Mandarin on a daily basis, so when I was in high school, I decided to begin formally studying Chinese. It ended up being my Chinese teacher from Taipei who was my favorite teacher who taught my favorite class, so I decided I'd hang out in the Chinese classroom every day and practice lots. By the time graduation came around, I had attained the highest proficiency in Chinese among any non-native speaker in my school. My second favorite class was computer science, and I ended up attaining among the best coding skills in my school. After getting accepted to the school of my dreams -- National Taiwan University -- I felt honored, humbled, and excited; I could now spend time at among the world's finest universities studying Chinese and at the same time advancing my knowledge of computer science.
But when I look back at my freshman year, to be honest with you, I didn't know what I was doing. Despite having taken very many Chinese classes, when I went to the NTU lectures, I understood only about half of what the teachers were saying. Contrary to most people's impressions of an American, I was actually too shy to raise my hand, to ask questions, or to even meet with teachers after class, so I had very few friends at the time. I started to become homesick and depressed. At that time, I found that basketball was the only way I knew of relieving my stress. However, while playing basketball, I had torn my ACL and it would take two surgeries and a year and a half in time to fully recover. At this point, I felt caught between a rock and a hard place. In fact, this was the lowest point of my life, and I didn't know what to do. I felt like my Chinese wasn't good enough, I had been diagnosed with insomnia and ADHD, and I felt like the math taught in America was too simple to allow for me to keep up with my classmates. I was under immense pressure, and at this time, I lost any sense of purpose or direction. Later on, I went to seek help from NTU counseling, from my psychiatrist, and from my department. I reached out to Professor Winston Hsu from CSIE, and he told me this: "Never give up"; it was such an oversimplified way to approach such a complex series of problems, I had thought. However, I pondered these words intensely for one week, and by the end of that week, I had made a firm decision. This would NOT be another example of me giving up. I decided to go all out, to work diligently and passionately on all tasks at hand. This was the turning point of my life; I started to discipline myself to a very high degree. At this time, I met my then-to-become advisors Professor Shih-Wei Liao and Professor Shih-Hao Hung and entered their labs to begin research. Finally, the passion that I had for computer science that I had previously held in high school was kindled again, and I was finally reminded why I loved this field. I began my research life in blockchain and AI, and at the time I entered the lab, I also began creating NTUAI. NTUAI is now a large and highly successful NTU club that is dedicated to the research and public understanding of AI. Welcome one and all to join us; please scan our QR code here.
For a year and a half I haven't returned to America because of covid. But not to worry; I have found my second home, away from home. I love it here in NTU and I cherish all of the things I've had the privilege to experience in Taiwan. I've gone through the most difficult of struggles in my life here, but I've also had the most fortunate and blessed of experiences. To conclude, I'd like to quote a line from "Kung Fu Panda": "You just need to believe". As long as you are willing to adopt an optimistic attitude in facing challenges and hardships, you may become a positive force in changing the lives of those around you as well as your own life. It all depends on how you view it; just like what Po's father says, "there is no secret ingredient. It's just you." Thank you, everyone.
詳見:
https://www.facebook.com/NTUCommencement/posts/2718185771805180
.
#臺灣大學 #畢業典禮 #NTUCommencement2021 #學生致詞代表 #臺大資訊工程學系 #韓哈斯 #SethAustinHarding
made in taiwan電影 在 半瓶醋 Youtube 的最佳貼文
#尚氣與十環傳奇
其他出沒地區
►【半瓶醋】LBRY頻道
https://odysee.com/$/invite/@bpf1980:5
►Twitch【半瓶醋】
https://www.twitch.tv/bpf1980
每週五晚上九點半的【半瓶醋夜未眠】
►【半瓶醋】臉書粉專
https://vinegarfilmcafe.pros.is/QDDQT
這邊其實是每天都在出沒的區域
►【半瓶醋】IG
https://www.instagram.com/baofuzhang/
其實一直沒有很習慣用IG...
►YouTube頻道【半瓶醋】
https://pros.is/RDVPU
Podcast
基本上就是把【半瓶醋夜未眠】當中的精選討論片段放上去,不想看畫面只想聽聲音的朋友可取用。
►iTunes Podcast【半瓶醋】
https://pros.is/SRYWZ
►Spotify Podcast【半瓶醋】
https://vinegarfilmcafe.pros.is/SN9AN
部落格:之前有很多個部落格,不過目前縮減到只有兩個還在更新
►GQ【半瓶醋】
https://vinegarfilmcafe.pros.is/THT4V
►巴哈姆特【半瓶醋】
https://vinegarfilmcafe.pros.is/SPSUU
專欄:媒體合作的供稿,不定期出影評
►派特88【半瓶醋】
https://vinegarfilmcafe.pros.is/T3HRD
All videos on my channel are only used for commentary.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
made in taiwan電影 在 半瓶醋 Youtube 的最讚貼文
#尚氣與十環傳奇 #梁朝偉 #半瓶醋
【尚氣與十環傳奇】,是故事很好看的電影,而且劇情直指華人兒女的核心。它的視覺場面的打鬥精彩華麗,而且設定還可以讀得到不少的暗喻,我相當的喜歡這部片,而且衷心希望梁朝偉能夠靠這部作品在往後讓好萊塢得到更多出場的機會,至於這部電影由沒有辱華?那就要看你我是否認同自己的文化了,最後,這部電影有兩段隱藏片尾,想要知道更多【復仇者聯盟】的後續故事的話,最好要看到最後唷。
其他出沒地區
►【半瓶醋】LBRY頻道
https://odysee.com/$/invite/@bpf1980:5
►Twitch【半瓶醋】
https://www.twitch.tv/bpf1980
每週五晚上九點半的【半瓶醋夜未眠】
►【半瓶醋】臉書粉專
https://vinegarfilmcafe.pros.is/QDDQT
這邊其實是每天都在出沒的區域
►【半瓶醋】IG
https://www.instagram.com/baofuzhang/
其實一直沒有很習慣用IG...
►YouTube頻道【半瓶醋】
https://pros.is/RDVPU
Podcast
基本上就是把【半瓶醋夜未眠】當中的精選討論片段放上去,不想看畫面只想聽聲音的朋友可取用。
►iTunes Podcast【半瓶醋】
https://pros.is/SRYWZ
►Spotify Podcast【半瓶醋】
https://vinegarfilmcafe.pros.is/SN9AN
部落格:之前有很多個部落格,不過目前縮減到只有兩個還在更新
►GQ【半瓶醋】
https://vinegarfilmcafe.pros.is/THT4V
►巴哈姆特【半瓶醋】
https://vinegarfilmcafe.pros.is/SPSUU
專欄:媒體合作的供稿,不定期出影評
►派特88【半瓶醋】
https://vinegarfilmcafe.pros.is/T3HRD
All videos on my channel are only used for commentary.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
made in taiwan電影 在 alex lam Youtube 的精選貼文
《古早味,呷飽沒?》
走進一幕幕完美復刻的昔時場景,來一趟情懷滿溢的臺味之旅,呷下100% Made in Taiwan 的生活韻味。
#古早味呷飽沒 #CityPlaza #誠品書店 #台灣直送 #古早味市集 #太古城中心 #太古美食 #古早味蛋糕 #打卡 #太古城
「呷飽沒?」
簡單3個字的台語,除了包含「吃飽了嗎?」之意,更是傳統農業社會裡最自然的問候。
太古城中心聯同誠品書店及誠品生活太古店攜手呈獻《古早味,呷飽沒?》,復刻五大臺灣經典懷舊打卡場景,加上千件臺灣直送原材食品及生活好物的古早市集,以及誠品獨家引入臺灣知名文具和生活品牌,讓大家身處香港都能瞬間走一趟限時的臺灣古早味之旅,重回美好純真年代!
五大臺灣懷舊打卡場景
近年興起的古早熱潮,源於對往昔事物的懷念,《古早味,呷飽沒?》展覽重塑五、六十年代臺灣懷舊場景,讓只曾在電影中出現的場景活現眼前,文青少男少女、情侶夫婦、一家大小都歡迎來到編寫屬於你們的古早之旅!
100% 臺灣直送「古早市集」
一個完美的旅行當然少不了搜羅當地出色獨有的手信,統統帶回家與親朋好友一同呷一口久違的臺灣味吧!這次古早味旅程尾站,誠品書店和誠品生活太古店為大家準備了1,000件 100%臺灣直送的原材食品及生活好物-從日常問候到古早情懷,從滿腹滋味到品味生活,一一滿心滿足。
https://www.cityplaza.com/zh-hk/whatshot/events/2021/retro-taiwanese-journey
《古早味,呷飽沒?》展場
地點: 二樓中庭及中橋
開放時間: 星期一至五11:00 ─ 21:00;星期六、日及公眾假期10:30 ─ 21:30
#canonphotography #BLOG #blogger #HKBLOG #hkblogger #HKFOOD #HKFOODBLOG
#hkfoodblogger #HKIG #HKIGFOOD #HKIGFOODBLOG #hkigblogger
#foodie #foodiehk #hkfoodie
made in taiwan電影 在 (電影) 你知道哪些電影中的產品提到Made in Taiwan - Mobile01 的推薦與評價
我很喜歡看電影,記得有些電影提到產品made in Taiwan,蠻有趣的。我先提供兩個,歡迎大家集思廣益。致命吸引力中,男主角麥克道格拉斯的傘是made in Taiwan, ... ... <看更多>
made in taiwan電影 在 新銳.非台灣製造影展MADE in taiwan: Strangers on the Island 的推薦與評價
不只是市場行銷,不只是國際影展奪獎曝光,更不只是國族電影。在台灣的異鄉人舉起攝影機,尋找自身歷史,拿回表達權力,從邊緣異質內容與獨立產製形式翻轉國族電影想像 ... ... <看更多>
made in taiwan電影 在 [問片] 一部說破雨傘是Made in taiwan的電影- 看板movie 的推薦與評價
之前上課聽過老師說
早期台灣是代工大國
所以繞台北一圈都可能看到台灣產物
然後他就說以前有一部電影
主角在大雨中傘一開就壞了
便直接說:
「Made in Taiwan~~~」
想問有人知道這部電影嗎?
--
※ 發信站: 批踢踢實業坊(ptt.cc), 來自: 114.136.161.173
※ 文章網址: https://www.ptt.cc/bbs/movie/M.1473485336.A.3B2.html
... <看更多>