書畫例行展〔筆墨見真章〕2020年第4季全新展件和大家見面!
Revelatory Brushwork: A Guided Journey Through the NPM's Collection of Chinese Calligraphy
【明 文徵明 書蘭亭敘(卷)】Preface to the Orchid Pavilion, Wen Zhengming (1470-1559), Ming dynasty
🔽關於文徵明
文徵明(1470-1559),江蘇長洲人。本名壁,字徵明,以字行,別號停雲生、衡山居士。詩文書畫俱工,亦精鑑藏。
Wen Zhengming (1470-1559) was a native of Changzhou in Jiangsu province. His given name was Bi, and he had the sobriquets He Who Stops the Clouds (Tingyunsheng) and the Recluse of Mount Heng (Hengshan Jushi), but he typically went by his style name, Zhengming. In addition to being an accomplished poet, prosaist, calligrapher, and painter, Wen was also an erudite connoisseur of the arts.
🔽書法賞析:
文氏好寫〈蘭亭敘〉,本卷末自題書於八十九歲。用筆、結字和章法與傳世王羲之(303-361)書〈蘭亭敘〉多不相同,應是意臨之作。筆法內斂含蓄,間架縝密,筆意連綿貫串處,極為自然生動。
Wen Zhengming was fond of making copies of the "Preface to the Orchid Pavilion." In his inscription on the tail end of this scroll, he noted that he was eighty-nine years of age at the time of writing. Wen's brushwork, the structures of the characters, and the overall composition markedly differ from the received version of the "Preface to the Orchard Pavilion" in Wang Xizhi's (303-361) hand, indicating that Wen was making a study of the spirit of Wang's writing, rather than its technical particulars. Here the brushwork is understated and reserved, allowing for finely-structured characters. The many places where brush strokes flow one into the other give the scroll an outstanding sense of natural movement.
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🌐中文:https://theme.npm.edu.tw/exh109/calligraphy10909/index.html
🌐English: https://theme.npm.edu.tw/exh109/calligraphy10909/en/page-1.html
🌐日本語:https://theme.npm.edu.tw/exh109/calligraphy10909/jp/page-1.html
同時也有10000部Youtube影片,追蹤數超過2,910的網紅コバにゃんチャンネル,也在其Youtube影片中提到,...
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本季的「筆墨見真章」即將在本週日結束(9/20),再來看一件明代萬曆年間出土的【漢 曹全碑 墨拓本】
【Rubbing of the Cao Quan Stele】Anonymous, Han dynasty (206 B.C.E – 220 C.E)
🔽此碑全名稱〈郃陽令曹全碑〉,篆額佚失不存。
🔽碑上所記載的是曹全的功績,其任郃陽令時恩澤廣被,同僚頌揚其高德,在東漢靈帝中平二年(西元185年)時,將其功績記於碑石之上。
🔽策展人說這件碑文「結體勻整,筆勢流暢,逸致翩翩,優雅不失朝氣,遒古秀麗兼備,於沉潛中兼具流暢感,充分顯現成熟的書寫技法,是漢代隸書代表。」
#9月24日將以全新展件再度展出,敬請舊雨新知喜愛書法的朋友們再次蒞臨。
The complete name of this stele is "The Stele in Geyang in Honor of Minister Cao Quan." The engraved capstone of the original is lost to time. Cao Quan was a native of Dunhuang in present day Gansu province who was known to have shown extraordinary filial devotion to his parents. While serving as a minister in Geyang in present day Shaanxi province, Cao performed numerous kind deeds, prompting his peers to extol his virtuous character. His merits and achievements were memorialized upon a stone stele during the second year of the Zhongping reign period of Emperor Ling of the Eastern Han dynasty (185 CE).
This stele was excavated during the reign of Emperor Wanli of the Ming dynasty. The characters were written with very uniform and even structures, the calligrapher possessing such fluid control over the brush's movements that the writing seems both leisurely and elegant. The writing succeeds at being refined without losing its vitality, containing rustic vigor and sophisticated beauty in equal amounts. The simultaneous presence of fluency within solidity reveals mature proficiency in calligraphic techniques, making this stele one of the representative works of Han dynasty official script (lishu).
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🌐中文:https://theme.npm.edu.tw/exh109/calligraphy10907/index.html
🌐English: https://theme.npm.edu.tw/exh109/calligraphy10907/en/page-1.html
🌐日本語:https://theme.npm.edu.tw/exh109/calligraphy10907/jp/page-1.html
ming dynasty中文 在 國立故宮博物院 National Palace Museum Facebook 的最佳貼文
這件【明 湯煥 遊西山詩 Poems on Traveling to the Western Mountains, Tang Huan, Ming dynasty (1368-1644)】混合了楷書、行書和草書,不但沒有違和感,還讓人覺得獨樹一格!
🔽釋文:(附圖為全件局部)
秋日宿西山臥佛寺。西日猶在山。暮烟已生樹。馬首緣岡迴。僕夫指前路。側逕遙解鞍。空林散狐兔。衲子慣逢迎。惜茲煩禮數。方丈花木深。供張混妍素。坐覺萬籟虛。月采波光注。蟲鳴露下莎。蔬剪霜前瓠。幾年塵鞅間。觸此烟霞痼。中夜魂夢清。心地欣如故。胡不聞琅璫。車音乃驚寤。因思出世難。山靈亦成誤。 遊香山寺。秋晴山暖野花發。小雨石徑無塵埃。果園槭槭響墮葉。香澗泠泠漱古苔。危磴千盤但佛閣。藏舟一壑為玄臺。漫言人世與茲絕。上方金碧令心哀。鄰初道人。
🔽書法賞析:
本幅書寫〈秋日宿西山臥佛寺〉、〈遊香山寺〉自作詩兩首,書法受元代「雜體書」影響,混雜楷、行、草和章草四體,唯筆法更加自由奔放,獨樹一幟。
🔽關於湯煥:
湯煥(生卒年不詳),字堯文,號鄰初。浙江杭縣人,隆慶四年(1570)舉人。善書法、精篆刻,高士奇(1644-1703)謂其「以書法稱於時,蓋從晉人蹊徑而入者。」
🔽 Tang Huan (dates of birth and death unknown), had the style name Yaowen and the sobriquet Linchu. A native of Hang County in present day Zhejiang, he passed the imperial examinations at the provincial level in the fourth year of Ming dynasty emperor Longqing's reign (1570). Tang was both a talented painter as well as an expert carver of seals. Gao Shiqi (1644-1703) once said of Tang, "renowned in his own lifetime for his calligraphy, he embarked upon his path by studying the Jin dynasty masters."
🔽 This work contains two poems, entitled "Taking Lodging at Lying Buddha Temple in the Western Mountains in Autumn" and "A Trip to Fragrant Hills Temple." Revealing the influence of Yuan dynasty "mixed script," its calligraphy contains a blend of kaishu, xingshu, caoshu, and zhangshu (regular script, cursive script, grass script, and draft script, respectively). However, clearly marching to the beat of his own drummer, Tang writes in a manner freer, bolder, and more untrammeled than his influences.
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🌐中文:https://theme.npm.edu.tw/exh109/calligraphy10907/index.html
🌐English: https://theme.npm.edu.tw/exh109/calligraphy10907/en/page-1.html
🌐日本語:https://theme.npm.edu.tw/exh109/calligraphy10907/jp/page-1.html
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