這首歌是寫來獻給全世界最麻煩的一個物種 - 查某。祝大家七夕情人節快樂!話說牛郎和織女一年才見一次面,如果是我,手都破皮了...
Tomorrow is the "Chinese Valentine's Day", a.k.a. Qixi Festival celebrating the annual meeting of the Cowboy and Weaver girl (his gf) in mythology since 2600 years ago till now...So it means that he is FREE for 364 days a year can play Tinder & Wechat, What a lucky Cowboy! 😎
https://bit.ly/2UbZuoI
【好想你2.0 I MiSS U 2】Youtube高清版:https://youtu.be/kK1MaJ6xX-s
數位音樂下載 Online Music Download【好想你2.0 I MiSS U 2】:https://lnk.to/zkhbeVg9
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欲網購黃明志最新實體專輯《亞洲通才》及歷年專輯和周邊商品請到。Purchase Namewee Latest 《Asian Polymath》 , Others Music Albums & Merchandises Please log in to https://namewee4896.com/
Namewee 黃明志 Telegram Channel :
https://t.me/nameweeofficial
Namewee 黃明志 Official Facebook Fan Page:
https://www.facebook.com/namewee/
Namewee YouTube Channel Link:
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Namewee Twitter Channel:
@NameweeO
#Namewee #黃明志 #好想你
同時也有11部Youtube影片,追蹤數超過1萬的網紅translation,也在其Youtube影片中提到,#'89年にデータイーストが発売したギリシャ神話がモチーフのRPGでありシリーズの2作目。 パーティ制や昼夜概念の導入、また前作の特徴的な要素の殆どが廃止されたがシステムの完成度やゲームバランスは手堅いレベルでまとまり正統派RPGへ。 シナリオは野島一成氏が手がけた。 BGMは本作よりゲーマデリッ...
「music mythology」的推薦目錄:
music mythology 在 Spin Master A-1 / Spin Scaanlous Facebook 的最佳解答
I released this Japanese BeatTape
“MAWASHI” 2019 July.
This record made a lot of new connections with many people !
Thank you for your support 🙏
去年7月にリリースした和物ビート集「MAWASHI」この作品で
多くの新しい繋がりが増えました!
ありがとうございます。
.
.
.
Art work by @kensuketakahashi1977.art
Scroll for details ✔︎
“After WW3 in Osaka”
Failed Biotechnology Experiment x Japanese Mythology
第三次世界大戦後の大阪。
日本神話の秘密の鍵を握るMAWASHIが政府のバイオテクノロジーテストの失敗によって生まれた。
It’s on
Spotify,Amazon,Apple Music!
.
.
#hiphop #asianhiphop
#japanesebeats #japanesehiphop #beatlive #wamono #和物 #和モノ #和楽器
#mpclive #akaipro #mawashi #spinmastera1
music mythology 在 Ado 阿洛 Facebook 的最佳解答
▪️音樂裡的靈觀▪️首篇:
我之於海。
My Relationship with the Ocean
我。常常喜歡一個人來看海
因為,海,她夠大~
足以包容世界一些的不完美
因為,海,她是大地宇宙萬物的開始
所以,氣息最早運行是在那片海面上
人類,才有了sasela’an呼吸與生命~
I often enjoy seeing the ocean by myself because she is vast enough to embrace the imperfections of the world; because she is the beginning of everything, of the earth, and the universe. Thus, I believe that the breath was first moving on the surface of the ocean, and then there are sasela’an ( or breath) and life within humans.
早期,就是有些在生存上的不舒服
關於呼吸之間的不順暢
所以,常常回家後在台11線上來回、來回
跟海撒嬌完了後,就好了。
There were some life’s struggles and discomforts in my earlier years – my breath was not smooth and steady. Thus, I often went home and traveled back and forth on Hualien-Taitung Coastal Highway. I felt much better after being affectionate to the ocean.
一個人,可以找到她
關於屬於她的神奇力量~
就像
太陽、風、星星、雨水ㄧ樣
彼此懂得在宇宙間依存的關係,關乎靈魂的那種愛與自由~
Being by myself, I can find her and the magical powers that belong to her, just like the sun, wind, stars, and rain. They understand the interdependent relationship with each other regarding one’s love and freedom of soul.
我很多的歌,創作源自於她。海~
從關乎失去的、被剝奪的、被傷害的一直到討論神話裡的、最後到跨越太平洋的,海給我了身為島嶼後裔來自一個Pangcah族人身為女性的能量~
I have written many songs and compositions that are inspired by her, the ocean. My songs include those about being lost, being plundered, being hurt. They also discuss our mythology and narrate my ocean-crossing journeys. The ocean has given me the power of being a Pangcah woman and being a descendant of the island.
因為發了新專輯,因為sasela’an氣息為名,再次不斷驅使著我去思考我這樣的一個島嶼歌者,要如何好好詮釋這些海洋、島嶼、氣息的思想~
最近上很多廣播通告時,我常常口裡講著氣息、風啊、雨啊、日月星辰啊、精靈、靈魂啊⋯這種⋯🙄
直到有些主持人會透露疑惑不解的表情後,🤔才驚覺自己早已在脫離了台北那斗大的錄音間,飛翔在大海與山林間🌲😇🌊
Once again, I am motivated to contemplate ways of interpreting the thoughts of the ocean, islands, and breath because of the newly released album, entitled Salela’an (Breath). Lately, many hosts of radio shows have scheduled interviews to discuss my music. During these interviews, I always include topics such as breath, wind, rain, the sun, the moon, deities, spirits, etc…until some of them looked puzzled. I suddenly realized that I have already detached myself from the large studios located in Taipei and am flying in between the ocean and forests.
Riyal,阿美族人稱為海~
阿美族人自古就跟海洋深刻的依存與依戀關係
我們神話祖先漂流在船上而被保護著的就是海,族人被供給魚類飽足食物的也是那大海;於是我們有了misacepo海祭
Fata’an馬太鞍我的部落的老人家留著一個美麗的傳說,我們的島嶼(台灣)是因為海洋希望讓我們看見太陽,所以給了人類一個用山堆砌的島嶼,所以海洋、山、島嶼、太陽構成了我們的宇宙觀與信仰~
是人類在世界裡,最被憐愛的一種存在,於是謙卑地活著,是成為人重要的依據~
The Amis people call the ocean riyal. Since ancient times, we have maintained a deep connection with the ocean. Amis mythology describes our ancestors as drifters who were protected by the sea. Our people were also provided fish and fed by the sea; hence there is misacepo (sea festival) in our tradition.
There is a beautiful legend passed down by the elders in my tribe Fata’an: “the ocean gave us an island built by a series of mountains in hopes that we can see the sun.” Thus, our worldview and beliefs consist of the ocean, mountain, island, and the sun. Our very existence in this world shows that we are loved tenderly, and thus knowing that we should live humbly is an essential foundation of being human.
Sasela’an氣息,在阿美族語裡被解釋「呼吸」「氣息」也是「生命」與「休息」之意。
多年前,我想像著千年前的祖先乘著無動力獨木舟勇敢地開始航向未知的世界,於是如今廣大的海洋島嶼分佈著跟我們共同語言與文化的島嶼民族家人們(被稱為南島民族)。
當我開始跨島嶼開始橫渡追尋島嶼故事時,至今仍然不能明確當初的決定,可能這就是島嶼民族的民族性吧,我想~那種未知但卻要航出去的勇氣。
The term, salela’an, can be understood as “breathing” or “breath,” but it also means “life” and “rest.” Many years ago, I imagined the ancestors rode on the canoe (with no auxiliary motor) and bravely voyaged into the unknown world. Therefore, the island families (now being called the Austronesians) who share the same linguistic and cultural patterns traveled and spread throughout the ocean. When I began my island-crossing journey to look for island stories, I didn’t know why I made such a decision (and I still don’t know until this day). I think this is one of the cultural characteristics of the island peoples. I believe this is the kind of bravery in which one voyages forward, despite not knowing what lies ahead.
一路上,我的歌,邊追尋邊紀錄,成為我自己的音樂航海的故事。
索羅門群島、復活節島、巴布亞新幾內亞、毛利、馬達加斯加、東加王國、夏威夷、馬來西亞、菲律賓、印尼,紀錄了我們祖先智慧與胸襟~
My songs documented and sought along the way, becoming my own story as musical navigation. These islands (Solomon Islands, Rapa Nui, Papua New Guinea, Aotearoa, Madagascar, Tonga, Hawaiʻi, Malaysia, the Philippines, and Indonesia) recorded the wisdom and mind of our ancestors.
歌,
是我們的路,不只是航行的故事,包括通向宇宙星辰與土囊到地底的秘密~
Songs are our pathways; rather than stories of navigation. They include the secrets that direct to the universe, stars, earth, and underground.
而海~
一切萬物都包覆在她的美麗的圍裙裡啊~
And as for the ocean, every wonder of the world is covered within her beautiful apron.
甚願海;能嗅出我的體味
在她的圍裙裡得到餵養
願歌,
能夠成為海洋、島嶼、山、太陽、星辰的祝福
I wish the ocean would be able to sense my odor and I would be fed within her apron.
I wish songs would become the blessings of the ocean, islands, mountains, sun and stars.
文/Ado 譯/Tiway
#Ado阿洛saselaan專輯
music mythology 在 translation Youtube 的精選貼文
#'89年にデータイーストが発売したギリシャ神話がモチーフのRPGでありシリーズの2作目。
パーティ制や昼夜概念の導入、また前作の特徴的な要素の殆どが廃止されたがシステムの完成度やゲームバランスは手堅いレベルでまとまり正統派RPGへ。
シナリオは野島一成氏が手がけた。
BGMは本作よりゲーマデリックメンバーが担当している。
作曲:酒井省吾氏、岩崎正明氏、鈴木雄司氏、三浦タカフミ氏、濱田誠一氏、高濱祐輔氏
Manufacturer: 1989.12.23 Data East
Hardware: RP2A03(APU)
Computer: family computer
Composer: Shogo Sakai,Masaaki Iwasaki,Yuji Suzuki,Takafumi Miura,Seiichi Hamada,Yusuke Takahama
------------------------------------------------------------------------------------
00:00 01.To Heroes (勇気ある者たちへ/タイトル)
01:55 02.Proud Royal Family Poetry (誇り高き王家の詩/城)
04:02 03.In The Bustling Town (にぎわう街の中で/街)
07:10 04.The Wind Blows in The wilderness (荒野に吹く風/フィールド)
10:04 05.Encounter (敵遭遇)
10:06 06.Servant of The Titan (タイタンの下僕たち/通常戦闘)
12:23 07.Victory (戦闘勝利)
12:28 08.The People of The Frontier (辺境の人々/村)
14:24 09.Into The Underground (地の底へ/洞窟)
17:11 10.Houses of The Holy (聖なる館/ほこら)
20:11 11.House of Waiting The Monsters (魔物の待つ館/巨人の館)
22:47 12.Beyond The Ocean (大海を越えて/船)
25:18 13.Paros of Flute (パロスの笛)
25:24 14.Pegasus Wings (ペガサスの翼/ペガサス騎乗)
27:59 15.Gods of Aria (神々のアリア/天界)
30:07 16.Wrath of The Titan (タイタンの怒り/ラスボス戦)
33:40 17.All in The Mythology (全ては神話の中に/エンディング)
36:55 18.Defeat (敗北)
37:03 19.Unused (未使用)
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![post-title](https://i.ytimg.com/vi/QQC1QjXV-GY/hqdefault.jpg)
music mythology 在 translation Youtube 的最佳貼文
#'93年にコナミが開発・発売したRPG。「2」とはあるものの
「魍魎戦記MADARA」('90/FC)とはストーリーの繋がりは一切ないオリジナルストーリー。後に本作をコミカライズした"MADARA四神篇"が出版されている。
ドライバ制作・効果音:藤尾敦氏
作曲:岩瀬立飛氏, 東野美紀さん, 谷口博史氏, 畑亜貴氏
Manufacture: 1993.07.16 Konami
Hardware: spc700
computer: super famicom /snes
Music driver progrramer: Atsushi Fujio
Sound Effect: Atsushi Fujio
Composer: Tappi Iwase,Miki Higashino,Hirofumi Taniguchi,Aki Hata
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00:00:00 01.Dark Awakening (part 1) (蒼茫の目覚め/オープニング パート1)
00:00:09 02.Dark Awakening (part 2) (暗い目覚め/蒼茫の目覚め オープニング その2)
00:01:21 03.Early Birds
00:03:32 04.Tubular Bells ~ For Whom the Bell Tolls (チューブラベルズ~誰がために鐘は鳴る/現代の町, 朝のシーンー学校の終業ベル)
00:03:43 05.Fiction of Meta Fiction (現代の町)
00:07:20 06.The Gods Are Thirsty (神々は渇く/神殿)
00:10:12 07.Fascinating Plays With Incarnation (化人幻戯/魂鬼)
00:14:13 08.Wild Dance of Fear (戦慄の乱舞/戦闘)
00:17:34 09.The Devil's Sneer (悪魔の嘲笑/戦闘終了ファンファーレ)
00:17:39 10.Brag-Rags for Brave Men (勇者の勲章/レベルアップ)
00:20:47 11.Rotten Tenacity (朽ちた執念/神社内BGM1)
00:22:52 12.The Goddess' Revelation ~ A Century of Exhaustion (女神の啓示~百年の枯渇/神社内BGM2)
00:25:41 13.The Hunter's Repose (狩人の休息/谷間の隠れ里)
00:28:18 14.Madara 2 Theme (マダラ2のテーマ/マダラ2メインテーマ1)
00:32:01 15.Warm Rain ~ Warmer Than Your Back (暖かい雨~あなたの背中のぬくもりよりも/メインテーマ1)
00:33:54 16.Heretic Fortress (邪教の砦/コーサラ王国町)
00:36:20 17.The Day of the Return to the Sea (海に帰る日/海底都市カメ)
00:36:31 18.Lady's Lover (淑女の恋人/海底都市王宮)
00:38:54 19.Far-Away Family (遠い家族/王宮内BGM1)
00:41:43 20.Must We Witness Murder_ (殺し合わねばならないのか/王宮内BGM2)
00:45:09 21.Boucus Porcus (Boucus Porcus) (ダキニ帝導入)
00:47:00 22.On the Other Side of the Whispering Wall (囁く壁の向こう側に/関所)
00:48:53 23.The Dictator's Solitude (独裁者の孤独/ファースィ国町)
00:51:18 24.Martial Law ~ The Night Without Children (戒厳令~子供が一人もいない夜/ファースィ国戒厳令下町)
00:54:04 25.The Trap and the Observatory (罠と天文台/ファースィ国寺院町)
00:58:04 26.In a Sudden Wind (偶然の風の中で/古城)
01:00:49 27.The Altered Altar (祭壇での彷徨/祭壇)
01:02:53 28.Terrifying Reward (恐怖の報酬/石坂)
01:03:01 29.Reflowing of Deadly Poison (逆流する猛毒/ロウラン国町)
01:06:11 30.The Earth is Angry (大地は怒る/ロウラン国町BGM「火山の村」)
01:07:15 31.Old Man Who Sells Legends (伝説を売る老人/ロウラン国町BGM「老人との会話」)
01:10:01 32.Karamazov's Mythology (カラマーゾフの神話/ランクァ国町)
01:12:29 33.Waveless Sea (波の無い海/航海)
01:15:10 34.Steel Skeleton (鋼鉄の骸/ダメイヤ聖都)
01:18:12 35.Enfant Terrible Rabbit (傍迷惑なウサギ/ジャト)
01:20:42 36.Elegy of the Golden Country (黄金の国の挽歌/ヤワト国町)
01:23:20 37.Open Sesame ~ I Don't Know What's Behind the Door ~ Autumn is Ending ~ Two People Sleeping Under the Stars (Open Sesame~扉の向こうの知らない自分-離れゆく秋~星の下で眠る2人/ドアの開く音-マダラ2メインテーマ2)
01:26:21 38.Vagrant's Song (放浪者の歌/ムクリ族キャンプ)
01:29:11 39.Homesick ~ Her Beloved Flowers (望郷~彼女の好きだった花/ユイマン国町)
01:32:23 40.Wages of Sin (悪徳の果て/魂鬼BGM2「洞窟」)
01:35:16 41.Rambling Assassin ~ Kiss of the Spider Woman (刺客逍遥~蜘蛛女のキス/ダキニ帝ダンジョン)
01:38:09 42.Silent Scream (唖の慟哭/ダキニ帝のテーマ)
01:41:33 43.Torture Sanctuary (ダキニ帝バトル)
01:44:30 44.The Wandering Sculptures (さすらいの群像/パーティ全滅)
01:47:00 45.Maze of Flowers (華迷宮/夢幻郷)
01:49:37 46.Quarter Moon (クォータームーン/宿)
01:49:49 47.Bells and Breeze ~ Blow the Wind (鐘と風~Blow the Wind/鐘と風「アンビエント」)
01:50:48 48.Menace in the Temple (堂塔の惨劇/ミロクの塔バトル)
01:53:18 49.To Pandemonium (阿鼻叫喚の地へ/ミロク帝のテーマ)
01:56:43 50.Triumphal Return of the Beast (野獣の凱旋/ミロク帝最終バトル)
01:59:33 51.Breath of Life ~ The Dark Side of the Madara (生命の息吹~the Dark Side of the MADARA/心臓音)
02:00:39 52.A Short Ensemble ~ The Sky's Blueness, Tears, and You (はかなさの重奏~空の青さと涙と君と/エンディング)
02:03:11 53.The Final Movement ~ A Brilliant Funeral Procession (最終楽章~華やかな葬列/スタッフロール)
02:08:14 54.Bells (ベル)
02:08:20 54.Owl (フクロウ)
02:08:23 55.Unreleased Track (未使用)
02:10:07 56.Water Cave (鍾乳洞)
02:10:59 57.Wind and Thunder (風と雷)
02:11:10 58.Wind (風)
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![post-title](https://i.ytimg.com/vi/LRqReSyQE7I/hqdefault.jpg)
music mythology 在 JUN CHIU Youtube 的最佳解答
"What if the original myth was a lie?"
My different story of Medusa.🐍🐍🐍
hope you like it .
Tumblr: https://junchiu.tumblr.com/
Facebook : https://www.facebook.com/junchiuarts
Instagram : https://www.instagram.com/jun.chiu_arts
Music (No Copyright): 【Dissociation】by Naoya Sakamata
![post-title](https://i.ytimg.com/vi/P6z3KaHZh2o/hqdefault.jpg)