Hong Kong health authorities announced stricter COVID-19 prevention measures on Tuesday after the emergence of dozens of new cases in the past few days, with a growing cluster linked to dance clubs threatening to spiral out of control.
Read more: https://bit.ly/33gq95g
本港武漢肺炎疫情繼續惡化,錄得80宗確診,再創逾3個半月(8月7日)以來單日新高。當中69宗為本地個案,衞生防護中心傳染病處主任張竹君表示,本地個案中,包括多54宗「歌舞群組」個案,群組累計187宗。
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同時也有3部Youtube影片,追蹤數超過0的網紅Auston Lam 林師傑,也在其Youtube影片中提到,Khalid - Saturday Night Cover Mixed and produced by: @onemanblend (IG) Shot by: KK Originally Performed by: Khalid Written by: Digi, Charlie Handsome...
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new clubs in hong kong 在 Freeyon Chung 鍾君揚 Facebook 的最讚貼文
Sharing "A Moment" with @msamberpriley
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This is a beautiful and new song by Riley (aka Mercedes Jones from Glee) and she also created a competition for people to duet with her. I couldn't pass up on the opportunity to sing with this talented performer (one of my fav from the show), so I filmed my own duet video. I even worked it down to the small details to make it as in sync as possible and feel like we were actually singing together in real time 😁 Now, if THAT could happen... 😱🙈 That'd be absolutely crazy awesome!
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If you didn't know, Glee is probably THE tv show that impacted my life the most and ultimately gave me a big boost of confidence to pursue a career in the entertainment industry. I was in university when Glee came out and it was also around then when I joined 2 collegiate a cappella groups, which made me feel very connected to the show that was focused on a singing group in a school setting. As I studied to become a high school teacher, I founded 2 Glee Clubs of my own at 2 different schools and even started a Glee Watching Club where students would meet up after class and watch the show together!
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Another important reason Glee stood out for me is because after living in Canada for over a decade, this was the first time I saw someone on TV I could related to and actually connect with, and that's @harryshumjr . I've had so many talks with people about Asians, especially oriental Asians, being underrepresented in various parts of the entertainment community (even more so back then). Seeing HSJ in the show gave me hope that it is possible for an Asian male to work in the entertainment industry (I wish he got to sing more in the show, but that's another story). That's part of what happened before I went back to Hong Kong to work in television.
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#ripnayarivera
#freeyonmusic #singwithRILEY #glee #gleek #amberriley #mercedesjones #duet
new clubs in hong kong 在 Kuah Jenhan Facebook 的最佳貼文
“On the contrary, most local comedians who do their shows in English or Malaysian-English tend to resort to crude, rude, insulting or racist humour which many would find offensive and in poor taste. While a specific audience may find this amusing, they would not appeal to a broader audience.”
The above is an excerpt from an opinion letter to The Star by A Moreton-Shabirin of Kuantan written on 7 November 2018. The title of the piece was “Offensive humour is not funny.” Link attached.
Firstly I want to put it out there that I appreciate the opinion and more so, the desire to discuss the state of comedy in a national paper. Lord knows we could use the publicity! Thank you so much. Back to the opinion piece— it is a valid opinion but one that I find myself unable to fully agree because ‘offensive’ or ‘rude’ felt like a generalisation here. So here are my thoughts.
This matters to me because I am part of the young but hungry comedy scene in Malaysia. 10 years ago, there was only one show a month, TimeOut KL Comedy Thursday, with only five to eight regular aspiring-comedians. Presently, while comedy venues/clubs are closing down in regional Singapore and Hong Kong, Malaysia has Crackhouse Comedy Club, operating at least 5 days a week, on course to celebrate their fifth birthday in 2019 and another full-time comedy club, Joke Factory. We are thriving, baby!
Number of comedians have risen close to the sun as well. I worked on a stand-up comedy TV show, Sedapnya Mulut, produced by my friend Shamaine Othman, where 42 comedians, new and haggard, were involved in. That’s 42 comedians okay-ed for the Malaysian TV masses!
As a storyteller, comedian, person, one of your most accessible yet valuable possessions are your stories and experiences. The writer wants to hear them all— BUT CLEAN! I think that is non-starter approach to comedy. My favourite comedian, Mike Birbiglia, said, “All jokes are offensive…to someone.” in his special ‘Thanks God For Jokes’ which by the way, is an ESSENTIAL viewing for the writer (it is on Netflix and I implore you to watch it when you find the time). Birbiglia was addressing the Charlie Hebdo incident where 10 satirist/comedy writers were murdered.
Comedy always has a victim. Wait, victim is a strong word but I can’t think of another at the moment. Sorry. Anyway, I’m going to prove this fact. The writer names Jim Gaffigan, Michael McIntyre, and Jerry Seinfeld among others who has achieved immense success without the need to be offensive. Great list of comedians. In Gaffigan’s latest (and very good) special, Nobel Ape, (available on Spotify), he has a fantastic bit on massages. It goes, “What do we really know about massage therapist? They like to rub strangers for money, while listening to the Avatar soundtrack. That’s a red flag. Those are the traits of a serial killer.” In this joke, the target, TARGET! That’s the word I was looking for, not victim. The target in the joke are massage therapists but even when put in the context of a comedy show, told by a wholesome father of five, can anyone guarantee no one will find it insulting (offensive)? Not a chance. Micheal McIntyre has a bit on the sport of tennis and cricket having too much ‘faffing’ and goes into a potent physical act-out of all the ‘faffing’ that goes on. The target there are tennis players and cricket players. Comedy always has a target.
Seinfeld swore on stage early in his career but decided to stopped. He discussed this in yet another ESSENTIAL viewing for the writer— HBO’s ‘Talking Funny’. On the flip side, Pete Holmes, another comedians refrained from swearing on stage to be ‘wholesome’ and ‘clean’ but finally found his stride when he let loose and started swearing (like a sailor). He discussed this on Mike Birbiglia’s recent podcast, ‘The Old Ones’.
I have seen crude, racist, dirty or insulting comedy on the Malaysian stage. I don’t agree with all of it but I understand because I started there too. I thought a joke was more likely to land when you draw from a shared pool of knowledge. For me, the shallowest, closest part of the pool would be our multiculturalism— Chinese are like this, Malays are like that, Indians are forgotten.
Eventually I grew out of it, and pride myself a clean comedian for many years. But this year, I caught myself swearing on stage. I was a bit upset but it also felt natural to me. Swearing existed in my psyche, in my thoughts, so why shouldn’t it exist in my words given the right circumstances like a comedy show marketed to 18-and-over only? Did it hurt anyone? I don’t know. Is it a big deal? No, I don’t think so.
Maybe the comedians the writers had watch here were aspiring comedians like myself, 10 years ago. Green and unsure of their voices yet. That’s okay. But I want to assure the writer that while the stand-up comedy stage is the closest semblance to freedom of speech, we draw lines that cannot be crossed. I have seen people get thrown off the stage for performing chauvinistic, bigoted material. Back when I started and operated the once-a-month comedy show, there was a bigot who’s whole set was women-bashing and so we pulled him off the stage. Months later he came back, told us he had a ‘new set’ and that he learnt his lesson. We let him back on stage and he had replaced women-bashing with Muslim-bashing. Alamak!!! What did we do? We banned him from ever performing on our stage. (Comedians of 2010s, remember this buttface?!)
I really like that the writer is a comedy fan. I don’t even know all the comedians he’s named! The vastness of knowledge is such a beautiful thing.
But I have to say that this difference in opinion is in some ways our doing as well. Whenever someone says “comedy in Malaysia”, the sad sad truth is what it really means is “comedy in KL/PJ”. After all, Crackhouse is in TTDI KL, Joke Factory is in Publika, KL. The myriad of open-mic shows are all in KL/PJ. Why haven’t we in the last 10 years been able to built a sustainable route to more cities around the country? This is a conundrum that upsets me and one I hope to fix.
I do want to do my part so here’s a promise: The one-hour show that I wrote this year, Electric Butterflies, has been booked to perform in Adelaide and Edinburgh in 2019 but I have also started putting together a national and regional tour route. I promise the writer, I will bring the show to Kuantan! Please come! But, be warned, comedy always has a target!
Till next year, don’t stop watching comedy. Trust me, like the rest of the world, you WILL grow to like our jokes.
Jenhan
new clubs in hong kong 在 Auston Lam 林師傑 Youtube 的最佳貼文
Khalid - Saturday Night Cover
Mixed and produced by: @onemanblend (IG)
Shot by: KK
Originally
Performed by: Khalid
Written by: Digi, Charlie Handsome, Khalid
Produced by: Denis Kosiak, Digi and Charlie Handsome
Yay yay yay yay yay yay yea
Saturday nights, blueberry cigarillos
Swishers make my throat hurt
Rolling OCB's on the side for me
Light 'em up and let 'em both burn
Family feud's saying Mom's confused
Over shit she doesn't wanna learn
My daddy's gone, say he's never home
And wishin' only makes it worse
I guess there's certain dreams that you gotta keep
'Cause they only know what you let 'em see
And all the things that I know
That your parents don't
They don't care like I do
Nowhere like I do
And all the things that I know
That your parents don't
They don't care like I do
Nowhere like I do
Nowhere like I do
Nowhere like I do
Yay yay yay yay yay yay yay yay yay yay yay yea
X2
Saturday nights
Light gray Silverado
Drive it 'cause you have to
Stay up working late at a job you hate
And fix your makeup in a dirty bathroom
No more love, in and out of clubs
Knowin' what you gotta do
You got plans wrapped in rubber bands
And that's the only thing you never lose
I guess there's certain dreams that you gotta keep
'Cause they only know what you let 'em see
And all the things that I know
That your parents don't
They don't care like I do
Nowhere like I do
And all the things that I know
That your parents don't
They don't care like I do
Nowhere like I do
Nowhere like I do
(Yay yay yay yay yay yay yay yay yay yay yay yea)
The way that I do
(Yay yay yay yay yay yay yay yay yay yay yay yea)
The way that I do
The way that I do
new clubs in hong kong 在 alex lam Youtube 的最佳貼文
蘭桂坊狹義而言指位於香港中西區中環的一條呈L型的上坡小徑,名叫「蘭桂坊」。廣義而言是指與德己立街、威靈頓街、雲咸街、和安里及榮華里構成的一個聚集大小酒吧、俱樂部、餐廳與零售商鋪的中高檔消費區,深受中產階級、外籍人士及遊客的歡迎,是香港的特色旅遊景點之一
Lan Kwai Fong is one of Hong Kong’s most popular nightlife hot spots and home to over 90 restaurants and bars. The atmosphere ranges from stylish wine pairings to raucous jelly shots and the food on offer is as diverse as the clientele.
Thanks to Hong Kong’s dominance in Asian cinema, this centre of late-night revelry is so renowned that its official street sign is more photographed than many of the celebrities who haunt its clubs. Mostly, the area is crowded with people from the surrounding offices of Central, eager to shake off the working day or week. Get in the thick of it with a street side perch, or watch the antics on the road below from one of the upper floors.
Lan Kwai Fong usually hosts carnivals and other celebrations during major festivals, such as Halloween, Christmas and New Year and has its own beer festival.
How to get there
MTR Central Station Exit D2, walk along Theatre Lane, and up D'Aguilar Street.
#LanKwaiFong
#HONGKONG
#DiscoverHongKong
new clubs in hong kong 在 F Records Youtube 的最讚貼文
Dough-Boy went to South Korea to link up with BrandNew Music artist KANTO to perform their hard-hitting collaboration, "WON."
Taking place at Club Toast - one of the savviest clubs in Seoul - Dough-Boy and KANTO had the audience turning up with them. Hong Kong Dollars and Won, I'm the one!