――Also a long-awaited and astonishing development: interviews during the film with the coordinating producer of Hello! Project, Tsunku♂-san, as well as with Momoiro Clover Z’s manager Kawakami Akira-san.
Owada: Interviewing other people from the idol industry, I thought, “that’s new”.
Komiyama: Actually, I’m a fan of Momoiro Clover Z. That’s why, when I saw the interview with Kawakami-san, it reminded me of how many awesome things there are about him, and that while I’m in AKB48, all these amazing people are rivals in the same industry. We all have our own fans, we all sing and dance and deliver smiles, and I love the AKB48 that I’m in right now, so I want to work hard so that we don’t lose to the other groups.
――Team 8 and NGT48 are also represented in this documentary. Team 8’s influence at present is especially difficult to overlook. As young members yourselves, what are your impressions about them?
Owada: It’s hard for me to speak of Team 8 because I don’t have much direct contact with them… I think the only time I’ve really seen them up close was at “Request Hour”.
Komiyama: Watching them acts as a stimulus. People say “there’s no point if the junior members can’t become threats to the senior ones”, and I think Team 8 personifies those words.
Owada: Because they’re so close to us, they do act as a good stimulus, and they’re an important presence. When I watched them at “Request Hour”, the fans doing the mix for Team 8 were at a whole different excitement level from when they do it for the other teams. It was astonishing.
――Then, what do you think of Nogizaka46 and Keyakizaka46, clearly designated “rival groups” that started later than AKB48 but have a similar momentum?
Komiyama: Before, members of AKB48 were working so frantically to get senbatsu spots that we didn’t look at the outside world at all, but lately when I look at Nogizaka46 and Keyakizaka46’s activities, I feel very strongly that I don’t want us to lose to them. And also lately this bud of realization has sprouted in me that says we as AKB48 members need to carry on the legacy the seniors left us.
Owada: I know what you mean, I’ve started to think as a member of AKB48 rather than of myself as an individual.
――As members who are burdened with the title “next generation”, I bet it’s important for the 15th generation to stick together. The “Ichigochanzu performance” you did together surely heightened your unity with each other, but what did you think about it?
Owada: It’s true, since then, I think our bonds have deepened very quickly. (Iino) Miyabi and (Taniguchi) Megu started a year after the other 15th gens, and I have been asked by fans “do you really consider them members of your generation?” The two of them do speak respectfully to us and there are definitely times when I felt there was a distance between us that couldn’t be breached. However, when we did the “Ichigochanzu” stage, we became able to share our opinions with each other.
Komiyama: The staff told us “you’re their seniors, so you need to teach them a lot of things”, but up until a while ago I was thinking “it’s way too hard to talk to them”. I was too self-conscious about being around them, and I just couldn’t make a connection. But during the course of the “Ichigochanzu” stage, the entire 15th generation became able to scold each other and butt heads, and it truly made me happy. I feel we’re all comrades who can tell each other anything now, and I really started to feel like the 15th generation is where I belong.
Owada: I think it was thanks to the timing of the “Ichigochanzu” stage.
Komiyama: We’re middle school and high school students spending our days aiming to be idols. We joined hands and did our best together. We made our entrance during the encore as picture-perfect idols according to the contents of the setlist. At first we seemed to overlap with each other but this stage was able to bring everyone’s individuality to the forefront. And every one of us got to take turns playing the part of center and shine in the spotlight, which was excellent.
――The other day, right after the election had ended, you posted about your ranking on Google+ and other sites, but I would like to hear your full impressions about it here.
Owada: More than anything else, I was surprised to see that AKB48 dominated in numbers!
Komiyama: My ranking was 21st, and all around me were AKB48 members like Shimazaki (Haruka)-san, (Kojima) Mako-san and Minegishi (Minami)-san. And the second it was announced that AKB48 came out on top in numbers, everyone around me started celebrating together. It really made me happy.
――For a time, while the 80 ranks were being called up, the seats were filling up largely with members from other groups. But when the names being called for Undergirls and senbatsu members turned out to be mostly AKB members, the scene when it became clear that AKB was the winning group was enough to give anyone goosebumps.
Komiyama: People in society might be thinking that “they’re failing to make the generation shift”, but the fans’ passion transfers to us, they let us know how they feel by giving us clear rankings in Undergirls and senbatsu.
Owada: On top of that, with the group entering its 11th year, there has to be passion for it considering the timing, and I’m happy that translated into a win for AKB.
――The Team 4 onslaught was also a sight to behold.
Komiyama: That’s what made me the happiest! And I was moved that all of the Team 4 members who were called in the preliminary rankings were able to hear their names called at the election. As someone who has experience with that, the members listed in prelims really want to hear their names called at the real thing (laughs).
Owada: It’s been said that “Team 4 has the fewest members in senbatsu” and “Team 4 has no super-senbatsu members”, so I’m glad that we can feel now that Team 4’s hard work and value is being recognized. I was transferred from Team B to Team A, so I don’t have experience in Team 4, but Team 4 always has a fresh image. And I ended up thinking, “the team that pulls the group along in the election is a different one now, isn’t it?”
Komiyama: Within Team 4 the story was “We don’t have any super-senbatsu members, so it doesn’t matter because each member is the same”, and we had a solidarity through that, all striving together to move up in the ranks. I’m glad we overcame that with the election results.
Owada: There aren’t any humble people in Team 4, are there? It’s like there’s an energy around everyone as they all try to promote themselves.
Komiyama: With Izuta Rina-san as the mood maker and Takahashi Juri-san as the captain, I love Team 4. I’m gonna try my best to make great strides with this team!
「other names for sing along」的推薦目錄:
- 關於other names for sing along 在 Haruka Komiyama - 込山榛香 AKB48 Facebook 的最佳貼文
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other names for sing along 在 Tata Young Fanclub - ทาทา ยัง แฟนคลับ Facebook 的最讚貼文
#TataYoung #ladeezpop
จำได้หรือไม่ ทาทา ยัง คือคนไทยคนแรกที่ได้ขึ้นปก Time Magazine ฉบับเดือนเมษายน ปี 2001 เนื้อหาเกี่ยวกับประเด็น Eurasian Invasion รวมลูกครึ่งเอเชียที่มาแรง ร่วมกับนักแสดงชาว Hong Kong Maggie Q สมัยสาวๆ และ Indian VJ Asha Gill
เนื้อหาประกอบ บางส่วน :
Tata Young certainly knows how to let loose. Back in 1995, when she broke into Thailand's entertainment industry at the age of 15, the pert half-Thai, half-American singer was on the forefront of the Eurasian trend. Today, the majority of top Thai entertainers are luk kreung. Now 20, Young is the first Thai to sign a contract with a major U.S. label, Warner Brothers Records (owned by AOL Time Warner, parent company of Time), which she hopes will elevate her into the Britney Spears/Christina Aguilera pantheon. Back at home, Young has to contend with a gaggle of luk kreung clones who mimic her brand of bubble-gum pop. The hottest act now is a septet called, less-than-imaginatively, Seven, and three out of seven are of mixed race.
The luk kreung crowd tend to hang tight, dining, drinking and dating together. "We understand each other," says Nicole Terio, one of the group. "It comes from knowing what it means to grow up between two cultures." But the luk kreung's close-knit community and Western-stoked confidence sometimes elicits grumbles from other Thais, who also resent their stranglehold on the entertainment industry. The ultimate blow came a few years back when Thailand sent a blue-eyed woman to the Miss World competition. Sirinya Winsiri, also known as Cynthia Carmen Burbridge, beat out another half-Thai, half-American for the coveted Miss Thailand spot. "Luk kreung have made it very difficult for normal Thais to compete," gripes a Bangkok music mogul. "We should put more emphasis on developing real Thai talent." The Eurasians consider this unfair. "I was born in Bangkok," says Young. "I speak fluent Thai and I sing in Thai. When I meet Westerners, they say I'm more Thai than American." Channel V's Asha Gill senses the frustration: "A lot of Asians despise us because we get all the jobs, but if I've bothered to learn several languages and understand several cultures, why shouldn't I be employed for those skills?"
The jealous sniping angers many who suffered years of discrimination because of their mixed blood. Eurasian heritage once spoke not of a proud melding of two cultures but of a shameful confluence of colonizer and colonized, of marauding Western man and subjugated Eastern woman. Such was the case particularly in countries like the Philippines, Thailand and Vietnam, where American G.I.s left thousands of unwelcome offspring. In Vietnam, these children were dubbed bui doi, or the dust of life. "Being a bui doi means you are the child of a Vietnamese bar girl and an American soldier," says Henry Phan, an Amerasian tour guide in Ho Chi Minh City. "Here, in Vietnam, it is not a glamorous thing to be mixed." As a child in Bangkok during the early 1990s, Nicole Terio fended off rumors that her mother was a prostitute, even though her parents had met at a university in California. "I constantly have to defend them," she says, "and explain exactly where I come from."
Ever since Europe sailed to Asia in the 16th century, Eurasians have populated entrepots like Malacca, Macau and Goa. The white men who came in search of souls and spices left a generation of mixed-race offspring that, at the high point of empire building, was more than one-million strong. Today, in Malaysia's Strait of Malacca, 1,000 Eurasian fishermen, descendants of intrepid Portuguese traders, still speak an archaic dialect of Portuguese, practice the Catholic faith and carry surnames like De Silva and Da Costa. In Macau, 10,000 mixed-race Macanese serve as the backbone of the former colony's civil service and are known for their spicy fusion cuisine.
Despite their long traditions, though, Eurasians did not make the transition into the modern age easily. As colonies became nations, mixed-race children were inconvenient reminders of a Western-dominated past. So too were the next generation of Eurasians, the offspring of American soldiers in Southeast Asia. In Thailand, luk kreung were not allowed to become citizens until the early 1990s. In Hong Kong, many Eurasians have two names and shift their personalities to fit the color of the crowd in which they're mixing. Singer and actress Karen Mok, for example, grew up Karen Morris but used her Chinese name when she broke into the Canto-pop scene. "My Eurasian ancestors carried a lot of shame because they weren't one or the other," says Chinese-English performance artist Veronica Needa, whose play Face explores interracial issues. "Much of my legacy is that shame." Still, there's no question that Eurasians enjoy a higher profile today. "Every time I turn on the TV or look at an advertisement, there's a Eurasian," says Needa. "It's a validating experience to see people like me being celebrated."
But behind the billboards and the leading movie roles lurks a disturbing subtext. For Eurasians, acceptance is certainly welcome and long overdue. But what does it mean if Asia's role models actually look more Western than Eastern? How can the Orient emerge confident if what it glorifies is, in part, the Occident? "If you only looked at the media you would think we all looked indo except for the drivers, maids and comedians," says Dede Oetomo, an Indonesian sociologist at Airlangga University in Surabaya. "The media has created a new beauty standard."
Conforming to this new paradigm takes a lot of work. Lek, a pure Thai bar girl, charms the men at the Rainbow Bar in the sleaze quarters of Bangkok. Since arriving in the big city, she has methodically eradicated all connections to her rural Asian past. The first to go was her flat, northeastern nose. For $240, a doctor raised the bridge to give her a Western profile. Then, Lek laid out $1,200 for plumper, silicone-filled breasts. Now, the 22-year-old is saving to have her eyes made rounder. By the time she has finished her plastic surgery, Lek will have lost all traces of the classical Thai beauty that propelled her from a poor village to the brothels of Bangkok. But she is confident her new appearance will attract more customers. "I look more like a luk kreung, and that's more beautiful," she says.
A few blocks away from Rainbow Bar, a local pharmacy peddles eight brands of whitening cream, including Luk Kreung Snow White Skin. In Tokyo, where the Eurasian trend first kicked off more than three decades ago, loosening medical regulations have meant a proliferation of quick-fix surgery, like caucasian-style double eyelids and more pronounced noses. On Channel V and mtv, a whole host of veejays look ethnically mixed only because they've gone under the knife. "There's a real pressure here to look mixed," says one Asian veejay in Singapore. "Even though we're Asians broadcasting in Asia, we somehow still think that Western is better." That sentiment worries Asians and Eurasians. "More than anything, I'm proud to be Thai," says Willy McIntosh, a 30-year-old Thai-Scottish TV personality, who spent six months as a monk contemplating his role in society. "When I hear that people are dyeing their hair or putting in contacts to look like me, it scares me. The Thai tradition that I'm most proud of is disappearing."
In many Asian countries—Japan, Malaysia, Thailand—the Eurasian craze coincides with a resurgent nationalism. Those two seemingly contradictory trends are getting along just fine. "Face it, the West is never going to stop influencing Asia," says performance artist Needa. "But at the same time, the East will never cease to influence the West, either." In the 2000 U.S. census, nearly 7 million people identified themselves as multiracial, and 15% of births in California are of mixed heritage. Crouching Tiger, Hidden Dragon, the Oscar-winning kung fu flick, was more popular in Middle America than it was in the Middle Kingdom. In Hollywood, where Eurasian actors once were relegated to buck-toothed Oriental roles, the likes of Keanu Reeves, Dean Cain and Phoebe Cates play leading men and women, not just the token Asian. East and West have met, and the simple boxes we use for human compartmentalization are overflowing, mixing, blending. Not all of us can win four consecutive major golf titles, but we are, indeed, more like Tiger Woods with every passing generation.
cr. TIME / HANNAH BEECH
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