#Congratulations! Director Hsin-Chien Huang's latest VR works, Samsara and The Starry Sand Beach, were nominated for the 78th Venice International Film Festival!
The 78th Venice International Film Festival (VIFF) announced the shortlisted nominees for the category of VR Film. Taiwanese new media artist, Distinguished Professor of NTNU, Hsin-Chien Huang, winner of the BEST VR Experience in 2017 with his work La Camera Insabbiata, will again contest for the Leone d’oro this year with two of his latest, sci-fi inspired works, Samsara and The Starry Sand Beach. While the Taiwanese athletes are striving for the Gold Medals at the Tokyo Olympics as we speak, director Hsin-Chien Huang dazzles the jury of VIFF with his visually-stunning and thought-provoking works — bringing cutting-edge Taiwanese VR films onto the international stage and letting world-wide audience sees Taiwan!
Before being selected for the 78th Venice International Film Festival, Samsara episode 1. has already grabbed the Jury Award at SXSW and Best VR Story at the Cannes XR Competition. This futuristic VR experience teleports the audience onto a journey that spans millions of years. Samsara is a Sanskrit word meaning “ the world ”. In Buddhism, it means what we perceive as the world is actually an endless cycle of karma (cause and effect), a cycle of life, death and rebirth in the six realms of existence. In this fascinating VR work, the audience is reincarnated into the bodies of different persons and creatures, experiencing the universe in their new bodies and in search for the ultimate spiritual transcendence.
Samsara depicts an apocalyptical story in the near future where human greed has depleted the earth’s resource. Catastrophic wars to fight for resource resulted in global destruction. Finally, the remaining humans had to leave the Earth and go on a search in space for a new place to live.
Nevertheless, their desperate, long quest for a new homeland… could it be just a loop in space and time? The cycle of greedy domination and total destruction that then necessitates the search for a new home…. may have hopelessly repeated itself over and over again? The constant evolutionary process and so-called progress, without transformation in consciousness and spiritual advancement, is nothing more than a Möbius strip that leads nowhere, perhaps…?
Samsara is an experiment based on the theory of Embodied Cognition. Through interactivity and VR, the audience gets to live inside the bodies of different persons and creatures, experiencing their feelings from within. Perhaps It is when we can perceive the world in different bodies that we may truly appreciate the thoughts of others and empathize with them. An experience that will also help us better comprehend our own existence and learn to live in harmony with all.
Samsara explores a complex of deeply interconnected issues of ecology, technology, natural resource and war, etc. It's a story about a journey humans are forced to take on, after having destroyed the earth with nuclear disasters. The survivors seek a new planet, in the boundless, interstellar space, to carry on their lives. Gradually they evolve into a new life form artificially. Yet, many years passed and they’ve come to realize that they would never make it to the new planet they’ve been dreaming of. In fact, they have simply been returning to the Earth, in different life forms, time after time.
Director Huang applies the concepts of embodied cognition, offering a unique way to contemplate about the nature of life. As the audience are transported into different bodies each time, they gain a brand new perspective to experience the world views presented in Samsara.
Samsara was produced under the guidance of Taiwan Creative Content Agency (TAICCA) and Kaohsiung Film Archive VR(VR FILM LAB), it’s a sate-of-the-art VR production made 100% in Taiwan. In the VR experience, viewers are transformed into various kinds of animals to interact with the scenes, including species unique and indigenous to Taiwan, such as Taiwan Blue Magpie and Formosan Black Bear.
Samsara Ep.1 features the latest somatosensory technology, including 4D views shooting techniques by the Industrial Technology Research Institute and TAICCA. A digital shooting system comprised of a high-sensitivity 4 million-pixel, full-color CCD sensor and 48 4DV-EX-Z cameras made it possible for Samsara Ep.1 to be taken from an omnidirectional view and shot without any blind spots, creating the ultimate immersive experience.
THE STARRY SAND BEACH, directed by Hsin-Chien Huang and produced in cooperation with Lucid Reality (France) and Oready 瑞意創科 Oready Innovation Lab (Taiwan), is a scientific fairy tale about a unique ecological wonder in Taiwan and Japan, the shiny starry sand beaches. Foraminifera, from the Latin word “foramen” meaning hole, is a single-celled organism that builds a shell with multiple chambers which intercommunicate with one another through holes. On the Qimei Island, Taiwan and the Yaeyama Islands, Japan, beaches have been formed by a specific species of foraminifera with star-shaped shells made of calcium carbonate. Like the real stars in the legends, grains of the starry sand have also been preserving the earth’s memories for millions of years.
THE STARRY SAND BEACH is a real-time 3D interactive VR adventure into the natural and mythological landscape of the starry sand beaches on Qimei Island in Penghu Archipelago, Xing Sha Wan in Kenting National Park and Taketomi Island in the far south of Japan. The experience is full of aesthetically-amazing elements and enriched with cultural and religious significance like Shintoism in Japan. A beautiful, haunting legend tells the story of the starry sand…
The final winners will be presented at the award ceremony held on Sep11. With great anticipation and hopes, Hsin-Chien Huang is expected to bring home again the grand prize for Taiwan!
https://www.labiennale.org/en/news/selection-complete-works-venice-vr-expanded-0
#黃心健 #HsinChienHuang
#samsara #chalkroom
#LaCameraInsabbiata
#VeniceInternationalFilmFestival #VIFF
#Thestarrysandbeach
#LucidReality
#OreadyInnovationLab
同時也有1部Youtube影片,追蹤數超過57的網紅Tung I-Fen,也在其Youtube影片中提到,60 A Minute 在作品『與時間牽手』的結構核心,是採用心理學角度作為出發,觀者在60個一分鐘的結構裡,體驗大腦對時序、時距和時點的不同感知,證明時間是主觀和人性化的,不同人對其意識程度和認知也有不同。 在董怡芬的編舞經驗中,「時間」一直在她的創作元素裡佔有極大且重要的位置,時間長度地掌握...
「perceive meaning」的推薦目錄:
perceive meaning 在 IELTS Thanh Loan Facebook 的精選貼文
TỪ VỰNG & Ý TƯỞNG IELTS WRITING - CHỦ ĐỀ EDUCATION
✅ Dismiss gender misconception (phrase)
Meaning: eliminate the thinking related to gender
Vietnamese: loại bỏ những hiểu lầm về giới tính
✅ Treat/ regard somebody as equal to somebody (phrase)
Meaning: when you treat somebody or regard somebody as your equals, it means you consider them having the same quality, status … as you have
Vietnamese: đối xử ai đó/ xem ai đó như người có cùng địa vị
✅ Perceive (verb)
Meaning: to understand or think of somebody/something in a particular way
Vietnamese: Thấu hiểu, cảm thụ
✅ Curriculum (noun)
Meaning: The subjects comprising a course of study in a school or college
Vietnamese: Giáo trình
✅ Tutorial (noun)
Meaning: A period of tuition given to an individual or a class by a tutor in a school
Vietnamese: Một tiết học
✅ Misconduct (noun)
Meaning: Unacceptable or improper behavior
Vietnamese: Một hành vi không hợp phép, sai trái
✅ Literacy rate (noun)
Meaning: Percentage of population who can read and write
Vietnamese: Tỉ lệ dân số biết đọc và viết
✅ Higher education (noun)
Meaning: Education beyond high school, especially in a college or university
Vietnamese: Giáo dục đại học
✅ Cognitive ability (noun phrase)
Meaning: The ability related to mental activities and problem solving
Vietnamese: Kĩ năng suy nghĩ và xử lí tình huống
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perceive meaning 在 Facebook 的最佳貼文
"Love is a choice. The appearance of neutrality is merely an interpretation from the lens of your own understanding. It’s neither truth nor fact. Merely the meaning you have given to what you perceive."
#愛 #個人意見 #接受 #角度 #個人觀點
perceive meaning 在 Tung I-Fen Youtube 的精選貼文
60 A Minute 在作品『與時間牽手』的結構核心,是採用心理學角度作為出發,觀者在60個一分鐘的結構裡,體驗大腦對時序、時距和時點的不同感知,證明時間是主觀和人性化的,不同人對其意識程度和認知也有不同。
在董怡芬的編舞經驗中,「時間」一直在她的創作元素裡佔有極大且重要的位置,時間長度地掌握也一直是創作裡非常重要的功夫,巧妙運用時間的長短與快慢變化,產生所需的效果傳達。時間是一條持續向未來延伸的長線,20世紀的天才哲學家海德格(Martin Heidegger),把人生描繪為不斷做選擇並「被拋向未來」的存在。此製作其最終目標並非在於辯證出時間理論其正確性,而是藉此製作處理一向以時間推進為主要感官知覺的觀舞方式,能夠有其他的閱讀機會。安娜琪舞者一向擅長處理現場表演與觀眾之間的對應關係,在精細舞蹈編排設定後,時而慘入對時序的打破、時而對現實時間的推移做改變、時而藉由空間的流轉改變時間的定義。
The core structure of “60 A Minute” derives from a psychological perspective. In 60 one-minute-sections, the audience find themselves experience time order, time interval, and timing differently, proving that how we perceive time is subjective, human-centered, and variant among one another.
In I-Fen Tung’s choreography, “time” has been a constant key element. She values the mastering of time, utilizing different time length and speed to create the desired effects in her pieces. Time is a continuous extension into the future. Martin Heidegger, a renowned philosopher of the 20th century, depicts life as incessant decision-making and “being tossed towards the future”.
The aim of this production is not to debate the theory of time, but to generate an alternative to the usual perception of viewing dance in the chronology of time. Anarchy Dance Theatre excels in creating strong interfaces between audience and live performance. Their choreography, delicate and well thought out, integrates the shatter of time order, the shifting of real-time, and the influence of space transformation towards the meaning of time.
perceive meaning 在 Differences in Perception 的推薦與評價
Increased understanding about each other can positively impact our communication and improve the degree to which we can share and understand meaning across ... ... <看更多>
perceive meaning 在 Perceive Meaning - YouTube 的推薦與評價
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