#朱宗慶打擊樂團【一擊一會Percussion Online】
EP22馬林巴木琴特別企劃(下)
「金剛狼」進化論-木琴演奏的握棒法
在認識了琴槌與音色選擇之間的關係後,我們要進入到另一個重頭戲,也就是馬林巴木琴的演奏技巧──握棒法。
從一手握兩支棒子,到手握四棒,再到六支琴槌的演奏,是一個不斷進化的漫漫長路,同時也呈現出馬林巴木琴成為一個獨奏樂器,在短短幾十年間的驚人發展,包括Keiko Abe(安倍圭子)、Gary Burton、Leigh Stevens等對於木琴演奏握棒法有重大貢獻的演奏家,都是PAS(Percussive Arts Society,國際打擊樂藝術協會)名人堂等級的大師呢!
本集 #一擊一會 ,珮菁老師和士堯將把這段精華中的精華,不藏私地與大家分享,保證大家看完之後,會燃起滿滿的木琴演奏魂!
【吳珮菁】 Pei-Ching Wu 吳珮菁
朱宗慶打擊樂團資深團員兼 BRAVO FM91.3 台北/都會/音樂 Classical FM97.7 古典音樂台廣播電台節目主持人,以精湛的六支琴槌木琴演奏活躍於國際樂壇,曾多次舉辦全場演出寫給六支琴槌木琴演奏曲目之獨奏會。
【連士堯】 MUZIK 閱聽古典樂
MUZIK副總編輯兼華文古典樂閱聽界Youtuber,小時候曾於 @朱宗慶打擊樂教學系統 -台中文心 上課,從基礎班開始持續學習,至1997年進入傑優青少年打擊樂團班。
💙馬林巴木琴特別企劃(下) The World of Marimba-Part2💙
製作:朱宗慶打擊樂團隊 Ju Percussion Group Production
演出:
//團員Percussionist//
吳珮菁 Wu, Pei-Ching
feat.
//MUZIK副總編輯 Deputy Editor-in-Chief//
連士堯 Lien, Shih-Yao
#一擊一會 #Percussion_Online
#團員精彩表現生鮮直送
#打擊樂的敲敲話
#吳珮菁
-----
🔔訂閱官方Youtube頻道Subscribe:
https://www.youtube.com/user/Jugroup
https://youtu.be/A-ZffLL2XSc
同時也有10000部Youtube影片,追蹤數超過2,910的網紅コバにゃんチャンネル,也在其Youtube影片中提到,...
「percussionist中文」的推薦目錄:
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- 關於percussionist中文 在 Pei-Ching Wu 吳珮菁 Facebook 的最讚貼文
- 關於percussionist中文 在 羅溫特 Winter L. Facebook 的最讚貼文
- 關於percussionist中文 在 コバにゃんチャンネル Youtube 的最佳貼文
- 關於percussionist中文 在 大象中醫 Youtube 的最讚貼文
- 關於percussionist中文 在 大象中醫 Youtube 的精選貼文
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- 關於percussionist中文 在 【一擊一會Percussion Online】馬林巴木琴特別企劃(下) 的評價
- 關於percussionist中文 在 percussionist的費用及心得,FACEBOOK和網友分享 的評價
percussionist中文 在 Pei-Ching Wu 吳珮菁 Facebook 的最讚貼文
【一擊一會Percussion Online】
EP21馬林巴木琴特別企劃(上)
看熱鬧與看門道-木琴琴槌的大千世界
針對馬林巴木琴這項打擊樂器, #一擊一會 安排了一個特別企劃,邀請到兩位強棒來為大家帶路──
【吳珮菁】 Pei-Ching Wu 吳珮菁
朱宗慶打擊樂團資深團員兼 BRAVO FM91.3 台北/都會/音樂 Classical FM97.7 古典音樂台 廣播電台節目主持人,以精湛的六支琴槌木琴演奏活躍於國際樂壇,曾多次舉辦全場演出寫給六支琴槌木琴演奏曲目之獨奏會。
【連士堯】 MUZIK 閱聽古典樂
MUZIK副總編輯兼華文古典樂閱聽界Youtuber,小時候曾於 朱宗慶打擊樂教學系統 -台中文心 上課,從基礎班開始持續學習,至1997年進入傑優青少年打擊樂團班。
馬林巴木琴特企共分為上、下兩集,上集要先從木琴演奏的一個重要關鍵,也就是琴槌的選擇和使用開始說起。
不管你是看熱鬧還是看門道,都歡迎你跟著珮菁老師和士堯,一起進入木琴琴槌的大千世界吧!
💙馬林巴木琴特別企劃(上) The World of Marimba-Part1💙
製作:#朱宗慶打擊樂團隊 Ju Percussion Group Production
演出:
//團員Percussionist//
吳珮菁 Wu, Pei-Ching
feat.
//MUZIK副總編輯 Deputy Editor-in-Chief//
連士堯 Lien, Shih-Yao
#一擊一會 #Percussion_Online
#團員精彩表現生鮮直送
#打擊樂的敲敲話
#吳珮菁
-----
🔔訂閱官方Youtube頻道Subscribe:
https://www.youtube.com/user/Jugroup
https://youtu.be/Zb81yg3MV5k
percussionist中文 在 羅溫特 Winter L. Facebook 的最讚貼文
最近這件事鬧的沸沸揚揚 也上了新聞 在留言上發現自己考試的影片有被po上去 增加一些曝光率這樣 哈XD
但對於此事件 我就不公開多表態什麼了 只希望一切能以理性與和平的方式去解決 我們大家都是文明人 都要努力讓這個世界變得更美好
謝謝大家關注這個議題,我剛剛把評審的照片拿掉了,原因是我希望大家不要將這位評審當成壞人,而也我們把焦點專注在這個事件上,而不是人身上,我們才能真正長期的改善這個問題.因為我不會中文,所以我會和我的夥伴們一起再產出一篇更詳盡完整的中文文章,屆時也煩請大家一同關注,讓台灣的藝術環境更好,最好也謝謝幫我翻譯以下文章的朋友,我非常訝異這篇造成的影響力,感謝你們!
I CAUSED A SCENE TODAY IN THE PUBLIC
Today I got very angry and upset for the first time in public in front of a crowd.
What started out as a nice day, I thought it would only get better by attending the street performance artist's exam in Taipei. Everything seemed nice when I saw the performers were all prepared in their provided locations around the Sun Yat Sen Memorial Hall. But after I saw the head of the judge panel treated the street performers while performing, I couldn't keep my mouth shut.
Let me explained: each performer had to pay to register for the license exam. They were given 3 minutes to present their work(s) hoping they'd get a lisence so they can earn some sort of living from their passion. This one particular judge (pictured) leading the group seems impatiently listen and watch the street performers. It barely hit the one minute mark, he aggressively cut into the song of a singer and told the performer "many singers sing in different languages like English etc, sing in another language!"(I paraphrased with my bad Chinese translation). Then the singer started singing in Taiwanese language. But barely two sentences, he talked to another judge barely paying attention to the performer this head judge basically just left and gestured to the rest of the group to follow him.
The singer sang barely a minute and a half (they were promised 3 mins and they kept being interrupted by this judge). Bare in mind, this judge is earning a wage while these hopeful performers were paying him to be there. He basically did the same thing over and over again disregarding the artist's intent and hard work. Not a single word of appreciation. He just acted as he was a big boss looking down on these petty performers. He chatted as he wished and walked away without saying a "thank you" or a gesture of acknowledgement. A percussionist kept being interrupted asking him to do something different. Then he just left after the third time. The rest of the judges just followed.
So, i approached him politely asking for his name and his business card. I told him I wanted to talk to him one on one in the future. Degradingly he asked me who I was. I could see in his eyes that he saw a young man who looked like a student to him. But I was not and am not. I am a 40 year old dance artist, filmmaker and educator that have taught around the globe and in many prestigious colleges and festivals.
He didn't want to give me his business card. He seemed annoyed and surprised that someone spoke up. So I said I can give him my contact info but we needed to talk on how the exam went.
The way Taipei city exams the performers today was both disrespectful and insulting to the arts community in general. I didn't want to say this all out. But he left me with no choice.
I told him, for one, the way he treated the performers was disrespectful. As an educator I could not be quiet when I see something like that. Second, the process of the exam is not doing the art community any justice. If he cannot see the artists as a human being first, then what does it say about his view on the Arts. I could see him pissed off. But again he left me with no choice. He was very degrading towards these performers. As an artist myself and an art advocate I had to do something.
The organizer apologized to me said the process needed to go on. I told him I wasn't trying to stop them. I merely want to know how I could get in touch with them to discuss this. If you know me well enough, you should know my temperament. I am a happy go lucky person. I almost never get angry in the public. But it was genuinely insulting and degrading to every artists based on what I saw today.
This arrogant judge didn't care of my opinion. I could see it in his eyes. He was basically the superior in his world and his way was the right way. That's how he had always done it. All the young staffers there were afraid of him. Today he was disrespectful, rude, and arrogant. I really want to know why he does what he does.
After the incident, a few people came up and thanked me for speaking up. They felt the same way but they didn't have the courage to say it to this judge or the organization that issues these licenses. One organizer from the New Taipei City said even she felt bad seeing how the performers being treated.
I don't understand why people don't stand up for each other. The Taipei City has failed their community and even more so to their arts community.
For an organization that is supposed to advocate for the arts, culture and authenticity, they did miserably today. It is like giving an exam to a dog, a cat, a bird and a monkey then telling them that their exam is climbing a tree. It's absolutely ridiculous.
I left them my contact information. They said they will contact me. If they don't, this could be an interesting subject for my next film project. A documentary on how these hopeful, aspiring performers being treated.
I am mad and I am angry. I really hope they will change their shallow way of seeing Arts.
P.S. Share or repost in Chinese. They need to change. Thanks.
台北國際藝術村-寶藏巖 Taipei Artist Village-Treasure Hill
Taipei National University of the Arts
臺北表演藝術中心 Taipei Performing Arts Center
National Theater and Concert Hall, Taipei
中正紀念堂 Chiang Kai-shek Memorial Hall
National Taiwan University of Arts
percussionist中文 在 コバにゃんチャンネル Youtube 的最佳貼文
percussionist中文 在 大象中醫 Youtube 的最讚貼文
percussionist中文 在 大象中醫 Youtube 的精選貼文
percussionist中文 在 【一擊一會Percussion Online】馬林巴木琴特別企劃(下) 的推薦與評價
【連士堯】 MUZIK副總編輯兼華文古典樂閱聽界Youtuber,小時候曾於朱宗慶打擊樂教學系統-台 中文 心上課,從基礎班開始持續學習,至1997年進入傑優 ... ... <看更多>
percussionist中文 在 敲擊樂Percussion 邵俊傑Louis Siu 敲擊襄創辦人兼藝術總監 ... 的推薦與評價
邵氏曾任教於香港城市大學創意媒體學院,另於曼谷國立藝術大學定期舉行大師班,現任教於香港中文大學。 Founder and artistic director of Toolbox Percussion, ... ... <看更多>