A letter from John Mayer - PRS ROXY PINK Silver Sky & Last Train Home Lesson
https://youtu.be/KC8h3StMM6w
To my surprise after the first Roxy Pink guitar demo video I found this note from John Mayer in the bottom of the soft case. I'm showing it to you now because many accuse that it is set up. John is always so sweet and very thoughtful! He really surprised me with this guitar! Would you like to hear the PRS Silver Sky Roxy Pink guitar with an amp?
Hope you guys enjoy my Roxy Pink Silver Sky demo & a mini lesson on Last Train Home. Now you can learn how to play chord progression and guitar solo like John Mayer.
PRS Sliver Sky Roxy Pink
Two-Rock TF Signature combo w/ Eminence TF-1250
1979 Fender Princeton Reverb
Lehel Little Dual
Providence Cables E205TF
Ibanez TS-10
Klon Centaur #16
Vemuram Jan Ray for TF
One Control Prussian Blue Reverb
Introduction (00:00)
John Mayer's letter (00:55)
Last Train Home Lesson : CHORDS (01:55)
About Jimmy Kimmel LIVE performance (03:18)
E Major Pentatonic & E Minor Pentatonic (03:55)
John's first phrase - E Major Pentatonic (04:38)
JM's Sound Making for OVERDRIVE tone (05:00)
Ibanez TS-10 (05:15)
JM's tasty dynamic fills with finger picking (06:16)
Klon Centaur #16 (07:08)
Vemuram Jan Ray for TF (07:57)
Back to Ibanez TS-10 (09:25)
Slide into E Minor Pentatonic (09:48)
Raking into 1st string & slide into 2nd string (10:54)
Back to Klon Centaure #16 (11:04)
One Control Prussian Blue Reverb (11:18)
Phrasing idea over (imagining chords) (12:07)
What if I press Jan Ray & Klon together? (13:39)
Providence Cable E205TF (14:40)
Clean Tone (15:20)
The front pickup tone (15:27)
The Middle pickup tone (15:45)
The Rear pickup tone (15:58)
The Middle & the Rear Mix (16:23)
The Middle & the Front Mix (16:53)
JM Solo Mixing Major & Minor Pentatonic (17:15)
JM Ending Solo Phrase (18:32)
Gospel Feeling Phrase (19:18)
Review Main Chord Progression TRIADS (19:35)
Ending - Exciting about Sob Rock this Friday (20:50)
prussian blue reverb review 在 Facebook 的最讚貼文
Larry Carlton Style - Triad Approach
https://youtu.be/lGFl9EVy7rI
Special thanks to Tim H (my new fan!) who sent his special package with money for my cds! This gift was so amazing! His friend Bob Cameron who took this amazing photo from live footage of Louis Armstrong in 1941! Incredible! I love it so much! Tim said "I thought you might like to have it in light of the fact that you are a fine musician in your own right." Wow! Thank you so much!!
Then I thanked him via email.. he wrote me back with more about Bob and Tim's life stories.
Then Tim wrote.... "Nevertheless, I really admire your skills as a performer as well as a teacher. Of all the teachers I have followed, you make the most sense to me personally."
""I am including a link to a video of Rick Beato with Larry Carlton. I saw Larry Carlton play a few years ago and he just blew me away. Since you are so into triads and base your understanding of soloing on them, I wanted to ask you to do a video on how Larry Carlton hears 3 triads above the one that is played... and then he improvises based on these 3 possibilities.
It's way over my head and I'll probably never "get it" as far as getting it under my fingers, but at least maybe I can intellectually understand it. Here is the video - 5 minutes in...
https://www.youtube.com/watch?v=1c9lx0KFkO4&t=416s
Anyway, maybe you can explain it better than they do.
Thanks,
tim ""
So this video is replying to Tim's question. Although I didn't watch that video yet because I wanted to point out two approaches first as simple ideas. Hope Tim will enjoy this!
What do you think?
Introduction (00;00)
Story behind this video (01:00)
Tim 's request on LC from Rick Beato's video (03:07)
CMaj7 (G/C) ..G = 5, M7, 9 .. FMaj7 (C/F) C = 9, 5, M7(03:40)
Chord voicings idea over CMaj7 & FMaj7 (06:10)
Soloing Example Over Backing Track #9 (07:18)
Soloing Example Simple Triads & mixing blues feeling (08:45)
Larry Carlton was a huge Influence on me (10:15)
My problem was not have my own style (12:25)
Larry Carlton style BLUES in G (14:25)
G7 = G & F Triads (I & bVII Triads) (R35 & b7911) (15:12)
C7 = C & Bb Triads (I & bVII Triads) (R35 & b7911) (16:32)
G Blues Backing Track (18:49)
Soloing example over G Shuffle Blues (19:37)
Larry Carlton's I & bVII Triads Review (22:07)
1967 Gibson ES-335
Bartel Roseland Head
Bartel 1-12 Cabinet
Providence cables E205TF
Boss RC-3
One Control Prussian Blue Reverb
Vemuram Jan Ray for TF
D'Addario NYXL 09-42
Pickboy TF Sig 1.00mm
prussian blue reverb review 在 One Control Prussian Blue Reverb - BJFe Design - YouTube 的推薦與評價
This is my favorite pedal in the One Control, (small enclosure) lineup. The Prussian Blue Reverb has been a staple on my board since it ... ... <看更多>