關於 renewed商品 ，我們在網路上蒐集到這些相關的討論、資訊與評價

【每日國際選讀】
#文末挑戰多益選擇題📝
美中「新」貿易戰
最終得利是亞太？

開啟「接收通知」和「搶先看」每天吸收雙語時事新知
來讀華爾街日報獨家

🔥 Meet the New Trade War. It’s Not the Same as the Old Trade War.
美中新貿易戰恐拉開序幕，劇情料有所不同

🤔 The president on Wednesday said that he was “watching closely” to see if China was living up to trade-deal commitments to purchase large quantities of American goods, and could know one way or another within weeks.
川普於上周三表示，他正在「密切關注」中國是否有履行貿易協議，購買大量的美國商品，且無論如何會在數周內知曉實際情況。

- watch closely 密切關注
✍️ watch也常表示「監視；注意」的意思，watch closely就是常見的相關表達，可別誤以為是「很近的看」囉
- live up to 無愧於、實踐，這邊指的是中國「確實履行」當初的貿易承諾
- one way or another 以某種方式/無論如何，無論怎樣

✏️That was followed Thursday by Chinese trade data showing a surge of exports in April and falling imports. In yuan terms, imports from the U.S. were down 3% in the first four months of the year compared with the same period last year, according to China’s customs administration, not exactly what President Trump wants to see.
隨後，中國在上周四公布的貿易數據中顯示，4月出口大幅增長，進口則下降。中國海關總署的數據顯示，以人民幣計算，今年頭四個月從美國的進口較上年同期下降3%，而這並非川普所樂見的。

- surge 遽增，急遽上升
- yuan 元（中國標準貨幣單位）
✍️另外一個常見的是日圓：Japanese yen
- customs 海關
✍️ custom 是風俗、習慣之意，當「海關」時注意要加”s”喔

😯The stage seems set for a renewed flare-up in trade tensions. But the drama could play out differently this time. The trade war of 2018 and 2019 did damage China, but not enough to elicit meaningful changes to its mercantilist industrial policy.
美中貿易的緊張局勢似乎將再度升溫，但這一次，劇情可能有所不同。2018年和2019年的貿易戰確實對中國造成了衝擊，但還不足以促使該國對其重商主義的產業政策做出有意義的變革。

- flare-up （暴力、疼痛或憤怒）爆發，突發，加劇
- elicit 引出，探出，誘出（尤指資訊或反應）
- mercantilist 重商主義

未完待續...
其實這場美中貿易戰
將讓亞太其他國家得利？
加入文末每日國際選讀計畫，解鎖完整語音導讀版

——
原文連結請看留言
——
❓Quiz: The real estate agents ______ to the _____ in house prices recently.
房仲業者緊密關注近期的房價飛漲。

🙋🏻‍♀‍🙋🏼‍♀‍
A. see closely/ sarge
B. watch closely/ sausage
C. watch closely/ surge
-

【每日商業英文計畫，熱烈招生中！】
華爾街日報訂閱超值方案 📰
專屬 #臉書社團，浩爾 #每日語音導讀
「留言+1」，就送你 #優惠碼 及 #導讀試聽！

Voices of Photography 攝影之聲
Issue 21: 影像刊誌考
A Study of Photo Publications

◼︎ 購書 | Order : http://bit.ly/2uhMNd6
◼︎ 訂閱 | Subscribe : http://bit.ly/2tTlqn6

在本期專題裡，我們埋首雜誌報刊堆中，透過梳理台灣、中國和香港攝影雜誌的出版歷程，作為初探東亞影像刊誌的歷史迴路及攝影文化脈動連結的支點，試圖疊映出這個影像時代過去與現在的考驗和變貌。

走過日本殖民與國府戒嚴的重重歷史，歷經戰後攝影發展的流變，台灣影像雜誌的存在與承續，彷若一趟崎嶇蜿蜒的旅程——陳佳琦追蹤台灣攝影刊物的沓雜步履，瞭望島嶼影像出版百年來的起落波潮；張世倫重訪七〇年代發行的《ECHO》英文漢聲雜誌，追述這份台灣民俗調查攝影先鋒刊物的歷史脈絡與文化影響；梁秋虹考掘日治期間出版的「黃色刊物」，剖析台灣女性作為視覺消費商品的殖民結構與政治關係；李威儀蒐集台灣戒嚴年代官方編印發行的「今日」系列政宣畫刊，探查國府曾經透過出版啟動的對外影像心戰。

在對岸中國，長久以來由政府當局全面管控的媒體與出版體系，塑造了「具中國特色」的攝影媒介生態——顧錚回看自1949年至今、在文革到改革開放帶來的政經變化下，攝影雜誌所承載的理想、現實與時代肌理；此外，何伊寧書寫近年中國獨立刊物的多樣風景，體現這些在限制中試圖開拓道路的紙本與網路同人誌的某種可能與想像，為中國攝影注入了不同以往的革新感與清新氣息。放眼香港，李泳麒則細數自戰後以來發行的眾多香港攝影刊物，揭示早期攝影雜誌與左派團體的隱密關係，以及面對商業市場的掙扎取捨，回溯這些影像刊誌曾經點燃的火花。

本期Artist’s Showcase單元，我們專訪台灣藝術家侯怡亭，在她的作品《歷史刺繡人》系列中，藉由刺繡、勞動生產與殖民時期歷史照片的交疊展現，反射出社會集體意識灌輸的性別設定與身體感。在「Q」單元裡，法國攝影雜誌《The Eyes》創辦人文森．馬熙哈希與我們分享這份新的半年刊的編輯概念以及他對攝影的前線觀察；同時，我們也造訪巴黎視覺藝術空間「LE BAL」，一探這個位在紅燈區、前身曾是酒館舞廳的展演場，如何變成新穎的歐洲影像文化據點。

我們在籌備本期專題、記述這些影像刊物生命史之時，特別能夠感受到催生與維持一份刊物背後所需付出的心血與懷抱的理想，在此我們向眾出版人們致敬。出版的路上時而快意、時而蹌踉，我們也想再次感謝親愛的《攝影之聲》讀者給予這份刊物持續的動力，謝謝你與我們一起共度這段雜誌時光。

In this issue of VOP, we combed through and compiled numerous photo publications from Taiwan, China and Hong Kong. Using this as a fulcrum in our primary examination of the historical development and cultural ripples of photo publications in East Asia, we tried to map the past and current challenges and transformation of this age of images.

Through the Japanese colonization and martial law eras, the existence and evolution of post-war photo publications in Taiwan is not unlike a winding journey. Chia-Chi Chen traces the complex development and the ups and downs of Taiwanese photographic journals in the last century; Shih-Lun Chang revisits ECHO, a magazine published in the 1970s, and recounts the historical context and cultural influence of this pioneering publication on Taiwanese folklore and documentary photography. Chiu-Hong Liang takes a look at “adult publications” from the Japanese colonial period and examines the relationship between politics and the colonial structure of objectifying Taiwanese women as a form of visual consumer product. Wei-I Lee puts together the Today series of KMT government propaganda materials published during the martial law era and explores how the government engaged in psychological warfare through the use of such publications.

Over in China, the media and publication industry, which has long been heavily controlled by the state, has given birth to a photographic media ecology with “Chinese characteristics." Gu Zheng takes a look at how political and economic changes since the Cultural Revolution and the Reform Era gave shape to the expectations, reality and texture that photo publications have had to bear since 1949. Yi-Ning He also explores how independent publications in China, in an attempt to blaze a trail in a much-restricted environment, with their dedication to possibility and imagination, have brought with them a new sense of innovation and a breath of fresh air into the scene of Chinese photography. Turning to Hong Kong, Wing-Ki Lee showcases Hong Kong’s post-war photo magazines and recounts their impact on the society as he reveals the close relationship between early photo publications and leftist groups and their struggles with the commercial market.

In this issue’s “Artist Showcase”, I-Ting Hou tells us how her work Li̍k-sú Tsiam-tsílâng reflects gender definition and sensory perceptiveness instilled by the social collective consciousness through the overlapping historical photographs of embroidery and labor productivity from the colonial period. In the “Q” segment, Vincent Marcilhacy, the founder of French photography magazine The Eyes, shares with us his editorial concept for this new magazine and his first-hand observations of photography. At the same time, we also pay a visit to Le Bal, a visual art space in Paris, and see its transformation from a haven of drinks and dance to a new cultural stronghold in Europe.

While preparing for this volume of VOP, we had renewed respect for all the work and effort these publications put in as we articulate their histories. Hence, we would like to pay tribute to our fellow publishers. The same time, we also want to express our gratitude to our beloved VOP readers for giving us the reason to persevere with this publication. The road of publishing is at times smooth-sailing, and at times discouraging. Thank you for always staying with us on this journey.

---
Voices of Photography 攝影之聲
www.vopmagazine.com

#新刊發行 | New Release

Voices of Photography 攝影之聲
Issue 21: 影像刊誌考
A Study of Photo Publications

在本期專題裡，我們埋首雜誌報刊堆中，透過梳理台灣、中國和香港攝影雜誌的出版歷程，作為初探東亞影像刊誌的歷史迴路及攝影文化脈動連結的支點，試圖疊映出這個影像時代過去與現在的考驗和變貌。

走過日本殖民與國府戒嚴的重重歷史，歷經戰後攝影發展的流變，台灣影像雜誌的存在與承續，彷若一趟崎嶇蜿蜒的旅程——陳佳琦追蹤台灣攝影刊物的沓雜步履，瞭望島嶼影像出版百年來的起落波潮；張世倫重訪七〇年代發行的《ECHO》英文漢聲雜誌，追述這份台灣民俗調查攝影先鋒刊物的歷史脈絡與文化影響；梁秋虹考掘日治期間出版的「黃色刊物」，剖析台灣女性作為視覺消費商品的殖民結構與政治關係；李威儀蒐集台灣戒嚴年代官方編印發行的「今日」系列政宣畫刊，探查國府曾經透過出版啟動的對外影像心戰。

在對岸中國，長久以來由政府當局全面管控的媒體與出版體系，塑造了「具中國特色」的攝影媒介生態——顧錚回看自1949年至今、在文革到改革開放帶來的政經變化下，攝影雜誌所承載的理想、現實與時代肌理；此外，何伊寧書寫近年中國獨立刊物的多樣風景，體現這些在限制中試圖開拓道路的紙本與網路同人誌的某種可能與想像，為中國攝影注入了不同以往的革新感與清新氣息。放眼香港，李泳麒則細數自戰後以來發行的眾多香港攝影刊物，揭示早期攝影雜誌與左派團體的隱密關係，以及面對商業市場的掙扎取捨，回溯這些影像刊誌曾經點燃的火花。

本期Artist’s Showcase單元，我們專訪台灣藝術家侯怡亭，在她的作品《歷史刺繡人》系列中，藉由刺繡、勞動生產與殖民時期歷史照片的交疊展現，反射出社會集體意識灌輸的性別設定與身體感。在「Q」單元裡，法國攝影雜誌《The Eyes》創辦人文森．馬熙哈希與我們分享這份新的半年刊的編輯概念以及他對攝影的前線觀察；同時，我們也造訪巴黎視覺藝術空間「LE BAL」，一探這個位在紅燈區、前身曾是酒館舞廳的展演場，如何變成新穎的歐洲影像文化據點。

我們在籌備本期專題、記述這些影像刊物生命史之時，特別能夠感受到催生與維持一份刊物背後所需付出的心血與懷抱的理想，在此我們向眾出版人們致敬。出版的路上時而快意、時而蹌踉，我們也想再次感謝親愛的《攝影之聲》讀者給予這份刊物持續的動力，謝謝你與我們一起共度這段雜誌時光。

◼︎ 購書 | Order : http://bit.ly/2uhMNd6
◼︎ 訂閱 | Subscribe : http://bit.ly/2tTlqn6

In this issue of VOP, we combed through and compiled numerous photo publications from Taiwan, China and Hong Kong. Using this as a fulcrum in our primary examination of the historical development and cultural ripples of photo publications in East Asia, we tried to map the past and current challenges and transformation of this age of images.

Through the Japanese colonization and martial law eras, the existence and evolution of post-war photo publications in Taiwan is not unlike a winding journey. Chia-Chi Chen traces the complex development and the ups and downs of Taiwanese photographic journals in the last century; Shih-Lun Chang revisits ECHO, a magazine published in the 1970s, and recounts the historical context and cultural influence of this pioneering publication on Taiwanese folklore and documentary photography. Chiu-Hong Liang takes a look at “adult publications” from the Japanese colonial period and examines the relationship between politics and the colonial structure of objectifying Taiwanese women as a form of visual consumer product. Wei-I Lee puts together the Today series of KMT government propaganda materials published during the martial law era and explores how the government engaged in psychological warfare through the use of such publications.

Over in China, the media and publication industry, which has long been heavily controlled by the state, has given birth to a photographic media ecology with “Chinese characteristics." Gu Zheng takes a look at how political and economic changes since the Cultural Revolution and the Reform Era gave shape to the expectations, reality and texture that photo publications have had to bear since 1949. Yi-Ning He also explores how independent publications in China, in an attempt to blaze a trail in a much-restricted environment, with their dedication to possibility and imagination, have brought with them a new sense of innovation and a breath of fresh air into the scene of Chinese photography. Turning to Hong Kong, Wing-Ki Lee showcases Hong Kong’s post-war photo magazines and recounts their impact on the society as he reveals the close relationship between early photo publications and leftist groups and their struggles with the commercial market.

In this issue’s “Artist Showcase”, I-Ting Hou tells us how her work Li̍k-sú Tsiam-tsílâng reflects gender definition and sensory perceptiveness instilled by the social collective consciousness through the overlapping historical photographs of embroidery and labor productivity from the colonial period. In the “Q” segment, Vincent Marcilhacy, the founder of French photography magazine The Eyes, shares with us his editorial concept for this new magazine and his first-hand observations of photography. At the same time, we also pay a visit to Le Bal, a visual art space in Paris, and see its transformation from a haven of drinks and dance to a new cultural stronghold in Europe.

While preparing for this volume of VOP, we had renewed respect for all the work and effort these publications put in as we articulate their histories. Hence, we would like to pay tribute to our fellow publishers. The same time, we also want to express our gratitude to our beloved VOP readers for giving us the reason to persevere with this publication. The road of publishing is at times smooth-sailing, and at times discouraging. Thank you for always staying with us on this journey.

---
Voices of Photography 攝影之聲
www.vopmagazine.com

i made meiji's renewed DIY candy making kit"Odangoya san",this kit can make Wagashi(traditional Japanese sweets)easily,and taste is real Wagashi.we can make some kind of Wagashi,white Taiyaki,sakura(cherry blossoms) mochi,three color dango(hanami dango),ichigo(strawberry) daifuku,and warabimochi.
candies are strawberry,mochi,anko(sweet bean paste),and matcha(green tea) flavors.
recently,i made Kracie's wagashi making kit"Odango and Taiyaki",too.so,which do you like?;)

i bought this kit at Dagashi ya(a shop that sells cheap sweets) in Japan.

contents of this kit
mold
tray
spoon
stick
white dough powder
pink dough powder
green dough powder
anko powder
warabimochi powder

previous version"meiji odangoya san"
https://youtu.be/qqOda_n4QII

駄菓子屋さんに売っていたリニューアルした”おだんご屋さん”、味がリアルな和菓子っぽくておいしかったです(ﾟ∇^*)

♥decocookie google plus page♥
https://plus.google.com/u/0/113471759948837870266/posts

★sister channels★
"Japanese stuff everyday!"
http://www.youtube.com/user/japanesestuffchannel
"JP MONO"(my husband"30oyaji" 's channel)
http://www.youtube.com/user/30oyaji

i made renewed Kabaya's JuuC making kit"Tsukuttemiyo JuuC".
they are peach and banana and mango flavors.we can make original JuuC deco case useing this kit!;)

リニューアルしたつくってみようジューC、オリジナルのデコケースが作れました!!(ﾟ∇^*)

♥decocookie google plus page♥
https://plus.google.com/u/0/113471759948837870266/posts

★sister channels★
"Japanese stuff everyday!"
http://www.youtube.com/user/japanesestuffchannel
"JP MONO"(my husband"30oyaji" 's channel)
http://www.youtube.com/user/30oyaji