"What appeals to me in photographing humans is trying to bring out characteristics that are not tangible. Their intensity, vulnerability, darkness, strength, and so forth." - Dennys Ilic
"Facets that are not easily definable with technical knowledge. There are, however, many aspects of the Leica SL2 and Leica optics that help me highlight such attributes in my subjects and to help me achieve the look that I want. The dynamic range and sensitivity of the sensor are second to none with the file size to rival medium format cameras. Yet the SL2 is still fast, nimble, and unobtrusive to work with. From the point of capture to post-production, you feel like an artist working with the world’s finest oils and canvas that feeds back to you as a photographer and plays into the quality of the final image.
I've been working with Drew Scott (@mrdrewscott) for over 10 years. Whether it's a result of his personal taste or the fact that he is an extraordinarily kind, bright, and positive person doing good in the world while being extremely successful, I don't think I’ve ever seen him dressed in dark colors, so obviously it was time to shoot him in a completely blacked-out studio wearing black leather with a single light source. I wanted no distractions from that intensity that makes up this intriguing and complex human.”
See how the SL2 fits into @dennydenn's workflow: bit.ly/ItsYourLeicaChoice
#LeicaCameraUSA #TellYourStory #WorldDeservesWitnesses
#LeicaSL2 #Leica #photography #photooftheday #photographylovers #leicaphoto #leicaphotography #leicagram #leicalook #portraitphotography #artofvisuals #photographyislife #photographydaily
同時也有26部Youtube影片,追蹤數超過54萬的網紅KTheme. com,也在其Youtube影片中提到,- Mua COLBOR PL5: https://www.facebook.com/colborlight - COLBOR Instagram: https://www.instagram.com/colborlight - Nhóm săn hàng rẻ và mã giảm giá t...
「studio light for photography」的推薦目錄:
- 關於studio light for photography 在 Leica Camera Facebook 的精選貼文
- 關於studio light for photography 在 IELTS Fighter - Chiến binh IELTS Facebook 的最讚貼文
- 關於studio light for photography 在 2how Facebook 的最佳解答
- 關於studio light for photography 在 KTheme. com Youtube 的最讚貼文
- 關於studio light for photography 在 Pat Kay Youtube 的最佳貼文
- 關於studio light for photography 在 JJ Lin林俊傑 Youtube 的精選貼文
studio light for photography 在 IELTS Fighter - Chiến binh IELTS Facebook 的最讚貼文
- Luyện đọc đầu ngày: ALEXANDER HENDERSON (1831-1913)
Born in Scotland, Henderson emigrated to Canada in 1855 and became a well-known landscape photographer.
Alexander Henderson was born in Scotland in 1831 and was the son of a successful merchant. His grandfather, also called Alexander, had founded the family business, and later became the first chairman of the National Bank of Scotland. The family had extensive landholdings in Scotland. Besides its residence in Edinburgh, it owned Press Estate, 650 acres of farmland about 35 miles southeast of the city. The family often stayed at Press Castle, the large mansion on the northern edge of the property, and Alexander spent much of his childhood in the area, playing on the beach near Eyemouth or fishing in the streams nearby.
Even after he went to school at Murcheston Academy on the outskirts of Edinburgh, Henderson returned to Press at weekends. In 1849 he began a three-year apprenticeship to become an accountant. Although he never liked the prospect of a business career, he stayed with it to please his family. In October 1855, however, he emigrated to Canada with his wife Agnes Elder Robertson and they settled in Montreal.
Henderson learned photography in Montreal around the year 1857 and quickly took it up as a serious amateur. He became a personal friend and colleague of the Scottish-Canadian photographer William Notman. The two men made a photographic excursion to Niagara Falls in 1860 and they cooperated on experiments with magnesium flares as a source of artificial light in 1865. They belonged to the same societies and were among the founding members of the Art Association of Montreal. Henderson acted as chairman of the association's first meeting, which was held in Notman's studio on 11 January 1860.
In spite of their friendship, their styles of photography were quite different. While Notman's landscapes were noted for their bold realism, Henderson for the first 20 years of his career produced romantic images, showing the strong influence of the British landscape tradition. His artistic and technical progress was rapid and in 1865 he published his first major collection of landscape photographs. The publication had limited circulation (only seven copies have ever been found), and was called Canadian Views and Studies. The contents of each copy vary significantly and have proved a useful source for evaluating Henderson's early work.
In 1866, he gave up his business to open a photographic studio, advertising himself as a portrait and landscape photographer. From about 1870 he dropped portraiture to specialize in landscape photography and other views. His numerous photographs of city life revealed in street scenes, houses, and markets are alive with human activity, and although his favourite subject was landscape he usually composed his scenes around such human pursuits as farming the land, cutting ice on a river, or sailing down a woodland stream. There was sufficient demand for these types of scenes and others he took depicting the lumber trade, steamboats and waterfalls to enable him to make a living. There was little competing hobby or amateur photography before the late 1880s because of the time-consuming techniques involved and the weight of the equipment. People wanted to buy photographs as souvenirs of a trip or as gifts, and catering to this market, Henderson had stock photographs on display at his studio for mounting, framing, or inclusion in albums.
Henderson frequently exhibited his photographs in Montreal and abroad, in London, Edinburgh, Dublin, Paris, New York, and Philadelphia. He met with greater success in 1877 and 1878 in New York when he won first prizes in the exhibition held by E and HT Anthony and Company for landscapes using the Lambertype process. In 1878 his work won second prize at the world exhibition in Paris.
In the 1870s and 1880s Henderson travelled widely throughout Quebec and Ontario, in Canada, documenting the major cities of the two provinces and many of the villages in Quebec. He was especially fond of the wilderness and often travelled by canoe on the Blanche, du Lievre, and other noted eastern rivers. He went on several occasions to the Maritimes and in 1872 he sailed by yacht along the lower north shore of the St Lawrence River. That same year, while in the lower St Lawrence River region, he took some photographs of the construction of the Intercolonial Railway. This undertaking led in 1875 to a commission from the railway to record the principal structures along the almost-completed line connecting Montreal to Halifax. Commissions from other railways followed. In 1876 he photographed bridges on the Quebec, Montreal, Ottawa and Occidental Railway between Montreal and Ottawa. In 1885 he went west along the Canadian Pacific Railway (CPR) as far as Rogers Pass in British Columbia, where he took photographs of the mountains and the progress of construction.
In 1892 Henderson accepted a full-time position with the CPR as manager of a photographic department which he was to set up and administer. His duties included spending four months in the field each year. That summer he made his second trip west, photographing extensively along the railway line as far as Victoria. He continued in this post until 1897, when he retired completely from photography.
When Henderson died in 1913, his huge collection of glass negatives was stored in the basement of his house. Today collections of his work are held at the National Archives of Canada, Ottawa, and the McCord Museum of Canadian History, Montreal.
Extensive (adj): rộng
Outskirts (n): ngoại ô
Apprenticeship (n): thời gian học nghề
Excursion (n): chuyến du ngoạn
Artificial (adj): nhân tạo
Influence (n) /ˈɪnfluəns/ : sự ảnh hưởng
Artistic (adj) /ɑːˈtɪstɪk/ : đẹp
Rapid (adj) /ˈræpɪd/ : nhanh chóng
Significantly (adv) /sɪɡˈnɪfɪkəntli/ : đáng kể
Specialize in (v) /ˈspeʃəlaɪz//ɪn/ : chuyên
Numerous (adj)/ˈnjuːmərəs/ : nhiều
Sufficient (adj) /səˈfɪʃnt/ : đủ
Demand (n)/dɪˈmɑːnd/ : nhu cầu
Exhibition (n) /ˌeksɪˈbɪʃn/: triển lãm
Wilderness (n) /ˈwɪldənəs/ : vùng hoang vu
Commission (n) /kəˈmɪʃn/ : nhiệm vụ
Administer (v) /ədˈmɪnɪstə(r)/: điều hành
Huge (adj) /hjuːdʒ/ : to lớn
Các bạn cùng tham khảo bài đọc này nhé! Trích từ Cambridge IELTS14 - giải chi tiết, có ai chưa có bản này không?
studio light for photography 在 2how Facebook 的最佳解答
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studio light for photography 在 KTheme. com Youtube 的最讚貼文
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Review On-Camera Video Light, MOMAN LUMINO PL5 LED Panel for Smartphone and Camera with 2700K-6500K Bi-Color Dimmable CRI 95+, Metal Plate Built-in Rechargeable for YouTube Video Photography Live Streaming
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studio light for photography 在 Pat Kay Youtube 的最佳貼文
Finally! I'm ready to show you guys my apartment tour! This is a $2500pm creative apartment in Sydney, just outside the city. It's split up into three sections, a bathroom, bedroom (aka gaming den), and creative studio space (aka main work desk and filming desk). Enjoy!
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studio light for photography 在 JJ Lin林俊傑 Youtube 的精選貼文
暫時有多短 永恆有多長
每個永恆的自我 都只是時間暫時的記號
但每個暫時的念頭 卻能牽動永恆的脈動
之於世界,這一生,如此渺小
相互聚集或分離,仰頭大笑或哭泣
這一刻 那一秒 都將翻動永恆的去向
葛大為透過情感面的抉擇取捨,「每個一念之間便是無窮宇宙」,將整個宏偉的宇宙觀放入歌曲裡面,整張專輯從廣大與無限的總結導出。人生之於永恆,不過是短暫的歲月,然而,想成為怎樣的記號,正是JJ想透過這首歌誘發深思的問句。
當每個念想都只是時間流裡短暫的記號,那麼或許也該學著在生命這個開放式系統中懂得放下限制與執著,去接受各種不同的發生。
人的記憶通常停留在一段過程的某一個瞬間,是暫時,也是永恆。
MV 聚焦於歌曲的意境與意義,再度邀請余靜萍擔任導演,余靜萍將角色從平面攝影師到動態影像攝影師,進而延伸至MV導演,透過各種面向與方式參與這張專輯的概念,善於用畫面說故事的她選擇跳脫MV的概念並採用他最擅長的方式,用大量的平面照片說故事。以不同故事線堆疊的片段組合而成,傳達了不同狀態、不同階段的人生,每一刻的情感都是全世界,而這些片段將牽引著最終的去處。而導演安排JJ用同一個身分從倖存者貫穿來到這支MV,將情感與理念繼續延續下去。然而最後這些MV中的角色也都跟JJ站在一起望向同一個地方,故事價值回到每一個人身上,體現了整張專輯的概念。
#林俊傑暫時的記號
#JJ林俊傑倖存者如你
#JJDrifterLikeYouDo
#JJXIV #JJDoubleEP
_
暫時的記號 詞:葛大為 曲:林俊傑
陽光並不普照
什麼都看不到
攤在手中的
反而虛無飄渺
試論誰不孤傲
容不下結局 太跳躍
卻把餘生鋪成 雷同的軌道
每次當我沾染了 黑暗的色調
想像自己 有對照
在此刻 在某處 那個我 他很好
每次當我迷惑在 眼前的美好
提醒自己 更善良
這一生 只是永恆 暫時的記號
人的心很奇妙
越寂寞越喧囂
抉擇 讓你得到 幸福
也帶來煩惱
表象只是通道
喜或悲最終 同樣單調
我們只是旅程 其中的一條
每次當我沾染了 黑暗的色調
想像自己 有對照
在此刻 在某處 那個我 他很好
每次當我迷惑在 眼前那些美好
提醒自己 更善良
這一生 只是永恆 暫時的記號
存在的 逝去的 故事線 都很像
在終點 還會再遇到
各種我 各自在 各宇宙 個別哭或笑
都在這一秒
每次當我沾染了 黑暗的色調
想像自己 有對照
在此刻 在某處 那個我 他很好
每次當我迷惑在 眼前那些美好
提醒自己 更善良
這一生 只是永恆 暫時的記號
身為我 只是時間 暫時的記號
_
創意概念Creative Concept|余靜萍 Jin Pin Yu、林俊傑 JJ LIN
導演Director|余靜萍 Jin Pin Yu
監製Executive Producer|陳寶旭 Rachel Chen
攝影指導Director of Photography|余靜萍 Jin Pin Yu
Cast 主演
男子|夏騰宏
女子|李玲葦
嬰兒|王楀甯
爺爺|張天祥
奶奶|曾彩雯
特別演出
舞者|劉奕伶 I-Ling Liu
演出
人偶男 |王郁仁
爺爺|孫秉森
奶奶|孫敏芳
男孩|潘奕縑
諮商室友人|陳立軒、王榮鑫、張智盛
人群|張瀞蔆、楊鈞訸、莊珮宸、林承勳、李宥慈、李由、杜鑫、林美玲、孫伊璉、陳端慶、陳俊諺、林秋文、汪勇軍、謝肇明、杜興益、黃莉婷、劉維琳、陳宝玉、陳光敬、張智凱
音樂製作 Music Production|JFJ Productions Corp. Ltd.
詞Lyrics|葛大為
曲Composer|林俊傑 JJ LIN
製作人Producer|林俊傑 JJ LIN
配唱製作Vocal Production|馬毓芬
製作協力Production Assistance|黃冠龍 ALEX.D、周信廷 SHiN CHOU、蔡沛蓁
編曲&鍵盤Music Arrangement & Keyboards|吳慶隆
弦樂編寫Strings Arrangement|吳慶隆
第一小提琴First Violin|张浩、张琴、杨爽、张晗、高言、梁怡、杨思雨、倪冰雪
第二小提琴Second Violin|简培、侯宇红、闫红、崔晓蕾、荆磊、崔方晗
中提琴Viola|李季泽、何辉、毕芳、方振华
大提琴Cello|张平、郎莹、王瑶、石云博
法國號 French Horns|Jordan James、Kyra Sims、Judy Lee
吉他Guitar|黃冠龍 ALEX.D
低音吉他Bass Guitar|甯子達 Michael Ning
鼓Drums|Brendan Buckley
和聲編寫Background Vocal Arrangement|馬毓芬、林俊傑 JJ LIN
和聲Background Vocals|林俊傑 JJ LIN、簡朝崙
錄音室Recording Studios|JFJ SANCTUARY (Taipei)、East West Studios & Reflector Music Studio (Los Angeles)、九紫天成录音棚
錄音師Recording Engineers|林俊傑 JJ LIN、周信廷 SHiN CHOU、Wil Anspach、Brendan Buckley、黃冠龍 ALEX.D、李昕达
弦樂錄音助理Assistant Strings Recording Engineer|胡静成
混音室Mixing Studio|mixHaus Studios (Los Angeles)
混音師Mixing Engineer|Richard Furch
混音助理Assistant Mixing Engineer|Domenic Tenaglia
音樂錄影帶製作Music Video Production|逆光電影公司 Touch of Light Films Ltd.
製片Production Manager|童思玫 Gypsy Tung
副導演Assistant Director|郭婉柔 Wan Rou Kuo
執行製片Line Producer|張瀠之 Amo Chang
製片組Production team|汪億展 Martin Wang、周盈秀 Ying Shiow Chou、蔡惠貞 Tricia Tsai
選角指導Casting directer|陳加倚 Lico Chen
選角助理Casting assistant|徐敏 Min Hsu
平面攝影Photographer|蔡秉孝 Bing Xiao Tsai
平面攝影助理Photographer assistant|劉韋伶 Sarah Liu、王映涵 Ying Han Wang
跟焦師Focus Puller|黃得祐 Matt Huang
攝影助理Camera PA|李煜宬 Li,Yu-Cheng、陳彥名 Yan Ming Chen
空拍Aerial Photography|毛庭軍 Ting Chun Mao、蔡隆鑫 HIGHER FPV
燈光師Gaffer|林宏洋 Yang
燈光助理Best Boy|許原毓 Hsu Yuan Y、鄭智遠 Cheng Chih Yuan、林盈宏Ying Home Lin
美術指導Art Director|王筱恬 Xiao Tian Wang
美術執行Set Decorator|王家瑜 Jia Yu Wang
美術場務Art Department|光圈映像有限公司
林俊傑造型Stylist for JJ Lin|韓忠偉 Justin Han
林俊傑造型助理Styling Assistant for JJ Lin|俞舒泰 Tiger Yu
林俊傑化妝Makeup Artist for JJ Lin|高秀雯 Jasmine Kao @prettycool_makeup
林俊傑髮型Hair Stylist for JJ Lin|胡智豪 Peter Wu @peter_wu_coloriste_
劇組化妝髮型Makeup Artist|黃若宜 Ruo Yi Huang
劇組服裝管理Costumer|伍婷婷 Ting Ting Wu
劇照師Still Photographer|李欣哲 Hsin Che Lee
花絮側拍師Behind The Scenes|沐旅影像製作工作室mulustudio(動態)/陳小烈LieChen(平面)
九巴車隊Tranprotation|陳建生大車隊 詹曜營 Yao Ying Zhan、張明雄 Ming Xiong Zhang、翁志鋒 Chi Feng Weng、潘扶邦 Fu Bang Pan
攝影器材Camera Equipment|和寬攝影器材有限公司
燈光器材Lighting Equipment |利達數位影音
場務器材Equipment |永祥影視器材
剪接Editor|謝佩芬 Summer Sha、黑光 black kuang
預告剪接Teaser Editor|黑光 black kuang
特效設計VFX Artist|頂樓創意設計製作有限公司
動畫師Animator|沈富霖 Shen,fu-lin 、呂竑憲 Lu Hung Shien
調光Colorist|謝佩芬 Summer Sha
後期製片Post Producer | 賴俊亘 Jyun Lai
製作協力Production Support |JFJ PRODUCTIONS Corp. Ltd.
藝人經紀Artiste Management|徐佩雲 Yvonne See
執行經紀Artiste Management Executive|韋佩佩 Wee Peipei、孫凡崴 Gaspard Sun、李文元 Yuan Lee、陳明君 Kirsten Chen
藝人助理Artiste Assistant|彭靖深 JS Pang
數位行銷Digital Marketing|游巧媃 CJ Yu、張皓婷 Carol Chang
發行Published by|華納國際音樂股份有限公司 Warner Music Taiwan Ltd.
出品人及監製Publisher & Executive Director|周純如 Ruby Chou
首席內容及創意總監Chief Content Director|梁兆林 Terry Leung
產品企劃專員Product Planning Executive |陳昭岑 Verna Chen
行銷副總監Assistant Director of Marketing Promotion|張雅婷 Georgina Chang
行銷經理Manager of Marketing Promotion|卓郁函 Yuhan Cho
行銷主任Supervisor of Marketing Promotion |劉慧君 Jean Liu
行銷專員Executive of Marketing Promotion |余岱凌 Dolly Yu
社群媒體行銷專員Digital Media Executive |張又琳 Catherine Chang
數位客戶服務經理Account Servicing Manager|曾柏翔 Austin Tseng
Special Thanks 特別感謝
新北市政府
新北市政府文化局
新北市文化基金會
新北市協拍中心
新北市政府交通局
府後立體停車場
惠心婦幼診所
