#就係香港實習同學BackstageStory #Tobie篇
走進店舖,往往如走馬看花,視線輕率滑過四周,步履只作日常所需的短暫停留。但當我認真凝視每個空間角落,便意識到背後歷史的重量。當為土瓜灣的蝦記麵店和永香冰室做資料搜集的時候,我本著好奇心仔細觀察店舖每一細節。一幅畫,一件裝飾品,不只因著美觀原因而懸在牆上,內裡還藏著一個個等待被發掘的故事,它們正是空間裡有形的歷史。
當記憶隨時間變質,實體空間的經歷便是通往過去的最佳門徑。但唯有藉著現場互動,才能將過去記憶活現眼前,這是對著電腦搜尋網上資料無可比擬的連結。透過這張拼貼,我希望能保存在兩間老店經歷轉眼即逝的瞬間,凝住內裡的故事與記憶,並將之展現人前。但願在傢俬與鋪面招牌磨損裡透現出來的一份人情世故,將來亦繼續有人珍惜、關注。
*永香冰室於1959年開業,在永耀街一隅見證了土瓜灣半世紀變遷。經典劇集《大時代》及近年得獎電影《踏血尋梅》等影視作品,曾在此取景。
*蝦記麵廠,另一土瓜灣半百老字號,以新鮮手工製蝦子麵聞名。店舖至今仍保留前鋪後廠的格局。
We often dismiss or glance over interiors of shops and cafes. They become brisk stops where we do our weekly shop and nothing more, but having to inspect and analyse each facet of a space has led me to realise the depth and historical significance these old stores hold. When doing research for Har Kee Noodle and Wing Heung Cafe, I was encouraged to perceive each and every aspect inquisitively. Each photograph on the wall, each piece of decor perhaps wasn’t only there for mere aesthetic intention. Behind each aspect was a story to tell, one which represents a tangible history of the space. With perishable memories and the temporal notion of emotion, I found that connecting with the physical space was the best way to engage with the past. Researching online was one thing, but having this information set against the backdrop of where it all happened brought these memories to life. And by creating a collage, I wanted to highlight the preservation of a fleeting moment, memory encased and stories retold in these physical spaces. The wear and tear of furniture and iconic shopfront signs held a sense of sentimentality which I hope others will be more wary of in the future.
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Tobie,21歲,心理學畢業生,兼職插畫家。
*書中刊登為中文版本,由實習生Marcus及Tobie採訪,Jess翻譯成中文。
#就係香港2020秋季號#Remap土瓜灣生存手冊#老店 #本地創作
同時也有1部Youtube影片,追蹤數超過9萬的網紅The Regina.,也在其Youtube影片中提到,#如果喜歡記得訂閱🙏 點這邊訂閱我的頻道吧👏🏻 https://goo.gl/P94QPa Click For More info.|點這邊看更多👇 🔎Social Media|來社群網站找我 🔍 Instagram https://instagram.com/thereginatw Facebo...
wanted wear中文 在 小丑不流淚 姚尚德 Facebook 的精選貼文
{小丑不流淚}書裏提到Frost的詩,覃外甥幫你們找出出處及完整詩作。
【讀後,致徬徨的人兒】
從《小丑不流淚》發掘文學裡的生命經驗:佛洛斯特〈未走之徑〉
The Road Not Taken
Robert Frost (1874–1963). Mountain Interval. 1920.
Two roads diverged in a yellow wood
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
黃葉林中,岔出兩條小路,
遺憾的是,我無法同時涉足
身為旅者的我,久久停佇
盡己所能,翹首極目,
直見它隱沒叢林深處。
我望向另一條路,
綠草如茵,人跡杳無,
似是一段更值得的旅途。
縱使,在我行經後回顧,
它也難免磨損、足跡遍布。
那天清晨,
兩路皆被落葉覆蓋,不見前人腳步,
啊,將原來那條路留待他日再赴!
但我深知一條路接著另一條路,
一旦踏上,就難以回到最初。
多年以後,在某處,
我會輕喟,幽幽訴述:
林中有兩條岔路,而我─
選了一條人跡罕至的路,
從此決定我人生的迥殊。
(中文翻譯、圖片引自 http://goo.gl/NgX7oV)
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♪ LiQWYD - Flow.
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wanted wear中文 在 未選擇的路, The Road Not Taken, 中英双语,朗誦品讀, 美國詩人 ... 的推薦與評價
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