📜 [專欄新文章] Uniswap v3 Features Explained in Depth
✍️ 田少谷 Shao
📥 歡迎投稿: https://medium.com/taipei-ethereum-meetup #徵技術分享文 #使用心得 #教學文 #medium
Once again the game-changing DEX 🦄 👑
Image source: https://uniswap.org/blog/uniswap-v3/
Outline
0. Intro1. Uniswap & AMM recap2. Ticks 3. Concentrated liquidity4. Range orders: reversible limit orders5. Impacts of v36. Conclusion
0. Intro
The announcement of Uniswap v3 is no doubt one of the most exciting news in the DeFi place recently 🔥🔥🔥
While most have talked about the impact v3 can potentially bring on the market, seldom explain the delicate implementation techniques to realize all those amazing features, such as concentrated liquidity, limit-order-like range orders, etc.
Since I’ve covered Uniswap v1 & v2 (if you happen to know Mandarin, here are v1 & v2), there’s no reason for me to not cover v3 as well ✅
Thus, this article aims to guide readers through Uniswap v3, based on their official whitepaper and examples made on the announcement page. However, one needs not to be an engineer, as not many codes are involved, nor a math major, as the math involved is definitely taught in your high school, to fully understand the following content 😊😊😊
If you really make it through but still don’t get shxt, feedbacks are welcomed! 🙏
There should be another article focusing on the codebase, so stay tuned and let’s get started with some background noise!
1. Uniswap & AMM recap
Before diving in, we have to first recap the uniqueness of Uniswap and compare it to traditional order book exchanges.
Uniswap v1 & v2 are a kind of AMMs (automated market marker) that follow the constant product equation x * y = k, with x & y stand for the amount of two tokens X and Y in a pool and k as a constant.
Comparing to order book exchanges, AMMs, such as the previous versions of Uniswap, offer quite a distinct user experience:
AMMs have pricing functions that offer the price for the two tokens, which make their users always price takers, while users of order book exchanges can be both makers or takers.
Uniswap as well as most AMMs have infinite liquidity¹, while order book exchanges don’t. The liquidity of Uniswap v1 & v2 is provided throughout the price range [0,∞]².
Uniswap as well as most AMMs have price slippage³ and it’s due to the pricing function, while there isn’t always price slippage on order book exchanges as long as an order is fulfilled within one tick.
In an order book, each price (whether in green or red) is a tick. Image source: https://ftx.com/trade/BTC-PERP
¹ though the price gets worse over time; AMM of constant sum such as mStable does not have infinite liquidity
² the range is in fact [-∞,∞], while a price in most cases won’t be negative
³ AMM of constant sum does not have price slippage
2. Tick
The whole innovation of Uniswap v3 starts from ticks.
For those unfamiliar with what is a tick:
Source: https://www.investopedia.com/terms/t/tick.asp
By slicing the price range [0,∞] into numerous granular ticks, trading on v3 is highly similar to trading on order book exchanges, with only three differences:
The price range of each tick is predefined by the system instead of being proposed by users.
Trades that happen within a tick still follows the pricing function of the AMM, while the equation has to be updated once the price crosses the tick.
Orders can be executed with any price within the price range, instead of being fulfilled at the same one price on order book exchanges.
With the tick design, Uniswap v3 possesses most of the merits of both AMM and an order book exchange! 💯💯💯
So, how is the price range of a tick decided?
This question is actually somewhat related to the tick explanation above: the minimum tick size for stocks trading above 1$ is one cent.
The underlying meaning of a tick size traditionally being one cent is that one cent (1% of 1$) is the basis point of price changes between ticks, ex: 1.02 — 1.01 = 0.1.
Uniswap v3 employs a similar idea: compared to the previous/next price, the price change should always be 0.01% = 1 basis point.
However, notice the difference is that in the traditional basis point, the price change is defined with subtraction, while here in Uniswap it’s division.
This is how price ranges of ticks are decided⁴:
Image source: https://uniswap.org/whitepaper-v3.pdf
With the above equation, the tick/price range can be recorded in the index form [i, i+1], instead of some crazy numbers such as 1.0001¹⁰⁰ = 1.0100496621.
As each price is the multiplication of 1.0001 of the previous price, the price change is always 1.0001 — 1 = 0.0001 = 0.01%.
For example, when i=1, p(1) = 1.0001; when i=2, p(2) = 1.00020001.
p(2) / p(1) = 1.00020001 / 1.0001 = 1.0001
See the connection between the traditional basis point 1 cent (=1% of 1$) and Uniswap v3’s basis point 0.01%?
Image source: https://tenor.com/view/coin-master-cool-gif-19748052
But sir, are prices really granular enough? There are many shitcoins with prices less than 0.000001$. Will such prices be covered as well?
Price range: max & min
To know if an extremely small price is covered or not, we have to figure out the max & min price range of v3 by looking into the spec: there is a int24 tick state variable in UniswapV3Pool.sol.
Image source: https://uniswap.org/whitepaper-v3.pdf
The reason for a signed integer int instead of an uint is that negative power represents prices less than 1 but greater than 0.
24 bits can cover the range between 1.0001 ^ (2²³ — 1) and 1.0001 ^ -(2)²³. Even Google cannot calculate such numbers, so allow me to offer smaller values to have a rough idea of the whole price range:
1.0001 ^ (2¹⁸) = 242,214,459,604.341
1.0001 ^ -(2¹⁷) = 0.000002031888943
I think it’s safe to say that with a int24 the range can cover > 99.99% of the prices of all assets in the universe 👌
⁴ For implementation concern, however, a square root is added to both sides of the equation.
How about finding out which tick does a price belong to?
Tick index from price
The answer to this question is rather easy, as we know that p(i) = 1.0001^i, simply takes a log with base 1.0001 on both sides of the equation⁴:
Image source: https://www.codecogs.com/latex/eqneditor.php
Let’s try this out, say we wanna find out the tick index of 1000000.
Image source: https://ncalculators.com/number-conversion/log-logarithm-calculator.htm
Now, 1.0001¹³⁸¹⁶² = 999,998.678087146. Voila!
⁵ This formula is also slightly modified to fit the real implementation usage.
3. Concentrated liquidity
Now that we know how ticks and price ranges are decided, let’s talk about how orders are executed in a tick, what is concentrated liquidity and how it enables v3 to compete with stablecoin-specialized DEXs (decentralized exchange), such as Curve, by improving the capital efficiency.
Concentrated liquidity means LPs (liquidity providers) can provide liquidity to any price range/tick at their wish, which causes the liquidity to be imbalanced in ticks.
As each tick has a different liquidity depth, the corresponding pricing function x * y = k also won’t be the same!
Each tick has its own liquidity depth. Image source: https://uniswap.org/blog/uniswap-v3/
Mmm… examples are always helpful for abstract descriptions 😂
Say the original pricing function is 100(x) * 1000(y) = 100000(k), with the price of X token 1000 / 100 = 10 and we’re now in the price range [9.08, 11.08].
If the liquidity of the price range [11.08, 13.08] is the same as [9.08, 11.08], we don’t have to modify the pricing function if the price goes from 10 to 11.08, which is the boundary between two ticks.
The price of X is 1052.63 / 95 = 11.08 when the equation is 1052.63 * 95 = 100000.
However, if the liquidity of the price range [11.08, 13.08] is two times that of the current range [9.08, 11.08], balances of x and y should be doubled, which makes the equation become 2105.26 * 220 = 400000, which is (1052.63 * 2) * (110 * 2) = (100000 * 2 * 2).
We can observe the following two points from the above example:
Trades always follow the pricing function x * y = k, while once the price crosses the current price range/tick, the liquidity/equation has to be updated.
√(x * y) = √k = L is how we represent the liquidity, as I say the liquidity of x * y = 400000 is two times the liquidity of x * y = 100000, as √(400000 / 100000) = 2.
What’s more, compared to liquidity on v1 & v2 is always spread across [0,∞], liquidity on v3 can be concentrated within certain price ranges and thus results in higher capital efficiency from traders’ swapping fees!
Let’s say if I provide liquidity in the range [1200, 2800], the capital efficiency will then be 4.24x higher than v2 with the range [0,∞] 😮😮😮 There’s a capital efficiency comparison calculator, make sure to try it out!
Image source: https://uniswap.org/blog/uniswap-v3/
It’s worth noticing that the concept of concentrated liquidity was proposed and already implemented by Kyper, prior to Uniswap, which is called Automated Price Reserve in their case.⁵
⁶ Thanks to Yenwen Feng for the information.
4. Range orders: reversible limit orders
As explained in the above section, LPs of v3 can provide liquidity to any price range/tick at their wish. Depending on the current price and the targeted price range, there are three scenarios:
current price < the targeted price range
current price > the targeted price range
current price belongs to the targeted price range
The first two scenarios are called range orders. They have unique characteristics and are essentially fee-earning reversible limit orders, which will be explained later.
The last case is the exact same liquidity providing mechanism as the previous versions: LPs provide liquidity in both tokens of the same value (= amount * price).
There’s also an identical product to the case: grid trading, a very powerful investment tool for a time of consolidation. Dunno what’s grid trading? Check out Binance’s explanation on this, as this topic won’t be covered!
In fact, LPs of Uniswap v1 & v2 are grid trading with a range of [0,∞] and the entry price as the baseline.
Range orders
To understand range orders, we’d have to first revisit how price is discovered on Uniswap with the equation x * y = k, for x & y stand for the amount of two tokens X and Y and k as a constant.
The price of X compared to Y is y / x, which means how many Y one can get for 1 unit of X, and vice versa the price of Y compared to X is x / y.
For the price of X to go up, y has to increase and x decrease.
With this pricing mechanism in mind, it’s example time!
Say an LP plans to place liquidity in the price range [15.625, 17.313], higher than the current price of X 10, when 100(x) * 1000(y) = 100000(k).
The price of X is 1250 / 80 = 15.625 when the equation is 80 * 1250 = 100000.
The price of X is 1315.789 / 76 = 17.313 when the equation is 76 * 1315.789 = 100000.
If now the price of X reaches 15.625, the only way for the price of X to go even higher is to further increase y and decrease x, which means exchanging a certain amount of X for Y.
Thus, to provide liquidity in the range [15.625, 17.313], an LP needs only to prepare 80 — 76 = 4 of X. If the price exceeds 17.313, all 4 X of the LP is swapped into 1315.789 — 1250 = 65.798 Y, and then the LP has nothing more to do with the pool, as his/her liquidity is drained.
What if the price stays in the range? It’s exactly what LPs would love to see, as they can earn swapping fees for all transactions in the range! Also, the balance of X will swing between [76, 80] and the balance of Y between [1250, 1315.789].
This might not be obvious, but the example above shows an interesting insight: if the liquidity of one token is provided, only when the token becomes more valuable will it be exchanged for the less valuable one.
…wut? 🤔
Remember that if 4 X is provided within [15.625, 17.313], only when the price of X goes up from 15.625 to 17.313 is 4 X gradually swapped into Y, the less valuable one!
What if the price of X drops back immediately after reaching 17.313? As X becomes less valuable, others are going to exchange Y for X.
The below image illustrates the scenario of DAI/USDC pair with a price range of [1.001, 1.002] well: the pool is always composed entirely of one token on both sides of the tick, while in the middle 1.001499⁶ is of both tokens.
Image source: https://uniswap.org/blog/uniswap-v3/
Similarly, to provide liquidity in a price range < current price, an LP has to prepare a certain amount of Y for others to exchange Y for X within the range.
To wrap up such an interesting feature, we know that:
Only one token is required for range orders.
Only when the current price is within the range of the range order can LP earn trading fees. This is the main reason why most people believe LPs of v3 have to monitor the price more actively to maximize their income, which also means that LPs of v3 have become arbitrageurs 🤯
I will be discussing more the impacts of v3 in 5. Impacts of v3.
⁷ 1.001499988 = √(1.0001 * 1.0002) is the geometric mean of 1.0001 and 1.0002. The implication is that the geometric mean of two prices is the average execution price within the range of the two prices.
Reversible limit orders
As the example in the last section demonstrates, if there is 4 X in range [15.625, 17.313], the 4 X will be completely converted into 65.798 Y when the price goes over 17.313.
We all know that a price can stay in a wide range such as [10, 11] for quite some time, while it’s unlikely so in a narrow range such as [15.625, 15.626].
Thus, if an LP provides liquidity in [15.625, 15.626], we can expect that once the price of X goes over 15.625 and immediately also 15.626, and does not drop back, all X are then forever converted into Y.
The concept of having a targeted price and the order will be executed after the price is crossed is exactly the concept of limit orders! The only difference is that if the range of a range order is not narrow enough, it’s highly possible that the conversion of tokens will be reverted once the price falls back to the range.
As price ranges follow the equation p(i) = 1.0001 ^ i, the range can be quite narrow and a range order can thus effectively serve as a limit order:
When i = 27490, 1.0001²⁷⁴⁹⁰ = 15.6248.⁸
When i = 27491, 1.0001²⁷⁴⁹¹ = 15.6264.⁸
A range of 0.0016 is not THAT narrow but can certainly satisfy most limit order use cases!
⁸ As mentioned previously in note #4, there is a square root in the equation of the price and index, thus the numbers here are for explantion only.
5. Impacts of v3
Higher capital efficiency, LPs become arbitrageurs… as v3 has made tons of radical changes, I’d like to summarize my personal takes of the impacts of v3:
Higher capital efficiency makes one of the most frequently considered indices in DeFi: TVL, total value locked, becomes less meaningful, as 1$ on Uniswap v3 might have the same effect as 100$ or even 2000$ on v2.
The ease of spot exchanging between spot exchanges used to be a huge advantage of spot markets over derivative markets. As LPs will take up the role of arbitrageurs and arbitraging is more likely to happen on v3 itself other than between DEXs, this gap is narrowed … to what extent? No idea though.
LP strategies and the aggregation of NFT of Uniswap v3 liquidity token are becoming the blue ocean for new DeFi startups: see Visor and Lixir. In fact, this might be the turning point for both DeFi and NFT: the two main reasons of blockchain going mainstream now come to the alignment of interest: solving the $$ problem 😏😏😏
In the right venue, which means a place where transaction fees are low enough, such as Optimism, we might see Algo trading firms coming in to share the market of designing LP strategies on Uniswap v3, as I believe Algo trading is way stronger than on-chain strategies or DAO voting to add liquidity that sort of thing.
After reading this article by Parsec.finance: The Dex to Rule Them All, I cannot help but wonder: maybe there is going to be centralized crypto exchanges adopting v3’s approach. The reason is that since orders of LPs in the same tick are executed pro-rata, the endless front-running speeding-competition issue in the Algo trading world, to some degree, is… solved? 🤔
Anyway, personal opinions can be biased and seriously wrong 🙈 I’m merely throwing out a sprat to catch a whale. Having a different voice? Leave your comment down below!
6. Conclusion
That was kinda tough, isn’t it? Glad you make it through here 🥂🥂🥂
There are actually many more details and also a huge section of Oracle yet to be covered. However, since this article is more about features and targeting normal DeFi users, I’ll leave those to the next one; hope there is one 😅
If you have any doubt or find any mistake, please feel free to reach out to me and I’d try to reply AFAP!
Stay tuned and in the meantime let’s wait and see how Uniswap v3 is again pioneering the innovation of DeFi 🌟
Uniswap v3 Features Explained in Depth was originally published in Taipei Ethereum Meetup on Medium, where people are continuing the conversation by highlighting and responding to this story.
👏 歡迎轉載分享鼓掌
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way back into love心得 在 茱力&Black Music Lovers Facebook 的最佳貼文
J.Sheon《#巷子內 The Alley》:#靈魂拾尋的生存遊戲
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All Credits belong to the artists and their corporations. 專輯全面上線
https://jsheon.lnk.to/TheAlley
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全文好讀網誌版:https://julie48tw.pixnet.net/blog/post/47187176
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「人類創造的故事,人類夢想中的一切將搭乘光的帆船,擴及銀河。」─日本科幻巨擘 山本弘《#艾比斯之夢》
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R&B的intro幾乎都是作品最核心的價值,在〈巷子內intro〉中,我們聽到一個半人半機的口白,機器人Carmot擋住我們去路。它警告我們後退、收割人類的魂魄,身心不適的我們明白此物「非我族類」,才想抵抗之際,J.Sheon令人安心的聲音已浮現在肩側。
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「你可以先退回巷子,這巷子不是實體的巷子而是虛擬的空間。Now go find yourself.」機器人這樣說,J.Sheon老神在在,只用歌聲嗆了一句:「街頭兄弟不只很餓還很浪漫!」帥氣俐落的千禧年beats帶著舒服的速度感,腳踏實地道出人性陷落於物欲陷阱中的脆弱。〈#他嗑了什麼都給我來一點 /Feeling Good〉和BCW陽剛的rap很搭:「Birds in the TRAP,SING LIKE McKinght,到底是獵人,還是被獵?」
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〈#剃刀/ Razor〉危險冷豔的節拍,暗示著援軍的到來,像電玩中的NPC補給裝備般,聽眾手中獲得一張闇影王牌,這名字不陌生,just call him RAZOR.
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不喝酒不抽菸、異常自律的闇影王牌RAZOR,make it rain讓錢像下雨般恩澤大地。J.Sheon表白他只是想替剃刀做一首台灣Hip Hop場景裡的歷史小品,這樣的英姿來得像一場及時雨。
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(我很喜歡Julia Wu《1:28》裡的神隱剃刀,但這次得到一個完整的敘事體驗,也讓人振奮。)
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開頭的幾首歌都以一種「聽覺式電影規格特效」的方式在推劇情,和弦與各種樂器的增疊,真的有做出浩瀚星海與人類的渺茫感。在失去「愛」這股萬有引力的狀態下,我們乍看是自由,卻也斷了線,只能頭重腳輕地漂浮。
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上張專輯的核心flow tag為「Deep into your soul」、這次則是「#街頭兄弟不但很餓還很浪漫」,這股餓,說穿了就是一股炙熱的野心。
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天才們的大腦遊戲,總讓粉絲們恨不得一口氣解謎到底,但 剃刀蔣 不是心狠之輩,仍在粉專給出更多線索,J.Sheon的官方文案更是慷慨到都快劇透了。
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〈#比較浪漫 /Charm〉是首有濃濃剃刀攻擊氣息的歌曲,「浪漫到不要臉」是R&B信徒的原罪,大膽示愛的public display of affection在拘束低調的東亞R&B圈,仍容易被冠上「玩咖」的標籤。
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J.Sheon:「別毀謗我亂亂亂,只是比較浪漫,單純合作夥伴。」、「我的天,這不是共通點,浪漫的導火線~」除了營造出「英雄惜英雄」的小眾舞台,本曲可能只是對反派的一種基礎抵抗,等級堪比世界大戰的心戰歌曲。
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還好,創作者與樂迷的臉皮與默契都已經練得夠厚,狗仔隊的吠叫,對我們來說只是雜訊罷了。
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聽到這裡,許多創作者與粉絲可能開始起了疑竇。如何在普羅大眾對「R&B經典專輯」所知不多的狀況下,讓他們認識到你自己本身的作品就是經典?
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答案是,讓人們對你有「好奇心」。
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真理或邪教?只能朝他們靈魂深處寄出一封真摯的邀請,提升作品的紮實厚度,使用很多音效堆疊出大大小小敘事的科幻要寨。
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為了避免樂迷們在J.Sheon的嗓音裡嗜糖成癮,需要更多殺氣騰騰的BEATS,斷開上癮的連結。拉開幾道銀河與光年距離後,或許這張專輯會讓人愛得更恆久更深入?
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《巷子內 / THE ALLEY》即便都在談愛,卻也在談距離、談自由。
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〈#輸情歌 /Ballad〉有種淡淡的自嘲,在離開RnB與嘻哈的「同溫層」後,你我或許都曾直接感受到不同樂風有意無意傳來的幾分寒意與漠然。這時,但願我們都有雅量自嘲一下,怪自己不是周興哲,但也慶幸自己仍有J.Sheon能珍惜。
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(很喜歡這首MV裡面有自然露臉的MCKY、剃刀鏡頭,請大家認清這才是浪漫軍火商,know your kings, my lovely people.)
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看似寫意閒聊的〈#慢走不送 /Off You Go〉,以R&B特有的聊天室唱腔,談了很多讓人嚇得心裡發毛的恐怖情人鬼故事,佩服Morrison和艾怡良能用美嗓把諸多drama唱得這麼幽怨又不失美感。外表再優質的情人,都要花段時間切身相處,才知道該收還是該放。Morrison蒼涼冷靜的嗓音和J.Sheon與烈火深情的艾怡良都非常搭,有種老生常談,陪年輕群眾「話鬼談怪」的歷練,也體現了情感教育的重要,本曲堪稱負面教材鬼話集。
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主打歌〈#囚 /Soul Away〉和賴暐哲共譜曲,著實激起觀眾的母愛與好奇心,人人都想拯救那個在MV中被炸飛的J.Sheon。
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滿滿「失重感」(Emotion Loss)的編曲要能做到耐聽與魄力,進階功力太到位。
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沒有了伙房兵,飢渴的靈魂只能活活餓死了嗎?
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〈#看起來不錯其實也還好 / Ain't What It Seems〉在曲順編排上意圖以「普通過客」襯托出最愛的「主角」,鋼琴為主調的旋律耐聽動人,但J.Sheon唱得收斂,室溫驟降。有時不用太羨慕同床異夢的怨偶,能用靈魂對話的我們,也沒過得比她們差啊。
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〈#畫面太美我不敢直視 / Love Her Like That〉是我個人一直在等待的J.Sheon,平常壓抑的他終於變回Tristan了!(那個和哥兒們在一起會白目大叫「天啊你的臉是發生什麼事!@口@!」、幾乎不能讓他開車的浮誇吵鬧的Tristan)──我們欣賞各式各樣的他,喜怒形於色的真性情,he’s the real deal。MCKY的編曲這回也正常發揮,日系、繽紛、細緻,夢幻到有種耀眼的玫瑰金,參與共同創作的宋秉勤其實也有首不錯聽的單曲〈I could〉,本曲集這麼多才子的恩寵於一身,但願眾星不要只拱月,讓整道銀河都有各自的明暗、光影與色調也很好。
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本曲排第9,「9」在塔羅牌中象徵著「隱士」,或許冥冥中也暗示著J.Sheon崇拜的這位女神平日「大隱隱於市」,是個很神秘的人。
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又或許,真的有這樣一個人嗎?她只是天王眼中一個崇高而靈性的存在吧?
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無論如何,也許數億萬年後,人們會驚嘆那個時期的某個星系,為何能有如此的質變。
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J.Sheon會告訴他們答案:「是她讓我突破限制去寫詞」、「以她命名一個星座,當作寄託。」
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歌詞:「What just happened in my world? Must be the girl.」 偷偷問了其他粉絲,明明同句歌詞,居然也有人聽成「We'll just have FUN in my world, my sweetest girl.」
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難道J.Sheon已經能自行無性生殖,一句詞可以變成「平行宇宙」,冒出這麼多解讀?
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可見大家都對J.Sheon懷著著不同的投射,而這些投射也都照耀著自己的靈魂深處,把烏雲都驅散。這很讓人意外嗎?穿越大氣層之外,是不可能見到雲的。
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承接著上張專輯同時獻給貓咪與女人的〈呼吸〉,〈#欠處理〉有很舒服又四平八穩的八零年代80’s grooving vibes與合成器音色,跟J.Sheon同個年代的粉絲一開頭就很容易受這股復古鄉愁吸引,或許到了一定年齡後,人們更容易被那些懂「我們共同經歷過什麼的」平輩所吸引吧?好比〈魔鬼終結者〉、〈七龍珠〉啊,這些不會被取代的經典。
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根據科學研究,人類到了32歲後就很難接受新歌,願我們能用新的刺激與靈感,攜手打翻這個偏見。
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J.Sheon:「請原諒我的無禮,Oh please,
妳根本就欠處理,欠處理!
You're such a rare find beauty。」
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這裡有個讓閱聽眾都夢寐以求的故事元素──「驚喜」與「反差」。風度翩翩的王子也是有獸性的(聽聽他和孫盛希合作的〈闖空門IN &OUT〉),他也會為情咆哮,為了弱勢牽腸掛肚,想收編路過的貓貓。「吸了口體香」、「虎斑刺青」,都是貓奴才懂的密碼,願意關心毛小孩的男人,是本世代的必備款暖男。
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Wow, 「對你上下其手的慾望?」
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J, what kind of trouble have you gotten us into?
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然而,誰能怪我們呢?R&B從不是理性的樂風,我們也不用是如此。要不是有大家的浪漫、堅持甚至任性,這個圈子還會在嗎?
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溫和陰柔的J.Sheon還是有這種肉食動物的狼性,而狼大多是社會性動物,階級與地位是牠們願意犧牲自身尊嚴去鞏固,或不顧一切去追求?要背叛首領與戀人遠走高飛,還是要留下來擴大狩獵範圍?
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這裡就不洩密了,專心聽歌到最後、守口如瓶,是粉絲美德。忠實的粉絲才能養出優質的天王天后。
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在〈欠處理 /You Asking 4 it 〉中,這位Urban R&B王子殿下在彬彬有禮裡藏著慾望,字裡行間不斷在試探底線,「Let's go somewhere IF you want」這詞放得恰到好處。
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「If」,他即使在面對自己的貪婪之際,還是尊重著對方的自由意志。
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In the end of the day,就是這種出自性別平權意識的小細節,才能讓街頭王者遠離不必要的風暴。
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然後壓軸曲〈ALL ABOUT YOU〉的口白歌詞沒有翻,是什麼英聽練習嗎?
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那就容我幫J.Sheon翻譯吧,「YOU are the REASON why I’m staying here. Been through a lot of things, I know you’ve been BACKing me UP since DAY1. This song is for all my people out there. It’s all about YOU. 」
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「你們就是我留在這裡的理由,我知道你們從第一天起就在這裡挺我,本曲獻給從第一天起就支持我的『你與你們』。」
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官方文案還提醒YOU是「複數」,(J的粉絲沒這麼容易為愛反目),曲目秒數3:10,用塔羅數字來算出總和是「4」。務實穩定的「4」,這款美麗如星座的四邊形,很適合開創星座的魔羯座J.Sheon。接下來木星將進入他的星座,穩紮穩打就是他的強項。
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「謝乾乾剃刀,幫我拉起警報」諧音:「把我拉起緊抱~」
MCKY、精密編排,全被擊倒。」諧音:「全被激到~」
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「所有風暴因為你而顯得渺小,」如J.Sheon的嗓音:「你幫我征服每一戰,你陪我熬過每一晚。」街頭兄弟不但浪漫也很勵志、很和平,不忘SHOUTOUT給密友愛人──可以,這很R&B,也很HIP HOP。
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Rhythm and blues,這被流傳已久又推陳出新的風格是我們寵愛自己、並與世界對抗的方式。謝謝你們耗費歲月寫下這些定義,what’s out there is already out there,讓後人都記住你們的豐功偉業吧!
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J.Sheon:「R&B 它自帶感染,轉音都狂轉,不斷襲來──害人生『病變』超慌亂,邊說太毒了,邊模仿這獨特。會不會這段唱完,又變成誰的副歌?」
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可能是在回應著先前被抖音節錄的風波,J.Sheon大器豁達,但也沒忘記要留點尊嚴給自己。
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看到好東西就想佔為己有,是人性。
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若是壞東西,誰要偷呢?
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R&B / 節奏藍調是很需要時間來沉澱閱歷、實力與精神的樂風,看似自由自在、但很難維持高度純粹的原創,J.Sheon從網路創作起家,見識過百家爭鳴的他,並不畏懼做出自己的特色,閒晃的孤狼不是離群索居,甚至遠赴美加各城市,用他擅長的英文去討救兵了。
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在《巷子內 / The Alley》,樂迷與藝術家都將很難找到其他優秀華人前輩的影子,所有該消化的,街巷和他的團隊都已經練等完畢在恭候了。Alley與ALLY(同盟)僅有一字之差,在我的主觀解讀中,J.Sheon與Team J都是在尋找同盟,恭候友軍。
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是的,要讓茱力用到「恭候」兩詞,各位觀看到這裡的鐵粉,就是這麼值得信賴。
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官方文案:「歌名中的「YOU」是個複數名詞,這歌就是給你們這些戰友們的信物。」
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街巷用的「BACK ME UP」除了挺我之外,也有「備份」的意思。是的,在高科技的年代,備份就是另一張保命牌,不管你手上的是剃刀這張闇影王牌,還是天使的聖物,你我都在用音樂與心得文在進行最有「遠見」的守護──備份。
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街頭兄弟不但很餓還很浪漫,最浪漫的是,他從還是個街頭少年時就為你預備好這些歷練了,整個華語R&B的粉絲群眾,無論你目前和我們分居還是群聚,都值得這位備位已久的帝君。
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然而,街頭兄弟不但得夠餓,還得夠有「義氣」,在ALL THE WAY UP之前,這場「生存遊戲」的必勝核心是「信任」(Trust)與「羈絆」(Bonding)。
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如同史書裡的偉大革命一樣,培養革命情感的過程中,我們必須歷經割捨、收屍、清創、出走、哀慟、祈禱、節慾、獨處、共食、猜忌、鬥爭、責怪、諒解、暗號、交換信物、治癒、竣工、感動、歡笑、慶祝與整合,才能走到這裡。在曲風分眾的年代,聽眾已無太多的耐心尋回深度,《巷子內》也將是一張跨時代的華語R&B專輯,定義著FUTURE R&B的話語權。
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未來,很遠嗎?它已經在發生了。
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不到五十年內,AI將大幅牟取人類的位置與利益。根據富比士雜誌的報導,目前有47%以上的人類工作將被AI取代。你會是下一個犧牲者嗎?
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或許肉體會逐漸老去,但半世紀後,願擁有人性、同理心與藝術細胞與專業技術的我們,仍能穩穩站在雲端。
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ALLOW US. Let’s take you ALL the way to the TOP.
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〈ALL ABOUT YOU〉的深情告白與壯闊編曲,讓即使不是從DAY1就愛J.Sheon的粉絲都鬆動心防,即使是剛接觸節奏藍調的新粉絲,或許都會因他這番話而對號入座,而從頭開始聽R&B吧?
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That’s your charisma, J.
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To be or not to be, that’s the question. 這場被R&B滋養也掠奪的挑戰,或許仍沒有結束。
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尾聲,AI無情又扭曲的聲音預告了戰鬥不會停止,奪取靈魂的反派,即將再度回來。
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屆時,我們也會全力嘗試不同的出路,有時進攻、有時撤退,但我們會一直在。倘若螢幕與耳機前的你也有同感,「恭喜你通過這場生存測試!」你是真心鐵粉,一起為愛留下吧!
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華語Hip Hop與R&B的推廣與流傳是國際級的戰役,整個產業鍊從源頭的創意產製、到末端的解讀推廣都很重要,若有幸得到你和妳的傾情相挺,我們的勝算會更大。
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本張專輯使用「讓英語使用者也能感到親切」的設計,也很適合推廣給外國朋友,讓他們知道我們出了這麼一位能享譽國際又仁心仁術的Future R&B王者。
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社群媒體上的你與妳,請用分享、轉貼、傳誦讓J.Sheon體會到「就算他變老,我們依舊會為他傾倒。」就像敦克爾克大作戰,好的後援溝通系統,才能讓第一線的文化軟實力創造者心無罣礙。
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Get up and fight for love, my people. 若現在放棄,比賽就結束。
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至於終曲的〈CARMOT〉是什麼意思呢?
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官方文案: 「Carmot是神話中構成「賢者之石」的物質,它能被提煉為黃金,或者醫治百病;Carmot同時也是「Karma」諧音,意思為因果業報——「過去」形塑了「現在」、甚至「未來」。在城市中堵堵水泥牆中,我們容易遺落根本,而Carmot的獻聲是來自未來的能量呼喚,讓我們停下腳步,入巷重新探索靈魂的所在!」
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而本專輯的封面與曲目數字有何意涵?答案就留在心底就好。請收藏設計精美的實體專輯與翻閱歌詞卡吧,裡頭有很多只能意會的秘密。
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在這個充滿過多機器與控制的時代,我們終究知道沒有靈魂的內容「非我同類」,努力的求生尋找歸屬、認同、知己與共鳴,從遠古紀元的薪火故事,到未來的星系傳聲,故事的真理都亙古不變。
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Now, let’s talk about YOUR future with R&B.
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請讓R&B在你的未來佔有一席之地。
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專輯全面上線
https://jsheon.lnk.to/TheAlley
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way back into love心得 在 茱力&Black Music Lovers Facebook 的最讚貼文
J.Sheon《#巷子內 The Alley》:#靈魂拾尋的生存遊戲
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All Credits belong to the artists and their corporations. 專輯全面上線
https://jsheon.lnk.to/TheAlley
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全文好讀網誌版:https://julie48tw.pixnet.net/blog/post/47187176
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「人類創造的故事,人類夢想中的一切將搭乘光的帆船,擴及銀河。」─日本科幻巨擘 山本弘《#艾比斯之夢》
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R&B的intro幾乎都是作品最核心的價值,在〈巷子內intro〉中,我們聽到一個半人半機的口白,機器人Carmot擋住我們去路。它警告我們後退、收割人類的魂魄,身心不適的我們明白此物「非我族類」,才想抵抗之際,J.Sheon令人安心的聲音已浮現在肩側。
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「你可以先退回巷子,這巷子不是實體的巷子而是虛擬的空間。Now go find yourself.」機器人這樣說,J.Sheon老神在在,只用歌聲嗆了一句:「街頭兄弟不只很餓還很浪漫!」帥氣俐落的千禧年beats帶著舒服的速度感,腳踏實地道出人性陷落於物欲陷阱中的脆弱。〈#他嗑了什麼都給我來一點 /Feeling Good〉和BCW陽剛的rap很搭:「Birds in the TRAP,SING LIKE McKinght,到底是獵人,還是被獵?」
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〈#剃刀/ Razor〉危險冷豔的節拍,暗示著援軍的到來,像電玩中的NPC補給裝備般,聽眾手中獲得一張闇影王牌,這名字不陌生,just call him RAZOR.
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不喝酒不抽菸、異常自律的闇影王牌RAZOR,make it rain讓錢像下雨般恩澤大地。J.Sheon表白他只是想替剃刀做一首台灣Hip Hop場景裡的歷史小品,這樣的英姿來得像一場及時雨。
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(我很喜歡Julia Wu《1:28》裡的神隱剃刀,但這次得到一個完整的敘事體驗,也讓人振奮。)
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開頭的幾首歌都以一種「聽覺式電影規格特效」的方式在推劇情,和弦與各種樂器的增疊,真的有做出浩瀚星海與人類的渺茫感。在失去「愛」這股萬有引力的狀態下,我們乍看是自由,卻也斷了線,只能頭重腳輕地漂浮。
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上張專輯的核心flow tag為「Deep into your soul」、這次則是「#街頭兄弟不但很餓還很浪漫」,這股餓,說穿了就是一股炙熱的野心。
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天才們的大腦遊戲,總讓粉絲們恨不得一口氣解謎到底,但 剃刀蔣 不是心狠之輩,仍在粉專給出更多線索,J.Sheon的官方文案更是慷慨到都快劇透了。
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〈#比較浪漫 /Charm〉是首有濃濃剃刀攻擊氣息的歌曲,「浪漫到不要臉」是R&B信徒的原罪,大膽示愛的public display of affection在拘束低調的東亞R&B圈,仍容易被冠上「玩咖」的標籤。
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J.Sheon:「別毀謗我亂亂亂,只是比較浪漫,單純合作夥伴。」、「我的天,這不是共通點,浪漫的導火線~」除了營造出「英雄惜英雄」的小眾舞台,本曲可能只是對反派的一種基礎抵抗,等級堪比世界大戰的心戰歌曲。
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還好,創作者與樂迷的臉皮與默契都已經練得夠厚,狗仔隊的吠叫,對我們來說只是雜訊罷了。
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聽到這裡,許多創作者與粉絲可能開始起了疑竇。如何在普羅大眾對「R&B經典專輯」所知不多的狀況下,讓他們認識到你自己本身的作品就是經典?
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答案是,讓人們對你有「好奇心」。
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真理或邪教?只能朝他們靈魂深處寄出一封真摯的邀請,提升作品的紮實厚度,使用很多音效堆疊出大大小小敘事的科幻要寨。
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為了避免樂迷們在J.Sheon的嗓音裡嗜糖成癮,需要更多殺氣騰騰的BEATS,斷開上癮的連結。拉開幾道銀河與光年距離後,或許這張專輯會讓人愛得更恆久更深入?
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《巷子內 / THE ALLEY》即便都在談愛,卻也在談距離、談自由。
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〈#輸情歌 /Ballad〉有種淡淡的自嘲,在離開RnB與嘻哈的「同溫層」後,你我或許都曾直接感受到不同樂風有意無意傳來的幾分寒意與漠然。這時,但願我們都有雅量自嘲一下,怪自己不是周興哲,但也慶幸自己仍有J.Sheon能珍惜。
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(很喜歡這首MV裡面有自然露臉的MCKY、剃刀鏡頭,請大家認清這才是浪漫軍火商,know your kings, my lovely people.)
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看似寫意閒聊的〈#慢走不送 /Off You Go〉,以R&B特有的聊天室唱腔,談了很多讓人嚇得心裡發毛的恐怖情人鬼故事,佩服Morrison和艾怡良能用美嗓把諸多drama唱得這麼幽怨又不失美感。外表再優質的情人,都要花段時間切身相處,才知道該收還是該放。Morrison蒼涼冷靜的嗓音和J.Sheon與烈火深情的艾怡良都非常搭,有種老生常談,陪年輕群眾「話鬼談怪」的歷練,也體現了情感教育的重要,本曲堪稱負面教材鬼話集。
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主打歌〈#囚 /Soul Away〉和賴暐哲共譜曲,著實激起觀眾的母愛與好奇心,人人都想拯救那個在MV中被炸飛的J.Sheon。
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滿滿「失重感」(Emotion Loss)的編曲要能做到耐聽與魄力,進階功力太到位。
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沒有了伙房兵,飢渴的靈魂只能活活餓死了嗎?
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〈#看起來不錯其實也還好 / Ain't What It Seems〉在曲順編排上意圖以「普通過客」襯托出最愛的「主角」,鋼琴為主調的旋律耐聽動人,但J.Sheon唱得收斂,室溫驟降。有時不用太羨慕同床異夢的怨偶,能用靈魂對話的我們,也沒過得比她們差啊。
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〈#畫面太美我不敢直視 / Love Her Like That〉是我個人一直在等待的J.Sheon,平常壓抑的他終於變回Tristan了!(那個和哥兒們在一起會白目大叫「天啊你的臉是發生什麼事!@口@!」、幾乎不能讓他開車的浮誇吵鬧的Tristan)──我們欣賞各式各樣的他,喜怒形於色的真性情,he’s the real deal。MCKY的編曲這回也正常發揮,日系、繽紛、細緻,夢幻到有種耀眼的玫瑰金,參與共同創作的宋秉勤其實也有首不錯聽的單曲〈I could〉,本曲集這麼多才子的恩寵於一身,但願眾星不要只拱月,讓整道銀河都有各自的明暗、光影與色調也很好。
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本曲排第9,「9」在塔羅牌中象徵著「隱士」,或許冥冥中也暗示著J.Sheon崇拜的這位女神平日「大隱隱於市」,是個很神秘的人。
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又或許,真的有這樣一個人嗎?她只是天王眼中一個崇高而靈性的存在吧?
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無論如何,也許數億萬年後,人們會驚嘆那個時期的某個星系,為何能有如此的質變。
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J.Sheon會告訴他們答案:「是她讓我突破限制去寫詞」、「以她命名一個星座,當作寄託。」
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歌詞:「What just happened in my world? Must be the girl.」 偷偷問了其他粉絲,明明同句歌詞,居然也有人聽成「We'll just have FUN in my world, my sweetest girl.」
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難道J.Sheon已經能自行無性生殖,一句詞可以變成「平行宇宙」,冒出這麼多解讀?
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可見大家都對J.Sheon懷著著不同的投射,而這些投射也都照耀著自己的靈魂深處,把烏雲都驅散。這很讓人意外嗎?穿越大氣層之外,是不可能見到雲的。
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承接著上張專輯同時獻給貓咪與女人的〈呼吸〉,〈#欠處理〉有很舒服又四平八穩的八零年代80’s grooving vibes與合成器音色,跟J.Sheon同個年代的粉絲一開頭就很容易受這股復古鄉愁吸引,或許到了一定年齡後,人們更容易被那些懂「我們共同經歷過什麼的」平輩所吸引吧?好比〈魔鬼終結者〉、〈七龍珠〉啊,這些不會被取代的經典。
.
根據科學研究,人類到了32歲後就很難接受新歌,願我們能用新的刺激與靈感,攜手打翻這個偏見。
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J.Sheon:「請原諒我的無禮,Oh please,
妳根本就欠處理,欠處理!
You're such a rare find beauty。」
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這裡有個讓閱聽眾都夢寐以求的故事元素──「驚喜」與「反差」。風度翩翩的王子也是有獸性的(聽聽他和孫盛希合作的〈闖空門IN &OUT〉),他也會為情咆哮,為了弱勢牽腸掛肚,想收編路過的貓貓。「吸了口體香」、「虎斑刺青」,都是貓奴才懂的密碼,願意關心毛小孩的男人,是本世代的必備款暖男。
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Wow, 「對你上下其手的慾望?」
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J, what kind of trouble have you gotten us into?
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然而,誰能怪我們呢?R&B從不是理性的樂風,我們也不用是如此。要不是有大家的浪漫、堅持甚至任性,這個圈子還會在嗎?
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溫和陰柔的J.Sheon還是有這種肉食動物的狼性,而狼大多是社會性動物,階級與地位是牠們願意犧牲自身尊嚴去鞏固,或不顧一切去追求?要背叛首領與戀人遠走高飛,還是要留下來擴大狩獵範圍?
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這裡就不洩密了,專心聽歌到最後、守口如瓶,是粉絲美德。忠實的粉絲才能養出優質的天王天后。
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在〈欠處理 /You Asking 4 it 〉中,這位Urban R&B王子殿下在彬彬有禮裡藏著慾望,字裡行間不斷在試探底線,「Let's go somewhere IF you want」這詞放得恰到好處。
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「If」,他即使在面對自己的貪婪之際,還是尊重著對方的自由意志。
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In the end of the day,就是這種出自性別平權意識的小細節,才能讓街頭王者遠離不必要的風暴。
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然後壓軸曲〈ALL ABOUT YOU〉的口白歌詞沒有翻,是什麼英聽練習嗎?
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那就容我幫J.Sheon翻譯吧,「YOU are the REASON why I’m staying here. Been through a lot of things, I know you’ve been BACKing me UP since DAY1. This song is for all my people out there. It’s all about YOU. 」
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「你們就是我留在這裡的理由,我知道你們從第一天起就在這裡挺我,本曲獻給從第一天起就支持我的『你與你們』。」
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官方文案還提醒YOU是「複數」,(J的粉絲沒這麼容易為愛反目),曲目秒數3:10,用塔羅數字來算出總和是「4」。務實穩定的「4」,這款美麗如星座的四邊形,很適合開創星座的魔羯座J.Sheon。接下來木星將進入他的星座,穩紮穩打就是他的強項。
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「謝乾乾剃刀,幫我拉起警報」諧音:「把我拉起緊抱~」
MCKY、精密編排,全被擊倒。」諧音:「全被激到~」
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「所有風暴因為你而顯得渺小,」如J.Sheon的嗓音:「你幫我征服每一戰,你陪我熬過每一晚。」街頭兄弟不但浪漫也很勵志、很和平,不忘SHOUTOUT給密友愛人──可以,這很R&B,也很HIP HOP。
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Rhythm and blues,這被流傳已久又推陳出新的風格是我們寵愛自己、並與世界對抗的方式。謝謝你們耗費歲月寫下這些定義,what’s out there is already out there,讓後人都記住你們的豐功偉業吧!
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J.Sheon:「R&B 它自帶感染,轉音都狂轉,不斷襲來──害人生『病變』超慌亂,邊說太毒了,邊模仿這獨特。會不會這段唱完,又變成誰的副歌?」
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可能是在回應著先前被抖音節錄的風波,J.Sheon大器豁達,但也沒忘記要留點尊嚴給自己。
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看到好東西就想佔為己有,是人性。
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若是壞東西,誰要偷呢?
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R&B / 節奏藍調是很需要時間來沉澱閱歷、實力與精神的樂風,看似自由自在、但很難維持高度純粹的原創,J.Sheon從網路創作起家,見識過百家爭鳴的他,並不畏懼做出自己的特色,閒晃的孤狼不是離群索居,甚至遠赴美加各城市,用他擅長的英文去討救兵了。
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在《巷子內 / The Alley》,樂迷與藝術家都將很難找到其他優秀華人前輩的影子,所有該消化的,街巷和他的團隊都已經練等完畢在恭候了。Alley與ALLY(同盟)僅有一字之差,在我的主觀解讀中,J.Sheon與Team J都是在尋找同盟,恭候友軍。
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是的,要讓茱力用到「恭候」兩詞,各位觀看到這裡的鐵粉,就是這麼值得信賴。
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官方文案:「歌名中的「YOU」是個複數名詞,這歌就是給你們這些戰友們的信物。」
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街巷用的「BACK ME UP」除了挺我之外,也有「備份」的意思。是的,在高科技的年代,備份就是另一張保命牌,不管你手上的是剃刀這張闇影王牌,還是天使的聖物,你我都在用音樂與心得文在進行最有「遠見」的守護──備份。
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街頭兄弟不但很餓還很浪漫,最浪漫的是,他從還是個街頭少年時就為你預備好這些歷練了,整個華語R&B的粉絲群眾,無論你目前和我們分居還是群聚,都值得這位備位已久的帝君。
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然而,街頭兄弟不但得夠餓,還得夠有「義氣」,在ALL THE WAY UP之前,這場「生存遊戲」的必勝核心是「信任」(Trust)與「羈絆」(Bonding)。
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如同史書裡的偉大革命一樣,培養革命情感的過程中,我們必須歷經割捨、收屍、清創、出走、哀慟、祈禱、節慾、獨處、共食、猜忌、鬥爭、責怪、諒解、暗號、交換信物、治癒、竣工、感動、歡笑、慶祝與整合,才能走到這裡。在曲風分眾的年代,聽眾已無太多的耐心尋回深度,《巷子內》也將是一張跨時代的華語R&B專輯,定義著FUTURE R&B的話語權。
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未來,很遠嗎?它已經在發生了。
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不到五十年內,AI將大幅牟取人類的位置與利益。根據富比士雜誌的報導,目前有47%以上的人類工作將被AI取代。你會是下一個犧牲者嗎?
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或許肉體會逐漸老去,但半世紀後,願擁有人性、同理心與藝術細胞與專業技術的我們,仍能穩穩站在雲端。
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ALLOW US. Let’s take you ALL the way to the TOP.
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〈ALL ABOUT YOU〉的深情告白與壯闊編曲,讓即使不是從DAY1就愛J.Sheon的粉絲都鬆動心防,即使是剛接觸節奏藍調的新粉絲,或許都會因他這番話而對號入座,而從頭開始聽R&B吧?
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That’s your charisma, J.
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To be or not to be, that’s the question. 這場被R&B滋養也掠奪的挑戰,或許仍沒有結束。
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尾聲,AI無情又扭曲的聲音預告了戰鬥不會停止,奪取靈魂的反派,即將再度回來。
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屆時,我們也會全力嘗試不同的出路,有時進攻、有時撤退,但我們會一直在。倘若螢幕與耳機前的你也有同感,「恭喜你通過這場生存測試!」你是真心鐵粉,一起為愛留下吧!
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華語Hip Hop與R&B的推廣與流傳是國際級的戰役,整個產業鍊從源頭的創意產製、到末端的解讀推廣都很重要,若有幸得到你和妳的傾情相挺,我們的勝算會更大。
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本張專輯使用「讓英語使用者也能感到親切」的設計,也很適合推廣給外國朋友,讓他們知道我們出了這麼一位能享譽國際又仁心仁術的Future R&B王者。
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社群媒體上的你與妳,請用分享、轉貼、傳誦讓J.Sheon體會到「就算他變老,我們依舊會為他傾倒。」就像敦克爾克大作戰,好的後援溝通系統,才能讓第一線的文化軟實力創造者心無罣礙。
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Get up and fight for love, my people. 若現在放棄,比賽就結束。
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至於終曲的〈CARMOT〉是什麼意思呢?
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官方文案: 「Carmot是神話中構成「賢者之石」的物質,它能被提煉為黃金,或者醫治百病;Carmot同時也是「Karma」諧音,意思為因果業報——「過去」形塑了「現在」、甚至「未來」。在城市中堵堵水泥牆中,我們容易遺落根本,而Carmot的獻聲是來自未來的能量呼喚,讓我們停下腳步,入巷重新探索靈魂的所在!」
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而本專輯的封面與曲目數字有何意涵?答案就留在心底就好。請收藏設計精美的實體專輯與翻閱歌詞卡吧,裡頭有很多只能意會的秘密。
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在這個充滿過多機器與控制的時代,我們終究知道沒有靈魂的內容「非我同類」,努力的求生尋找歸屬、認同、知己與共鳴,從遠古紀元的薪火故事,到未來的星系傳聲,故事的真理都亙古不變。
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Now, let’s talk about YOUR future with R&B.
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請讓R&B在你的未來佔有一席之地。
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專輯全面上線
https://jsheon.lnk.to/TheAlley
.
way back into love心得 在 `130408重返愛情WAY BACK INTO LOVE - Facebook 的推薦與評價
Chen Sophia and 19 others like this. ... 爵士鼓耶!打爵士鼓超帥氣! ... 舅舅可以免費教學嗎?!!! ... 我正開始打擊的部分;有心得一定與你分享。 ... <看更多>
way back into love心得 在 k歌情人影評2023-精選在Youtube/網路影片/Dcard上的焦點 ... 的推薦與評價
要談主題曲與電影一樣紅的案例,〈Way Back into Love〉與《K歌情人》 . ... [影評心得] 【美片】看K歌情人Music and Lyrics 回憶過去的瑣碎片段. ... <看更多>
way back into love心得 在 [好雷] K歌情人- 看板movie - 批踢踢實業坊 的推薦與評價
1.影片名稱 :K歌情人
2.觀影時間 : 上禮拜
3.觀影地點 : 家裡
4.觀影方式 : HBO
§其他防雷說明(非必要) : n刷等其他說明請於此區說明....可留空
~*-*~*-*~*-*~*-*~*-*~*-*~*-*~*-*~*-*~*-*~*-*~*-*~
此區為發文防雷頁
可選擇性提供上列 1~4 資訊 或不提供亦可
觀影心得於分隔線下方發布即可
~~~~~~~~~~~~~~~~~~~ 雷文 主文分隔線 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
https://www.youtube.com/watch?v=4C6sSZlVKZE
再次印證好的歌曲跟配樂會讓一部電影上天堂,特別是老梗巧合齊發的愛情電影。
說實話K 歌情人的劇情沒什麼出采之處,很常見的鋪陳而且走的四平八穩,男女主角的
相遇也是很常見就連兩人的爭執也很常見。
電影破題破的不錯,用偽MV帶出男主角曾經的風光,歌曲也寫的很有八零年代
的風格,而且滿洗腦我喜歡反覆的聽
https://www.youtube.com/watch?v=xVkU8dDSC9w&list=RDPCxW17c3KkY&index=3
後面就是帶出男主角的失意,拆夥的團體命運都是這樣,有些人可以繼續在演藝圈
生存但有些人卻無法而漸漸消失,最後只能在一些小場子賣賣情懷,不然就是只能在
殘酷舞台之類的淪為許多觀眾的笑柄。
不過電影一定不會這樣平淡的走完故事,正巧當紅的小妹妹偶像竟然是這個過氣藝人
的大粉絲然後還指定要他寫一首歌又很剛好女主角出現在他面前。
故事就這樣開始,兩個人歷經許多風風雨雨後終於在一起。
裡面的歌曲真的很棒
https://www.youtube.com/watch?v=Yxg3U63zaTk
https://www.youtube.com/watch?v=rydkY4FsMDc
,這首其實是全片最好聽跟最重要的一首歌
雖然老梗但就是一個好聽
https://www.youtube.com/watch?v=PCxW17c3KkY
https://www.youtube.com/watch?v=iWVbegiAus8
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