關於 who are you漫畫 ，我們在網路上蒐集到這些相關的討論、資訊與評價

我一直在想「奇形怪狀的貓」對我來說是什麼模樣，仔細思考，好像不是迷因式的那種奇怪，而是我觀察他們從以前到現在，有時的新發現，也是小貓時期到中年樣貌的線條與姿態，很高興能分享此次展覽與新書。

地點 / 寶藏巖國際藝術村 十字藝廊
時間 / 10/1~10/29. 11:00-18:00 週一休園
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奇形怪狀的貓

躺在地上伸展的、縮在盒子裡的、
蜷縮成球狀的…，
貓啊！就是這麼奇怪！

十年之間，柔軟筆觸描繪出不只歡樂的、開始還有一些關於慢慢變老、離開…等故事。體會到生命中的各種情緒，這次展示漫畫原稿、
插畫原作與織品作品，躍出漫畫稿紙上的三貓俱樂部，從扁平的到立體的，展現出不同的線條與貓的形狀。

《三貓俱樂部》是漫畫作者咪仔觀察貓、和貓們相處的生活故事，今年出版第六集，回看十年前第一本漫畫，無心插柳地開始觀察起小貓的好動模樣，在家中飛越成為快速的線條，直到近期睡成了一灘泥或一顆圓。隨筆的漫畫不知不覺紀錄了貓咪們的成長。

THE ODD CAT

Lying on the ground, stretched out, shrunk in a box, curled up into a ball...

Cat, What the ODD creature!

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The beginning of everything has come from an energetic kitten was flying over at home, and it became a part of beautiful lines in Mi Zai's eyes. After that cats went into her life in the form of comics and were named "Three Cats Club" published as a comic series. But glance over the shoulder today, cats are old and all sleeping like a puddle of mud and almost become a circle...

Back to now, in ten years with cats, the Hand-feeling brushstrokes not only said happy things but some sad stories like getting old, sick, even pass away. Experience the different steps of life was a big part of Mi Zai's creative inspiration. So we decided to put everything together, to become this exhibition for you all.

Manuscript, original illustrations, fabric works, and some more surprises. From flat to three-dimensional, showing different lines and shapes of cats, "Three Cats Club" jumping out of the manuscript paper become odd creatures!

Come join us to see THE ODD CAT.

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"Three Cats Club" is a comic series about author Mi Zai and her cats, she who out of curiosity to record all the things around, chapter six will be published this year.

真的，讓我能堅持畫下去的最大原因是: 你們🌻
你們都會由心的喜歡、支持花啦啦，這是很大的鼓舞! 真的謝謝你們!💖
。
The biggest reason why I can keep drawing FaLala is: You guys🌻
Really thank you so much for loving and supporting FaLala!💖
。
為了令FaLala更健康的發展，我決定開設Patreon專頁了! 雖然Patreon在香港還不算十分普及，但它其實是一個能讓創作者和讀者互相支持的平台喔。
。
To develop FaLala in a more healthy way, I decided to create a Patreon page! Patreon is a mutually beneficial platform for creators and readers.
。
🌻訂閱Patreon的好處🌻
1.有更多獨家插圖、漫畫、教學可以看
2.能與作者我有更多互動、交流
3.有獨家資源可以下載、甚至使用
。
🌻Benefits of subscribing to Patreon🌻
1.Exclusive content (illustration, comics, tutorial etc)
2.Can have more communication with me
3.Exclusive source file can be downloaded and used
。
。
🎁8月迎新優惠🎁
訂閱計劃將於明天8月1日，香港時間4PM開始喔!
。
凡於8月內訂閱Patreon的會員，即刻可以參加抽獎！
抽獎及公佈結果日期：2021年9月3日
預計於9月尾發送獎品

🎉細獎：可以加上私人名字，特別訂制的木杯墊一個 （所有會員，名額10位)
🎉大獎：私人訂製的訊息貼圖一個 （只限訂閱US6或以上的會員，名額3位)
。
。
🎁Welcome Offer in August 2021!🎁
The subscription plan will start tomorrow, 1st Aug HKT 4PM!
。
All members who subscribe Patreon within August can join the lucky draw event!
Lucky draw and results announcement date: 3 Sep, 2021
Prizes are expected to be delivered at the end of Sep

🎉Fine prize: 1 Custom made wooden coaster (all members, 10 prizes)
🎉Grand Prize: 1 customized message sticker （member who has subscribed US6 or above plan, 3 prizes)
。
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就是這樣了! 喜歡花啦啦的朋友們，歡迎到Patreon專頁了解更多喔!✨
Welcome to visit the Patreon page to get more information!✨
https://www.patreon.com/jpicturesfalala
。
。
#falalapicts #patreon #falalapictures #情侶 #情侶日常 #圖文創作 #漫畫 #香港創作 #圖文插畫 #冒失男友 #男朋友 #女朋友
#couples #couplelove #couplesofinstagram #couplepic #coupleselfie #illustration #comics #cutecouple

#新刊出版 New release!!!​
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Voices of Photography 攝影之聲​
Issue 30：美援視覺性──農復會影像專題​
U.S. Aid Visuality: The JCRR Issue​
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本期我們重返影響台灣戰後發展至關重要的美援年代，尋索過往在台灣影像歷史視野中遺落、但卻十分關鍵的美援時期台灣視覺歷程──「農復會」的影像檔案。​
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成立於1948年、以推行「三七五減租」和「耕者有其田」等土地改革與農業政策聞名的農復會（中國農村復興聯合委員會，JCRR），被認為是奠定二十世紀「台灣經驗」基礎的重要推手。然而很少人留意，這一農經專業的美援機構，在1950至60年代拍攝了大量的照片、幻燈、電影，並生產各種圖像、圖表、圖冊與海報，在冷戰年代與美援宣傳機制緊密連結，深深參與了戰後「台灣（視覺）經驗」的構成，影響著我們的視覺文化發展。​
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冷戰與美援如何形塑台灣的影像與視覺感知？本期專題透過採集考察眾多第一手的農復會早期攝影檔案、底片、圖像、影片與文獻資料，揭載鮮為人知的美援年代視覺工作，追尋這一段逐漸隱沒的戰後台灣攝影與美援視覺性的重要經歷。​
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其中，李威儀考掘農復會的歷史線索與視覺文本，探查美援的攝影檔案製程、「農復會攝影組」的成員蹤跡，以及文化冷戰期間從圖像、攝影到電影中的美援視覺路徑；蔡明諺分析1951年由農復會、美國經合分署與美國新聞處共同創辦的《豐年》半月刊，從語言、歌謠與漫畫等多元的視覺表現中，重新閱讀這份戰後最具代表性的台灣農村刊物潛在的意識形態構成與政治角力；楊子樵回看多部早期農教與政策宣傳影片，析論農復會在戰後台灣發展中的言說機制與感官部署，並從陳耀圻參與農復會出資拍攝的紀錄片計畫所採取的影音策略，一探冷戰時期「前衛」紀錄影像的可能形式；黃同弘訪查農復會在1950年代為進行土地與森林調查所展開的航空攝影，解析早期台灣航攝史的源起與美援關聯，揭開多張難得一見的戰後台灣地景航照檔案。​
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此外，我們也尋訪生於日治時期、曾任農復會與《豐年》攝影師的楊基炘（1923-2005）的攝影檔案，首度開啟他封存逾半世紀、收藏農復會攝影底片與文件的軍用彈藥箱和相紙盒，呈現楊基炘於農復會工作期間的重要文獻，並收錄他拍攝於美援年代、從未公開的攝影遺作與文字，重新探看他稱為「時代膠囊」的視覺檔案，展現楊基炘攝影生涯更為多樣的面向，同時反思「美援攝影」複雜的歷史情愁。​
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本期專欄中，李立鈞延續科學攝影的探討，從十九世紀末天文攝影的觀測技術，思考可見與不可見在認識論上的交互辨證；謝佩君關注影像的遠端傳輸技術史，檢視當代數位視覺政權中的權力、知識與美學機制。「攝影書製作現場」系列則由以珂羅版印刷著稱的日本「便利堂」印刷職人帶領，分享古典印刷傳承的工藝秘技。​
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在本期呈現的大量影像檔案中，讀者將會發現關於美援攝影的經歷與台灣歷史中的各種視覺經驗，還有許多故事值得我們深入訪查。感謝讀者這十年來與《攝影之聲》同行，希望下個十年裡，我們繼續一起探索影像的世界。​
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● 本期揭載未曾曝光的美援攝影工作底片、檔案與文件！​
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購書 Order | https://vopbookshop.cashier.ecpay.com.tw/​
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In this issue of VOP, we revisit the era of U.S. aid, a period that was of utmost importance to Taiwan’s post-war social and economic development, and explore Taiwan’s much forgotten but crucial visual journey during this era ── the visual archives of the JCRR.​
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Established in 1948, the Chinese-American Joint Commission on Rural Reconstruction, or the JCRR, is widely known for the implementation of various land reform and agricultural policies, such as the “375 rent reduction” and “Land-to-the-tiller” programs. Hence, the Commission is considered an important cornerstone to laying the foundations of the “Taiwan Experience” in the 20th century. That said, very few are aware that this U.S. aid organization specializing in agricultural economics was also closely associated with the American propaganda mechanism during the Cold War, and had in its possession countless photos, slides and movies, and produced various images, charts, pamphlets and posters. All these contributed to the formation of the post-war “Taiwan (Visual) Experience”, deeply influencing the development of our visual culture.​
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How exactly did the Cold War and U.S. aid shape Taiwan’s image and visual perception? This issue’s special feature uncovers the little-known visual activities from the U.S. aid era by investigating the collection of JCRR’s first-hand photo files, negatives, images, films and documents, and traces this important journey of post-war Taiwan photography and U.S. aid visuality that has gradually faded from people’s minds.​
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Among them, Lee Wei-I examines the historical clues and visual texts of the JCRR, and explores the production of the U.S. aid photographic archives, following the traces of the members of the “JCRR Photography Unit” and the trails of U.S. aid visuals during the Cold War from images and photography to films. Tsai Ming-Yen analyzes the diverse visual manifestations, such as languages, ballads and comics, contained in the semimonthly publication Harvest, which was co-founded by the JCRR, the U.S. Economic Cooperation Administration, and the U.S. Information Service in 1951, presenting a new take on the ideological and political struggles that were hidden beneath the pages of this agricultural publication that could also be said to be the most representative publication of the post-war era. Yang Zi-Qiao looks back at the early agricultural education and propaganda films, and analyzes the discourse and sensory deployment utilized by the JCRR in the development of a post-war Taiwan and the possibilities of the “avant garde” documentary films from the Cold War period through the audio-visual strategies gleaned from director Chen Yao-Chi’s documentary project that was funded by the JCRR. At the same time, Houng Tung-Hung checks out the aerial photography taken by the JCRR in the 1950s for land and forest surveys, and uncovers the origins of Taiwan’s aerial photography with U.S. aid, giving readers a rare glimpse at post-War Taiwan’s aerial landscape photographic archives.​
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In addition, we will explore the photographic archives of Yang Chih-Hsin (1923-2005), a former photographer who was born during the Japanese colonial period and worked for the JCRR and Harvest, unearthing negatives and documents kept away in the ammunition and photo-paper box that had stayed sealed for more than half a century. This feature presents important files of Yang during his time with JCRR, and photographs taken and written texts produced during the U.S. aid era but were never made public. We go through the visual archives enclosed in what he called a “time capsule”, shedding light on the diversity of his photography career, while reflecting on the complex historial sentiments towards “U.S. aid photography” at the same time.​
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Lee Li-Chun continues the discussion on scientific photography in his column, exploring the interactive dialectics between the seen and the unseen through the observation technology of astrophotography in the late nineteenth century. Hsieh Pei-Chun focuses on the history of the technology behind remote transmission of visuals and examines the power, knowledge and aesthetics that underlies contemporary digital visual regime. Finally, this issue’s “Photobook Making Case Study” is led by the printing experts at Japan’s Benrido, a workshop that is renowned for its mastery of the collotype printing technique.​
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Through the large collection of photographic archives presented in this issue, readers will see that there remain many stories on the photography process in the U.S. aid era and various types of visual experiences in Taiwan’s history that are waiting to be unearthed. We thank our readers for staying with VOP for the past decade and we look forward to another ten years of exploring the world of images with you.​
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Voices of Photography 攝影之聲​
vopmagazine.com​
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#美援 #農復會 #冷戰 #台灣 #攝影​
#USAID #JCRR #ColdWar ​
#Taiwan #photography
#攝影之聲 #影言社

■ 更多林子安：
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■ 更多【Cover by AnViolin】：https://bit.ly/2vWVtF5

🎶樂譜連結 Sheet Music🎶
https://gumroad.com/anviolin
（台灣請用蝦皮）https://shopee.tw/anviolin

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灌籃高手《想大聲說我喜歡你 君が好きだと叫びたい》小提琴版本
| Violin cover by Lin Tzu An of Want to Shout out I Love You, Slam Dunk OST

週日去演講的時候，回顧了一路走來的點滴，好像又看到當初想創造自己舞台的那股心動。
所以今天就決定cover這首熱血歌了！

說到籃球經典漫畫或動畫，一定會提到灌籃高手；
那這首片頭曲應該就是經典中的經典了，就算沒看過漫畫或動畫也一定聽過（只是不知道歌名）。
在爆笑又淚流滿面中有著青春的悸動，在汗水中跌倒爬起，熱情和執著是永恆的。
有夢想的人要繼續有夢想，無論是什麼，希望接下來的日子都能活成自己想要的樣子最愛的樣子。

歡迎大家在沒有下雨的週末到信義區香堤大道，聽cover歌曲的live版！詳細演出相關資訊，我都會更新在我的Instagram 限時動態！

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When preparing for the lecture on Sunday, I was like throwing back to those tiny pieces moments that make me stand in front of the audience and the heartbeats calling me to stand on my own stage. The music of today's cover kept playing in my brain so here it is !!!!

When it comes to classic basketball comics or animations, Slam Dunk is definitely mentioned;
so you can say this OST should be the classic of the classics, even for those who haven’t read the comics or watched animations (you just don’t know the name of this song).

There are tears in the midst of laughters in our young times.
We fell but we stood up again with our enthusiasm and perseverance.
Therefore, have your dreams in your heart, and whatever the dreams are, just live in the way we love the most, the way we want to live in the future, without regret.

Should you have any request regarding cover songs, just comment below and let me know.
Also please share the video and subscribe to my channel https://bit.ly/2EsTGMQ.
Don't forget to click the 🔔 bell to be notified when my videos come out!

Visit me at Taipei Shin Kong Mitsukoshi Xinyi Plaza to enjoy more my live cover songs. Check it out details on my Instagram stories!

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編曲Arrange：林子安 Lin Tzu An
混音Remix：林子安 Lin Tzu An
小提琴 Violin: 林子安 Lin Tzu An
攝影師剪接師 Photographer & Film editor: Santon.W
文字編輯 Social media editor/manager: Lily Wu

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如果你喜歡我的影片的話，歡迎贊助我，讓我有更多資源去提升畫面與音樂。
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【Cover by AnViolin】每週上傳新的小提琴cover影片，
喜歡的話請訂閱我的頻道 https://bit.ly/2EsTGMQ
也記得開啟🔔訂閱通知，按讚留言分享給你家人朋友看！

還想看子安cover什麼歌？留言跟我說 ！

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#想大聲說我喜歡你
#SlamDunkOST
#君が好きだと叫びたい
#BAAD
#SlamDunkViolin
#灌籃高手小提琴
#AnViolin
#CoverSong
#ViolinCover
#CoverByAn
#林子安
#林子安小提琴