Love is everywhere❤️
[#WrittenBySimon] From Gill Paul to Qbobo: Prime act of an Indian Hongkonger
Gill Mohindepaul Singh may not be a familiar name to most Hongkongers but how about Qbobo (literally cute baby in Cantonese)?
We got to know him through TVB.
Many Hongkongers were amazed by this hunky Indian’s versatile, hilarious dance and juggling and most importantly, his almost irreproachable Cantonese. He shot to fame shortly after his maiden appearance in the reality TV show Minutes To Fame in 2005. That was how he earned his affectionate stage name “Qbobo”.
Qbobo was born to a Hong Kong Indian family in 1969. Before making his first splash into the entertainment industry, he worked as an assistant officer at the Correctional Services Department for more than 16 years.
In the next decade, as one of TVB’s most beloved actors, he appeared in more than 40 TV dramas, in particular sitcoms, and in a dozen comedy and action movies as well.
But his growing cult following among locals, including South Asians, didn’t help when his wife, who had been living in Hong Kong for more than 20 years, was denied a Hong Kong passport in 2012.
His wife originally planned to apply for the travel document for easier trips to Scotland where her younger son was attending school and receiving treatment for spine problems.
The Immigration Department didn’t bother with any explanation for the flat refusal, citing “confidentiality”.
Qbobo told media it was a big letdown and he couldn’t understand why since many of their fellow Indians in Hong Kong who couldn’t speak fluent Cantonese could get their Hong Kong passports.
That, ultimately, forced the couple to decide to emigrate to Scotland for the sake of their children. Like all the new arrivals there, Qbobo had to be physically in Scotland for the most part of the initial years so as to qualify for residency. That forced him, very reluctantly, to bid farewell to his fans in Hong Kong.
Qbobo started a new chapter in his performing career a year later when he returned to Hong Kong. In July, with the help of stenographers, he published a book in Chinese, Made In Hong Kong, a memoir of his own life and that of other South Asians. It’s a first-person account of the living history of Hong Kong’s ethnic minorities.
“Hong Kong is my home. I’m always proud of my Hong Kong identity,” he wrote on the cover of the book.
“We also love fish balls and steamed rice rolls. We also grew up watching Bruce Lee and Stephen Chow movies. We South Asians are all made in Hong Kong. Can society count us as Hongkongers?” he asked at the end of the book.
I recently had a casual chat with Qbobo, in Cantonese of course.
==================
Shen: Many of your fans are still curious about your family. Tell us how you grew up in Hong Kong.
Qbobo: My grandfather went from India to Shanghai alone in the 1930s and worked in the British Settlement. Later, he raised his own family there. They all fled to Hong Kong after China fell to the communists in 1949.
I went to Matteo Ricci Primary School, where most of the students were locals, and very quickly learned to speak Cantonese and how to use chopsticks.
My father was rather worried that I might become too “Chinese” and decided to send me to Sir Ellis Kadoorie school (Sookunpoo), a government school for ethnic minorities, so as to mingle more with my compatriots and other South Asians.
I joined the Hong Kong Correctional Services and I started to pick up my Cantonese with the help of local colleagues. I ended up spending 16 years there.
I don’t think my childhood was anything different from other Chinese kids back then. We all played in street parks, adored Cantopop singers like Leslie Cheung, Alan Tam and Samuel Hui, watched TVB’s children show 430 Space Shuttle every afternoon, and of course went to movies for Bruce Lee, Chow Yun-fat and Stephen Chow.
Shen: But still you live in two cultures — the local one and the Indian one. How did that influence your childhood?
Qbobo: I usually ate a lot of fishballs after school and I also used chopsticks like my classmates. But at home my father always wanted us not to forget our own culture and where we were from. We spoke Punjabi, went to Sikh Temples and all family members would put on traditional clothing (long loose trousers and a long sleeved jacket for men, long trousers over dress known as Salwar Kameez and Chuni (scarf) to cover the head for women) every Sunday.
Shen: What made you give up your job to become an actor?
Qbobo: Perhaps I was born with a penchant for acting. I liked to sing Alan Tam songs so my colleagues signed me up for a TVB reality show in 2005. At the beginning, I just wanted to let people know that South Asians could also sing in Cantonese.
I entered the finals and got many show invitations and so I resigned from the Correctional Services.
I wanted to project a positive image for Indians and other South Asians in the city. Throughout history people from India contributed greatly to Hong Kong — most of the officers were Indians in the earliest days of the disciplined services, the University of Hong Kong was established with large donations from Sir Mody and other Indian businessmen, the Star Ferry was founded by an Indian Parsee merchant and we all know that CLP is owned by the Kadoorie family from Mumbai.
But the government is now under fire for taking in refugees from South Asia and granting them non-refoulement permissions. This has somehow affected how Hong Kong society sees the entire South Asian community.
Shen: Why did you want to publish the book?
Qbobo: I had the idea for years. I have always been wondering what makes a person a genuine Hongkonger. Are Hongkongers ethnic Chinese only? As a metropolis Hong Kong has residents of all races and color. Since I was born and raised here, I consider myself a Hongkonger, even though some may not agree.
Racial discrimination is everywhere in this world and the problem in Hong Kong is not that serious by comparison. I have the luck to be an actor and I hope I can do something to raise people’s awareness of the life and rights of South Asians who also live here.
Shen: Since you’ve also lived in Scotland as well, tell me which place you like more, Hong Kong or Scotland?
Qbobo: I still love Hong Kong more, it’s my home.
We emigrated because we had to plan for our kids after my wife was denied a Hong Kong passport. We tried our best to settle into society but sadly there are still some hurdles, some arise from government policies or the system itself.
One more thing, Hong Kong’s political status is worrying, with all the dissension among people getting deeper rather than healing up. The housing problem has shown no sign of improvement either… Homes are getting ever smaller and more expensive.
All parents want a better future for their kids, so do we.
Shen: What are the problems and difficulties South Asians face in Hong Kong?
Qbobo: It’s not easy for Indians, Pakistanis or Nepalese to find a job. If you don’t speak Cantonese or can’t write or read Chinese, you just can’t get hired even if you have a college diploma.
Say if there is also a Westerner candidate who doesn’t know Chinese either, the chances are that the white guy is more likely to land the job.
Chinese language capabilities are vital for South Asians if they seek to move up the ladder and thus the government has been allocating more resources to training programs and vocational Chinese language courses.
Shen: How do you plan for your future career? Are we going to see more of your TV dramas and movies?
Qbobo: My wife wants me to go back to Scotland to spend more time with her and our kids and I think I may call it a day for my career in three to four years’ time, perhaps in 2020.
But I will always carry my Hong Kong identity even if I leave and don’t come back one day. Hong Kong is always my home.
同時也有6部Youtube影片,追蹤數超過7萬的網紅李語蕎Hathaway Lee,也在其Youtube影片中提到,#danceinpublic #willyougooutwithme #Kpopdancecover 在連假的最後一天😊 送給大家甜美活潑的舞蹈! 雖然拍攝當天下起了毛毛雨 還是不減我對大家的熱情😁 希望你們會喜歡💕 最後 我知道blackpink回歸了 請你們敬請期待✨✨ On the la...
「will you dance with me tv show」的推薦目錄:
- 關於will you dance with me tv show 在 喬寶寶 Qbobo Facebook 的精選貼文
- 關於will you dance with me tv show 在 Gregory 河國榮 Facebook 的最佳貼文
- 關於will you dance with me tv show 在 李語蕎Hathaway Lee Youtube 的最讚貼文
- 關於will you dance with me tv show 在 Al Rocco Youtube 的精選貼文
- 關於will you dance with me tv show 在 EDEN KAI Youtube 的最佳解答
will you dance with me tv show 在 Gregory 河國榮 Facebook 的最佳貼文
我是國榮。來自澳洲昆士蘭省,讀中學時成績非常好,分數已足夠在大學選讀任何一科。當時我希望成為一名醫生,因為可以幫助他人。我在新南威爾斯大學讀醫科,第一年是住在雪梨北區一個朋友家中,第二年入住大學國際宿舍,宿舍規定最少有半數是留學生,不是澳洲人。最先兩年結識了不少香港、新加玻、馬來西亞的朋友,與他們很合得來,不過最重要是入住宿舍後,便遇到了香港的流行歌曲。有一天我行經走廊時,聽到一些很悅耳的音樂,我便問同學這是甚麽歌曲及可否借給我欣賞,他便借了給我。我已忘記是Leslie還是Alan的歌,但肯定是其中一位。因為很喜歡這些歌曲,便到唐人街購買,後來一邊聽歌一邊看歌詞,因此慢慢地學識了很多中文字。
因為喜歡唱歌,所以在大學的同學活動,開始演唱中文歌,也曾參加香港學生會舉辦的歌唱比賽,參賽歌曲是「愛的根源」,結果獲得亞軍。我很清楚記得,國際宿舍為了文化交流,每年舉辦一次國際晚宴,希望不同種族的學生可以表演和分享文化。Leslie在一九八五年 唱Monica獲得獎項,那是一首我很喜歡的歌曲,所以在文化交流晚會我便選擇唱Monica。當時同學覺得很驚奇,我怎可能唱Monica。我是跟着錄影帶,學習他的舞步和唱歌技巧。我不停地在公眾地方練習,其他同學看到我很用心練習,也過來幫助我。在台上表演時有幾位同學為我伴舞,當晚演出非常成功。
一九八五年Leslie和幾位香港天皇巨星,來澳洲開演唱會。演唱會的主辦公司,需要義務司機,朋友問我能否當義務司機。我答應了,後來知道是當Leslie的司機。有一天他放假不用排練,我們便駕車往坎培拉,當日天氣多雲有微雨,甚麽也看不清楚,喝過咖啡後便離開,回程是Leslie駕駛,他的英語非常好,途中我們愉快地暢談,這次旅程對我來說是很重要的事情。
一九八六年Alan到來澳洲,我又當了他的司機。在他入住的酒店,介紹人在偶像面前,誤把我的名字說成河詠麟,當時在偶像面前我也不懂怎樣矯正。大約有兩年很多人以為我是河詠麟。他的四位女和音,知道我懂得唱他的歌,所以告訴了他,在排練那天他叫我上台一起唱。認識Leslie 和Alan兩位巨星,對我的影響很大,聽到他們的歌,和看到觀眾的反應,我開始對香港的歌唱發展很重視。
因為常常想着唐人街和唱歌,沒有用功讀書,因此醫科的第三年考試不合格,需要重讀,在一九八六年重讀了三個月便決定退學。
後來做了三份洗碗碟工作,還做了個多月砌磚的工作,我把工作一年多,所得工資儲起來,買了一張單程機票和帶了一千澳元,便到來香港發展。唯一的準備是問一個朋友能否到他的家中居住。他的父親很勉強地答應,但需要收租金。我甚麽準備也沒有,只是刻意買了一張單程機票,是因為不想遇到少許困難便放棄,返回澳洲。
初到香港時甚麼都不認識,沒有計劃,也沒有朋友。我最先是住在廣播道,但我的朋友不是在那裡居住,因為他還在讀書。初來時沒有事做,所以在外面逛了幾天,有一天意外地行到紅磡體育館,中門外有四名男士在吸煙,他們竟然叫我河詠麟。原來他們是Alan的樂隊成員,在一九八六年見過面,但相隔一年,竟然還可以記起我,這就是緣分。當時Alan正在為演唱會排練,他們帶我進去體育館,這樣便再見到Alan。一九八七年的演唱會是三十一場,我看了三十場。本來打算看足三十一場,但是有少許問題出現,因為我住的地方有規定,晚上十時半後便會關門,不會再讓人進出。但演唱會是不會這麽早便完場,每晚看完演唱會,我會行去尖沙嘴,然後再步行回廣播道,然後在公園外的石椅小睡,到五時公園開門便進去睡覺,但最終因捱不住,有一晚沒有去看演唱會。有一次Alan突然問我,今晚可否上台唱歌,我說當然可以,便成為他的嘉賓。我第一次表演Alan十分開心,但第二次他在台上介紹,有一個外國人,唱他的歌十分出色,當他呼喚河詠麟出場,因為我不在場,所以沒有出現。後來他問我為何沒有出現,我便向他解釋原因,他便安排我入住酒店,直到演唱會完結。所以便有第三次呼喚我上台,這是我第二次成為嘉賓跟他一起唱「朋友」,真是十分興奮。到八月他的生日會也有邀請我做嘉賓,其實每一件發生的事情都是有關係的。
後來我在北角僑冠大厦租了一間劏房居住,有一次從北角行到中環,看到一間職業介紹公司的招聘啟示,我便前往應徵。當時職員說我可以教英文,但我不是教師,他認為沒有問題,便介紹我到一間補習社工作。在補習社工作了幾個月,有一位同事看到一張電視台的海報,需要招聘 一個西方人,但要懂得說中文。我致電應徵,他是一位獨立經紀,我說沒有經驗和廣東話也不是很好,他說沒有問題。我便去見一位電視台女監製,她給我一段英文劇本,要我讀出來。因為很緊張,五分鐘都不能出聲,我跟自己說,不嘗試會後侮一生。那一段對白是警官責備下級,責備人一定是很大聲的,所以我便很大聲說出來。當時她正在做自己的事,沒有再理會我,但我的叫聲使她大吃一驚。因為沒有其他外國人給她選擇,她無奈地聘請了我,這套劇集需要兩個西方人,另外一位是當主角,從那時開始,便在電視台工作了二十年。
二零一四年九月我在N o w T V的一個音樂節目做嘉賓,在一間音樂室裡我和三位節目主持人,唱歌和談論音樂。到最近才知道,他們三位是100毛的老闆。到聖誕100毛找我拍攝雜誌封面,我不知為何找我拍攝封面,原來三位老闆是認識我的,只是我自己不知道。
二零一五年八月他們聯絡我,他們有一首歌,問我會否願意演唱,那首歌曲我很熟悉,歌詞十分口語化,應該可以學到的。但當時是星期五,表演是在星期日,只得兩天時間作準備,所以我很用心練習。舞台是有電視屏幕可以看到歌詞,但我盡量避免看電視屏幕,只是有需要時才看一看,便可以放心地唱。能夠上台非常開心,我可以扮了演一個角色,唱一首悅耳和有趣的歌,觀眾很熱鬧和興奮,真是十分難得。我知道這是一生一次,這不是自己可以做到,是他們給我機會。那首歌很受歡迎,而且登上了流行榜。聖誕節前他們聯絡我,表示將會舉辦總選,問我會否參加,我便欣然答應了。當天每位表演者,會有兩首歌曲,在十二月廿六日接到新歌,我從沒有聽過那首歌,是一首說唱歌曲,而且歌詞很陌生,對我來說十分困難,所以我不停地練習了四百多次。當晚表演由Now T V直播,有七十萬人觀看,想不到自己能夠獲得香港區最受歡迎男歌星獎,當宣佈我的名字時,極度開心,無人能想到,唱出真香港的歌曲,是由一個西方人唱出,可以感動到別人。這是天時地利人和,超乎現實,簡直是一個奇蹟。因為那首歌不是我揀選,是別人給我的,練習這首歌時眼睛常常都會充了滿淚水和很感動。
西方人在香港發展演藝事業是十分困難的,機會不多,只能扮演一些無關重要的角色,但我從來沒有想過放棄。五年前我計劃灌錄一張唱片,因為胃酸倒流,把聲帶灼傷,使我聲音變得沙啞,這件事使我非常懊惱,因為辛苦練習多年,卻發生了這個問題,後來我矯正了唱歌方法,問題得以改善,可以繼續唱歌,現在準備為唱片再進行錄音工作。
最近有很多關於少數族裔的事情出現在我身上 ,現在我為一個港台節目做旁白,是關於少數族裔在香港。他們在本地娛樂圈發展是十分困難,因為在一個有九成是同一種族的地方,看電視或電影,也是會看自己的種族,未必會看少數族裔。如果他們幾個人合作,做一個節目,然後在網上發放,是有機會成功。香港有很多少數族裔居住,有些人的中文比我好,他們也愛香港。
我心目中的香港人,是要做香港人做的事,吃香港人吃的食物,關心香港,不看膚色,希望他們也能說廣東話,最重要是覺得香港是自己的家,這便是真正的香港人。
I am Gregory. I hail from Queensland, Australia. During my high school years, my grades were excellent. They were good enough for me to enroll in any subject that I wanted to in university. At that time, I wanted to become a doctor because I could help others. I studied Medicine at the University of New South Wales. In my first year, I lived in my friend’s home located in North Sydney. During my second year, I lived in International House at the university. It was a rule for the school campus to have at least 50 percent overseas students. They cannot be Australians. I met a lot of Hong Kong, Singaporean and Malaysian friends in my first two years. I was able to get along with them very well. But what is most important was that after living in International House, I came across Hong Kong pop music. One day I was walking along the corridors and overheard beautifully melodic music. I asked my classmate what music he was listening to and if he could lend me the music to listen to. He leant it to me.
I have forgotten whether it was the music of Leslie or Alan. But I am sure it was one of them because I really liked that kind of music. I went to Chinatown to buy it. Eventually, I listened to the music as I read the lyrics. In turn, I slowly picked up a lot of Chinese characters.
I attended many different functions to perform Cantonese songs in university because I really liked to sing. I also attended a singing competition organized by the Hong Kong student association. The competition song was ‘Root of Love’. In the end I won second runner-up. I clearly remember International House wanted to organize cultural exchanges so they held international banquets each year. Their hope was for students from different ethnic backgrounds to perform and share their culture.
In 1985, Leslie won an award for singing ‘Monica’. It was a song that I really loved. During the international cultural exchange banquet, I chose to sing ‘Monica’. At that time my classmates were very surprised. How can I sing ‘Monica’? I followed the videos to learn the dance steps and singing techniques. I kept on practicing in public. Other students witnessed how hard I was practicing and came over to help me out. A few classmates became my accompanying dancers as I danced on stage. The performance that night was extremely successful.
Leslie and a group of Hong Kong superstars visited Australia to hold concerts in 1985. The concert organizer needed a voluntary driver. My friends asked me whether I wanted to be the voluntary driver. I accepted the offer. In the end I found out that I would become Leslie’s driver. There was one day when he was on break and did not need to rehearse. We drove to Canberra. It was cloudy and there was light rain on that day. We could not see clearly. After having a coffee, we left. Leslie was next to drive. His English was very good. During the journey back we chatted happily. The trip was very important to me.
In 1986, Alan came to Australia. I was also his driver. Our mutual friend misread my name as “Ho Wing Lun” in front of my idol during his stay at the hotel. I was not able to correct him at the time because Alan (“Wing Lun”) was my idol. Many people thought I was called “Ho Wing Lun” for around two years. His four back-up singers knew I was able to sing Alan’s songs. That was why they told him about it. During rehearsal day, he told me to sing with him on stage. Knowing superstars like Leslie and Alan had a great impact on me. To be able to listen to their songs and to witness the reactions from the audience led me to become interested in a singing career in Hong Kong.
I did not put in a lot of effort in my studies because I always thought of Chinatown and singing. Consequently, I failed my medical examinations in my third year. I had to re-take my subjects. In 1986, I re-took my studies for three months but then I decided to quit school.
In the end I juggled three dish washing jobs and also many months of brick laying work. I saved up a whole year of my salary and bought a one-way ticket to Hong Kong. I also carried $1000 Australian dollars on me. I then went to Hong Kong to develop my career. I only asked my friend whether I could stay at his place as preparation to living in my new homeland. His father reluctantly agreed but had to receive rent. I did not have anything equipped or prepared. I only purposely bought a one-way ticket because I did not want to easily give up when I encountered minor difficulties and return to Australia.
When I first arrived in Hong Kong, I did not know anything. I did not have any plans. I also did not have any friends. Initially, I lived in Broadcast Drive but my friend did not live there because he was still studying. I did not have anything to do at first. That was why I hung around Hong Kong for several days. One day, by coincidence, I came across Hung Hom Coliseum. At the entrance, there were four men smoking. They noticed me and surprisingly called out “Ho Wing Lun”. They were, in fact, members of Alan’s band. We have first met in 1986. Surprisingly, they remembered me after a whole year. That is called fate. At that time, Alan was preparing for his concert. The four men brought me inside the Coliseum. I saw Alan. There were 31 shows in his 1987 concert. I watched 30 of them. I intended to watch all 31 shows but there was a slight problem. There were rules at my guest house. After ten thirty each night, the door to the home will be locked. Nobody was allowed to enter or leave the house. But concerts do not end so early. So, after watching each concert in the evening, I would walk to Tsim Sha Tsui and then walk back to Broadcast Drive. I would sleep on the concreate seats outside the park. When the park opens at five in the morning, I will go in and sleep. Eventually, I was unable to handle it. One night I cannot watch a show. Once Alan asked me “Can you sing on stage tonight?” I told him “Of course I can.” I became his special guest. Alan was extremely happy when I first performed. By the second show, he announced that: “There is a westerner who can sing my songs very well.” He called out my name “Ho Wing Lun!” But because I was not at the scene, I did not show up. Eventually, he asked me why I did not show up. I explained my reason to him. He then arranged a hotel for me to stay at until the end of the concert. That was why he was able to call me out the third time! That was my second time as special guest singing “Friends” with him. It was exhilarating. In August, he introduced me as a special guest at his birthday party. Actually, everything happens for a reason and everything is interconnected.
Soon after, I rented a tiny flat at a building in North Point to live in. I walked from North Point to Central once. I came across a recruitment agency looking to hire. I went in to give it a shot. At that time, the staff said I could teach English but I was not a teacher. The staff said it was not a problem and introduced me to work at a learning center. After working there for a few months, a colleague saw a TV station’s poster. They were looking to recruit a westerner but that person needs to be able to speak Cantonese. I called to give it a try. The person who answered was an independent agent. I told that agent I had no experience and my Cantonese was not very good. The agent told me it was not a problem. I went to see the TV station’s female producer. She gave me an English script and wanted me to read it out. I was so nervous that I did not utter a word in five minutes. I told myself, if I do not try, I will regret it for life. The dialogue depicted a police telling off a subordinate. When you tell someone off, you must be very loud so, I read my lines out very loudly. At that time, the female producer was doing her own work and did not care about me but because I was so loud, I frightened her! As there were no other westerners for her to choose from, she had no choice but to hire me. The TV show required two westerners. The other westerner played the main character. From then onwards, I worked at the TV station for twenty years.
In September 2014, I appeared as a guest on a NowTV music program. I was in a band room with the three show hosts. We sang and discussed music. Only recently, I found out that they were the Founders of 100 Most. When it was Christmas, 100 Most invited me to appear on the cover of their magazine. I did not know why they wanted me to do it – only to find out that the Founders of the magazine already knew who I was! It was just me who did not know that.
In August 2015, 100 Most contacted me and asked me whether I wanted to sing this particular song. I was very familiar with the song lyrics. The lyrics were very colloquial. I should be able to learn it. It was Friday. The performance was on Sunday. I only had two days to prepare for it. That was why I practiced very hard. The stage showcased the lyrics. But I tried my best not to look at them. I would only glance at them when I needed to. I felt more confident and assured as I sang.
I was extremely elated to be able to perform on stage. I can play a role singing a wonderful and amusing song. The audience was super warm and excited. It was a moment to be treasured. I know this can only happen once in my life. It cannot be done by myself. It is because I was given a chance by 100 Most. The song was very popular and hit the charts. Before Christmas, 100 Most contacted me and expressed that there would be a final election of the songs. They asked me whether I would like to participate. I was more than happy to give it a try. On the day of the show, each contestant would have two songs.
On the 26th of December, I received the new song. I have never heard of the song before. It was a rap song. I was very unfamiliar with the lyrics. I found them very difficult. That was why I kept practicing it for more than four hundred times. The show was broadcasted live by NowTV. Around seven hundred thousand people watched the broadcast. I cannot imagine winning the Best Hong Kong Male Singer. When my name was announced, I was extremely delighted. Nobody can imagine that a westerner was able to sing a song about ‘real Hong Kong’. It can touch people. It was something that happened at the right place and at the right time. It was also surreal and a complete miracle. It is because the song was not selected by me. It was given to me by others. My eyes were often wet from practicing this song. I was very touched.
It is very difficult for westerners to develop their artistry in the entertainment industry. Chances are slim. They can only play roles that are irrelevant and unimportant. But I never thought of giving up. Five years ago I planned to record my own album. But because of stomach acid reflux, my vocal chords got damaged. My voice became hoarse and coarse. It brought me a lot of frustrations because I have worked hard for many years. Then this happened. I then amended my singing techniques and the issue improved significantly. I was able to sing again. I am now working on re-recording my new album.
A lot of ethnic minority issues materialized around me as of late. I am currently the voice over for a RTHK program about ethnic minorities in Hong Kong. It is very hard for them to develop their career in the local entertainment industry. It is because when 90 percent of the people share the same skin color comes together in a particular place, those watching TV or film will tend to watch people of their own skin color. They may not watch ethnic minorities. If a group of ethnic minorities work together to create a program for the web, it may work out. There are a lot of ethnic minorities residing in Hong Kong. Some of their Chinese is better than mine. They also love Hong Kong very much.
‘Hong Kongers’, to me, are people who need to do things ‘Hong Kongers’ do. Eat Hong Kong food. Care about Hong Kong. And do not look at skin color. I hope they can also speak Cantonese. Most importantly, they should regard Hong Kong as their home. Then, they are ‘real Hong Kongers’.
will you dance with me tv show 在 李語蕎Hathaway Lee Youtube 的最讚貼文
#danceinpublic #willyougooutwithme #Kpopdancecover
在連假的最後一天😊
送給大家甜美活潑的舞蹈!
雖然拍攝當天下起了毛毛雨
還是不減我對大家的熱情😁
希望你們會喜歡💕
最後
我知道blackpink回歸了
請你們敬請期待✨✨
On the last day of the holiday 😊
Give everyone a sweet and lively dance!
Although there was drizzle on the shooting day
Still not reducing my enthusiasm for everyone 😁
I hope you will like it 💕
At last
I know blackpink is back
Please stay tuned✨✨
相關合作邀約請聯繫:
[rose860125@gmail.com]
Facebook官方臉書粉絲專頁:
[https://m.facebook.com/iamhathawaylee/]
Instagram:
[https://www.instagram.com/7hathaway7/]
Tiktok@7hathaway7
Weibo@语荞Hathaway
抖音@语荞Hathaway
Bilibili @语荞Hathaway
趕快追蹤😘
⬇️⬇️
https://b23.tv/YfFpy8
will you dance with me tv show 在 Al Rocco Youtube 的精選貼文
Shanghai's duo Dirty Class remixes Al Rocco's newest single All On Me, featuring Blow Fever, turning the new hit from Trap into Future Bass House. 100 free DLs here http://soundcloud.com/alrocco
Official single available everywhere now on iTunes, Spotify, Apple Music, Tidal, Bandcamp, Soundcloud, Xiami, Tudou and more. http://alrocco.com
All On Me Music Video out now https://youtu.be/JiHl35l3c_w
Official All On Me Single https://youtu.be/gQWI2ZsnujM
Buy now on iTunes: http://itun.es/hk/ksJpbb
Listen now on Spotify: http://spoti.fi/1Th1Fhm
Play now on Soundcloud: http://bit.ly/1VgvzCt
Play on Grooves Planet (App Store): http://apple.co/1QIlwmL
In every decision we make, with every move we take, the weight is all on us. #AllOnMe portraits those who hustles smart for their dreams to become a reality. No matter how big or small the goals are, everyone has the opportunity when focus, consistency and a strong belief is taken religiously to the heart. Success is an uphill battle with many obstacles to overcome but that’s because nothing great comes easy. The only way is to just do it. Nobody else is going to do it for you, but you, so what you gonna do?
With 9 mixtapes in catalog since 2012, Al Rocco releases his first original single #AllOnMe exclusively on iTunes this March 25th. Bilingual in English and Chinese, featuring Blow Fever and produced by Chace, the official music video will premier this April 23rd on #TheNextUnicorn. (An international TV show about start up companies competing with each other to be "the next Unicorn” meaning reaching the hundred million dollar status.) #AllOnMe will also be available on the popular mobile game #GroovesPlanet this May 2016 at the App store and Google play.
@ALROCCO
http://alrocco.com
http://instagram.com/alrocco
@BLOWFEVER
http://weibo.com/blowfever
http://instagram.com/feverwonderful
PROD BY @DIRTYCLASSOFFICIAL
http://weibo.com/dirtyclass
http://instagram.com/dirtyclass
First Verse: Al Rocco
I started from the bottom
And I’m climbing to the top
Red money yeh I got them
And they telling me to stop
But i cant stop and i won’t stop i won't
On that jack ma getting paper but you know
And we working and we working and we working now
And we murking and we murking and we get it down
Cause everything i do i do for family
And I ain't got the time to waste my energy
And I gotta do it for my legacy
Ain't nobody gonna do it now its all on me
It's all on me it's all on me
Hundred million dollars like this melody
To be the only legendary UNI-C
Ain't no body gonna do it next it's all on me
Chorus: Al Rocco
It's all on me
It's all on me
It's all on me
To be the only legendary uni-c
It's all on me
It's all on me
It's all on me
Ain't no body gonna do it next it's all on me
Second Verse: Blow Fever
Fever Fever
我一直相信努力相信自己
做事高调做人lowkey
爱慕虚荣全都抛弃
再一步就能到目的
几乎每天工作直到late night
从来没有忘记追求best life
迷了路 回头看你pass life
要经历风雨的成功才叫class right?
有时候漫天雾霾不见flashing light
生活陷入灰色很难分清黑与白
是否付出的努力都能得到回报?
STOP!只有坚持信念才能get it right
走自己选的路让他们说命运有安排
更多压力能量就更多苦尽会甘来
一百分的拼 unicorn是目标
时间就是money remember what ur dream is
Let's do it
Chorus: Al Rocco
It's all on me
It's all on me
It's all on me
To be the only legendary uni-c
It's all on me
It's all on me
It's all on me
Ain't no body gonna do it next it's all on me
Bridge: Al Rocco
You talking about it I’m walking about it
You talk about nothing I’m keeping it 100
And now they know that i came and i done it
And now they be wondering how i could do it
You talking about it I’m walking about it
You talk about nothing I’m keeping it 100
And now they know that i came and i done it
And now they be wondering how i could do it
Chorus: Al Rocco
It's all on me
It's all on me
It's all on me
To be the only legendary uni-c
It's all on me
It's all on me
It's all on me
Ain't no body gonna do it next it's all on me
Written by Al Rocco & Blow Fever
Produced & Composed by Dirty Class
will you dance with me tv show 在 EDEN KAI Youtube 的最佳解答
EDEN KAI [イーデン・カイ] a.k.a. Yusuke Aizawa (鮎澤悠介), performs "She Saw Me Dance" from his debut album "Touch the Sky" which is a finalist in the 39th Annual Na Hoku Hanohano Awards 2016, Hawaii's version of the Grammy Awards, for Instrumental Album of the Year. This song was also submitted for Instrumental Composition of the Year.
Pakele Live! is a live televised show featuring Hawaii's top artists and performers on Livestream, highlights will be edited to a half hour show which will air later on OC-16TV in Hawaii.
Big thanks and Mahalo to Awesome Emcee Aaron Mikami and everyone at Pakele Live for the excellent video camera filming and recording, and the Willows restaurant in Honolulu, Hawaii!!!
***CLICK "SUBSCRIBE" NOW*** FOR THE NEWEST VIDEOS!!!
チャンネル登録、宜しく御願いします!
CONTACT(連絡): imagine@edenkai.com
MERCH(グッズはこちらから) : http://edenkai.store
CAMEO (For personal video shoutouts ビデオメッセージをご希望の方はこちらまで)https://www.cameo.com/edenkai
Let's Connect!(SNSやってますー!):
WEBSITE(WEBサイト): https://edenkai.com/
INSTAGRAM(インスタ): https://instagram.com/edenkai_official
TWITTER(ツイッター): https://twitter.com/edenkaiofficial
FACEBOOK(フェイスブック): https://www.facebook.com/EdenKaiOfficial
TIKTOK(ティックトック)@edenkai_official
About EDEN KAI:
With millions of fans around the world, Eden Kai has earned his reputation as being a ukulele and guitar virtuoso, a Pop/R&B vocalist, and an accomplished actor. While many were first introduced to Eden when he joined the cast of Netflix and Fuji Television’s Terrace House: Aloha State, the young star’s success had already been years in the making. He has since gone on to make additional appearances on Terrace House: Tokyo 2019-2020, appeared on Shiro to Kiiro on Amazon Prime and has performed at the Fuji Rock Festival (the largest outdoor music festival in Japan), Nisei Week Festival in Little Tokyo, OC Japan Fair and ANA Honolulu Music Week in Waikiki. Eden’s accomplishments have earned him interviews by NBC News and The Yomiuri Shinbun (the world’s most circulated newspaper).
His most recent album, Home Sweet Home, released in 2018 and was recorded in Tokyo, Japan, produced by his music label in Japan Victor Entertainment. Three tracks from that album were featured in episodes of Netflix Japan’s Terrace House during the show’s Opening New Doors and Tokyo 2019-2020 seasons. The series also featured Eden’s instrumental compositions of “Touch the Sky” and “Feel the Earth.” “Monogatari” was his debut pop vocal single, which he wrote and performed on the show. That music, as well as Eden’s past album releases, can be heard on all major streaming services and is available for purchase on Eden’s official website, www.EdenKai.com.
In addition to working on his own music, Eden has collaborated with some of the world’s top artists and producers, including EXILE and Dream. One of his compositions was used to create “Anuenue,” a hit J-Pop single recorded and released by Dance Earth Party, which landed at #11 on the Oricon Music Charts in Japan.
Eden also recognizes the importance of using his music to help others. He has hosted several ukulele workshops in Honolulu and Japan, been the featured performer at the Waikiki Spam Jam, benefiting the largest non-profit in Hawaii that feeds the needy, and the Hawaii Food and Wine Festival from which proceeds helped local children in the community. Eden has donated proceeds from some of his songs to assist humanitarian causes, including the support of a health center in Haiti and the purchase of educational materials for children in Bangladesh.
Thanks for watching and please SUBSCRIBE for more videos coming soon!
"Keep Doing What You Love!" ~ Eden Kai