【プロとは「塩梅」である】
毎日、いろんな方とお仕事をさせていただくのですが、「この人、プロだなぁ」と思う瞬間がいくつかありまして…そのうちの一つに「自分の能力と役割を見極めている」があります。
チームプレーになった場合!プロは出るべきポイントで出て、控えるべきポイントで控える。
とりわけ、「今回は、取り扱う素材に対して、自分の能力をどこまで出せばいいか?」という答えを探るのが本当に上手で……たとえばダウンタウンの浜田さんなんて、ご自身でガーッと前に出ていかれる時もあれば、場合によっては手を叩いて笑っているだけの時もある。
後者の場合は、だいたいゲストがゾーンに入った瞬間で、こうなると、番組全体の面白さを見たときに、脂が乗っているゲストにシュートを打たせた方がよくて、手を叩いて笑っているだけの方が絶対に良い。
「仕事をする」とは、そういうことだと思います。
決して「いついかなる時も自我を出す」ということではない。
出る時は出て、引くときは引く。
この「塩梅」ですね。
そして、「引く」ということは、このターンではシュートは打てないわけですから、「今回はどうぞ」と譲れるだけの余裕を持っておかなくちゃいけない。
つまり、他で圧倒的な結果を出しておかなくちゃいけない。
他で結果を出せるから、引くべきポイントで引ける。
これ、普段から結果を出していない人だと、「ここで爪痕を残さねば!」というモードに入っちゃって、せっかくゴール前の良い場所に仲間がポジションを取れているのに、パスを出さずに、一人でボールを持ち込んでしまうので、アマチュアは、ここが厄介です。
今朝、映画『えんとつ町のプペル』の主題歌のダンスバージョンのMVがYouTubeで公開されました。
制作に至るまでの経緯を簡単にお話ししますと……映画というのは、いろんな会社がお金を出し合って作っていて、その中には「宣伝費」というものが確保されているんですね。
ただ、その「宣伝費」だって、皆から集めた限られたお金なわけで、もちろん乱暴な使い方はできない。
なので「あれに使おう」「これに使おう」と皆と話し合って、宣伝費の使い道を探っていくのですが、一方で、結果がどっちに転ぼうが、つまり宣伝効果がゼロであろうが、どうしてもやりたい表現が僕にはあります。
それって、自分のお金で勝手にやる分にはどこからも誰からも文句が出ないじゃないですか?
というわけで、オンラインサロンの売り上げをブチ込んで、映画『えんとつ町のプペル』のエンディング主題歌のダンスバージョンのレコーディングをして、そのミュージックビデオを超個人的に作ってみました。
「個人的に」といっても、たとえば今回は「ロザリーナ」というアーティストに歌ってもらっているので、キチンと事務所さんとの契約もして、大人の手続きは済ませています。「ただ、制作費は全額ボクが出します」と(笑)
そうすれば、どこにもお伺いを立てることなく、フルスイングできるので。
で、今回のダンスの振り付けをお願いしたのは「バブリーダンス」でお馴染みの登美丘高校のakaneさんです。
かなり早い段階でakaneさんにお伝えしたのは、テレビの歌番組に見られるカメラワークに対する違和感についてです。
ダンスって、基本は正面(客席)から見られることを想定して作られてるじゃないですか?
なので、やっぱり個人的には正面から見たいんですね。
ところが歌番組だと、「今、正面から見たいのに!」という時でも、クレーンカメラとか使って、ナナメ上から撮ったりするじゃないですか?
勿論、それが効果的な時もあります。
ただ、その一方で演出のエゴでしかない場合も確実にある。
僕は、その仕事を「プロ」とは呼びません。
本音を言うと、三浦大知さんのダンスとか、なんなら、正面の固定カメラで見たいです(笑)
振付師の方は、「このシーンのダンスは、この角度から見たら一番綺麗」という答えをお持ちだと思って、akaneさんと呑みに行った時に、「ぶっちゃけ、どうなんですか?」と聴いたら、「正直、『ああ、そこから撮っちゃうか〜(涙)』という時があります」とおっしゃっていたので、「それならば、今回はakaneさんが映像監督をしてください」とお願いしました。
んでもって、ダンスというのは「正面から見られること」を想定されて作られているので、撮影する場所も、「正面から見られることを想定して作られた空間にした方がいいだろう」という判断で、劇場の、さらにはステージ上で撮影することになりました。
そのあたりからかな。
今回のダンスMVのテーマが「お遊戯会」になってですね、そのテーマに合わせて、一線でバッチバチにやっているクリエイター達が、空間と映像を仕上げていくのですが……冒頭申し上げました通り、そこに集まったのは正真正銘プロなので、全員、その塩梅が絶妙なんです。
いつもは、「お前、ちょっと前に出過ぎ」とか「ここは、ゴリっと行け」とか言ったりするんですけど、今回に関しては本当に何も言ってなくて、「やっぱプロだなぁ」と思いました。
たとえば、完璧に踊りきってくれる子をキャスティングしようと思ったらできたんですが、
今回に関しては「寸分の狂いもない踊り」よりも「子供が頑張って練習して覚えた踊り」が前に出た方がいいので、その感じが出せる子に声をかけたり、
舞台美術にしても、いわゆる「かきわり」なのですが、まさか手を抜いているわけではなくて、プロが本気で手作り感を残した「かきわり」を作っているんですね。
あそこで、ゴリゴリの美術を建ててしまうと、目がそっちにいっちゃって、子供のダンスに光が当たらなくなる。
照明も衣装も演出もカメラワークも全て、塩梅がとれていて、見ていただくと分かると思うのですが、すっごい心地良いんです。
あと、ひたすら楽しいことをやっているハズなのに、なんか泣けてきちゃう。
もしかしたら、どこかで「2020年」の状況を重ねちゃって見ているのかもしれませんが。
今回は、「プロが本気でお遊戯会を作ったら、こうなる」という一つの正解です。
「この現場では何を見せるべきか?」、もっと言うと、「チームとして、自分がどれだけ前に出て、自分がどれだけ後ろに引けば、人の胸をうつことができるのか?」ということを表しているこの映像作品から学ぶことってメチャメチャ多いと思います。
是非、ご覧ください。
(※こちら→https://youtu.be/Rihe2JOyLQA)
▼西野亮廣の最新のエンタメビジネスに関する記事(1記事=2000~3000文字)が毎朝読めるのはオンラインサロン(ほぼメルマガ)はコチラ↓
https://salon.jp/nishino
[Professional is ′′ Seasoning ′′
Every day, I'm going to work with all kinds of people, but there are a few moments that I think ′′ this person is a professional... one of them ′′ I'm seeing my ability and role ′′ There is.
If you become a team play! Pros go out at the point to get out and refrain from the point to refrain.
Especially," this time, I'm really good at exploring the answer that I can get my ability to the material I handle?" for example, Hamada-San in downtown is going to be in front of myself. Sometimes it's time to go, sometimes it's just a bit of a bit of a bit of a bit of a bit of a bit of a
In the latter case, it's almost the moment when the guest enters the zone, and this is how it's better to shoot a greasy guest when you see the funny of the whole program, and it's better to clap your hands. It's absolutely better to just laugh.
I think that's what it's like to ′′ work ′′
It never means ′′ always put out your ego
Get out when you get out, pull when you pull.
This ′′ Seasoning ′′ isn't it?
And," pulling ′′ can't hit the shoot in this turn, so you have to be able to afford a negotiable one.
In other words, you have to make other overwhelming results.
I can make other results, so I can draw it with a point to pull.
This is a person who doesn't usually make results," I have to leave a claw here!" I'm in the mode, and I'm going to have a good time with my friends in a good place before the goal, but I'm going to pass it out I'm going to bring the ball alone, so amateurs are messy here.
This morning, the music video for the dance version of the main theme song for the movie ′′ a no-Cho ′′ has been released on Youtube.
It's easy to talk about how to make it to the production...... the movie is that all kinds of companies are making money, and some of them are secured by ′′ publicity expenses ′′
It's just that ′′ publicity expenses ′′ is a limited money collected from everyone, and of course it can't be used rowdy.
So, ′′ Let's use it for that "" let's use it for this "" I'm going to talk to everyone, and I'm going to search for the use of the promotion expenses, but on the other hand, the result is which one is the one who is the one who is the one who But I have an expression that I really want to do.
Doesn't it complain about anyone from anywhere when you do it with your own money?
So, I tried to make the music video super personal with the recording of the dance version of the ending theme song of the movie ′′ a in town ′′ with the sales of the online salon.
′′ personally." for example, this time, I'm singing by an artist called ′′ b." so I'm going to have a contract with the office, and I'm going to have a good time with the adult procedure." just production The cost is full I will put it out lol
If so, you can do it without being able to visit anywhere.
So, this is Mr. Akane from tomigaoka high school, who is familiar with the ′′ ba dance ′′ that I asked for the choreography of this dance.
I told akane at a pretty early stage about the discomfort of the camera work that can be seen on the tv song program.
Dance is made to assume that the basics are seen from the front (audience)?
So, personally, I want to see it from the front.
But when it's a song program," I want to see it from the front now!" but I'm going to use a crane camera and take it from Nana Shark?
Of course, sometimes it's effective.
It's just that it's only the ego of the staging on the other hand.
I don't call the job ′′ professional
To say the truth, I want to see daichi miura's dance, or something, with a fixed camera in the front (lol)
The Choreographer is," the dance of this scene is the most beautiful if you see it from this angle," when you go to drink with akane," what do you think? ?" when I listened to it," honestly," oh, I'm going to take it from there ~ (tears)," so," if that's it, Akane will be a video director this time. Please
And the dance is made by assuming ′′ to be seen from the front," so the place to shoot is also," it's better to make it a space made by assuming to be seen from the front. I'm going to take a picture of the theater, and more on the stage.
I wonder if it's from around it.
The theme of the dance mv this time is ′′ Yugi-GI-Kai...... the creators who are doing the batch drumstick on the line are finishing the space and video...... opening As I did, it's a real professional that gathered there, so all of them are exquisite.
I always say, ′′ you're a little bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of Yes.
For example, I thought I was going to casting a child who is going to dance perfectly.
As for this time, it's better to go out before ′′ the dance that kids practice hard and remember ′′ rather than ′′ a dance without a crazy dance ′′ so I'm going to shout out to a child who can feel it.
Even if it's a stage art, it's the so-called ′′ and ′′ but it's not that I'm out of hand, but I'm making a ′′ and ′′ that the professional is seriously handmade.
When you build a grind art over there, your eyes go there, and the light won't hit the child's dance.
The Lighting, the costumes, the performance, and the camera work are all seasoning, and I think I'll know that I'm going to take a look at it, but it's really comfortable.
I'm going to cry even though I'm doing something fun.
Maybe I'm looking at the situation of ′′ 2020 ′′ somewhere.
This time, it's one correct answer to ′′ if the professional is seriously making a yugi party,"
′′ what should I show in this site?", to say more?" as a team, how much I get out of front and how much I pull behind, I can get a person's chest," I think it's totaled to learn from this video that represents it.
Please take a look.
(* HERE → https://youtu.be/Rihe2JOyLQA)
▼ an article about the latest entertainment business of ryo nishino (1 articles = 2000 to 3000 characters) can be read every morning online salon (almost mail magazine) is here ↓
https://salon.jp/nishinoTranslated
同時也有1部Youtube影片,追蹤數超過180萬的網紅Venus Angelic Official,也在其Youtube影片中提到,Subscribble ♥ http://bit.ly/1tZ3Khi Invited to a dance but don't have a fairy godmother to doll you up? No worries! All you need is your makeup box a...
「you're the one that i want line dance」的推薦目錄:
you're the one that i want line dance 在 Kenjumboy Facebook 的最讚貼文
Eminem Killshot rap cover :v mới tập nên hơn tệ :< đừng chê nha
Eminem Killshot rap cover :v mới tập nên hơn tệ :< đừng chê nha :(
Lyrics bài này nè :3 :
You sound like a bitch, bitch
Shut the fuck up
When your fans become your haters
You done?
Fuck, your beard's weird
Alright
You yellin' at the mic, you weird beard
We doin' this once
Your beard's weird, why you yellin' at the mic?
Rihanna just hit me on a text
Last night I left hickeys on her neck
Wait, you just dissed me? I'm perplexed
Insult me in a line, compliment me on the next, damn
I'm really sorry you want me to have a heart attack
Was watchin' 8 Mile on my NordicTrack
Realized I forgot to call you back
Here's that autograph for your daughter, I wrote it on a Starter cap
Stan, Stan, son, listen, man, dad isn't mad
But how you gonna name yourself after a damn gun and have a man bun?
The giant's woke, eyes open, undeniable
Supplyin' smoke, got the fire stoked
Say you got me in a scope, but you grazed me
I say one call to Interscope and you're Swayze
Your reply got the crowd yelling, "Woo"
So before you die let's see who can out-petty who
With your corny lines (Slim you're old)
Ow, Kelly, ooh, but I'm 45 and I'm still outselling you
By 29 I had three albums that had blew
Now let's talk about somethin' I don't really do
Go in someone's daughter's mouth stealin' food
But you're a fuckin' mole hill, now I'ma make a mountain out of you, woo!
Ho, chill, actin' like you put the chrome barrel to my bone marrow
Gunner? Bitch, you ain't a bow and arrow
Say you'll run up on me like a phone bill, sprayin' lead
Playin' dead, that's the only time you hold still
Are you eating cereal, or oatmeal?
What the fuck's in the bowl, milk? Wheaties or Cheerios?
'Cause I'm takin' a shit in 'em, Kelly, I need reading material
Dictionary
Yo Slim, your last four albums sucked
Go back to Recovery, oh shoot, that was three albums ago
What do you know? Oops, know your facts before you come at me, lil' goof
Luxury, oh, you broke, bitch?
Yeah, I had enough money in '02
To burn it in front of you, ho
Younger me? No, you the whack me
It's funny, but so true
I'd rather be 80 year old me than 20 year old you
'Til I'm hitting old age, still can fill a whole page with a 10 year old's rage
Got more fans than you in your own city, lil' kiddy
Go play, feel like I'm babysitting Lil Tay
Got the Diddy okay so you spent your whole day
Shootin' a video just to fuckin' dig your own grave
Got you at your own wake, I'm the billy goat
You ain't never made a list next to no Biggie, no Jay
Next to Taylor Swift, and that Iggy ho, you about to really blow
Kelly, they'll be putting your name
Next to Ja, next to Benzino, die, motherfucker
Like the last motherfucker sayin' Hailey in vain
Alien brain, you Satanist (yeah)
My biggest flops are your greatest hits
The game's mine again and ain't nothin' changed but the locks
So before I slay this bitch, mwah, give Jade a kiss
Gotta wake up Labor Day to this (the fuck?)
Bein' rich-shamed by some prick usin' my name for clickbait
In a state of bliss 'cause I said his goddamn name
Now I gotta cock back, aim, yeah, bitch, pop champagne to this
It's your moment, this is it
As big as you're gonna get, so enjoy it
Had to give you a career to destroy it
Lethal injection, go to sleep six feet deep
I'll give you a B for the effort, but if I was three
Foot 11, you'd look up to me, and for the record
You would suck a dick to fuckin' be me for a second
Lick a ballsack to get on my channel
Give your life to be this solidified
This mothafuckin' shit is like Rambo when he's out of bullets
So what good is a fuckin' machine gun when it's out of ammo?
Had enough of this tatted-up mumble rapper
How the fuck can him and I battle?
He'll have to fuck Kim in my flannel
I'll give him my sandals
'Cause he knows long as I'm Shady, he's gon' have to live in my shadow
Exhausting, letting off on my offspring
Like a gun barrel, bitch, get off me
You dance around it like a sombrero, we can all see
You're fuckin' salty 'cause young Gerald's balls-deep inside of Halsey
Your red sweater, your black leather
You dress better, I rap better
That a death threat or a love letter?
Little white toothpick
Thinks it's over a pic, I just don't like you, prick
Thanks for dissing me
Now I had an excuse on the mic to write, "Not Alike"
But really, I don't care who's in the right
But you're losin' the fight you picked
Who else want it, Kells?
Attempt fails, Budden, L's
Fuckin' nails in these coffins as soft as Cottonelle
Killshot, I will not fail, I'm with the Doc still
But this idiot's boss pops pills and tells him he's got skills
But Kells, the day you put out a hit's the day Diddy admits
That he put the hit out that got Pac killed, ah
I'm sick of you bein' whack
And still usin' that mothafuckin' Auto-Tune, so let's talk about it (let's talk about it)
I'm sick of your mumble rap mouth
Need to get the cock up out it before we can even talk about it (talk about it)
I'm sick of your blonde hair and earrings
Just 'cause you look in the mirror and think you're Marshall Mathers (Marshall Mathers)
Don't mean you are, and you're not about it
So just leave my dick in your mouth, and keep my daughter out it
You fuckin', oh
And I'm just playin', Diddy, you know I love you
you're the one that i want line dance 在 โปรแกรมเมอร์ไทย Thai programmer Facebook 的精選貼文
มีคำถามเกี่ยวกับอาชีพโปรแกรมเมอร์
เลยลองตอบให้เท่านี้ที่นึกออก
ใครจะเสริมเพิ่มเติมก็ยินดีครับ
.
1) ลักษณะอาชีพ
เป็นสายที่ไม่ต้องมีใบประกอบวิชาชีพ
จบจากสาขาอื่น ก็กระโดดมาเขียนโปรแกรมก็ยังได้
ยิ่งบริษัทดังๆ ระดับโลก หลายแห่งเขาเริ่มไม่สนใจปริญญากันแหละ
.
หน้าที่หลักก็เขียนโค้ดตาม spec หรือ requirement
แต่สเกลงานจะครอบคลุม มีตั้งแต่ออกแบบ เขียนโค้ด แก้บั๊ก ทดสอบ
.
อันนี้คร่าวๆ เพราะที่ทำงานแต่ละแห่ง เนื้อหางาน ขอบเขตความรับผิดชอบจะไม่เหมือนกัน แถมชื่อตำแหน่งก็ยังต่างกันอีกด้วย
.
ถ้าทำบริษัทแนวซอฟต์แวร์เฮาส์
เนื้องานที่ทำ ก็ขึ้นกับโปรเจคที่ได้รับมอบหมาย
พอโปรเจคตัวหนึ่งจบ ก็ไปต่ออีกโปรเจค
หรือดูแลโปรเจคเดิม support ไปเรื่อยๆ
.
งานอาชีพนี้จะทำงานกันเป็นทีม ทั้งภายในทีมเดียวกัน และติดต่อร่วมกับทีมอื่นๆ
.
แต่ถ้าเป็นบริษัทที่ไม่ใช่แนวซอฟต์แวร์เฮาส์
ก็อาจเห็นโปรแกรมเมอร์เป็นส่วนหนึ่งของฝ่ายไอที
มีทักษะทำงานได้หลากหลาย เพื่อรองรับ user
.
2) คุณสมบติอาชีพนี้
- ใช้ตรรกะ ทางความคิดค่อนข้างสูง
- เป็นทั้งนักสร้างสรรค์ เพื่อสร้างผลงานให้ทันเดดไลน์
- อีกทั้งต้องเป็นนักแก้ปัญหาตัวยง ทั้งแก้ปัญหาที่เกิดขึ้นในงานที่เราทำ หรือเอางานคนอื่นมาแก้ไข เป็นต้น
- ต้องเป็นคนที่ไม่หยุดนิ่ง เท้าต้องเต้นฟุตเวิร์คตลอดเวลา เพราะแต่ละวัน จะเจอปัญหาใหม่ๆ ที่ไม่จำเจ ต้องรับมือได้ทัน
- มีความกระหายเรียนรู้สิ่งๆ ใหม่ เพราะเทคโนโลยีไม่เคยหยุดนิ่ง
- ภาษาอังกฤษก็จำเป็น
- สื่อสารเพื่อนในทีม ได้รู้เรื่อง
...ทักษะทำงานเป็นทีมก็ต้องมีอะนะ
- ทนต่อความเครียด แรงกดดัน เพราะงานส่วนใหญมักเร่งด่วน
เนื่องจากเจอแรงกดดันมาจากลูกค้าอีกที
- บางคนมีสกิลแก้บักในความฝัน อันนี้ห้ามลอกเลียนแบบ
3) การเลื่อนขั้น/เงินเดือน
- รายละเอียดของรัฐ อันนี้ไม่ทราบ
- ถ้าเอกชน ก็ขึ้นอยู่กับฝีมือ
...ให้ดูอุปสงค์ อุปทานในตลาดแรงงาน เช่น เทคโนโลยีตัวไหนเป็นที่ต้องการสูง แต่ตลาดยังขาดแคลน ถ้าเราเป็นก็ย่อมเรียกร้องเงินเดือนได้มากกว่าปกติ
- เรตเงินเดือน ส่วนตัวเคยเห็นต่ำกว่าหลักหมื่น จนกระทั้งถึงแสน อยากรู้ลึกคงต้องไปถามพวกบริษัท Recruitment เขามีข้อมูลเงินเดือนอยู่
- การเลื่อนขั้น ก็แล้วแต่บริษัทจะเมตตา เขามีเกณฑ์และเงื่อนไขอยู่
- หรือไม่ก็ย้ายงานอัพเงินเดือน เลื่อนตำแหน่ง
4) วัฒนธรรมองค์กร
- แล้วแต่ละที่นะ ไม่เหมือนกัน ไม่รู้จะตอบยังไง
- แต่ที่เหมือนกันคือ ส่วนใหญ่มักมาสาย กลับดึก
- โอทีก็......ไม่บอกดีกว่า เดียวสะเทือนใจ
- และอยากได้แปลกใจ ถ้าคุยกับคนกลุ่มนี้ไม่รู้เรื่อง เวลาเจอศัพท์เทคนิคต่างๆ
Questions about career programmer
So I tried to answer this much I could imagine.
If anybody wants to add more, you're welcome.
.
1) career characteristics
It's a line that doesn't require professional certificate.
Finished from other branches, I could jump to write a program.
The more global companies start to care about their degree.
.
Main Duty, write code according to spec or requirement.
But the scale will cover. Available from design, write code, fix cuddle test.
.
This one is roughly because each workplace, job content, scope, responsibility will not be the same. Plus the title is different.
.
If you do a house software company
The work done depends on the project assigned.
When one project ends, I go on another project.
Or take care of the original project. Keep supporting.
.
This career will work as a team, both within the same team and contact with other teams.
.
But if it's not a house software company
Probably see programmers as part of it
Multi-working skills to support user
.
2) Khun Somti this career
- using a relatively high thought logic.
- both creators to make work in time for deadline.
- it has to be a top problem solving problems that happen in the work we do or fix other people's work, etc.
- I have to be a non-stop person. Feet have to dance all the time. Because each day I will encounter new problems that I don't remember. Jay
- thirst, learn new things because technology never stops.
- English is necessary.
- communicate with team friends to know about it.
... skill to work as a team must have.
- withstand stress, pressure because big work is often urgent.
Due to the pressure from the customer again.
- some people have cuddle skills in their dreams. Do not imitate.
3) Promotion / salary
- details of these cuddle states are unknown.
- if private depends on skill
... Let's see the supply demand in the labor market such as which technology is high demand, but the market is still shortage. If we are, we can call for more salary than
- Personal Salary rate. I have seen less than tens of thousands until it's even hundred thousand. If you want to know deep, you need to ask the recruitment company. They have salary information.
- promotion is up to the company to have mercy. He has criteria and conditions.
- or move a job. Cuddle baht. Promotion Salary.
4) organizational culture
- and each place is different. I don't know how to answer.
- but the same thing is that most of them are late.
- OT is...... I won't tell you. I'm heartbreaking.
- and I want to be surprised if I can't talk to this group of people when I see technical vocabulaTranslated
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