[出走地平線：性與電影]
Flattening The Curve: Sex and Cinema
在情色片或不同的文化中，床第之事都是例行公事：你做這個，總會讓大家進入…然後我再這樣做，「啪！」完事了。
但一部想宣揚肢體美學的電影不是這回事。電影中的性愛場面尤如地雷陣，進入這地帶，顯露我們的恐懼、不安和對自已的真正看法。
所以拍性愛戲時，我們的步履會輕柔一點…先讓演員明白大家都小心謹慎，你不必做這個做那個…但如果所有都借位拍攝，又會變成一部爛A片：性愛變成一場表演，而不是真正分享一種經歷、經驗和樂事。
在我的經驗中，這關乎於（跟好的性愛一樣）信任。作為攝影師，我是床戲最密切的人，也是參與者。我嘗試讓觀眾感受那種燈光、潮紅、甜蜜和熱情澎湃的感覺，體驗它應有的生命。
現實中，不少人做愛的原因，是因為他們酒醉到連交歡的對象也不清楚，又或是做過甚麼。
在電影世界裡，我們也要找到類似的空間：一個被棄置，帶給別人意想不到會發生甚麼事的地方。
我喜歡拍性愛戲。我深信在分享私密之間，讓電影變得更真切。
In porn and in many cultures, bedrooms sex is just programmed : you do this, which takes us there ...then I do this and "bang" we are done.
That doesn't quite work if a film intends to celebrate our bodies. Sex in film is a field of landmines, a terrain that most reveals our fears, insecurities and what we really feel about ourselves.
So we tread lightly ... we re-assure that this will be discreet and you don't have to do this and that .... but when it gets too technical， it's just like bad porn : a performance rather that an event or experience or a pleasure shared.
In my experience it has to be ( like e good sex ) about trust. As a cameraperson, I am the closet to the act. I am a participant. I am trying to give your experience the light and flush and sweet and exuberance that this wonder of life deserves.
In the "real world", people often have sex because they were too drunk to know who they are with, what they were doing.
In the film world, we have to find a similar space: a space of abandon and giving the unexpectedness of actually doing something you never thought you would or could.
I like sex scenes. I believe the secrets shared are what makes our films so true.
圖：《仙人掌旅館》(1997)劇照
Photo : Still from Motel Catus (1997)
#仙人掌旅館 #朴基永 #性與電影
#MotelCatus #ParkKiYong #sexandcinema
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