再過幾個小時,2015年就要結束了,農曆新年(猴年)也即將來到!小編趕緊在這羊年的尾聲以這幅郎世寧的【畫開泰圖】祝福大家身體健康、圓滿順利!
畫中的三羊諧音「三陽」,象徵著中國傳統吉祥話的「三陽開泰」;而對西方基督宗教而言,羊也有著重要的涵意:《聖經》中常以羊代表信徒謙卑順從、跟隨牧人引領,而母羊哺育小羊也是美德的代表。這幅畫可說是既具有中國傳統風俗,又有郎世寧身為西洋傳教士的情感和信仰寄託,幸福詳和又平安! #神筆丹青 #郎世寧
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神筆丹青-郎世寧來華三百年特展
【清 郎世寧 畫開泰圖】陳列室:210
Special Exhibit: Portrayals from a Brush Divine: A Special Exhibition on the Tricentennial of Giuseppe Castiglione's Arrival in China
【Beginning a Peaceful New year】(Gallery: 210)
Lang Shining (Giuseppe Castiglione, 1688-1766), Qing dynasty
Hanging scroll, ink and color on paper, 228.5 x 138.3 cm
展期(Dates):2015/10/06~2016/01/04
文物賞析:
畫面母羊表情慈愛溫柔,仔羊幼稚天真,一隻跪臥吮乳,另一隻則低頭覓食。母綿羊臉部弓狀,中央圓突。郎氏以細膩筆法將羊毛捲曲如螺旋,描寫得極為活潑生動。綿羊生性溫順,跟隨牧人引領,《聖經》常以牠來象徵信徒謙卑順從,母羊哺育小羊也是美德的代表。郎世寧既能符合皇帝繪製要求,傳達出儒家孝道思想;又巧妙運用此類主題,滿足了傳教士心中虔誠的信仰。
此軸作成於乾隆十一年 (1746) ,時郎世寧五十八歲。主角動物由郎氏所繪,次要配景湖石、翠竹、白梅,用筆隨意流暢,則出自其他宮廷畫家之手。「三羊」諧音「三陽」,斷歷正月為泰卦,三陽生於下,此時陰消陽長,冬去春來。「三陽開泰」作為歲首祝頌之辭,書體學習元代趙孟頫(1254-1322) ,圓潤秀麗,舒暢流利。部分紙質因膠礬較厚重,年久變黃,山石青綠底色也有同樣現象。乾隆三十七年 (1772) ,乾隆皇帝參照此圖而作〈御筆開泰說並仿明宣宗開泰圖〉,亦收藏於本院。該畫上錄有〈開泰說〉全文,論述三羊開泰之意涵。然細審畫中綿羊之造型,實摹仿此圖。
The Qianlong emperor named this painting (literally "Beginning Peace") in reference to the subject of three sheep (or goats). In Chinese, three such animals ("sanyang") is a homonym for "three yang," an auspicious trigram of divination in The Book of Changes. The combination of the two binomes into a four-character title for "Three Yang (Sheep) for a peaceful Start" is meant to convey heavenly blessings for peace in the upcoming year. Giuseppe Castiglione has rendered the sheep here against the backdrop of a garden rock, verdant bamboo, and white plum blossoms, the easygoing brushwork of which was perhaps by a Chinese court painter. Also, the inscription indicates the scroll was done in the eleventh year of the Qianlong reign (1746), when Castiglione was 58 years old.
The ewe seen here has wavy wool as a lamb kneels at its side and suckles; another lamb feeds on grass nearby. Sheep are known for their gentle nature and passive herding, the Holy Bible using it as a symbol of humility and obedience. Castiglione skillfully portrayed this subject, which has deep-seated connotations in Western and Chinese history, conveying both imperial sentiment and perhaps personal conviction as well.
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網站:http://theme.npm.edu.tw/ex…/giuseppecastiglione/…/index.html
Website: http://theme.npm.edu.tw/ex…/giuseppecastiglione/…/index.html
日本語:http://theme.npm.edu.tw/ex…/giuseppecastiglione/…/index.html
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