🚩 New Media Artist Hsin-Chien Huang Leads "Garden Taipei/Formosa: Taiwan Grand Tour" with 22 Taiwan's VR and New Media Artworks to 2021 Ars Electronica Linz in Austria🇦🇹
2021 ARS ELECTRONICA FESTIVAL Ars Electronica has chosen “A New Digital Deal” as its annual theme, centering around the social and cultural transformations under the influence of technology from different countries. Also, it pays attention to changes of “the New Normal” due to the pandemic.
Hsin-Chien Huang, this year’s curator of the “Garden Taipei/Formosa”, resonates the theme with the “Taiwan Grand Tour”, hoping to waken our desire and ability to move freely during the journey via different kinds of media, also make more people see the marvelous results and how hard Taiwan has devoted to technology, culture, tradition, and tradition via international digital platforms. The tour will have become a window between the world and Taiwan.
The scale of this year’s exhibitions has been brought up a notch. Not only did it carry on displaying the VR and AR productions from last year, but the curator Hsin-Chien Huang has collaborated with three other, Hsiao-Yue Tsao, Billy Chang, and Chung-Hsien Chen, to call out many VR directors, new media artists, start-up companies and government institutions to join the project. There are 22 magnificent programs in total, which will be shown in categories such as “Immersive Tour”, “Animated Tour”, “New Media Tour”, “Earth Tour” and “Action Tour” respectively.
“Immersive Tour”, as the first part of the “Taiwan Grand Tour”, viewers can wander among the mountains, oceans, and rivers in the digital world, even outer space! Six scenes inspired by unique Taiwanese landscapes with cultural and biological features will be shared with the audiences, such as “The Starry Sand Beach” (Directed by Hsin-Chien Huang and Nina Barbier), “Moondream Reality-Rebirth”(Directed by Chi-Yen Chiang, Ami Wu), the shuttle VR 360 stereo video of “TAIPOWER D/S ONE.” (Directed by Ghung-I Hung and Shih-Chou Wen), “Floating Childhoods” (Directed by Hakka Public Communication Foundation and Wen-Chieh Chang), “Blue Tears EP1” (Directed by Hsiao-Yue Tsao), and “Samsara” (Directed by Hsin-Chien Huang).
In the “Animated Tour”, viewers can devote themselves to the characters via different programs. Whether it is the abstract or figurative visual style, audiences can experience anxiety and frustration all the way to happiness and growth. Getting rid of this disappointing reality, viewers shall continue the “Taiwan Grand Tour” through their imagination. This program consists of four animations: "Go Go Giwas: Sowing Dream Seeds"(Directed by Vick Wang, Yi-Feng Kao), "My grandmother is an Egg"(Directed by Wu-Ching Chang),"Inside"(Directed by Yu-Ting Hsueh), and "The Wayward Kite"(Directed by Yu-Ting Hsueh).
In the “New Media Tour” program, nine brilliant pieces created by Taiwanese artists will be shared as the relay points for the “Taiwan Grand Tour.” They use video, sound, electronic music, installation, and various new media to explore different topics, such as family, memory, city, society, landscape, and environment. We firmly believe that digital tools can also capture the warmth and emotions in reality. This program consists of nine artworks: "Surrounding Spectrum"(Directed by Hsiu-Ming Wu), "Nanyang Express II : Eternal Wandering and Tropical Pursuing"(Directed by Yi-Chi Lin), "Wave Waves"(Directed by Sio-Pang Hong), "That ・ This"(Directed by Ching-Chuan Hu), "Signal"(Directed by Chin-Hsiang Hu), "Tower of Babel by the sea"(Directed by Wei-Chung Feng), "How to explain love to an iPhone"(Directed by Jie-Huai Yang), "U+617E_v2.∞"(Directed by Jia-Hua Zhan), and "Absence in Presence"(Directed by Ning Tsai).
In the program “Earth Tour”, viewers will participate in a performance art called “Taste Soil”, which intends to rethink the relationship between humans and land by means of “eating.” The program brings together international eminent chefs Andre Chiang, dancer Billy Chang, new media artist Hsin-Chien Huang and Wen-Chieh Chang, fusing Taiwan’s unique traditions and customs with cuisines and dance performances via VR experience. A feast to the eyes and tastebuds awaits.
Looking back at the present time, humans need to take more efficient scientific actions in the digital world to reduce the consumption and pressure of resources and the environment and cope with the impact in the post-pandemic times. Two important technology units in Taiwan make their debut in the “Action Tour”: Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center. The former is devoted to the sustainable development of materials science with digital technology and design, while the latter is the integration of big data and streaming technology to create a new technical model of urban governance. Combing these two, an answer to developing a sustainable society with digital energy is born. During the tour, a new performance art project is inspired by the digital cross-field cooperation for the first time. The Taipei Urban Intelligence Center will join hands with new media artist Chin-Hsiang Hu and the founder of Inwheel Ghung-I Hung, to create a new media artwork “The Weight of Data” by integrating both virtual and physical materials from different domains and sharing data resources.
The brilliant curatorial concept and lineup of the Taiwan Grand Tour have attracted the interest of the officials of the festival and been in the limelight. Therefore, the festival has invited three creators behind the “Earth Tour”: Andre Chiang, Billy Chang, and Hsin-Chien Huang, to an online interview called “Highlight Channel” at 18:00 on September 1 (Taiwan Time). The link will be provided by the official later on. Moreover, Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center are also invited to share their ideas and experiences in an online show called “Home Delivery.”
The theme of the Garden Taipei/ Formosa is presented in a diverse form of performances by combining different fields multiply. The audience can easily follow the step of the “Taiwan Grand Tour” to explore Taiwan’s magnificent local digital creativity and illustrate a new digital landscape unitedly that only belongs to Taiwan. The 2021 Ars Electronica online exhibition will be held from September 8 to 12, 2021. Click the link below to take a sneak peek of this year’s shows.
📍ARS ELECTRONICA FESTIVAL 🔗 https://ars.electronica.art/newdigitaldeal/de/formosa-grand-tour/
📍ARS ELECTRONICA FESTIVAL “Home Delivery” 🔗 https://www.youtube.com/c/arselectronica/playlists?view=50&sort=dd&shelf_id=5
📍 Garden Taipei/Formosa: Taiwan Grand Tour 🔗 http://garden2021.metarealitylab.com/
#奧地利林茲電子藝術節
#arselectronica21 #gardentaipeiformosa
同時也有8部Youtube影片,追蹤數超過3萬的網紅七王,也在其Youtube影片中提到,Slap Fight is a 1986 vertically scrolling shooter arcade video game originally developed by Toaplan and published by Taito. Set on the colonized ficti...
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- 關於later latter 在 黃心健 Hsin-Chien Huang Facebook 的精選貼文
- 關於later latter 在 Focus Taiwan Facebook 的最佳解答
- 關於later latter 在 Ha Phong IELTS - Thầy Hà & Phong Facebook 的最佳貼文
- 關於later latter 在 七王 Youtube 的精選貼文
- 關於later latter 在 Dainghia25 Youtube 的最讚貼文
- 關於later latter 在 masa - masa Youtube 的最讚貼文
- 關於later latter 在 Later vs. Latter - YouTube 的評價
- 關於later latter 在 what is the difference between later and latter? - English Stack ... 的評價
- 關於later latter 在 Veta - LATE, LATER, LATTER and LATELY When you use ... 的評價
- 關於later latter 在 Later vs Latter | Education for all, Teachers, Language 的評價
later latter 在 Focus Taiwan Facebook 的最佳解答
U.S. Secretary of State Antony Blinken on Wednesday said he is committed to pushing the administration of President Joe Biden to begin talks on free trade agreement negotiations with Taiwan, and for the latter to be invited to the Summit for Democracy, which the U.S. will likely host later this year.
https://focustaiwan.tw/politics/202103110005
later latter 在 Ha Phong IELTS - Thầy Hà & Phong Facebook 的最佳貼文
🎯 PHÂN BIỆT LATER VÀ LATTER
Đây là hai từ mà rất nhiều bạn hay nhầm. 🙄 Mình hãy cùng phân biệt hai từ này nhé!
🌱 Later được dùng để chỉ một khoảng thời gian sau thời điểm nói hay được dùng khi nói lời chào tạm biệt.
👉 Ex: I’ll see you later.
(Tôi sẽ gặp lại bạn sau nhé)
🌱Latter vừa là tính từ, vừa là danh từ. Nó được dùng để chỉ người (hoặc vật) thứ 2 trong tổng số 2 người (hoặc vật).
👉 Ex1: He chose the latter option.
(Anh ấy chọn phương án thứ hai)
👉 Ex2: He presented two solutions. The latter seems much better.
(Anh ấy đã đưa ra 2 giải pháp. Cái đằng sau nghe có vẻ tốt hơn.)
Tóm lại, later là để chỉ mốc thời gian sau thời điểm nói. Còn latter là để chỉ người (vật) thứ hai.
Chúc các em học tốt nhé! 💪
_______________________________________
HA PHONG IELTS - Học tiếng Anh thực chất !!
👉 Thầy Hà (L9 R9 S9 W8,5) & Thầy Phong (L9 R9 S8 W7)
👉 Tuyển sinh các lớp tiếng Anh hàng tháng: www.haphong.edu.vn
Các lớp từ Nền tảng đến IELTS 7.0, sĩ số nhỏ (10-15). Giảng viên tận tâm & chuyên môn cao. Học thử miễn phí!
later latter 在 七王 Youtube 的精選貼文
Slap Fight is a 1986 vertically scrolling shooter arcade video game originally developed by Toaplan and published by Taito. Set on the colonized fictional planet of Theron in the future, where an alien race led by Gaudy have invaded the human-controlled location, players assume the role of an Allied League of Cosmic Nations (ALCON) fighter pilot taking control of the SW475 space fighter craft in a effort to counterattack the invaders. Initially launched for the arcades, the game was later ported to other microcomputer and console platforms by various third-party developers, with each one featuring several changes or additions compared to the original release.
Slap Fight proved to be popular for Toaplan among arcades players despite a low number of arcade boards manufactured in Japan, however it was met with mixed reception from video game magazines across western regions, specifically the home conversions. Although it never received a direct sequel, the game's ideas and weapon system were later inherited by both Truxton and Grind Stormer, with the latter being regarded as its spiritual successor. The rights to the title are owned by Tatsujin, a Japanese company formed by Masahiro Yuge.
(個人通關538)
later latter 在 Dainghia25 Youtube 的最讚貼文
How to Farm Gold in Ghost of Tsushima (The Easy Way)
Gold can be obtained from liberating Mongol war camps. Remember, not all Mongol Territories are the same. The gold will be used to upgrade Jin's Katana. Make sure one has plenty of Iron, Steel, and Supplies as well as to complete those upgrades in one trip.
Where to find Gold in Ghost of Tsushima
To find gold in Ghost of Tsushima, you either need to purchase it from Trappers or complete Mongol Strongholds. The latter will be your primary method of earning gold in the game.
Strongholds are visible on the map as red buildings, and only the big, beefy places will reward gold (Outposts or Farms won’t get you the good stuff). Successfully free an enemy stronghold and you’ll be given two gold automatically as a reward. That doesn’t sound like much, but gold is an extremely valuable resource in Ghost of Tsushima. You also won’t need it until you start taking these places down later in the game.
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later latter 在 masa - masa Youtube 的最讚貼文
ご視聴ありがとうございます。
* There is English explanation after Japanese.
音もだちのMizunaさんからリクエストをいただき、スキマスイッチの「奏(かなで)」をカバーさせていただきました。
※お詫びと訂正💦
転調後のFm7表記はF#m7の間違いでしたm(_ _)m
※美仲心笑さん主催【奏祭り】に参加させていただきました♫
再生リストはこちら!→https://www.youtube.com/playlist?list=PLaQxPXYroyZPU0P5g4L2CTX8VbS9AXmrs
実は以前に一度カバーしようと試みたことがあるのですが、そのときは断念しました。
後半に3度転調する部分があってバレーコードが続いたため、最後まで弾くことができなかったためです。
今回のカバーにあたって、後半をどうやって弾くか、かなり試行錯誤しました。
グライダーカポを使っても3フレット一気に動かすのはムリでしたので、1フレットだけ上げて、バレーコードを半分程度に抑えた結果、なんとか最後まで弾くことが出来るようになりました。
もう一つの課題は、絶妙なタイミングで入る「裏声」と「こぶし」でした。
原曲リスペクトの観点から、これらをできるだけ再現したいと思い、通勤の車の中で「奏」だけをひたすら歌って練習しました。。。
完成度はあまり高くないかもしれませんが、頑張ってみましたので最後までご視聴いただけますと嬉しいです。
P.S.ハモリパートは後から追加しています。
Thank you so much for watching.
I covered "Kanade" by sukimaswitch. This cover is a request from my music friend Mizuna-san!
Actually, I tried once to cover this song, but I gave up at that time.
Because, I could not play the guitar till the end due to continuously pressing the barre chord for the modulation of a third steps.
So this time, I tried trial and error considerably how I play the latter half.
Even if using a glider capo, it could not be moved a third steps at once, so I was moved a glider capo only one step, as a result of suppressing the valley code to about half, I managed to play it to the end somehow.
Another challenge was "falsetto" and "tremolo" entering at exquisite timing.
I wanted to reproduce these as much as possible from the viewpoint of original song respect, so I practiced singing and singing only "Kanade" in my commuting car for a week...
Although perfection may not be very high, I did my best, so I'm glad if you watch this till the end, thanks my friends!
P.S. I added the harmonic singing part later.
※原曲はこちら!(The original song is here!)
スキマスイッチ / 奏(かなで) sukimaswitch / Kanade
https://youtu.be/J5Z7tIq7bco
☆その他のmasa-masaカバー曲はこちら♪
・スキマスイッチ 弾き語りカバー(再生リスト)
https://www.youtube.com/playlist?list=PLTRCxUfnPxuykVcR5GwafqAYXPVHPc0cn
・Mr.Children 19thアルバム『重力と呼吸』弾き語りカバー(再生リスト)
https://www.youtube.com/playlist?list=PLTRCxUfnPxuxaypFLk8k10z8KGrxJ2GnC
・Mr.Children & Bank Band 弾き語りカバー(再生リスト)
https://www.youtube.com/playlist?list=PLTRCxUfnPxuxa_GZdF3BAdWMpdEGESQ4G
・秦基博 弾き語りカバー(再生リスト)※カバー全曲リスト
https://www.youtube.com/playlist?list=PLTRCxUfnPxuyryzYlU_GNgvCypz9RIv2f
・秦基博 弾き語りアルバム【evergreen】カバー(再生リスト)
https://www.youtube.com/playlist?list=PLTRCxUfnPxux8bgXhBEvaF6VujOYHNfEM
・秦基博がカバーした曲の弾き語りカバー(再生リスト)
https://www.youtube.com/playlist?list=PLTRCxUfnPxuxTBhwbu6q-aTI3RAkvOMYh
・秦基博 インディーズアルバム【オレンジの背景の赤い静物】 弾き語りカバー(再生リスト)
https://www.youtube.com/playlist?list=PLTRCxUfnPxuwfvBVGeffHBOrmSPPohSl6
・玉置浩二 弾き語りカバー(再生リスト)
https://www.youtube.com/playlist?list=PLTRCxUfnPxuwXphZKgpUQEfNRchAbOzky
・米津玄師 弾き語りカバー(再生リスト)
https://www.youtube.com/playlist?list=PLTRCxUfnPxuzFkTdjXJsKigr6PET4vRTA
・back number 弾き語りカバー(再生リスト)
https://www.youtube.com/playlist?list=PLTRCxUfnPxuwZ_4s5indkEQ0uVaAD27Um
・スピッツ 弾き語りカバー(再生リスト)
https://www.youtube.com/playlist?list=PLTRCxUfnPxuw--NxbvyGU4WtCBzMUzQac
・吉田拓郎 弾き語りカバー(再生リスト)
https://www.youtube.com/playlist?list=PLTRCxUfnPxuzbeRI8JSW3oelVUWd2vkyN
・Mizuna 弾き語りカバー(再生リスト)
https://www.youtube.com/playlist?list=PLTRCxUfnPxux7Y7g4N8o-lzKuQcqVpO3V
later latter 在 what is the difference between later and latter? - English Stack ... 的推薦與評價
Latter : occurring or situated nearer to the end of something than to the beginning, the meaning of latter is similar to later only. so ... ... <看更多>
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later latter 在 Veta - LATE, LATER, LATTER and LATELY When you use ... 的推薦與評價
LATE, LATER, LATTER and LATELY When you use 'late' as an adjective, what you mean is 'near the end of a period or time'. ... <看更多>
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