關於 goddess movement ，我們在網路上蒐集到這些相關的討論、資訊與評價

【 肌出力瑜美的火花 】EP.2

肌瑜聯手剛柔並濟的跨界合作 💪
Goddess Yoga TW X 正能量Fitness - 內湖專業健身工作室 X 何守正sam16

這一集我們要來分享最基礎的動作模式
也是影響身心的重要關鍵：『 呼吸 』 🫁

世界肌肉骨骼康復之父 Dr. Karel Lewit 曾說 :
如果呼吸模式是錯誤的，就談不上其他動作模式的正常。
"If breathing is not normalised, no other movement can be." Karel Lewit, MD

一個成年人每天呼吸約兩萬次，呼吸是我們身體最基礎也最重要的動作模式，但因為生活習慣與工作型態之影響，錯誤的呼吸模式非常普遍，且會在瑜珈練習與運動的時候放大，因此對人體來說，可以 『 恢復呼吸選擇性的呼吸練習 』其實非常重要，今天我們就來跟大家分享怎麼自己進行幾個入門的呼吸練習，一起加入吧！！🥰

#肌出力瑜美的火花 #呼吸 #建立運動習慣
#打造健康人生 #肌力 #瑜珈 #跨界合作
#健身迷思 #瑜珈迷思 #放下恐懼 #開始練習
#nikeyoga #ntc #nike #yoga #fitness #mindfulness
#workout #innerhappiness ＃ #balanclivethelifeyouwant

身體是最直接, 最持續的狀態;
夢想也是無意識的,
但作為一群影象,
它缺乏身體的即時性和連續性.
"The body is the unconscious in its most immediate and continuous form; the dream is also the unconscious, though as a body of images it lacks both the immediacy and continuity of the physical body.

無意識本身是不可知的;
它是從自發或非自願的身體運動和夢想中推斷出來的現實.
最終, 我們可能會把身體運動或夢想狀態視為一種不知不覺的表現,
而是一種在我們身上和我們內心運作的意識.
當然, 很多人相信,
我們現在認為的無意識相當於神的傳統概念,
即內心無所不知的存在.
同樣, 我談論索菲亞或聖母,
因為她們是與上帝女性一面相關的神聖女性生物.
通過把它們定位在潛意識中,
我從沒有到內心沿著神的道路,
這就是意識運動本身的特點.
此外, 我建議, 我們現在稱之為無意識的
是心理現實中一種只是在地下太久的意識.
在煉金術中, 有deus absconditus (男性)的概念, 隱藏的神.
但是無意識的還包括dea abscondita, 黑色麥當娜,
她選擇隱藏自己, 以保護人類免受殺害她的毀滅性後果.
The unconscious per se is unknowable; it is a reality that is inferred from such things as spontaneous or involuntary body movement and dreams. Ultimately we may come to think of body movement or the dreaming state as a manifestation not of unconsciousness, but as a consciousness that operates upon us and within us. Certainly there are many who believe that what we now think of as the unconscious is equivalent to the traditional concept of God as an unsleeping Being within, an omniscient inner presence. Similarly, I speak of Sophia or of the Virgin because they are divine womanly beings associated with the feminine side of God. By locating them in the unconscious I am following the path of God from without to within, the path that characterizes the movement of consciousness itself. Moreover, I am suggesting that what we now call the unconscious is in psychological reality a consciousness that has simply been underground for too long. In alchemy there is the concept of the deus absconditus (male), the hidden god in matter. But the unconscious also includes the dea abscondita, the Black Madonna, the goddess who has chosen to hide herself in order to protect humanity from the devastating consequences of killing her.

現代社會, 遠遠超過我們所知, 是尼採宣言′′上帝死了′′的後代.
他沒有死, 女神也沒有死. 他們只是躲藏起來.
他們的藏身處是潛意識.
當他們不再需要躲起來保護人免遭摧毀他們來摧毀自己時,
他們, 神和女神將再次出現.
當他們這樣做時, 我們會看到昏迷的事實:
上帝對他的創造的意識, 包括身體的意識.
那個運動尼採認同了狄奧尼索斯.
Modern society, far more than we realize, is the offspring of Nietzsche's declaration, "God is dead." He is not dead, nor is the Goddess. They are merely hiding. Their hiding place is the unconscious. When it is no longer necessary for them to hide in order to protect man from destroying himself by destroying them, they, God and Goddess together, will re-emerge. And when they do we will see the unconscious for what it is: God's consciousness of his creation which includes the body's consciousness of itself. That movement Nietzsche identified with Dionysus.
上帝的歸來是人類最古老的期望之一.
每一個世界宗教都在為他的回歸做準備.
每個宗教仍然在等待它. 這種期望意味著甚麼?
我們已經認識上帝的外向表現,
透過他的法律, 命令, 他的話語. 這是標誌, 上帝的男性一面.
我們在第二次到來時等待的是我們所缺少的:
上帝的內心動力或過程.
這位神的創造力而不是他的創造力是女性的本質,
傳統上在古代的奧秘中頒布.
因此, 歸來是神女性一面的出現,
幾百年來, 我們稱之為無意識的人逐漸成形.
現在是時候了, 我們可以創造性地處理上帝作為對立的結合的概念, 因此看到女性不再通過男性玻璃暗黑,
而是面對面面對卓越的臉."
The return of God is one of the most ancient expectations of the human race. Every world religion has presented itself as preparing for his return. Every religion still awaits it. What does this expectation imply? We already know God in his outward manifestation, by his laws, his commands, his word. That is the Logos, the masculine side of God. What we await in the Second Coming is what we lack: God's inner dynamic or process. This God in his creativeness rather than in his creation is the essence of the feminine, traditionally enacted in the ancient Mysteries. The return is therefore the emergence of the feminine side of God, which has been gradually taking shape for centuries in what we call the unconscious. The time has now come when we can deal creatively with the concept of God as the union of opposites, and therefore see the feminine no longer darkly through a masculine glass, but face to androgynous face."

~瑪麗昂·伍德曼,
沈迷於完美:
仍然無力的新娘
~Marion Woodman,
Addiction to Perfection:
The Still Unravished Bride

#Repost @hkz.global with @get_repost
・・・
2100 Agnes Chow was particularly well known for her efforts in connecting the Japanese with Hong Kong's pro-democracy movement. Her achievements earned her the title of Goddess of Activism. We hope that everyone who has been taken into custody today will be safe! 😭

Source: @thestandnews

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#'93年にコナミが開発・発売したRPG。「2」とはあるものの
「魍魎戦記MADARA」('90/FC)とはストーリーの繋がりは一切ないオリジナルストーリー。後に本作をコミカライズした"MADARA四神篇"が出版されている。

ドライバ制作・効果音：藤尾敦氏
作曲：岩瀬立飛氏, 東野美紀さん, 谷口博史氏, 畑亜貴氏

Manufacture: 1993.07.16 Konami
Hardware: spc700
computer: super famicom /snes
Music driver progrramer: Atsushi Fujio
Sound Effect: Atsushi Fujio
Composer: Tappi Iwase,Miki Higashino,Hirofumi Taniguchi,Aki Hata
------------------------------------------------------------------------------------------------------
00:00:00 01.Dark Awakening (part 1) (蒼茫の目覚め/オープニング パート1)
00:00:09 02.Dark Awakening (part 2) (暗い目覚め/蒼茫の目覚め オープニング その2)
00:01:21 03.Early Birds
00:03:32 04.Tubular Bells ～ For Whom the Bell Tolls (チューブラベルズ～誰がために鐘は鳴る/現代の町, 朝のシーンー学校の終業ベル)
00:03:43 05.Fiction of Meta Fiction (現代の町)
00:07:20 06.The Gods Are Thirsty (神々は渇く/神殿)
00:10:12 07.Fascinating Plays With Incarnation (化人幻戯/魂鬼)
00:14:13 08.Wild Dance of Fear (戦慄の乱舞/戦闘)
00:17:34 09.The Devil's Sneer (悪魔の嘲笑/戦闘終了ファンファーレ)
00:17:39 10.Brag-Rags for Brave Men (勇者の勲章/レベルアップ)
00:20:47 11.Rotten Tenacity (朽ちた執念/神社内BGM1)
00:22:52 12.The Goddess' Revelation ～ A Century of Exhaustion (女神の啓示～百年の枯渇/神社内BGM2)
00:25:41 13.The Hunter's Repose (狩人の休息/谷間の隠れ里)
00:28:18 14.Madara 2 Theme (マダラ2のテーマ/マダラ2メインテーマ1)
00:32:01 15.Warm Rain ～ Warmer Than Your Back (暖かい雨～あなたの背中のぬくもりよりも/メインテーマ1)
00:33:54 16.Heretic Fortress (邪教の砦/コーサラ王国町)
00:36:20 17.The Day of the Return to the Sea (海に帰る日/海底都市カメ)
00:36:31 18.Lady's Lover (淑女の恋人/海底都市王宮)
00:38:54 19.Far-Away Family (遠い家族/王宮内BGM1)
00:41:43 20.Must We Witness Murder_ (殺し合わねばならないのか/王宮内BGM2)
00:45:09 21.Boucus Porcus (Boucus Porcus) (ダキニ帝導入)
00:47:00 22.On the Other Side of the Whispering Wall (囁く壁の向こう側に/関所)
00:48:53 23.The Dictator's Solitude (独裁者の孤独/ファースィ国町)
00:51:18 24.Martial Law ～ The Night Without Children (戒厳令～子供が一人もいない夜/ファースィ国戒厳令下町)
00:54:04 25.The Trap and the Observatory (罠と天文台/ファースィ国寺院町)
00:58:04 26.In a Sudden Wind (偶然の風の中で/古城)
01:00:49 27.The Altered Altar (祭壇での彷徨/祭壇)
01:02:53 28.Terrifying Reward (恐怖の報酬/石坂)
01:03:01 29.Reflowing of Deadly Poison (逆流する猛毒/ロウラン国町)
01:06:11 30.The Earth is Angry (大地は怒る/ロウラン国町BGM「火山の村」)
01:07:15 31.Old Man Who Sells Legends (伝説を売る老人/ロウラン国町BGM「老人との会話」)
01:10:01 32.Karamazov's Mythology (カラマーゾフの神話/ランクァ国町)
01:12:29 33.Waveless Sea (波の無い海/航海)
01:15:10 34.Steel Skeleton (鋼鉄の骸/ダメイヤ聖都)
01:18:12 35.Enfant Terrible Rabbit (傍迷惑なウサギ/ジャト)
01:20:42 36.Elegy of the Golden Country (黄金の国の挽歌/ヤワト国町)
01:23:20 37.Open Sesame ～ I Don't Know What's Behind the Door ～ Autumn is Ending ～ Two People Sleeping Under the Stars (Open Sesame～扉の向こうの知らない自分－離れゆく秋～星の下で眠る2人/ドアの開く音－マダラ2メインテーマ2)
01:26:21 38.Vagrant's Song (放浪者の歌/ムクリ族キャンプ)
01:29:11 39.Homesick ～ Her Beloved Flowers (望郷～彼女の好きだった花/ユイマン国町)
01:32:23 40.Wages of Sin (悪徳の果て/魂鬼BGM2「洞窟」)
01:35:16 41.Rambling Assassin ～ Kiss of the Spider Woman (刺客逍遥～蜘蛛女のキス/ダキニ帝ダンジョン)
01:38:09 42.Silent Scream (唖の慟哭/ダキニ帝のテーマ)
01:41:33 43.Torture Sanctuary (ダキニ帝バトル)
01:44:30 44.The Wandering Sculptures (さすらいの群像/パーティ全滅)
01:47:00 45.Maze of Flowers (華迷宮/夢幻郷)
01:49:37 46.Quarter Moon (クォータームーン/宿)
01:49:49 47.Bells and Breeze ～ Blow the Wind (鐘と風～Blow the Wind/鐘と風「アンビエント」)
01:50:48 48.Menace in the Temple (堂塔の惨劇/ミロクの塔バトル)
01:53:18 49.To Pandemonium (阿鼻叫喚の地へ/ミロク帝のテーマ)
01:56:43 50.Triumphal Return of the Beast (野獣の凱旋/ミロク帝最終バトル)
01:59:33 51.Breath of Life ～ The Dark Side of the Madara (生命の息吹～the Dark Side of the MADARA/心臓音)
02:00:39 52.A Short Ensemble ～ The Sky's Blueness, Tears, and You (はかなさの重奏～空の青さと涙と君と/エンディング)
02:03:11 53.The Final Movement ～ A Brilliant Funeral Procession (最終楽章～華やかな葬列/スタッフロール)
02:08:14 54.Bells (ベル)
02:08:20 54.Owl (フクロウ)
02:08:23 55.Unreleased Track (未使用)
02:10:07 56.Water Cave (鍾乳洞)
02:10:59 57.Wind and Thunder (風と雷)
02:11:10 58.Wind (風)
------------------------------------------------------------------------------------------------------

If you love me and want to help support my mission on Planet Earth, donate to my PayPal in USD!
如果你愛我並且想要幫助支持我在地球上的使命，請將它捐贈給我的PayPal以美元!

PayPal.Me/dsaiybwron/

Hi internet, it's Daisy again!
Come follow me and my friend Gina as we go watch Sevdaliza at Brown Sugar in Taipei! Sevdaliza is one of my absolute favorite artists even though I've only been listening to her for a year...the emotional depth of her voice, the thoughtfulness of her movement, her goddess-like presence, the way she seamlessly blends fantasy and reality with past, present, and future...I could write a soliloquy, baby! I got so emotional at this show and I really hope you guys all enjoy this video I made! One of the best performances these big three eyes of mine have ever seen.

My favorite Sevdaliza song: https://www.youtube.com/watch?v=koAtzvSBvfE (this is my Tinder anthem LMAO)

GINA'S IG: https://www.instagram.com/badassgrrrlgang/

DAISY 林恬恬 FB: https://www.facebook.com/daisy.future/
DAISY 林恬恬 IG: https://www.instagram.com/daisy.future/

Music: daisysavestheworld.bandcamp.com

http://jp.youtube.com/watch?v=Trn7-SD6fCQ
お久しぶりに登場、
動画初登場かも、
今日は、娘さんとタンデム、仲がいいですね、
彼は、読売新聞で堺バーガーが取り上げられた時にインタビューされた方です、
小僧ケーキーお気に入り、
ダチョウカツサンドをお土産に、
ありがとう、

It are to be interviewed, and ..souvenir.. thank you for the ostrich pork
cutlet sandwich for taking up the Sakai burger in the Yomiuri Shimbun an
apprentice favorite cake him. good after a long time the daughter, the
tandem, and relations appearance, the animation first appearance or today

Yamaha Motor Co., Ltd. and XJR (Eccsjeiarl) are motorcycles of a naked type equipped with the air cooled engine to which YAMAHA MOTOR is doing the manufacturing sales, and numerical models are produced as a series model according to the displacement. Alias Pekejeiarl and Pekejei.
XJR1200 was put on the market in 1994. This is the one misappropriated from FJ1200 who is the Zarah model of this company and the displacement is 1188cc though engines are a large-scale automatic operation two-wheeled vehicle specifications of XJR400 previously put on the market, and are four stroke air cooling and 4 parallel cylinders in a naked type in the body type. It was popular as the opposition model of HONDA and CB1000 SUPER FOUR that had been put on the market at a simultaneous period.

Moreover, XJR1200R that changed meters to steering wheel mount → caul mount installing, and unifying the half caul based on a model concerned was put on the market in 1996. The user who high-speed runs as those who love about the air cooled engine has the deep-rooted popularity though the number of the bare-bones model doesn't go out and become a production end in several years.

XJR1300 is a restyling version of XJR1200 put on the market in 1998. The total emission has been increased to 1250cc though engines similarly are four stroke air cooling and 4 parallel cylinders. It has light operativeness of a stately distinctive character of the heavy vehicle and an average medium-size car, and eminent popularity is kept in selling in Japan the large-scale two-wheeled vehicle. The overseas export specification that omits a part of adjustment mechanism of a rear suspension exists by using a cheap type for the brake caliper, too. Here demonstrates the max power of 106ps though the domestic sale model is 100ps.

RX-8 (are Egk Sue 8) is a car that Mazda manufactures and sells. It is cars that only install the rotary engine, and are being produced now on the market. Abbreviation is ..".. outline of eight (8).

The rotary engine was installed, and no succession car of RX-7 and the sale was begun as a new model in 2003. As for the platform, Mazda and the FE platform were used. The design has been completely changed from FD though it sees in the succession platform of FD3S type RX-7 when the name is seen.

A new field "Family sports" hung in RX-8, and it became appearance shape that four adults were able to get on though a back seat of RX-7 was unsuitable for the crew's long distance movement in the supplementary one that was called "One mile seat".

It provides with four doors unusually as a sports car by four people's getting on. The body grows when making it to four doors and "Lightness" whose weight is delicious of increase rotary sports is spoilt though four doors were the absolute requirements on the Ford side. Then, it is "Free-style door" in which Mazda's having developed becomes the back and forth goddess of mercy opening. ..posterior region (made of aluminum).. front opens, opening and shutting becomes possible for the first time, the front has both, and the role to lock the rear door is had both. Therefore, the crew in the rear seat cannot get off for oneself (The crew in the front seat should open the door on the reception desk side). Moreover, the Pirarres structure is achieved by built-in pillar that builds the bone union that connects the top and bottom of the body that is called pillar in advance of the other companies into the door. The brake caliper does reception desk Hirao, does two pistons and rear Hirao, and is one piston. Froperashaft adopts made of the carbon. The power steering became electric of the motor control from the oil pressure control of the past, too.

Six stars are achieved and the stopping distance from 100 km/h has achieved the performance of 38.6m(44.4m when moist) and a top class of a driver's seat, a passenger's seat, and the highest rank in acquisition 1 doing and the brake performance examination in the collision safety performance synthesis evaluation by the Ministry of Land, Infrastructure and Transport on the safety side (However, because all cars are not evaluated, attention is necessary). On the other hand, it ..level 1.. stays in the pedestrian head protection performance examination.