關於 why japanese has chinese characters ，我們在網路上蒐集到這些相關的討論、資訊與評價

剛剛的北美之行，在演出之餘，當然也勾結了不少的當地的媒體。

#lgbtqInHongKong #CensorshipInChina #FreedomOfSpeech #LiberateHongKong #StandWithHongKong #CantoPop

//Anthony Wong’s Forbidden Colors

Out Hong Kong Canto-pop star brings his activism to US during his home’s protest crisis

BY MICHAEL LUONGO

From 1988’s “Forbidden Colors,” named for a 1953 novel by gay Japanese writer Yukio Mishima to this year’s “Is It A Crime?,” commemorating the 30th anniversary of the Tiananmen Square Massacre, Hong Kong Canto-pop star Anthony Wong Yiu-ming has combined music and activism over his long career. As Hong Kong explodes in revolt against Beijing’s tightening grip with the One Country, Two Systems policy ticking to its halfway point, Wong arrived stateside for a tour that included ’s Gramercy Theatre.

Gay City News caught up with 57-year-old Wong in the Upper West Side apartment of Hong Kong film director Evans Chan, a collaborator on several films. The director was hosting a gathering for Hong Kong diaspora fans, many from the New York For Hong Kong (NY4HK) solidarity movement.

The conversation covered Wong’s friendship with out actress, model, and singer Denise Ho Wan-see who co-founded the LGBTQ group Big Love Alliance with Wong and recently spoke to the US Congress; the late Leslie Cheung, perhaps Asia’s most famous LGBTQ celebrity; the threat of China’s rise in the global order; and the ongoing relationship among Canto-pop, the Cantonese language, and Hong Kong identity.

Wong felt it was important to point out that Hong Kong’s current struggle is one of many related to preserving democracy in the former British colony that was handed back to China in 1997. While not his own lyrics, Wong is known for singing “Raise the Umbrella” at public events and in Chan’s 2016 documentary “Raise the Umbrellas,” which examined the 2014 Occupy Central or Umbrella Movement, when Hong Kong citizens took over the central business district for nearly three months, paralyzing the city.

Wong told Gay City News, “I wanted to sing it on this tour because it was the fifth anniversary of the Umbrella Movement last week.”

He added, “For a long time after, nobody wanted to sing that song, because we all thought the Umbrella Movement was a failure. We all thought we were defeated.”

Still, he said, without previous movements “we wouldn’t have reached today,” adding, “Even more so than the Umbrella Movement, I still feel we feel more empowered than before.”

Hong Kong’s current protests came days after the 30th anniversary commemorations of the Tiananmen Square Massacre, known in China as the June 4th Incident. Hong Kong is the only place on Chinese soil where the Massacre can be publicly discussed and commemorated. Working with Tats Lau of his band Tat Ming Pair, Wong wrote the song “Is It A Crime?” to perform at Hong Kong’s annual Tiananmen commemoration. The song emphasizes how the right to remember the Massacre is increasingly fraught.

“I wanted our group to put out that song to commemorate that because to me Tiananmen Square was a big enlightenm­ent,” a warning of what the Beijing government will do to those who challenge it, he said, adding that during the June 4 Victoria Park vigil, “I really felt the energy and the power was coming back to the people. I really felt it, so when I was onstage to sing that song I really felt the energy. I knew that people would go onto the street in the following days.”

As the genre Canto-pop suggests, most of Wong’s work is in Cantonese, also known as Guangdonghua, the language of Guangdong province and Hong Kong. Mandarin, or Putonghua, is China’s national language. Wong feels Beijing’s goal is to eliminate Cantonese, even in Hong Kong.

“When you want to destroy a people, you destroy the language first, and the culture will disappear,” he said, adding that despite Cantonese being spoken by tens of millions of people, “we are being marginaliz­ed.”

Canto-pop and the Cantonese language are integral to Hong Kong’s identity; losing it is among the fears driving the protests.

“Our culture is being marginalized, more than five years ago I think I could feel it coming, I could see it coming,” Wong said. “That’s why in my music and in my concerts, I kept addressing this issue of Hong Kong being marginaliz­ed.”

This fight against the marginalization of identity has pervaded Wong’s work since his earliest days.

“People would find our music and our words, our lyrical content very apocalyptic,” he explained. “Most of our songs were about the last days of Hong Kong, because in 1984, they signed over the Sino-British declaration and that was the first time I realized I was going to lose Hong Kong.”

Clarifying identity is why Wong officially came out in 2012, after years of hints. He said his fans always knew but journalists hounded him to be direct.

“I sang a lot of songs about free love, about ambiguity and sexuality — even in the ‘80s,” he said, referring to 1988’s “Forbidden Colors.” “When we released that song as a single, people kept asking me questions.”

In 1989, he released the gender-fluid ballad “Forget He is She,” but with homosexuality still criminalized until 1991, he did not state his sexuality directly.

That changed in 2012, a politically active year that brought Hong Kongers out against a now-defunct plan to give Beijing tighter control over grade school curriculum. Raymond Chan Chi-chuen was elected to the Legislative Council, becoming the city’s first out gay legislator. In a concert, Wong used a play on the Chinese word “tongzhi,” which has an official meaning of comrade in the communist sense, but also homosexual in modern slang. By flashing the word about himself and simultaneously about an unpopular Hong Kong leader considered loyal to the Chinese Communist Party, he came out.

“The [2012] show is about identity about Hong Kong, because the whole city is losing its identity,” he said. “So I think I should be honest about it. It is not that I had been very dishonest about it, I thought I was honest enough.”

That same year he founded Big Love Alliance with Denise Ho, who also came out that year. The LGBTQ rights group organizes Hong Kong’s queer festival Pink Dot, which has its roots in Singapore’s LGBTQ movement. Given the current unrest, however, Pink Dot will not be held this year in Hong Kong.

As out celebrities using their star power to promote LGBTQ issues, Wong and Ho follow in the footsteps of fellow Hong Konger Leslie Cheung, the late actor and singer known for “Farewell My Concubine” (1993), “Happy Together” (1997), and other movies where he played gay or sexually ambiguous characters.

“He is like the biggest star in Hong Kong culture,” said Wong, adding he was not a close friend though the two collaborated on an album shortly before Cheung’s 2003 suicide.

Wong said that some might think he came to North America at an odd time, while his native city is literally burning. However, he wanted to help others connect to Hong Kong.

“My tool is still primarily my music, I still use my music to express myself, and part of my concern is about Hong Kong, about the world, and I didn’t want to cancel this tour in the midst of all this unrest,” he said. “In this trip I learned that I could encourage more people to keep an eye on what is going on in Hong Kong.”

Wong worries about the future of LGBTQ rights in Hong Kong, explaining, “We are trying to fight for the freedom for all Hong Kongers. If Hong Kongers don’t have freedom, the minorities won’t.”

That’s why he appreciates Taiwan’s marriage equality law and its leadership in Asia on LGBTQ rights.

“I am so happy that Taiwan has done that and they set a very good example in every way and not just in LGBT rights, but in democracy,” he said.

Wong was clear about his message to the US, warning “what is happening to Hong Kong won’t just happen to Hong Kongers, it will happen to the free world, the West, all those crackdowns, all those censorships, all those crackdowns on freedom of the press, all this crackdown will spread to the West.”

Wong’s music is banned in Mainland China because of his outspokenness against Beijing.

Like other recent notable Hong Kong visitors including activist Joshua Wong who testified before Congress with Ho, Wong is looking for the US to come to his city’s aid.

Wong tightened his body and his arms against himself, his most physically expressive moment throughout the hour and a half interview, and said, “Whoever wants to have a relationship with China, no matter what kind of relationship, a business relationship, an artistic relationship, or even in the academic world, they feel the pressure, they feel that they have to be quiet sometimes. So we all, we are all facing this situation, because China is so big they really want the free world to compromise.”

(These remarks came just weeks before China’s angry response to support for Hong Kong protesters voiced by the Houston Rockets’ general manager that could threaten significant investment in the National Basketball Association by that nation.)

Wong added, “America is the biggest democracy in the world, and they really have to use their influence to help Hong Kong. I hope they know this is not only a Hong Kong issue. This will become a global issue because China really wants to rule the world.”

Of that prospect, he said, “That’s very scary.”//

一直忘記分享這2篇個人報導: HYPEBEAST x HYPEBAE x StarsXu 中英文版都出來啦!!!🤙🏾🌎🤙🏾
😅但這標題實在壓的我不敢扛..., 及每次專訪都會提到NoLimitsFunの起源來自暗網(Deep Web)。
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(呃 額頭幾年前幹架撞到 現已鈣化凸出變獨角獸...)
Photo/ @seanmarclee ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
Perhaps one of Taiwan’s biggest fashion icons, Stars Xu –buyer, model, stylist and designer – has not only made a name for herself on social media, she also owns one of Taipei’s most popular streetwear shops. Stars is also a mother of one, and frequently posts pictures with her adorable son on her Instagram with a following close to 100,000.
We recently caught up with Stars to chat about everything from her successful business, to her love for movies and makeup. Read on for our full interview, and check out Stars’ shop NoLimitsFun here.
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How did you first get introduced to streetwear and street style?
I always loved music when I was young, and I’ve even been a drummer at a bar before. However, it wasn’t until I went to university that I started to learn about fashion and the huge influence that music has on clothes and design. I suppose listening to different genres of music is the biggest reason why I always change up the way I dress, ever since the beginning.
If you had to describe your style in three words, what would they be?
Movie characters, culture-inspired and era-based.
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How did you get your idea for your shop, NoLimitsFun?
I actually came across the name when I was browsing the Deep Web a while ago. It was the name of a secret group – just the sound of it made me feel uneasy and a little creeped out. However, I really think that fun and happiness is the foundation of everything we do. As long as a group of people work together to create happiness, they can reach the ultimate happiness. The store’s Chinese name of the store is created for us by some Bozosoku (someone from a Japanese motorcycle gang) guy from Hokkaido.
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Hypebeast:
https://hypebeast.com/…/interview-taiwanese-model-stars-xu-…
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Hypebae:
https://hypebae.com/…/interview-taiwanese-model-stars-xu-no…

Another great response to Shrey Bhargava's self righteous pity party. Every minority is invited to join! Come, let's blame the majority race for everything that's wrong in our lives, it is never our fault, it is because we are oppressed! Wow, so convenient!

Shrey has written another post boohooing about how racism (yawn), how minorities don't get roles easily in singapore, and how the Chinese are blind because we have privileged.

Cut your crap. If a Chinese director wants to make a movie about Chinese NS men, that's his fucking prerogative. If it features Indians or Malays as token characters, that's also his freedom and right. Why? You think every local movie needs to have an Indian main character then it's not considered racist is it?

In that case I ask... why are Bollywood movies full of only Indians? Why aren't one of the leads in 3 Idiots any race other than Indian?!!! Such an atrocity and blatant racism. Sure, Bollywood shows are in Tamil, but hey I don't care, this is as racist as The Voice asking for Chinese speakers! I don't care, include a Chinese mute character please, and he must not be a token role! Otherwise the director is racist! 🙄

Obviously like Donovan said there are privileges to being a majority race, a majority anything. That much is undeniable. While the Chinese in singapore should be mindful of consideration for all the other ethnic groups and always be respectful, but the automatic assumption that jobs be not only handed to you, but CREATED FOR you purely for the sake of your race isn't one of them.

Singapore is built on meritocracy.

Keep up your self victimizing charade and keep blaming society for your failures in life - you will find that soon nobody respects you.

And unlike the white liberals who have been indoctrinated with white guilt since their school days and think they have to pay for their ancestors' crime, you will find Singaporeans way less susceptible to your guilt tripping. Asians, including Indians and Chinese alike, don't subscribe to victim-playing. We work hard and succeed despite the odds - I suggest you get on with the program. Nobody owes you or your race a level playing field. Your whining rings hollow, since you exist in one of the most racially harmonious countries in the world, where the govt has taken careful steps to ensure equality for all the 4 main races.

Dear Shrey Bhargava,

As far as I can tell from your post, there was nothing racist about your Ah Boys to Men audition and I'll be kind enough to tell you and the 3000-odd people whom have shared your post why.

You were tasked to perform the role of a 'full blown Indian' and you have interpreted that as having to 'portray a caricature of my race' and being 'reduced to my accent'.

The casters were not racist and the element of racism here is non-existent because that was the role that is being demanded of you here, whether it was that of a Singaporean Indian, North Indian, British Indian or Red Indian.

Suppose Samuel L. Jackson had tried to audition for the role of Jack Dawson in Titanic, a part that really went to Leonardo DiCaprio. It is obvious that he would have been turned down because he was black. Now, is this not a clear-cut case of racial discrimination? Surely no one (maybe except that crazy Sangeetha) would be absurd enough to claim that the directors or scriptwriters of Titanic were racist and had "reduced" Jackson down to his skin colour?

That is because the role of Jack Dawson (may he rest in peace at the bottom of the Atlantic) is one of a white man.

Why is it somehow more 'wrong' for you to portray the role of a stereotypical Indian from India, than for Wang Wei Liang to portray the stereotypical Chinese gangster, or for Maxi Lim to portray the role of a stereotypical bootlicking yes-man recruit, or for Tosh Zhang to portray a stereotypical authoritative army Sergeant?

If Wang Wei Liang were to drop out of the Lobang King role right now and I be in line to audition for the role, I'd be similarly asked by the casting director to play the role of a 'full blown ah beng'.

That would mean me summoning out to the best of my abilities the most vicious, stereotypical characteristics of a Chinese 'ah beng'. I'd have to speak in subpar broken English, exercise a liberal use of dialect profanities and demonstrate an aptitude for violence in the face of problems.

I have no doubt in my mind that a lot of the ones whom are throwing support behind you right now would not similarly rally and call to arms in the same righteous manner for me because I had to depict a caricature of the stereotypical Chinese hooligan.

Yet what is the difference? Certainly not all Chinese 'ah bengs' are characterised with the same rebellious, malingering characteristics like that of Wang Wei Liang's character. I have done my National Service alongside some of them (in a god-forsaken rifleman unit no less), and most of them in fact are some of the most patriotic men I have ever seen.

Why is a racial stereotype anymore of a grievous injustice than the stereotype of an occupation, a cultural identity or any other form of stereotype? It is not.

If your objection is with being pigeonholed into a simplified, hackneyed image of a particular person, then you must similarly condemn all forms of stereotypes in film - not just stereotypes that are played along racial lines. And it is unnecessary for me to point out that stereotypes in the arts are ubiquitous in any and all forms.

In your follow-up post, you ramp up your distinct brand of illogic. You claim that it is wrong for the minority character to be of insignificance because this is a film that is a "SINGAPOREAN story".

But this begs the question. What defines being 'Singaporean'? Given that 40% of our population are comprised of foreigners and non-residents, isn't it just as wrong that these Filipinos, Indonesians, Japanese and Koreans are utterly unrepresented in Ah Boys to Men? Is it fair to stick to the 'Chinese, Malay, Indian' categorisation that in the first place, is a categorisation formulated on arbitrary standards by our government?

Is there any reason why your standard of what is 'Singaporean' should take priority over mine, or over the casting director's?

Yes, actors need jobs and it is certainly true that a racial minority would not enjoy the luxury of roles to pick from in comparison to one in the racial majority. But it is not clear WHY this is unfair, which is what you seem to me implying by "Minority actors do not have the privilege to pick and choose what to audition for".

Of course majorities benefit. The same can be said for people whom are right-handed, whom are tall, whom are lucky enough to be born with our five senses. When you lament that "Minority actors do not have the privilege to pick and choose what to audition for", you are no longer making an argument against racism, rather, you are making an argument against reality i.e., the racial proportion of our population.

I have observed this for some time among the young Singaporeans who are most active on social media. One of the most troubling cultural trends as of late is this idiotic penchant to leap at every slightest opportunity they get to call out racism, from the Toggle blackface issue and the Kiss92 incident to a Smartlocal video from last year.

Of course racism exists in Singapore (or anywhere else in the world for that matter), but reducing any and all issues down to race is not very helpful. There are far more productive ways to tackle discrimination. And that begins with changing the institutional framework of our society, such as the freedom of our press and media, so racial minorities are empowered to best represent their own unique cultures. Nit-picking on little details in the media is not one of them.

Like the Nobel Laureate Milton Friedman said: “One of the great mistakes is to judge policies and programs by their intentions rather than their results.” I commend your well-intentioned attempt to speak out against what you have perceived is 'racism', but your analysis is incorrect and your methods are in fact entirely retrogressive.

P.S. It was quite interesting to see how that Vimeo video on your wall provided a most comical caricature of Arabs being equated with bombs/terrorism. It appears that it is just your own racial identity that is most fragile, and that the rest of us must tread precariously around. I wonder if it was only I who cringed so hard?

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10 MOST INFLUENTIAL ASIAN SUPERHEROES FROM MARVEL & DC

There are a lot of comic book fans out there, and many of them are Asian. Yet historically, superheroes of Asian descent have been a rare thing in the Marvel & DC universes.

With movies like Captain America Civil War, Batman vs Superman and Deadpool already having broken several box office records this year, superhero movies are only getting more popular.

And you know, you have the first female solo superhero film in quite some time coming out in 2017 with DC’s Wonder Woman, and the first black solo superhero film in some time coming out in 2018 with Marvel’s Black Panther. Makes me wonder when we’ll see the first Asian solo superhero film on the big screen.

But we’re a long ways off because first, we actually need a successful and popular Asian superhero in the comics, and thus far, it’s not clear if we even have one.

Well you be the judge.

1. Jubilee (Marvel)
- arguably the most well-known Asian superhero
- a Chinese-American girl born in LA
- X-Men’s youngest member in the early 1990s

2. Shang Chi (Marvel)
- created in the 1970s, a period in time where people were crazy for Bruce Lee and anything Kung Fu related
- the premiere Asian character of the 70s
- born in China
- son & nemesis of the infamous, wealthy international Chinese crime lord Fu Manchu.
- has no superpowers, but is an expert in all forms of martial arts
- unfortunately as stereotypically Asian as you can get

3. Sunfire (Marvel)
- Japan’s premiere superhero
- just like Shang Chi, an Asian character of overt Asian symbolisms.
- real name, Shiro Yoshida
- born to a mother who suffered radiation poisoning (Hiroshima atomic bomb)
- became a mutant possessing solar radiation powers

4. Atom (DC)
- real name, Ryan Choi
- super smart & gets good grades
- can be quite the ladies’ man
- from Hong Kong
- protege of original Atom, Ray Palmer
- the Atom is a super hero who can shrink to a subatomic size (like Ant-Man)
- pretty noteworthy because first time an Asian guy took over the mantle of an existing superhero with an already established fan base
- too bad he only appeared in 78 issues before being killed off by the assassin, Deathstroke
- his death became the subject of racial controversy as he had been one of the few high profile Asian characters in the DC Universe

5. Batgirl (DC)
- real name, Cassandra Cain
- she’s a halfie, with a white dad and a Chinese mom
- adopted by Bruce Wayne, aka Batman.
- under Batman’s watch, she became Batgirl
- some refer to her as the Asian Batgirl

6. Psylocke (Marvel)
- real name is Elizabeth “Betsy” Braddock, originally a blonde haired girl from Essex, Great Britain
- a mutant with vast telepathic and telekinetic powers and a long time X-Man.
- had her soul transferred into the body of a Japanese female ninja
- in X-Men: Apocalypse movie she is played by Olivia Munn (Is this another example of whitewashing in Hollywood?)

7. Ms. Marvel (Marvel)
- real name, Kamala Khan, the second Ms. Marvel who made her debut in 2013
- a Pakistani Muslim teenage girl living in New Jersey from a very traditional Pakistani family.
- is an inhuman (a race of superhumans)
- her power makes her able to stretch her body in unimaginable ways

8. Silk (Marvel)
- real name Cindy Moon, a Korean American girl.
- Spiderman was bitten by a radioactive spider but what we didn’t know was, so did another student

9. Hulk (Marvel)
- in 2015 we were introduced to a Korean Hulk.
- real name, Amadeus Cho, a Korean American
- this new Hulk fights gamma monsters while traveling cross country with his sister Maddy

10. Superman
- DC one upped Marvel by making one of, if not, the most iconic superhero of all time Asian.
- Superman is now Chinese!
- a 17 year old kid from Shanghai named Kenan Kong
- you can imagine the outrage this has caused as ‘superman is supposed to be white’ and American

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